....,~*% #&%*~,....
...,~*%£ £#&%*~,...
..,~*%£# #£#&%*~,..
.,~*%£## ##£#&%*~,.
..,~*%£# #£#&%*~,..
...,~*%£ the last song on side b (and to some £#&%*~,...
....,~*% extent the first song on side a) talks #&%*~,....
.....,~*%& for the whole album, not just their &%*~,.....
......,~*% side. the last song on side b is %*~,......
.......,~* probably the most important *~,.......
......,~*% opportunity, the most charged slot. %*~,......
.....,~*%& &%*~,.....
....,~*% .£#£. #&%*~,....
...,~*%£ £#&%*~,...
..,~*%£# the album is a singularity, an anomaly #£#&%*~,..
.,~*%£## in spacetime, a creature that knows ##£#&%*~,.
..,~*%£# exactly how beautiful it is. #£#&%*~,..
...,~*%£ . £#&%*~,...
....,~*% and the thing is: it sees itself in #&%*~,....
.....,~*%& three d. it knows that it's dying. &%*~,.....
......,~*% %*~,......
.......,~* %%&&%%&&%%&&%%&&%%#&%%&&%%&&%%&&%%&&%% *~,.......
......,~*% %*~,......
.....,~*%& , dolphins and cats , &%*~,.....
....,~*% bring us #&%*~,....
...,~*%£ . flowers and honey . £#&%*~,...
..,~*%£# #£#&%*~,..
.,~*%£## , dolphins and cats , ##£#&%*~,.
..,~*%£# bring us #£#&%*~,..
...,~*%£ . fairies and bees . £#&%*~,...
....,~*% #&%*~,....
.....,~*%& our boat is afloat &%*~,.....
......,~*% on a surface of lilies %*~,......
.......,~* , dolphins and cats , *~,.......
......,~*% drag us down %*~,......
.....,~*%& .~% underneath %~. &%*~,.....
....,~*% #&%*~,....
...,~*%£ %%&&%%&&%%&&%%&&%%#&%%&&%%&&%%&&%%&&%% £#&%*~,...
..,~*%£# #£#&%*~,..
.,~*%£## side a is foresty, and side b might ##£#&%*~,.
..,~*%£# be lizardy. but the last song is full #£#&%*~,..
...,~*%£ of space. £#&%*~,...
....,~*% #&%*~,....
.....,~*%& &%*~,.....
......,~*% %*~,......
.......,~* *~,.......
......,~*% %*~,......