.-«*^%%@£# #£@%%^*«-.
¨,»*§$@¶## ##¶@$§*»,¨
,¨,.,..=£# #£=..,.,¨,
.,-;§£&§ §&£§;-,.
¨,~**$£@## ##@£$**~,¨
,,»/=$@£@# statuette #@£@$=/»,,
,~~:%@#@¶@ @¶@#@%:~~,
,,~/=$£### $$¤%££§$¤$£*§&%$~»~«--=~§@%$%$£&*££¤£$£% ###£$=/~,,
.,»**¤## @¤¤&&$$@¤ ###&¤**»,.
.~-**$&@@# #@@&$**-~.
.,=\§£#¶## forests around my childhood home. thick ##¶#£§\=,.
¨:~^*$@#@# pine arcades that were planted and #@#@$*^~:¨
.,,¨,=^†%§ forgotten. wild boars roaming §%†^=,¨,,.
¨~=^%%&£@# underneath, sniffing at the ground. it #@£&%%^=~¨
.~-/^*$%¶@ is dark and moist, the canopy having @¶%$*^/-~.
¨--†$$#¶## already soaked up all the sun. ##¶#$$†--¨
¨,,..¨~;£& &£;~¨..,,¨
,-~†*@##@@ there's a river passing by, from east @@##@*†~-,
,.«\=%£### to west, getting broader and deeper and ###£%=\«.,
¨~==$§#### slower as it goes. equisetum grow just ####§$==~¨
¨,=;%§&£## where the pine hands start to let ##£&§%;=,¨
.^,~=^$@#£ through light, horsemint on the rocky £#@$^=~,^.
.¨..,/=%#@ river bed. @#%=/,..¨.
,,»*=*&@## ##@&*=*»,,
..¨¨¨,^\$& : &$\^,¨¨¨..
.~~=*§@@## ##@@§*=~~.
.,«;%$¤### the riverbanks reek of magic. tonight ###¤$%;«,.
,^»~«~*$§& they had been a swampworld with sylvan &§$*~«~»^,
.--\%§&@## water, stone rings and floating moss. ##@&§%\--.
¨:=†$$&@## you could've found me wallowing around ##@&$$†=:¨
¨,-*%%@¶@# on the southern shores until i got #@¶@%%*-,¨
,,=†^$£#@# bitten. #@#£$^†=,,
,.~^^§§£## ##£§§^^~.,
,-~***%$ but now i'm further back, on solid #&$%***~-,
.~»\*$&¶## ground, in shoulder-high grass, with an ##¶&$*\»~.
¨.,:«=$$¶# orange tin radio and a translucent #¶$$=«:,.¨
.,,,--^~§@ umbrella which i'm sitting on. @§~^--,,,.
¨~-,»;*¤#@ @#¤*;»,-~¨
¨-~^^%@#@# = #@#@%^^~-¨
.,«;^§¶### ###¶§^;«,.
.,--~$££ somethings moving in the grass. it's £#&£$~--,.
¨,,,,»*§$@ invisible to my eyes but i can feel @$§*»,,,,¨
,..~::*^$@ through the ground just how large it is. @$^*::~..,
,:»=%%§@## ##@§%%=»:,
¨--†%£%*£@ the soil is muddy. i slip when trying @£*%£%†--¨
.-=†%$@### to get up, still looking at the ###@$%†=-.
.¨,¨¨:~=§# direction of sound rather than at my #§=~:¨¨,¨.
¨,~*/^%§%¶ hands, who are busy putting things in ¶%§%^/*~,¨
...¨,~/$£¶ my pockets. ¶£$/~,¨...
.^~*;†/*#@ @#*/†;*~^.
,-~*%£#@#@ then i run east toward my home. @#@#£%*~-,
,,«\*££@## ##@££*\«,,
¨,-:**#@@# / #@@#**:-,¨
¨^=;^%¤$@§ §@$¤%^;=^¨
..,,¨»$¤@# i am not followed, and slow down in the #@¤$»¨,,..
.:«;%¤¤@@# clearing where you at first can spot #@@¤¤%;«:.
.,==**£@ the house, not yet really in the @£#&**==,.
.¨¨^~~†§$# backyard. from my pockets i retrieve my #$§†~~^¨¨.
,.,--/\*#@ radio (now dented) but also a small @#*\/--,.,
¨,.¨,.=*¤§ clay figure i've never seen before. it §¤*=.,¨.,¨
¨^~*=@@@ must have been laying in the wet dirt, @@@#&=*~^¨
,^»\*%¤£## and i must've picked it up with my ##£¤%*\»^,
¨¨.¨,^:*&¶ other belongings. ¶&*:^,¨.¨¨
¨¨^^=»=**# #**=»=^^¨¨
.¨--=»*&@# it's a statuette of a girl laying naked #@&*»=--¨.
¨.~*$¤§@## on her stomach, feet in the air, ##@§¤$*~.¨
.:~*%§§@## roughly seven centimeters long. it's ##@§§%*~:.
¨,~†^§&@@# freshly made, not yet completely dried. #@@&§^†~,¨
.,~,==:†$# #$†:==,~,.
.-~:;=§§@# my mom is here now. i ask her for some #@§§=;:~-.
,,«\†§*£@# particle board for it to dry on, but #@£*§†\«,,
¨,¨=«=^£## she is worried and wants me to ##£^=«=¨,¨
,:»=**†££¤ throw it away. ¤££†**=»:,
,:«=^%§### ###§%^=«:,
¨.,-^^\%&& &&%\^^-,.¨
,^~:\*†£#@ @#£†*\:~^,
¨-~:*$@¶## ##¶@$*:~-¨
.,»^†%¤#¶@ @¶#¤%†^»,.
¨:»*§%#¶@# #@¶#%§*»:¨