,,,==%%#@@ @@#%%==,,,
,.===†%#@@ @@#%†===.,
,.=†%%@### ###@%%†=.,
,.=†%%@### ###@%%†=.,
,.=†%%#@@@ @@@#%%†=.,
,.=†%#@### the last song on side b (and to some ###@#%†=.,
,.=†%%@### extent the first song on side a) talks ###@%%†=.,
,,,,,.=†%# for the whole album, not just their #%†=.,,,,,
,.=†%%#@## side. the last song on side b is ##@#%%†=.,
,.=†%%#@## probably the most important ##@#%%†=.,
,.=†%%#@## opportunity, the most charged slot. ##@#%%†=.,
,,,,=†%%## ##%%†=,,,,
,.=†%%#@@@ ,@#@, @@@#%%†=.,
,,,.=†%### ###%†=.,,,
,.=†%%##@@ the album is a singularity, an anomaly @@##%%†=.,
,.=†%%#@## in spacetime, a creature that knows ##@#%%†=.,
,,,,.=†%%# exactly how beautiful it is. #%%†=.,,,,
,.==†%%%%@ , @%%%%†==.,
,,,,,,=%## and the thing is: it sees itself in ##%=,,,,,,
,,,,,,.†%@ three d. it knows that it's dying. @%†.,,,,,,
,.=†%%#@@@ @@@#%%†=.,
,.=†%%%%@@ %%%%%%%%%%%%%%%%%%%##%%%%%%%%%%%%%%%%%%% @@%%%%†=.,
,,,,,,,=%# #%=,,,,,,,
,.=†%%#@@# . dolphins and cats . #@@#%%†=.,
,.=†%%#@## bring us ##@#%%†=.,
,,,,,..†%@ , flowers and honey , @%†..,,,,,
,.=†%%%%%# #%%%%%†=.,
,.=†%%#@@# . dolphins and cats . #@@#%%†=.,
,.=†%%#@## bring us ##@#%%†=.,
,.=†%%#@## , fairies and bees , ##@#%%†=.,
,,,===%%## ##%%===,,,
,...=†%##@ our boat is afloat @##%†=...,
,.=†%%#@## on a surface of lilies ##@#%%†=.,
,.=†%%%%%# . dolphins and cats . #%%%%%†=.,
,,,,,..†%# drag us down #%†..,,,,,
,.=†%%#@## ,=% underneath %=, ##@#%%†=.,
,.=†%%#@## ##@#%%†=.,
,.=†%%#@## %%%%%%%%%%%%%%%%%%%##%%%%%%%%%%%%%%%%%%% ##@#%%†=.,
,.=†%%#@## ##@#%%†=.,
,.=†%%#@@@ side a is foresty, and side b might @@@#%%†=.,
,.=†%%#@## be lizardy. but the last song is full ##@#%%†=.,
,.=%%#@### of space. ###@#%%=.,
,.=†%%#@## ##@#%%†=.,
,.=†%%#@## ##@#%%†=.,
,.===%%%## ##%%%===.,
,.=†%%#@## ##@#%%†=.,
,.=†%%@### ###@%%†=.,