,.,.,,=†§£ £§†=,,.,.,
¨,¨.,.,-*& &*-,.,.¨,¨
.,-*=@#@@# #@@#@=*-,.
¨.¨¨,.^;=¤ ¤=;^.,¨¨.¨
,^-^^§&@#@ @#@&§^^-^,
.,¨-=^§* statuette #&*§^=-¨,.
.~~/†%§¶## ##¶§%†/~~.
.,»/$¤#### ££§£%££*%$§$$&*&«~~~»»»«&£$§*¤£%$£%$£§@% ####¤$/»,.
,,,:,~=@$# %%£§¤££¤¤ #$@=~,:,,,
,,-*%&@#@# #@#@&%*-,,
,,=:%%#### forests around my childhood home. thick ####%%:=,,
¨,=\=@#@## pine arcades that were planted and ##@#@=\=,¨
¨,,,~%%# forgotten. wild boars roaming #%%~,,,¨
,,¨:-%$@$# underneath, sniffing at the ground. it #$@$%-:¨,,
¨,~;*££### is dark and moist, the canopy having ###££*;~,¨
.-«\=£¤#@# already soaked up all the sun. #@#¤£=\«-.
¨,-^&¤@### ###@¤&^-,¨
,^~\$@#§£# there's a river passing by, from east #£§#@$\~^,
.¨.¨~-~\§@ to west, getting broader and deeper and @§\~-~¨.¨.
¨¨.»»-%§#@ slower as it goes. equisetum grow just @#§%-»».¨¨
¨~«/*£#@@# where the pine hands start to let #@@#£*/«~¨
,¨.,,,^\=§ through light, horsemint on the rocky §=\^,,,.¨,
,.,,¨»%$@# river bed. #@$%»¨,,.,
.,~:^*£@## ##@£*^:~,.
.,.¨,-=¤@# ; #@¤=-,¨.,.
¨.=;^£§### ###§£^;=.¨
.,~//†£¤£@ the riverbanks reek of magic. tonight @£¤£†//~,.
,~=§@### they had been a swampworld with sylvan ###@#&§=~,
¨,-/§†§£@@ water, stone rings and floating moss. @@£§†§/-,¨
,-~*§%&¶## you could've found me wallowing around ##¶&%§*~-,
¨^=;=%&@## on the southern shores until i got ##@&%=;=^¨
.^-/*££### bitten. ###££*/-^.
,.=†:†$&@@ @@&$†:†=.,
.:~=%§£### but now i'm further back, on solid ###£§%=~:.
,.¨¨^~$£@# ground, in shoulder-high grass, with an #@£$~^¨¨.,
.,«***§¶## orange tin radio and a translucent ##¶§***«,.
,.¨,,:«%$£ umbrella which i'm sitting on. £$%«:,,¨.,
,¨.¨.»\§†& &†§\».¨.¨,
,¨.¨,--†££ † ££†--,¨.¨,
¨.¨,-*$*£@ @£*$*-,¨.¨
.¨¨.-/^@@# somethings moving in the grass. it's #@@^/-.¨¨.
,^~*%$&£@# invisible to my eyes but i can feel #@£&$%*~^,
,,-=†*£##@ through the ground just how large it is. @##£*†=-,,
¨:«†*§£#@# #@#£§*†«:¨
.^=\$£#@## the soil is muddy. i slip when trying ##@#£$\=^.
,:«***£@@# to get up, still looking at the #@@£***«:,
¨,«†*¤¤£££ direction of sound rather than at my £££¤¤*†«,¨
¨,-††$§@## hands, who are busy putting things in ##@§$††-,¨
..^-.;†@¤# my pockets. #¤@†;.-^..
,~-=§¤@# #@#&¤§=-~,
..«†*%¤### then i run east toward my home. ###¤%*†«..
¨,=;^%¤£## ##£¤%^;=,¨
,,~\^*@### \ ###@*^\~,,
.,~†^%$§#£ £#§$%^†~,.
¨.-~=/%£## i am not followed, and slow down in the ##£%/=~-.¨
,,¨¨,~%%§@ clearing where you at first can spot @§%%~,¨¨,,
,.¨,^:,^§# the house, not yet really in the #§^,:^,¨.,
.^~==¤#### backyard. from my pockets i retrieve my ####¤==~^.
¨.=*$§@¤¤# radio (now dented) but also a small #¤¤@§$*=.¨
..,¨.¨==*£ clay figure i've never seen before. it £*==¨.¨,..
,^«;†%*@§§ must have been laying in the wet dirt, §§@*%†;«^,
¨,«^*$#@£# and i must've picked it up with my #£@#$*^«,¨
,,,¨.~^£¶# other belongings. #¶£^~.¨,,,
,¨^==*%£¤§ §¤£%*==^¨,
..»/*%¤¶@# it's a statuette of a girl laying naked #@¶¤%*/»..
¨-~†%£§@@# on her stomach, feet in the air, #@@§£%†~-¨
,,«*$¤&@## roughly seven centimeters long. it's ##@&¤$*«,,
¨.,¨^\&§ freshly made, not yet completely dried. #&§&\^¨,.¨
.^«†§@#### ####@§†«^.
.~=\†$¤@@# my mom is here now. i ask her for some #@@¤$†\=~.
¨,.¨^\;=££ particle board for it to dry on, but ££=;\^¨.,¨
¨¨¨,,,~%¤# she is worried and wants me to #¤%~,,,¨¨¨
,:-:=§§¶## throw it away. ##¶§§=:-:,
...¨.-*§£# #£§*-.¨...
,.»†$$£@@£ £@@£$$†».,
,:«***§¶@# #@¶§***«:,
.,~^%%§@@# #@@§%%^~,.
¨~-\%*¤£## ##£¤*%\-~¨
.~»/%@§¶## ##¶§@%/»~.