,,,,-=:*%§ §%*:=-,,,,
,,,-=:*%§@ @§%*:=-,,,
,,-=:*%§@# #@§%*:=-,,
,-=:*%§@## ##@§%*:=-,
,,-=:*%§@# #@§%*:=-,,
,,,-=:*%§@ the last song on side b (and to some @§%*:=-,,,
,,,,-=:*%§ extent the first song on side a) talks §%*:=-,,,,
,,,,,-=:*% for the whole album, not just their %*:=-,,,,,
,,,,,,-=:* side. the last song on side b is *:=-,,,,,,
,,,,,,,-=: probably the most important :=-,,,,,,,
,,,,,,,,-= opportunity, the most charged slot. =-,,,,,,,,
,,,,,,,,,- -,,,,,,,,,
,,,,,,,,,, ,@#@, ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, the album is a singularity, an anomaly ,,,,,,,,,,
,,,,,,,,,- in spacetime, a creature that knows -,,,,,,,,,
,,,,,,,,-= exactly how beautiful it is. =-,,,,,,,,
,,,,,,,-=: , :=-,,,,,,,
,,,,,,-=:* and the thing is: it sees itself in *:=-,,,,,,
,,,,,-=:*% three d. it knows that it's dying. %*:=-,,,,,
,,,,-=:*%§ §%*:=-,,,,
,,,-=:*%§@ **%%**%%**%%**%%**%§§%**%%**%%**%%**%%** @§%*:=-,,,
,,-=:*%§@# #@§%*:=-,,
,-=:*%§@## - dolphins and cats - ##@§%*:=-,
,,-=:*%§@# bring us #@§%*:=-,,
,,,-=:*%§@ , flowers and honey , @§%*:=-,,,
,,,,-=:*%§ §%*:=-,,,,
,,,,,-=:*% - dolphins and cats - %*:=-,,,,,
,,,,,,-=:* bring us *:=-,,,,,,
,,,,,,,-=: , fairies and bees , :=-,,,,,,,
,,,,,,,,-= =-,,,,,,,,
,,,,,,,,,- our boat is afloat -,,,,,,,,,
,,,,,,,,,, on a surface of lilies ,,,,,,,,,,
,,,,,,,,,, - dolphins and cats - ,,,,,,,,,,
,,,,,,,,,, drag us down ,,,,,,,,,,
,,,,,,,,,- ,=* underneath *=, -,,,,,,,,,
,,,,,,,,-= =-,,,,,,,,
,,,,,,,-=: **%%**%%**%%**%%**%§§%**%%**%%**%%**%%** :=-,,,,,,,
,,,,,,-=:* *:=-,,,,,,
,,,,,-=:*% side a is foresty, and side b might %*:=-,,,,,
,,,,-=:*%§ be lizardy. but the last song is full §%*:=-,,,,
,,,-=:*%§@ of space. @§%*:=-,,,
,,-=:*%§@# #@§%*:=-,,
,-=:*%§@## ##@§%*:=-,
,,-=:*%§@# #@§%*:=-,,
,,,-=:*%§@ @§%*:=-,,,
,,,,-=:*%§ §%*:=-,,,,