¶£@^^»^,,, ,,,^»^^@£¶
£@^^»^,,,, ,,,,^»^^@£
¶£@^^»^,,, ,,,^»^^@£¶
#¶£@^^»^,, ,,^»^^@£¶#
##¶£@^^»^, ,^»^^@£¶##
#¶£@^^»^,, the last song on side b (and to some ,,^»^^@£¶#
¶£@^^»^,,, extent the first song on side a) talks ,,,^»^^@£¶
£@^^»^,,,, for the whole album, not just their ,,,,^»^^@£
¶£@^^»^,,, side. the last song on side b is ,,,^»^^@£¶
#¶£@^^»^,, probably the most important ,,^»^^@£¶#
##¶£@^^»^, opportunity, the most charged slot. ,^»^^@£¶##
#¶£@^^»^,, ,,^»^^@£¶#
¶£@^^»^,,, ,¶#¶, ,,,^»^^@£¶
£@^^»^,,,, ,,,,^»^^@£
¶£@^^»^,,, the album is a singularity, an anomaly ,,,^»^^@£¶
#¶£@^^»^,, in spacetime, a creature that knows ,,^»^^@£¶#
##¶£@^^»^, exactly how beautiful it is. ,^»^^@£¶##
#¶£@^^»^,, , ,,^»^^@£¶#
¶£@^^»^,,, and the thing is: it sees itself in ,,,^»^^@£¶
£@^^»^,,,, three d. it knows that it's dying. ,,,,^»^^@£
¶£@^^»^,,, ,,,^»^^@£¶
#¶£@^^»^,, ^^@@^^@@^^@@^^@@^^@££@^^@@^^@@^^@@^^@@^^ ,,^»^^@£¶#
##¶£@^^»^, ,^»^^@£¶##
#¶£@^^»^,, ^ dolphins and cats ^ ,,^»^^@£¶#
¶£@^^»^,,, bring us ,,,^»^^@£¶
£@^^»^,,,, , flowers and honey , ,,,,^»^^@£
¶£@^^»^,,, ,,,^»^^@£¶
#¶£@^^»^,, ^ dolphins and cats ^ ,,^»^^@£¶#
##¶£@^^»^, bring us ,^»^^@£¶##
#¶£@^^»^,, , fairies and bees , ,,^»^^@£¶#
¶£@^^»^,,, ,,,^»^^@£¶
£@^^»^,,,, our boat is afloat ,,,,^»^^@£
¶£@^^»^,,, on a surface of lilies ,,,^»^^@£¶
#¶£@^^»^,, ^ dolphins and cats ^ ,,^»^^@£¶#
##¶£@^^»^, drag us down ,^»^^@£¶##
#¶£@^^»^,, ,»^ underneath ^», ,,^»^^@£¶#
¶£@^^»^,,, ,,,^»^^@£¶
£@^^»^,,,, ^^@@^^@@^^@@^^@@^^@££@^^@@^^@@^^@@^^@@^^ ,,,,^»^^@£
¶£@^^»^,,, ,,,^»^^@£¶
#¶£@^^»^,, side a is foresty, and side b might ,,^»^^@£¶#
##¶£@^^»^, be lizardy. but the last song is full ,^»^^@£¶##
#¶£@^^»^,, of space. ,,^»^^@£¶#
¶£@^^»^,,, ,,,^»^^@£¶
£@^^»^,,,, ,,,,^»^^@£
¶£@^^»^,,, ,,,^»^^@£¶
#¶£@^^»^,, ,,^»^^@£¶#
##¶£@^^»^, ,^»^^@£¶##