.@@@.@@@.@ @.@...@.@.
@..@@..@@@ @@@..@@@@.
@.@.@.@... ..@.@...@@
@@@@@@@..@ .@@@@..@..
......@.@@ @...@.@@.@
.....@@@.. .^ ~~~~~~~ ~~~~~~~ ~~~~~~~ ^. @..@@@.@@@
....@..@.. NICK WILDE IS A RED FOX AND A CONMAN. @.@..@@..@
...@@.@@.@ .^ ~~~~~~~ ~~~~~~~ ~~~~~~~ ^. @@@.@.@.@@
..@.@@.@@@ ..@@@@@@.@
.@@@.@@..@ HE'S NOT ABOVE PETTY CRIME, BUT HE .@.....@@@
@..@@.@.@. KNOWS THAT IF HE PUTS IN A BIT OF WORK, @@....@..@
@.@.@@@@@@ HE WILL FIND MUCH MORE LUCRATIVE .@...@@.@.
@@@@.....@ REWARDS. @@..@.@@@@
...@....@@ .@.@@@....
..@@...@.. AND THUS HE'S CURRENTLY WORKING @@@..@....
.@.@..@@.. ALONGSIDE HATSUNE MIKU FOR A COMPANY ..@.@@....
@@@@.@.@.@ THAT MAKES SYNTHETIC MEAL REPLACEMENTS. .@@@.@....
...@@@@@@. HE'S GOT A VAGUE OUTLINE OF A PLAN, TO @..@@@...@
..@.....@. SCATTER WITH SOME PRODUCT, OR EVEN @.@..@..@@
.@@....@@@ BETTER, SOME FORMULA? THESE THINGS ARE @@@.@@.@.@
@.@...@... WORTH A LOT TO A COMPETITOR. ..@@.@@@@@
@@@..@@..@ .@.@@.....
..@.@.@.@@ HE'S BEEN LUCKY; THE PLACE IS @@@.@....@
.@@@@@@@.@ SURPRISINGLY UNGUARDED. ONCE HE'S GOT ..@@@...@@
@......@@@ HIS PAWS ON SOMETHING WORTHWHILE, IT'LL .@..@..@.@
@.....@..@ BE EASY TO JUST WALTZ OUT. UNTIL THEN, @@.@@.@@@.
@....@@.@. KEEP DOING THE WORK... .@@.@@..@@
@...@.@@@@ @.@@.@.@..
@..@@@.... COME TO THINK OF IT, THE PLACE IS @@.@@@@@.@
@.@..@...@ ALMOST EERILY EMPTY. THERE ARE FEW .@@....@@.
@@@.@@..@@ COWORKERS. (IN FACT THE COMPANY IS @.@...@.@@
..@@.@.@.. AI-RUN AND ONLY A FEW KEY ROLES ARE @@@..@@@..
.@.@@@@@.@ FILLED BY ACTUAL PEOPLE. ..@.@..@..
@@@....@@. .@@@@.@@..
..@...@.@. NONE OF THE EMPLOYEES KNOW THIS.) @...@@.@.@
.@@..@@@@@ @..@.@@@@@
@.@.@....@ ~~~ ~~~ @.@@@....@
@@@@@...@. ~~~ ~~~ ~~~ @@..@...@.
....@..@@. ~~~ ~~~ .@.@@..@@@
...@@.@.@. @@@.@.@..@
..@.@@@@@@ NICK AND MIKU ARE BOTH STATIONED IN ..@@@@@.@@
.@@@...... EARLY PROCESSING, HOUSED IN A STATE OF .@....@@.@
@..@.....@ THE ART FACTORY CLOSE TO THE DOCKS. @@...@.@@@
@.@@....@@ THEY CREATE THE EARLY BUILDING BLOCKS .@..@@@...
@@.@...@.@ THAT ARE LATER COMBINED INTO THE MEALS @@.@..@..@
.@@@..@@@. THAT'S SOLD TO CUSTOMERS. .@@@.@@.@.
@..@.@..@@ @..@@.@@@.
@.@@@@.@.. THE BASES ARE MOSTLY SLUDGES @.@.@@..@@
@@...@@@.@ OR PASTES, SUCH AS: @@@@.@.@..
