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####¨@.¤¨§ ¨£,&.#,#
&@@@,¤¨§¨@ ,@¨¤.&,&.¨
¨@§§,@¨§¨£ @#,£¨&,#,£
.,§¤.&¨#,& statuette ,@¨&.@,#,@
.¤¨@¨¤¨#¨& &@,£,@.@¨£
¨#.&¨£.£.& £$££¤%$¤£¤&@%£§%«»-==«««§&&¤@£*%&&@$¤@$¤ .£.¤,&¨¤¨£
,¤.#.&.#¨@ ¤£$$@*$£@ ¤§¨§,@¨§.£
.£¨¤.#¨&¨¤ .¤.#.#,#,@
¨@.£¨£,&¨§ forests around my childhood home. thick @§¨£.#¨£¨§
.#¨@¨@.§.# pine arcades that were planted and ,§¨@,#,&¨#
.#¨¤.&,@,# forgotten. wild boars roaming &£¨#¨#.¤,#
.£,¤,§.¤,£ underneath, sniffing at the ground. it ¨#¨#,¤,§¨§
¨&,£.¤¨§,& is dark and moist, the canopy having §£¨#,§¨¤,&
¨£.@¨#,#,@ already soaked up all the sun. ,¤¨#.§¨§,£
,£,£¨§.#¨¤ §¤¨&.&.¤,&
.£,#¨£,#.¤ there's a river passing by, from east .#.§,&¨@¨¤
.£¨#.¤¨&,§ to west, getting broader and deeper and §¤,¤.£¨¤.&
¨£.§,£¨¤¨# slower as it goes. equisetum grow just ¨&.¤¨@¨¤.&
¨#.¤,£,¤.¤ where the pine hands start to let #£.&¨§¨@,£
.@.@.£,£¨§ through light, horsemint on the rocky .¤¨£.£¨§.&
.&,#,#¨@¨£ river bed. §#¨£¨&.@,@
.#¨&,@¨¤.£ ,§,¤,¤¨£¨£
.¤,¤,¤,&,# : §§,£.¤,¤.#
,&,£,¤¨#.@ .§¨@.§,&.&
.¤,@,§.&,& the riverbanks reek of magic. tonight §&,&,¤¨#,¤
¨#,@,£.@.£ they had been a swampworld with sylvan ,&.#¨&,@.#
,#,#¨£¨¤¨¤ water, stone rings and floating moss. #¤.£,¤,#,§
,#¨#¨@,§¨¤ you could've found me wallowing around ,&¨¤,¤.@¨¤
.#,&.&,#.£ on the southern shores until i got ¤§¨£,£¨¤,¤
.£.#,§¨#,@ bitten. ,&.¤,#.§,¤
¨¤,@,£¨¤¨§ @¤,#.&¨&.£
.§¨£,@,¤,# but now i'm further back, on solid ,&.£,&,§¨&
¨@,§¨@,@.& ground, in shoulder-high grass, with an ¤¤,@,@¨£.&
,#¨&,£.@.£ orange tin radio and a translucent .&,#¨@¨£.§
.¤,§¨£.¤¨@ umbrella which i'm sitting on. §§¨£,£.&¨#
.£.@,@.£.¤ .£,&,&.£¨£
.§¨¤,&¨&,# ^ ¤@,£.¤,§.#
¨&.£,#.¤.& .£,#,§¨#¨#
,&.#¨£,£¨¤ somethings moving in the grass. it's #§,#,£¨£.#
,£.&¨§¨&.& invisible to my eyes but i can feel ¨¤.@¨£¨@.¤
,§.¤,£¨¤,¤ through the ground just how large it is. £&.#,&,&¨@
.#¨£.§.@,§ ,£,¤,&¨@.&
¨§,@.£,¤¨& the soil is muddy. i slip when trying §¤.#,&,@,§
.#¨@¨&.¤.@ to get up, still looking at the .#.¤¨#.§¨§
.&¨£.£,#.§ direction of sound rather than at my &@,@,£¨£,@
¨#¨£,&¨&,£ hands, who are busy putting things in ¨§¨§.#.@.@
,¤,@,§¨£,# my pockets. §#,§¨¤,&.#
¨&¨§,§¨§.@ ¨@,¤,¤,§¨£
,&,@,#,@¨¤ then i run east toward my home. £#.#,@¨#,¤
,§,@¨#.¤¨¤ ,@,@,¤.#.&
.&,¤¨¤.§¨£ / @&¨§,§,§.@
¨&¨£¨¤¨§¨& .§,£.£¨§.£
,£,£.§¨&,§ i am not followed, and slow down in the @§¨#,&¨¤,£
.£,&,¤.¤,@ clearing where you at first can spot ¨£¨&.&¨¤,#
.£,#,#¨&,§ the house, not yet really in the ¤§.£.£¨§,£
¨&.¤.§¨@.& backyard. from my pockets i retrieve my .¤,§¨£¨@,£
.§.¤¨#.&,£ radio (now dented) but also a small &@.£¨£,&,§
.¤.#¨¤¨&¨¤ clay figure i've never seen before. it ¨§¨§¨&,&.£
¨@¨¤.&¨#.£ must have been laying in the wet dirt, &£.£.#¨¤.£
¨@¨#.#.#,& and i must've picked it up with my ,&¨§.#,¤¨£
¨§¨#¨@,£,@ other belongings. &§¨#.@.£.#
¨#¨&,¤.&¨§ ¨#,§.§.@,&
.#,¤¨#,§¨¤ it's a statuette of a girl laying naked §§¨¤,§,£,£
¨&¨&.£,¤.§ on her stomach, feet in the air, .¤.¤,¤.#.§
,#.£,#,§¨& roughly seven centimeters long. it's &¤¨@.¤.§.¤
¨@¨¤,§.@.§ freshly made, not yet completely dried. ,£,£.#.§,¤
.@¨&.#.@¨@ ¤§.&¨&,£,§
¨£¨#.&.@.# my mom is here now. i ask her for some .@.#¨@.£¨@
.@¨&.£¨§¨£ particle board for it to dry on, but #£,£.£,@,§
¨@¨¤.&,¤¨§ she is worried and wants me to ,§.¤,#,&¨@
,#¨&¨§¨&.@ throw it away. #¤.¤.£¨§,&
.#.¤.¤¨#.@ .@.#¨§¨£¨¤
,@¨¤.@,#.£ .§,#¨£.@
,@¨#,@.£.@ ¨#,¤¨@¨#,£
¨£¨¤,@,¤¨§ §¤¨¤.§¨#,§
.#¨@.&,&.§ ¨&¨¤,&,#¨£
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