.....~/††& &††/~.....
....~/@&&& &&&@/~....
...,/†@@@@ @@@@†/,...
.,~/†@&@@# #@@&@†/~,.
.,~/†@&@@# #@@&@†/~,.
..,,,,,/†& the last song on side b (and to some &†/,,,,,..
.,~/†@&@@# extent the first song on side a) talks #@@&@†/~,.
.,~/†@&@@# for the whole album, not just their #@@&@†/~,.
.,~/†@&@@# side. the last song on side b is #@@&@†/~,.
.....,/@@@ probably the most important @@@/,.....
.,~/†††&&& opportunity, the most charged slot. &&&†††/~,.
.....~/@&@ @&@/~.....
.,~/††@@@@ .@#@. @@@@††/~,.
....,,~~†& &†~~,,....
.,~/†@&@@# the album is a singularity, an anomaly #@@&@†/~,.
.,~/†@&@@# in spacetime, a creature that knows #@@&@†/~,.
.,~/†@&@@# exactly how beautiful it is. #@@&@†/~,.
.,~/†@&@## . ##@&@†/~,.
.,~/†@&@@# and the thing is: it sees itself in #@@&@†/~,.
.,~/†@&@@@ three d. it knows that it's dying. @@@&@†/~,.
.,~/†@&@@# #@@&@†/~,.
.,~/†@&@@@ ††@@††@@††@@††@@††@&&@††@@††@@††@@††@@†† @@@&@†/~,.
....,/†&&@ @&&†/,....
..,~~†@@&& , dolphins and cats , &&@@†~~,..
.,~/†@&@@# bring us #@@&@†/~,.
.,~/†@&@@# . flowers and honey . #@@&@†/~,.
.,~/†@&@@# #@@&@†/~,.
.,~/†@&@## , dolphins and cats , ##@&@†/~,.
.,~/†@&@@# bring us #@@&@†/~,.
.,~/†@&@@# . fairies and bees . #@@&@†/~,.
.~/†@&@@## ##@@&@†/~.
.,~/†@&@@# our boat is afloat #@@&@†/~,.
.,~/†@&@## on a surface of lilies ##@&@†/~,.
.....,~†&@ , dolphins and cats , @&†~,.....
.....,~†&@ drag us down @&†~,.....
....,/@@@@ .~† underneath †~. @@@@/,....
.,~~/†@&&@ @&&@†/~~,.
.,~/†@&@@@ ††@@††@@††@@††@@††@&&@††@@††@@††@@††@@†† @@@&@†/~,.
.,~///@@&@ @&@@///~,.
.,~/†@&@@@ side a is foresty, and side b might @@@&@†/~,.
.,~/†@&@@# be lizardy. but the last song is full #@@&@†/~,.
.,~/†@&@@@ of space. @@@&@†/~,.
.,~/†@&@## ##@&@†/~,.
.,~/†@&@@@ @@@&@†/~,.
.,,~~/@&@@ @@&@/~~,,.
.....~//@& &@//~.....
....,~†@@& &@@†~,....