.@..@..@@. ...@@@@@.@
@@.@@.@.@. =~ PLANT MATTER ..@....@@@
.@@.@@@@@@ =~ BLOOD COLONY .@@...@...
@.@@...... (MADE WITH A TYPE OF BACTERIA) @.@..@@...
@@.@...... =~ WILD FLESH @@@.@.@..@
.@@@...... (FREE ROAMING ANIMALS) ..@@@@@.@.
@..@...... =~ ORGANS .@....@@@.
@.@@...... (TAKEN FROM A LIVING HUMAN THAT @@...@..@@
@@.@...... IS WILLING TO SELL) .@..@@.@..
.@@@.....@ =~ MINERALS @@.@.@@@.@
@..@....@. =~ BLOOD COLONY TWO .@@@@..@@@
@.@@...@@. =~ INSECTS @...@.@...
@@.@..@.@@ (WHICH ARE MAINLY USED FOR THEIR @..@@@@..@
.@@@.@@@.@ BRAIN, WHICH IS USED TO EXTRACT @.@...@.@.
@..@@..@@@ RECEPTORS THAT DETECT PHEROMONES) @@@..@@@@.
@.@.@.@... ..@.@...@@
@@@@@@@..@ ~~~ ~~~ .@@@@..@..
......@.@@ ~~~ ~~~ ~~~ @...@.@@.@
.....@@@.. ~~~ ~~~ @..@@@.@@@
....@..@.. @.@..@@..@
...@@.@@.@ MIKU IS IN CHARGE OF THE BLOOD @@@.@.@.@@
..@.@@.@@@ COLONIES. THERE'S LARGE VATS OF THE ..@@@@@@.@
.@@@.@@..@ ORIGINAL CULTURE WHICH IS FED BLOOD .@.....@@@
@..@@.@.@. MEAL, BONE MEAL, WHAT DOESN'T QUALIFY @@....@..@
@.@.@@@@@@ TO GO IN THE "WILD FLESH" PASTE, AND .@...@@.@.
@@@@.....@ SOME PROCESSING CHEMICALS. ALL THESE @@..@.@@@@
...@....@@ INGREDIENTS HAVE AN EFFECT ON THE BLOOD .@.@@@....
..@@...@.. WHICH IN TURN AFFECTS MIKU. @@@..@....
.@.@..@@.. ..@.@@....
@@@@.@.@.@ THERE IS A LARGE TANK BEHIND THE .@@@.@....
...@@@@@@. FACTORY THAT CONTAINS A VAST NUMBER OF @..@@@...@
..@.....@. AUXILLIARY BLOOD COLONIES. MIKU WATCHES @.@..@..@@
.@@....@@@ OVER THESE AS WELL. THEIR PURPOSE IS @@@.@@.@.@
@.@...@... UNCLEAR. ..@@.@@@@@
@@@..@@..@ .@.@@.....
..@.@.@.@@ THE FACTORY IS SURROUNDED BY THE BLOOD @@@.@....@
.@@@@@@@.@ MEAL FARMS. THERE IS A CONSTANT ..@@@...@@
@......@@@ EXCHANGE OF BLOOD AND BLOOD MEAL. THIS .@..@..@.@
@.....@..@ PROVIDES TWO OF THE MAJOR MATERIALS FOR @@.@@.@@@.
@....@@.@. BOTH THE COLONIES AND MIKU. .@@.@@..@@
@...@.@@@@ @.@@.@.@..
@..@@@.... ~~~ ~~~ @@.@@@@@.@
@.@..@...@ ~~~ ~~~ ~~~ .@@....@@.
@@@.@@..@@ ~~~ ~~~ @.@...@.@@
..@@.@.@.. @@@..@@@..
.@.@@@@@.@ NICK IS UNCOMFORTABLE AROUND ..@.@..@..
@@@....@@. THE "WILD FLESH" VATS. .@@@@.@@..
..@...@.@. @...@@.@.@
.@@..@@@@@ @..@.@@@@@
@.@.@....@ @.@@@....@
@@@@@...@. @@..@...@.
....@..@@. .@.@@..@@@