...,-**¤£@ @£¤**-,...
..,-**¤£@# #@£¤**-,..
.,-**¤£@## ##@£¤**-,.
..,-**¤£@# #@£¤**-,..
...,-**¤£@ @£¤**-,...
....,-**¤£ the last song on side b (and to some £¤**-,....
...,-**¤£@ extent the first song on side a) talks @£¤**-,...
..,-**¤£@# for the whole album, not just their #@£¤**-,..
.,-**¤£@## side. the last song on side b is ##@£¤**-,.
..,-**¤£@# probably the most important #@£¤**-,..
...,-**¤£@ opportunity, the most charged slot. @£¤**-,...
....,-**¤£ £¤**-,....
...,-**¤£@ .£#£. @£¤**-,...
..,-**¤£@# #@£¤**-,..
.,-**¤£@## the album is a singularity, an anomaly ##@£¤**-,.
..,-**¤£@# in spacetime, a creature that knows #@£¤**-,..
...,-**¤£@ exactly how beautiful it is. @£¤**-,...
....,-**¤£ . £¤**-,....
...,-**¤£@ and the thing is: it sees itself in @£¤**-,...
..,-**¤£@# three d. it knows that it's dying. #@£¤**-,..
.,-**¤£@## ##@£¤**-,.
..,-**¤£@# %%**%%**%%**%%**%%*¤¤*%%**%%**%%**%%**%% #@£¤**-,..
...,-**¤£@ @£¤**-,...
....,-**¤£ , dolphins and cats , £¤**-,....
...,-**¤£@ bring us @£¤**-,...
..,-**¤£@# . flowers and honey . #@£¤**-,..
.,-**¤£@## ##@£¤**-,.
..,-**¤£@# , dolphins and cats , #@£¤**-,..
...,-**¤£@ bring us @£¤**-,...
....,-**¤£ . fairies and bees . £¤**-,....
...,-**¤£@ @£¤**-,...
..,-**¤£@# our boat is afloat #@£¤**-,..
.,-**¤£@## on a surface of lilies ##@£¤**-,.
..,-**¤£@# , dolphins and cats , #@£¤**-,..
...,-**¤£@ drag us down @£¤**-,...
....,-**¤£ .-% underneath %-. £¤**-,....
...,-**¤£@ @£¤**-,...
..,-**¤£@# %%**%%**%%**%%**%%*¤¤*%%**%%**%%**%%**%% #@£¤**-,..
.,-**¤£@## ##@£¤**-,.
..,-**¤£@# side a is foresty, and side b might #@£¤**-,..
...,-**¤£@ be lizardy. but the last song is full @£¤**-,...
....,-**¤£ of space. £¤**-,....
...,-**¤£@ @£¤**-,...
..,-**¤£@# #@£¤**-,..
.,-**¤£@## ##@£¤**-,.
..,-**¤£@# #@£¤**-,..
...,-**¤£@ @£¤**-,...