¨^-=%§&£## ##£&§%=-^¨
.,.¨~^;*$# #$*;^~¨.,.
,-«;^$&@## ##@&$^;«-,
,,=\%§@@## ##@@§%\=,,
,..,~§%&¶@ @¶&%§~,..,
¨,»:*$¤### statuette ###¤$*:»,¨
,^«;†§&£££ £££&§†;«^,
..~;*%@@## ¤%¤$%£**&%$&$*$§»==»«-~-**&&&££%££%%¤¤&£ ##@@%*;~..
,,..:^*#&@ %£$***£$£ @&#*^:..,,
,.=\==*$¤# #¤$*==\=.,
¨^:~.=££$@ forests around my childhood home. thick @$££=.~:^¨
,.^.:/\*$£ pine arcades that were planted and £$*\/:.^.,
¨,¨¨¨¨.\£§ forgotten. wild boars roaming §£\.¨¨¨¨,¨
¨,=*&&#### underneath, sniffing at the ground. it ####&&*=,¨
¨¨.,,,::$# is dark and moist, the canopy having #$::,,,.¨¨
,^-/=$&### already soaked up all the sun. ###&$=/-^,
....:/&@§¤ ¤§@&/:....
,^~\=£#### there's a river passing by, from east ####£=\~^,
.,¨^-*£$§# to west, getting broader and deeper and #§$£*-^¨,.
,~-^^:%&£# slower as it goes. equisetum grow just #£&%:^^-~,
..^=«~-^£@ where the pine hands start to let @£^-~«=^..
¨--:%£#### through light, horsemint on the rocky ####£%:--¨
.--/=%##@# river bed. #@##%=/--.
¨.~†*$@¤## ##¤@$*†~.¨
.,,.~§§%&@ ^ @&%§§~.,,.
.¨,.,-\@#@ @#@\-,.,¨.
.¨¨¨¨»/*££ the riverbanks reek of magic. tonight ££*/»¨¨¨¨.
¨,.¨--^£@# they had been a swampworld with sylvan #@£^--¨.,¨
..»**@§### water, stone rings and floating moss. ###§@**»..
.:«:*£#@## you could've found me wallowing around ##@#£*:«:.
.¨,.,=**£# on the southern shores until i got #£**=,.,¨.
,,¨,,-~/*£ bitten. £*/~-,,¨,,
..=*$£#### ####£$*=..
..=^*&¤#£# but now i'm further back, on solid #£#¤&*^=..
...~-**^%¤ ground, in shoulder-high grass, with an ¤%^**-~...
.,-:*££@@# orange tin radio and a translucent #@@££*:-,.
.^-:%%&¶@# umbrella which i'm sitting on. #@¶&%%:-^.
¨¨¨-»~$£## ##£$~»-¨¨¨
¨~~=$££@## = ##@££$=~~¨
¨¨.,:^£$¤£ £¤$£^:,.¨¨
¨.¨.,-:~*& somethings moving in the grass. it's &*~:-,.¨.¨
¨.¨,^:=%&# invisible to my eyes but i can feel #&%=:^,¨.¨
.^~;$§£### through the ground just how large it is. ###£§$;~^.
¨¨¨.¨~$$£# #£$$~¨.¨¨¨
,¨¨,..,~$§ the soil is muddy. i slip when trying §$~,..,¨¨,
¨..,,¨~$@@ to get up, still looking at the @@$~¨,,..¨
¨,.¨~-«†&@ direction of sound rather than at my @&†«-~¨.,¨
..~\*$##@# hands, who are busy putting things in #@##$*\~..
,-~†*;%¤## my pockets. ##¤%;*†~-,
,..,=«~^£@ @£^~«=,..,
.,-:†@¶@## then i run east toward my home. ##@¶@†:-,.
¨~~^^§#¶## ##¶#§^^~~¨
,¨.¨.~-**# * #**-~.¨.¨,
¨^~^*£@@## ##@@£*^~^¨
,,.¨.»*=£# i am not followed, and slow down in the #£=*».¨.,,
¨,»:*&@£## clearing where you at first can spot ##£@&*:»,¨
.,~^^%$$§@ the house, not yet really in the @§$$%^^~,.
,,=*$&&@@# backyard. from my pockets i retrieve my #@@&&$*=,,
,,=^%&#@## radio (now dented) but also a small ##@#&%^=,,
.,=†%$£¤@# clay figure i've never seen before. it #@¤£$%†=,.
,¨^-~:=$@# must have been laying in the wet dirt, #@$=:~-^¨,
.:»:†&§### and i must've picked it up with my ###§&†:»:.
,.,¨,-»*¤# other belongings. #¤*»-,¨,.,
.:«*=&#@## ##@#&=*«:.
,,«:%%&@@# it's a statuette of a girl laying naked #@@&%%:«,,
¨.¨¨,.=†@@ on her stomach, feet in the air, @@†=.,¨¨.¨
¨¨,»»;*£££ roughly seven centimeters long. it's £££*;»»,¨¨
.:~/%*@### freshly made, not yet completely dried. ###@*%/~:.
.¨,,,:.:$¤ ¤$:.:,,,¨.
,,,-^-~=¤# my mom is here now. i ask her for some #¤=~-^-,,,
.,»:*%£@## particle board for it to dry on, but ##@£%*:»,.
¨.»:*@£@@£ she is worried and wants me to £@@£@*:».¨
,^~*£&@@## throw it away. ##@@&£*~^,
,^~;%£¤¶## ##¶¤£%;~^,
,-==%§#£#@ @#£#§%==-,
,..,\^%§&¤ ¤&§%^\,..,
,,¨¨»*/£%@ @%£/*»¨¨,,
....,~*%¶# #¶%*~,....
..~†$§&### ###&§$†~..