,.=^%&#@## ##@#&%^=.,
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.~-†^@#@## ##@#@^†-~.
.,~/†£&¶## ##¶&£†/~,.
..¨.^=$£@@ statuette @@£$=^.¨..
¨.~=†§§&¶# #¶&§§†=~.¨
.~»/†¤&### @§%@%$£§$$$%£@$¤~=~=»=«»%$$$$£%*@$@%$&&% ###&¤†/»~.
.,..»;^&£@ $%%£$&£££ @£&^;»..,.
,~~=%=§¤#@ @#¤§=%=~~,
,,,¨.,«%%# forests around my childhood home. thick #%%«,.¨,,,
.:»†*¤#### pine arcades that were planted and ####¤*†»:.
..,¨¨,¨-§£ forgotten. wild boars roaming £§-¨,¨¨,..
.,=:=*%%## underneath, sniffing at the ground. it ##%%*=:=,.
,:«;&£@### is dark and moist, the canopy having ###@£&;«:,
.,~*†%£@## already soaked up all the sun. ##@£%†*~,.
.~-==&@### ###@&==-~.
,~=†%*&### there's a river passing by, from east ###&*%†=~,
,:=\%%#££# to west, getting broader and deeper and #££#%%\=:,
.^~=†$§### slower as it goes. equisetum grow just ###§$†=~^.
¨,~:%#£### where the pine hands start to let ###£#%:~,¨
,:=\*££@## through light, horsemint on the rocky ##@££*\=:,
¨:~*%%£§§# river bed. #§§£%%*~:¨
,,~^%&¤@## ##@¤&%^~,,
¨~»**%@### = ###@%**»~¨
¨:~^^$&@## ##@&$^^~:¨
.,=*%£$%@¶ the riverbanks reek of magic. tonight ¶@%$£%*=,.
,:-\%&%@¶# they had been a swampworld with sylvan #¶@%&%\-:,
,~»\^*£@## water, stone rings and floating moss. ##@£*^\»~,
.,~\%£@@## you could've found me wallowing around ##@@£%\~,.
.,»\$%§££# on the southern shores until i got #££§%$\»,.
¨,.,¨¨^:£¶ bitten. ¶£:^¨¨,.,¨
..¨¨=;^*@@ @@*^;=¨¨..
,,,,¨~=†¤# but now i'm further back, on solid #¤†=~¨,,,,
¨,~/*%&### ground, in shoulder-high grass, with an ###&%*/~,¨
,~«;*$#@@# orange tin radio and a translucent #@@#$*;«~,
,.«;*&*$§¶ umbrella which i'm sitting on. ¶§$*&*;«.,
,-«/*£%¤&¤ ¤&¤%£*/«-,
¨¨.¨.,^«^¤ : ¤^«^,.¨.¨¨
¨-«/*&#### ####&*/«-¨
¨,,:^:*%¶@ somethings moving in the grass. it's @¶%*:^:,,¨
..,¨¨»$££# invisible to my eyes but i can feel #££$»¨¨,..
.,»:*£¤¶## through the ground just how large it is. ##¶¤£*:»,.
,¨.¨,,~*§# #§*~,,¨.¨,
.,.,~/%&@@ the soil is muddy. i slip when trying @@&%/~,.,.
.¨¨.~==*§# to get up, still looking at the #§*==~.¨¨.
¨..¨»-*§$@ direction of sound rather than at my @$§*-»¨..¨
..,.-^$¤#@ hands, who are busy putting things in @#¤$^-.,..
¨~~^=$#£## my pockets. ##£#$=^~~¨
,--;=%¤&@# #@&¤%=;--,
¨¨,..~^†£# then i run east toward my home. #£†^~..,¨¨
¨-«:%&&### ###&&%:«-¨
,~=;*$§@## * ##@§$*;=~,
.,-†%§#@## ##@#§%†-,.
¨,»*†§#@## i am not followed, and slow down in the ##@#§†*»,¨
¨.~:=$§£#@ clearing where you at first can spot @#£§$=:~.¨
,¨,¨.,.*$@ the house, not yet really in the @$*.,.¨,¨,
¨,~†§§££@# backyard. from my pockets i retrieve my #@££§§†~,¨
.^=^§*¤@## radio (now dented) but also a small ##@¤*§^=^.
.,~;$*££#@ clay figure i've never seen before. it @#££*$;~,.
.--††£*¤@@ must have been laying in the wet dirt, @@¤*£††--.
.^»;*&§@¶# and i must've picked it up with my #¶@§&*;»^.
,...:†/**£ other belongings. £**/†:...,
¨,..¨-=§¤¤ ¤¤§=-¨..,¨
,-«\%&@@@# it's a statuette of a girl laying naked #@@@&%\«-,
,.,..=&£@@ on her stomach, feet in the air, @@£&=..,.,
.¨,=\*$$&# roughly seven centimeters long. it's #&$$*\=,¨.
,-~/*$&£## freshly made, not yet completely dried. ##£&$*/~-,
..,»~»=*@# #@*=»~»,..
,~»^†£§¶## my mom is here now. i ask her for some ##¶§£†^»~,
.,.¨:-†#¶@ particle board for it to dry on, but @¶#†-:¨.,.
.,^:,,\£££ she is worried and wants me to £££\,,:^,.
.¨¨.-\†%#¤ throw it away. ¤#%†\-.¨¨.
¨~-=*@#### ####@*=-~¨
.¨,,¨«/%$§ §$%/«¨,,¨.
..¨.«=^¤#¤ ¤#¤^=«.¨..
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