,.=†£¤£@## ##@£¤£†=.,
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,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# £ dream palace £ #@£¤£†=.,,
,.=†£¤£@## . ----- ------ . ##@£¤£†=.,
,,.=†£¤£@# £ ..... ...... £ #@£¤£†=.,,
,.=†£¤£@## = ..... ...... = ##@£¤£†=.,
,,.=†£¤£@# . ..... ...... . #@£¤£†=.,,
,.=†£¤£@## . ..... ...... . ##@£¤£†=.,
,,.=†£¤£@# , ..... ...... , #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# #@£¤£†=.,,
,.=†£¤£@## not actually a palace. a cottage in the ##@£¤£†=.,
,,.=†£¤£@# woods (temperate climate, rains every #@£¤£†=.,,
,.=†£¤£@## other day, springs and streams and ##@£¤£†=.,
,,.=†£¤£@# mysterious iron and stone artifacts, #@£¤£†=.,,
,.=†£¤£@## birdland-ish eternal spring (late ##@£¤£†=.,
,,.=†£¤£@# spring)) #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# = #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# i wake up every morning at six am. it's #@£¤£†=.,,
,.=†£¤£@## dark, and the stars are out, but the ##@£¤£†=.,
,,.=†£¤£@# sun is about to rise. its a long day, #@£¤£†=.,,
,.=†£¤£@## before it fades to night again, and ##@£¤£†=.,
,,.=†£¤£@# then it stays so until i fall asleep. #@£¤£†=.,,
,.=†£¤£@## it doesn't rise unless i've had my ##@£¤£†=.,
,,.=†£¤£@# dreams. #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# † #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# in this cottage there's a lot of radio #@£¤£†=.,,
,.=†£¤£@## equipment, sound stuff, synths, tape ##@£¤£†=.,
,,.=†£¤£@# players. pen and paper, books, cameras, #@£¤£†=.,,
,.=†£¤£@## mirrors, prisms, and various things to ##@£¤£†=.,
,,.=†£¤£@# do art with. the fridge is filled with #@£¤£†=.,,
,.=†£¤£@## differet foods, all of them intriguing, ##@£¤£†=.,
,,.=†£¤£@# slightly weird. #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# ¤ #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# i have friends - there's a cat, and a #@£¤£†=.,,
,.=†£¤£@## dog (who is ridicolously large and ##@£¤£†=.,
,,.=†£¤£@# wants to be the big spoon). i listen to #@£¤£†=.,,
,.=†£¤£@## the shortwave radio, and transmit a bit ##@£¤£†=.,
,,.=†£¤£@# myself, songs and poetry, and found #@£¤£†=.,,
,.=†£¤£@## sounds from the forest. the others tell ##@£¤£†=.,
,,.=†£¤£@# of their lives, play the guitar for me, #@£¤£†=.,,
,.=†£¤£@## and tell tales of the old world. i ##@£¤£†=.,
,,.=†£¤£@# consider them friends as well. #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# £ #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# most importantly, there's a two square #@£¤£†=.,,
,.=†£¤£@## meter area on the floor where i can ##@£¤£†=.,
,,.=†£¤£@# "save" things. whatever i put in here #@£¤£†=.,,
,.=†£¤£@## will not be affected by the nightly ##@£¤£†=.,
,,.=†£¤£@# reset. everything else, however, is #@£¤£†=.,,
,.=†£¤£@## completely reset overnight: synth ##@£¤£†=.,
,,.=†£¤£@# patches removed, food uneaten, wounds #@£¤£†=.,,
,.=†£¤£@## healed, and wherever and whenever i'd ##@£¤£†=.,
,,.=†£¤£@# fall asleep i'd always wake up fully #@£¤£†=.,,
,.=†£¤£@## rested in my bed. sometimes there's ##@£¤£†=.,
,,.=†£¤£@# accidents where i lose stuff by #@£¤£†=.,,
,.=†£¤£@## forgetting to put them in the square. ##@£¤£†=.,
,,.=†£¤£@# #@£¤£†=.,,
,.=†£¤£@## , ##@£¤£†=.,
,,.=†£¤£@# #@£¤£†=.,,
,.=†£¤£@## at night, i have demi-lucid dreams ##@£¤£†=.,
,,.=†£¤£@# where the spirits of the forest around #@£¤£†=.,,
,.=†£¤£@## the cottage tries to communicate. here, ##@£¤£†=.,
,,.=†£¤£@# it's not endless but connected to a #@£¤£†=.,,
,.=†£¤£@## large sprawling city, where my radio ##@£¤£†=.,
,,.=†£¤£@# friends live. we go exploring together #@£¤£†=.,,
,.=†£¤£@## - things are deep and dark - but unlike ##@£¤£†=.,
,,.=†£¤£@# me, they never remember during the day. #@£¤£†=.,,
,.=†£¤£@## this is a mystery we often discuss. ##@£¤£†=.,
,,.=†£¤£@# #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,
,,.=†£¤£@# #@£¤£†=.,,
,.=†£¤£@## ##@£¤£†=.,