###..##..# ..##.#..#.
.##.#.#.## .#.#.#.##.
#.#.#.#..# ##.#.#..#.
#.#.#.#.## .#.#.#.##.
#.#.#.#..# ##.#.#..#.
#.#.#.#.## if you follow a dirt road north just .#.#.#.##.
#.#.#.#..# within the second ring, and navigate ##.#.#..#.
#.#.#.#.## the overgrown maze of the north-eastern .#.#.#.##.
#.#.#.#..# residential district, eventually you ##.#.#..#.
#.#.#.#.## arrive at what looks like a large .#.#.#.##.
#.#.#.#..# fenced-in grove of bird cherry and ##.#.#..#.
#.#.#.#.## juniper. it's quite large, .#.#.#.##.
#.#.#.#..# and will take a while to circle, ##.#.#..#.
#.#.#.#.## especially since it's got gardens and .#.#.#.##.
#.#.#.#..# walls sticking out of it in more than a ##.#.#..#.
#.#.#.#.## few places. but keep going, and .#.#.#.##.
#.#.#.#..# eventually there'll be lilacs, and a ##.#.#..#.
#.#.#.#.## hole in the fence. .#.#.#.##.
#.#.#.#..# ##.#.#..#.
#.#.#.#.## go inside. well, it's hollow, and hides .#.#.#.##.
#.#.#.#..# a pale swamp (herons, mosquitos). it's ##.#.#..#.
#.#.#.#.## brighter here, and the sounds of the .#.#.#.##.
#.#.#.#..# city seem distant. but there's a second ##.#.#..#.
#.#.#.#.## grove inside. zig zag between puddles .#.#.#.##.
#.#.#.#..# and sinking shipping containers, ##.#.#..#.
#.#.#.#.## because toward the inner treeline the .#.#.#.##.
#.#.#.#..# ground becomes solid again. ##.#.#..#.
#.#.#.#.## .#.#.#.##.
#.#.#.#..# go inside. this time there's a cracked ##.#.#..#.
#.#.#.#.## parking lot, with sprinkled dandelions, .#.#.#.##.
#.#.#.#..# lined by wisteria. east of it is an ##.#.#..#.
#.#.#.#.## abandoned building, what used to house .#.#.#.##.
#.#.#.#..# an old restaurant. the paint is ##.#.#..#.
#.#.#.#.## chipping, some windows are broken, but .#.#.#.##.
#.#.#.#..# the signage is still there: ##.#.#..#.
#.#.#.#.## .#.#.#.##.
#.#.#.#..# "indian palace". ##.#.#..#.
#.#.#.#.## .#.#.#.##.
#.#.#.#..# ##.#.#..#.
#.#.#.#.## .#.#.#.##.
#.#.#.#..# ##.#.#..#.
#.#.#.#.## .#.#.#.##.