,,,-:†§£##                                          ##£§†:-,,,
,,,,-:†§£#                                          #£§†:-,,,,
,,,,,-:†§£                                          £§†:-,,,,,
,,,,,,-:†§                                          §†:-,,,,,,
,,,,,,,-:†                                          †:-,,,,,,,
,,,,,,,,-: delay  delay  d,la#  £ †a,  , ,@   -   , :-,,,,,,,,
,,,,,,,-:†                                          †:-,,,,,,,
,,,,,,-:†§                                          §†:-,,,,,,
,,,,,-:†§£                                          £§†:-,,,,,
,,,,-:†§£#                                          #£§†:-,,,,
,,,-:†§£## "delay" means repetiton or likewise,     ##£§†:-,,,
,,-:†§£### but it's mainly useless without          ###£§†:-,,
,,,-:†§£## feedback,                                ##£§†:-,,,
,,,,-:†§£# to allow the delay to eat of it's own    #£§†:-,,,,
,,,,,-:†§£ tail, like one of those eaty serpents.   £§†:-,,,,,
,,,,,,-:†§ thus: it's the serpent effect!           §†:-,,,,,,
,,,,,,,-:†                                          †:-,,,,,,,
,,,,,,,,-: it's to be revered as a creator of       :-,,,,,,,,
,,,,,,,-:† ambience and of space, if you treat it   †:-,,,,,,,
,,,,,,-:†§ right. a somewhat more solid and         §†:-,,,,,,
,,,,,-:†§£ slippery sibling of reverb.              £§†:-,,,,,
,,,,-:†§£#                                          #£§†:-,,,,
,,,-:†§£##                                          ##£§†:-,,,
,,-:†§£###                                          ###£§†:-,,
,,,-:†§£##                                          ##£§†:-,,,
,,,,-:†§£#                                          #£§†:-,,,,