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.@..@.@.@. @.@@.@@.@@
.@.@@.@.@. if you follow a dirt road north just @..@..@..@
.@..@.@.@. within the second ring, and navigate @.@@.@@.@@
.@.@@.@.@. the overgrown maze of the north-eastern @..@..@..@
.@..@.@.@. residential district, eventually you @.@@.@@.@@
.@.@@.@.@. arrive at what looks like a large @..@..@..@
.@..@.@.@. fenced-in grove of bird cherry and @.@@.@@.@@
.@.@@.@.@. juniper. it's quite large, @..@..@..@
.@..@.@.@. and will take a while to circle, @.@@.@@.@@
.@.@@.@.@. especially since it's got gardens and @..@..@..@
.@..@.@.@. walls sticking out of it in more than a @.@@.@@.@@
.@.@@.@.@. few places. but keep going, and @..@..@..@
.@..@.@.@. eventually there'll be lilacs, and a @.@@.@@.@@
.@.@@.@.@. hole in the fence. @..@..@..@
.@..@.@.@. @.@@.@@.@@
.@.@@.@.@. go inside. well, it's hollow, and hides @..@..@..@
.@..@.@.@. a pale swamp (herons, mosquitos). it's @.@@.@@.@@
.@.@@.@.@. brighter here, and the sounds of the @..@..@..@
.@..@.@.@. city seem distant. but there's a second @.@@.@@.@@
.@.@@.@.@. grove inside. zig zag between puddles @..@..@..@
.@..@.@.@. and sinking shipping containers, @.@@.@@.@@
.@.@@.@.@. because toward the inner treeline the @..@..@..@
.@..@.@.@. ground becomes solid again. @.@@.@@.@@
.@.@@.@.@. @..@..@..@
.@..@.@.@. go inside. this time there's a cracked @.@@.@@.@@
.@.@@.@.@. parking lot, with sprinkled dandelions, @..@..@..@
.@..@.@.@. lined by wisteria. east of it is an @.@@.@@.@@
.@.@@.@.@. abandoned building, what used to house @..@..@..@
.@..@.@.@. an old restaurant. the paint is @.@@.@@.@@
.@.@@.@.@. chipping, some windows are broken, but @..@..@..@
.@..@.@.@. the signage is still there: @.@@.@@.@@
.@.@@.@.@. @..@..@..@
.@..@.@.@. "indian palace". @.@@.@@.@@
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