..==^$£¶¶¶ ¶¶¶£$^==..
......=^££ ££^=......
.......=$¶ ¶$=.......
..==^$£¶@# #@¶£$^==..
..==^$£¶¶@ @¶¶£$^==..
.....===$¶ the last song on side b (and to some ¶$===.....
..==^$¶@## extent the first song on side a) talks ##@¶$^==..
......=^££ for the whole album, not just their ££^=......
..==^$£¶@# side. the last song on side b is #@¶£$^==..
..==^$£¶@# probably the most important #@¶£$^==..
..==^£¶@## opportunity, the most charged slot. ##@¶£^==..
.....=^££¶ ¶££^=.....
..===^$$¶¶ .¶#¶. ¶¶$$^===..
..==^$£££¶ ¶£££$^==..
..==^$£¶@# the album is a singularity, an anomaly #@¶£$^==..
.....==$££ in spacetime, a creature that knows ££$==.....
....==$$££ exactly how beautiful it is. ££$$==....
....=^^^££ . ££^^^=....
..==^$£¶@# and the thing is: it sees itself in #@¶£$^==..
....===^$£ three d. it knows that it's dying. £$^===....
..==^$£¶@# #@¶£$^==..
......=^$¶ ^^$$^^$$^^$$^^$$^^$££$^^$$^^$$^^$$^^$$^^ ¶$^=......
......=^£@ @£^=......
..==^$£¶@# . dolphins and cats . #@¶£$^==..
.....=^$£@ bring us @£$^=.....
.......=$¶ . flowers and honey . ¶$=.......
..==^$£¶@# #@¶£$^==..
......==$£ . dolphins and cats . £$==......
.......=^£ bring us £^=.......
..==^^$$¶¶ . fairies and bees . ¶¶$$^^==..
..==^$$££@ @££$$^==..
....=^^$££ our boat is afloat ££$^^=....
....==^$¶¶ on a surface of lilies ¶¶$^==....
....=^$$$£ . dolphins and cats . £$$$^=....
..=====$££ drag us down ££$=====..
......=$£@ .=^ underneath ^=. @£$=......
..==^$£¶@@ @@¶£$^==..
.....===^£ ^^$$^^$$^^$$^^$$^^$££$^^$$^^$$^^$$^^$$^^ £^===.....
..==^$£££@ @£££$^==..
..==^$£¶@# side a is foresty, and side b might #@¶£$^==..
..==^$£¶## be lizardy. but the last song is full ##¶£$^==..
..==^$£¶@@ of space. @@¶£$^==..
....===$$£ £$$===....
.....==^£¶ ¶£^==.....
..==^$$££@ @££$$^==..
..==^$$$££ ££$$$^==..
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