,,=^^*§§£# #£§§*^^=,,
.,=^§*£### ###£*§^=,.
.~~**£#@@# #@@#£**~~.
.,¨,¨:=*&£ £&*=:¨,¨,.
..~;%$§&&¶ ¶&&§$%;~..
,..¨,¨-†$# statuette #$†-¨,¨..,
,,~:^%§£#@ @#£§%^:~,,
¨,»^%£¤¶#@ %*§%££*$%@&@§§¤%=««»~»~«$§¤$%@$%%**§@@** @#¶¤£%^»,¨
,»:*%##### £*¤£$¤&&£ #####%*:»,
¨-«;=%@@@# #@@@%=;«-¨
.¨,,,.»†§# forests around my childhood home. thick #§†».,,,¨.
,¨¨,*/$@§§ pine arcades that were planted and §§@$/*,¨¨,
,,»=*@§¶£@ forgotten. wild boars roaming @£¶§@*=»,,
.,»;*##### underneath, sniffing at the ground. it #####*;»,.
.:»†%¤£### is dark and moist, the canopy having ###£¤%†»:.
¨,,¨¨,-:*@ already soaked up all the sun. @*:-,¨¨,,¨
¨:»**@@### ###@@**»:¨
¨^~=%*&¶£# there's a river passing by, from east #£¶&*%=~^¨
¨.,,.,~\£& to west, getting broader and deeper and &£\~,.,,.¨
,,,..,=%#@ slower as it goes. equisetum grow just @#%=,..,,,
¨^«^^&§@## where the pine hands start to let ##@§&^^«^¨
,¨^»»=^=#¤ through light, horsemint on the rocky ¤#=^=»»^¨,
¨.=***§@## river bed. ##@§***=.¨
.,-.:=^&@§ §@&^=:.-,.
¨,^.==;%## * ##%;==.^,¨
,.~:%£#¶## ##¶#£%:~.,
.:«**$¤@@# the riverbanks reek of magic. tonight #@@¤$**«:.
,..~»=%£#£ they had been a swampworld with sylvan £#£%=»~..,
¨..,..,=$# water, stone rings and floating moss. #$=,..,..¨
,^»^§@@*£¶ you could've found me wallowing around ¶£*@@§^»^,
,~»;%¤£@## on the southern shores until i got ##@£¤%;»~,
¨.¨..-§%*@ bitten. @*%§-..¨.¨
.,,.,»*¤## ##¤*»,.,,.
,,-:*£§### but now i'm further back, on solid ###§£*:-,,
¨.¨.¨¨::¤# ground, in shoulder-high grass, with an #¤::¨¨.¨.¨
,,:.~/@£@# orange tin radio and a translucent #@£@/~.:,,
.,~*$&@### umbrella which i'm sitting on. ###@&$*~,.
¨.¨¨»~=§ #&§=~»¨¨.¨
,,¨¨,¨=^$¶ ^ ¶$^=¨,¨¨,,
,:~;*§£#@# #@#£§*;~:,
.~~;^@§¶@# somethings moving in the grass. it's #@¶§@^;~~.
..,¨«;¤*## invisible to my eyes but i can feel ##*¤;«¨,..
¨^«*†$@### through the ground just how large it is. ###@$†*«^¨
,¨,,..~§ #&§~..,,¨,
¨..¨¨¨,~$¤ the soil is muddy. i slip when trying ¤$~,¨¨¨..¨
..¨¨,-†§$£ to get up, still looking at the £$§†-,¨¨..
.~«^¤§@### direction of sound rather than at my ###@§¤^«~.
¨,~*†\*§%# hands, who are busy putting things in #%§*\†*~,¨
..,¨¨¨-*†¤ my pockets. ¤†*-¨¨¨,..
¨.,=»»\@#£ £#@\»»=,.¨
.,-=*$#### then i run east toward my home. ####$*=-,.
¨,-^%§@@## ##@@§%^-,¨
,,.,;/§@## † ##@§/;,.,,
.:~†=&£¤£@ @£¤£&=†~:.
¨..¨,,=;%£ i am not followed, and slow down in the £%;=,,¨..¨
,,,,:=£$## clearing where you at first can spot ##$£=:,,,,
.^-^%%&@## the house, not yet really in the ##@&%%^-^.
..¨,¨,~=£@ backyard. from my pockets i retrieve my @£=~,¨,¨..
.,==†$£@## radio (now dented) but also a small ##@£$†==,.
,,»^=*&@## clay figure i've never seen before. it ##@&*=^»,,
,:~^^@&@## must have been laying in the wet dirt, ##@&@^^~:,
¨¨.,.«\%£@ and i must've picked it up with my @£%\«.,.¨¨
.-«;†£¤¶@@ other belongings. @@¶¤£†;«-.
¨:=;†@#@@# #@@#@†;=:¨
,:=^=£@@ it's a statuette of a girl laying naked @#&@£=^=:,
..¨.~^*@¤# on her stomach, feet in the air, #¤@*^~.¨..
.,¨,,-\%§# roughly seven centimeters long. it's #§%\-,,¨,.
.~-*¤£#### freshly made, not yet completely dried. ####£¤*-~.
..=^*£## ###&£*^=..
¨,~\=££@@# my mom is here now. i ask her for some #@@££=\~,¨
,^»†%¤¤¶@# particle board for it to dry on, but #@¶¤¤%†»^,
,¨.»;\%¶ she is worried and wants me to ¶#&%\;».¨,
¨.,-~;**¤# throw it away. #¤**;~-,.¨
¨,.¨~=;%#@ @#%;=~¨.,¨
,,~:$*§### ###§*$:~,,
,,«†%$%%¶¶ ¶¶%%$%†«,,
.,,,†^&§## ##§&^†,,,.
¨~~\%£&@@@ @@@&£%\~~¨
,.~:†§&@¶# #¶@&§†:~.,