,@@@@,,,@, ,@,@@,@,,,
,@,,,@,,@@ ,@@@,@@@,,
,@@,,@@,@, ,@,,@@,,@,
,@,@,@,@@@ ,@@,@,@,@@
@@@@@@@@,, ,@,@@@@@@,
@,,,,,,,@, the last song on side b (and to some @@@@,,,,,@
,@,,,,,,@@ extent the first song on side a) talks @,,,@,,,,@
@@@,,,,,@, for the whole album, not just their @@,,@@,,,@
,,,@,,,,@@ side. the last song on side b is ,,@,@,@,,@
@,,@@,,,@, probably the most important ,,@@@@@@,@
,@,@,@,,@@ opportunity, the most charged slot. ,,@,,,,,@@
@@@@@@@,@, ,,@@,,,,@,
@,,,,,,@@@ ,@#@, @,@,@,,,@@
,@,,,,,@,, @@@@@@,,@,
,@@,,,,@@, the album is a singularity, an anomaly ,,,,,,@,@@
@@,@,,,@,@ in spacetime, a creature that knows @,,,,,@@@,
@,@@@,,@@@ exactly how beautiful it is. ,@,,,,@,,@
,@@,,@,@,, , @@@,,,@@,@
@@,@,@@@@, and the thing is: it sees itself in ,,,@,,@,@@
,,@@@@,,,@ three d. it knows that it's dying. @,,@@,@@@,
,,@,,,@,,@ ,@,@,@@,,@
@,@@,,@@,@ **§§**§§**§§**§§**§@@§**§§**§§**§§**§§** @@@@@@,@,@
,@@,@,@,@@ @,,,,,@@@@
@@,@@@@@@, , dolphins and cats , ,@,,,,@,,,
@,@@,,,,,@ bring us @@@,,,@@,,
@@@,@,,,,@ , flowers and honey , ,,,@,,@,@,
@,,@@@,,,@ @,,@@,@@@@
,@,@,,@,,@ , dolphins and cats , ,@,@,@@,,,
,@@@@,@@,@ bring us @@@@@@,@,,
,@,,,@@,@@ , fairies and bees , ,,,,,,@@@,
,@@,,@,@@, @,,,,,@,,@
@@,@,@@@,@ our boat is afloat ,@,,,,@@,@
,,@@@@,,@@ on a surface of lilies ,@@,,,@,@@
@,@,,,@,@, , dolphins and cats , ,@,@,,@@@,
@@@@,,@@@@ drag us down ,@@@@,@,,@
,,,,@,@,,, ,~* underneath *~, ,@,,,@@@,@
@,,,@@@@,, @@@,,@,,@@
,@,,@,,,@, **§§**§§**§§**§§**§@@§**§§**§§**§§**§§** ,,,@,@@,@,
,@@,@@,,@@ @,,@@@,@@@
@@,@@,@,@, side a is foresty, and side b might ,@,@,,@@,,
@,@@,@@@@@ be lizardy. but the last song is full ,@@@@,@,@,
@@@,@@,,,, of space. ,@,,,@@@@@
,,,@@,@,,, ,@@,,@,,,,
,,,@,@@@,, ,@,@,@@,,,
,,,@@@,,@, @@@@@@,@,,
,,,@,,@,@@ @,,,,,@@@,
,,,@@,@@@, @@,,,,@,,@