,:-*$$@### ###@$$*-:,
,:-$$@#### ####@$$-:,
,:-*$$@### ###@$$*-:,
,,,,::*$@@ @@$*::,,,,
,:-*$$@@@@ @@@@$$*-:,
,:-*$$@### #### ##### ###@$$*-:,
,,,::-$@## tape dream ##@$-::,,,
,:-*$$@### #### ##### ###@$$*-:,
,:-*$$@### ###@$$*-:,
,,,,,,--$@ for storing music on. also data but @$--,,,,,,
,:-*$$@### at this point in time that's not ###@$$*-:,
,:-*$$@@@# really important i think. #@@@$$*-:,
,:-*$$@@@# #@@@$$*-:,
,,,,,:-$@@ @@$-:,,,,,
,,:::*$$@# ******** types of tape ******** #@$$*:::,,
,,,:-$$$$@ @$$$$-:,,,
,,,,-*$$$# class i - "bad" iron #$$$*-,,,,
,,,,:**$@# class ii - good chromium #@$**:,,,,
,:-*$$@### class iii - bad iron part two ###@$$*-:,
,:-*$$@### class iv - dangerous metals ###@$$*-:,
,:-*$$@@@# #@@@$$*-:,
,,,,:-**$# rumors exist about a secret class v tape #$**-:,,,,
,,,,:**$$@ that is actually useful. @$$**:,,,,
,:-*$$@### ###@$$*-:,
,:-*$$@### ** bias ** ###@$$*-:,
,,,:-**$@@ @@$**-:,,,
,:-*$$$@## class i uses one hundred and twenty ##@$$$*-:,
,:-*$$@### micro-something while the others all ###@$$*-:,
,:-*$$@### use seventy of the same unit. ###@$$*-:,
,,,,,:*$@# #@$*:,,,,,
,,,,,-**$@ @$**-,,,,,
,:-*$$@@@# $$$$$$$$$ aha and $$$$$$$$$ #@@@$$*-:,
,,,,:-$$$@ @$$$-:,,,,
,,,:::*$## class iv is apparently too strong to ##$*:::,,,
,,,:--*$@# be used on class i players. it will #@$*--:,,,
,:----**$@ sound too lound and it cannot be @$**----:,
,:-*$$@### completely erased. this is very well. ###@$$*-:,
,:-*$$@### maybe some wonderful blending effects ###@$$*-:,
,:--**$$$@ could be achieved? @$$$**--:,
,:--**$@## ##@$**--:,
,:-*$$@### they also gnaw at the tape heads a bit ###@$$*-:,
,:-*$$@### better than earlier tape types. ###@$$*-:,
,,,,,,-$@@ @@$-,,,,,,
,:-*$$@### ###@$$*-:,
,:-*$$@### ******** artifacts ******** ###@$$*-:,
,:-*$$@### ###@$$*-:,
,:-*$$@### good tapes are decent and have a good ###@$$*-:,
,,,,:-*$@@ high frequency presence, bad tapes are @@$*-:,,,,
,:-*$$@### lofi if not outright bad. idk, i kinda ###@$$*-:,
,,,:::*$@# like it. #@$*:::,,,
,:-*$$$$$@ @$$$$$*-:,
,:-*$$$$@@ bias loss: if you forget the bias who @@$$$$*-:,
,,,:***$@@ knows whats even on there anymore @@$***:,,,
,:-*$$@### ###@$$*-:,
,:-*$$@### flutter: kinda quick pitch variations. ###@$$*-:,
,:-*$$@### beautiful, wonderful, extraordinary. ###@$$*-:,
,:-*$$@@## ##@@$$*-:,
,:-*$$@### wow: a slower flutter, usually several ###@$$*-:,
,:-*$$#### seconds long. what up. both of these ####$$*-:,
:-*$$@#### increase when tape speed decreases. ####@$$*-:
,,,::*$$$@ @$$$*::,,,
,:-*$$@### print through: tapes rub sound on each ###@$$*-:,
,:-*$$$$@@ other if theyre alone for too long @@$$$$*-:,
,:-*$$@### ###@$$*-:,
,:--**$$$# #$$$**--:,
,:-**$$$@@ @@$$$**-:,
,,,,:*$$@# #@$$*:,,,,
,:-*$$@### ###@$$*-:,
,:-*$$@### ###@$$*-:,