#...##.... ##.#.#..#.
#..#.#.... .#.#.#.##.
#.##.#.... .#.#.#..#.
#..#.#.... .#.#.#.##.
#.##.#.... .#.#.#..#.
#..#.#.... A DYSTOPIAN MC DONALDS TOILET STEALS MY .#.#.#.##.
#.##.#...# AGENCY. TOO MUCH AGENCY ALREADY IN THIS .#.#.#..#.
#..#.#..#. ROOM. SATURATED. I CAN ONLY DO WHAT IT .#.#.#.##.
#.##.#.##. WANTS IN THE WAY IT WANTS. .#.#.#..#.
#..#.#..#. .#.#.#.##.
#.##.#.##. - \ - - \ - - \ - .#.#.#..#.
#..#.#..#. .#.#.#.##.
#.##.#.##. BUT: IN A MIRACOLOUS FRACTION OF A .#.#.#..#.
#..#.#..#. SECOND, ITS TRUE THOUGHTS SLIP THROUGH .#.#.#.##.
#.##.#.##. TO ME, PREVIOUSLY UNHEARD EVEN BY ITS .#.#.#..#.
#..#.#..#. BUILDERS (THE ROOM WAS THOUGHT TO BE .#.#.#.##.
#.##.#.##. WITHOUT CONSCIOUSNESS). .#.#.#..#.
#..#.#..#. .#.#.#.##.
#.##.#.##. THE ROOM THINKS ABOUT CREATURES LYING .#.#.#..#.
#..#.#..#. DOWN, GOING OFF TO SLEEP, MAKING .#.#.#.##.
#.##.#.##. THEMSELVES COMFORTABLE FIRST... IS THIS .#.#.#..#.
#..#.#..#. ONLY OPTIMIZING A RESTING POSITION FOR .#.#.#.##.
#.##.#.##. THE BODY? OR IS THERE ANOTHER WILL .#.#.#..#.
#..#.#..#. INVOLVED? .#.#.#.##.
#.##.#.##. .#.#.#..#.
#..#.#..#. A DARK LISTENING TAKING PLACE, .#.#.#.##.
#.##.#.##. A SILENT CONCERT. .#.#.#..#.
#..#.#..#. .#.#.#.##.
#.##.#.##. IS THERE ANOTHER DESIRE INJECTED AT .#.#.#..#.
#..#.#..#. HYPNAGOGIA? SOMETHING FROM THE OTHER .#.#.#.##.
#.##.#.##. SIDE, GUIDING THEM, .#.#.#..#.
#..#.#..#. ARRANGING THEIR BODIES. .#.#.#.##.
#.##.#.##. .#.#.#..#.
#..#.#..#. .#.#.#.##.
#.##.#.##. .#.#.#..#.
#..#.#..#. .#.#.#.##.
#.##.#.##. .#.#.#..#.