.#..##..## .#.#..##.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# % DREAM PALACE % .#.#.#.#.#
.#.#.#.#.# : ----- ------ : .#.#.#.#.#
.#.#.#.#.# % ..... ...... % .#.#.#.#.#
.#.#.#.#.# * ..... ...... * .#.#.#.#.#
.#.#.#.#.# : ..... ...... : .#.#.#.#.#
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.#.#.#.#.# . ..... ...... . .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# NOT ACTUALLY A PALACE. A COTTAGE IN THE .#.#.#.#.#
.#.#.#.#.# WOODS (TEMPERATE CLIMATE, RAINS EVERY .#.#.#.#.#
.#.#.#.#.# OTHER DAY, SPRINGS AND STREAMS AND .#.#.#.#.#
.#.#.#.#.# MYSTERIOUS IRON AND STONE ARTIFACTS, .#.#.#.#.#
.#.#.#.#.# BIRDLAND-ISH ETERNAL SPRING (LATE .#.#.#.#.#
.#.#.#.#.# SPRING)) .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# ~ .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# I WAKE UP EVERY MORNING AT SIX AM. IT'S .#.#.#.#.#
.#.#.#.#.# DARK, AND THE STARS ARE OUT, BUT THE .#.#.#.#.#
.#.#.#.#.# SUN IS ABOUT TO RISE. ITS A LONG DAY, .#.#.#.#.#
.#.#.#.#.# BEFORE IT FADES TO NIGHT AGAIN, AND .#.#.#.#.#
.#.#.#.#.# THEN IT STAYS SO UNTIL I FALL ASLEEP. .#.#.#.#.#
.#.#.#.#.# IT DOESN'T RISE UNLESS I'VE HAD MY .#.#.#.#.#
.#.#.#.#.# DREAMS. .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# * .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# IN THIS COTTAGE THERE'S A LOT OF RADIO .#.#.#.#.#
.#.#.#.#.# EQUIPMENT, SOUND STUFF, SYNTHS, TAPE .#.#.#.#.#
.#.#.#.#.# PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, .#.#.#.#.#
.#.#.#.#.# MIRRORS, PRISMS, AND VARIOUS THINGS TO .#.#.#.#.#
.#.#.#.#.# DO ART WITH. THE FRIDGE IS FILLED WITH .#.#.#.#.#
.#.#.#.#.# DIFFERET FOODS, ALL OF THEM INTRIGUING, .#.#.#.#.#
.#.#.#.#.# SLIGHTLY WEIRD. .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# # .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# I HAVE FRIENDS - THERE'S A CAT, AND A .#.#.#.#.#
.#.#.#.#.# DOG (WHO IS RIDICOLOUSLY LARGE AND .#.#.#.#.#
.#.#.#.#.# WANTS TO BE THE BIG SPOON). I LISTEN TO .#.#.#.#.#
.#.#.#.#.# THE SHORTWAVE RADIO, AND TRANSMIT A BIT .#.#.#.#.#
.#.#.#.#.# MYSELF, SONGS AND POETRY, AND FOUND .#.#.#.#.#
.#.#.#.#.# SOUNDS FROM THE FOREST. THE OTHERS TELL .#.#.#.#.#
.#.#.#.#.# OF THEIR LIVES, PLAY THE GUITAR FOR ME, .#.#.#.#.#
.#.#.#.#.# AND TELL TALES OF THE OLD WORLD. I .#.#.#.#.#
.#.#.#.#.# CONSIDER THEM FRIENDS AS WELL. .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# £ .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# MOST IMPORTANTLY, THERE'S A TWO SQUARE .#.#.#.#.#
.#.#.#.#.# METER AREA ON THE FLOOR WHERE I CAN .#.#.#.#.#
.#.#.#.#.# "SAVE" THINGS. WHATEVER I PUT IN HERE .#.#.#.#.#
.#.#.#.#.# WILL NOT BE AFFECTED BY THE NIGHTLY .#.#.#.#.#
.#.#.#.#.# RESET. EVERYTHING ELSE, HOWEVER, IS .#.#.#.#.#
.#.#.#.#.# COMPLETELY RESET OVERNIGHT: SYNTH .#.#.#.#.#
.#.#.#.#.# PATCHES REMOVED, FOOD UNEATEN, WOUNDS .#.#.#.#.#
.#.#.#.#.# HEALED, AND WHEREVER AND WHENEVER I'D .#.#.#.#.#
.#.#.#.#.# FALL ASLEEP I'D ALWAYS WAKE UP FULLY .#.#.#.#.#
.#.#.#.#.# RESTED IN MY BED. SOMETIMES THERE'S .#.#.#.#.#
.#.#.#.#.# ACCIDENTS WHERE I LOSE STUFF BY .#.#.#.#.#
.#.#.#.#.# FORGETTING TO PUT THEM IN THE SQUARE. .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# . .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# AT NIGHT, I HAVE DEMI-LUCID DREAMS .#.#.#.#.#
.#.#.#.#.# WHERE THE SPIRITS OF THE FOREST AROUND .#.#.#.#.#
.#.#.#.#.# THE COTTAGE TRIES TO COMMUNICATE. HERE, .#.#.#.#.#
.#.#.#.#.# IT'S NOT ENDLESS BUT CONNECTED TO A .#.#.#.#.#
.#.#.#.#.# LARGE SPRAWLING CITY, WHERE MY RADIO .#.#.#.#.#
.#.#.#.#.# FRIENDS LIVE. WE GO EXPLORING TOGETHER .#.#.#.#.#
.#.#.#.#.# - THINGS ARE DEEP AND DARK - BUT UNLIKE .#.#.#.#.#
.#.#.#.#.# ME, THEY NEVER REMEMBER DURING THE DAY. .#.#.#.#.#
.#.#.#.#.# THIS IS A MYSTERY WE OFTEN DISCUSS. .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#
.#.#.#.#.# .#.#.#.#.#