###£@§††«, ,«††§@£###
##¶§&*==,. .,==*&§¶##
###¶@&*\~¨ ¨~\*&@¶###
##@§¤*^~.¨ ¨.~^*¤§@##
###¶£%=†=, ,=†=%£¶###
####£^†=¨. statuette .¨=†^£####
###£¤¤^=»¨ ¨»=^¤¤£###
#@@¤&§\~,, $$%£*&$@$$%¤%$§£-~~»»=~~@££§§£%&$£&¤§¤$$ ,,~\§&¤@@#
##@#&£%\~, $¤¤¤*&£%¤ ,~\%£@##
##@#£^†=,, ,,=†^£#@##
###£¤$=^«, forests around my childhood home. thick ,«^=$¤£###
###§%%=~,. pine arcades that were planted and .,~=%%§###
###@§§%:~, forgotten. wild boars roaming ,~:%§§@###
#@¶&@=*~¨¨ underneath, sniffing at the ground. it ¨¨~*=@&¶@#
###¶¤%=*-¨ is dark and moist, the canopy having ¨-*=%¤¶###
#@@¤%†;~,. already soaked up all the sun. .,~;†%¤@@#
##@#¤£†\-. .-\†£¤#@##
#@#¤$%^».¨ there's a river passing by, from east ¨.»^%$¤#@#
##@#§$*=-¨ to west, getting broader and deeper and ¨-=*$§#@##
####¤%:-,¨ slower as it goes. equisetum grow just ¨,-:%¤####
####¤§*†«. where the pine hands start to let .«†*§¤####
#@#¤%†^»,. through light, horsemint on the rocky .,»^†%¤#@#
###@&£$;=, river bed. ,=;$£&@###
###&¤$\~,¨ ¨,~\$¤##
#####%%†«, / ,«†%%#####
##@¤¤$\«¨, ,¨«\$¤¤@##
###@@%^;-, the riverbanks reek of magic. tonight ,-;^%@@###
#@#&%*;~¨, they had been a swampworld with sylvan ,¨~;*%@#
####£¤$†-¨ water, stone rings and floating moss. ¨-†$¤£####
#@##&*/«.. you could've found me wallowing around ..«/*#@#
##@£#@$/=¨ on the southern shores until i got ¨=/$@#£@##
###¤@**~,, bitten. ,,~**@¤###
####&%%*-. .-*%%###
##¶&%^==¨. but now i'm further back, on solid .¨==^%&¶##
#####§$:«¨ ground, in shoulder-high grass, with an ¨«:$§#####
##£&$*:=,¨ orange tin radio and a translucent ¨,=:*$&£##
####&$^\~. umbrella which i'm sitting on. .~\^$###
##£@%§†~¨. .¨~†§%@£##
##@@&$%/«. / .«/%$&@@##
##@#£$^-.. ..-^$£#@##
##@¶#@=^~, somethings moving in the grass. it's ,~^=@#¶@##
##@£*§;«¨¨ invisible to my eyes but i can feel ¨¨«;§*£@##
####&%=^=. through the ground just how large it is. .=^=%###
##@@$=^-.. ..-^=$@@##
##@#&¤§=», the soil is muddy. i slip when trying ,»=§¤@##
##@£$*/~¨, to get up, still looking at the ,¨~/*$£@##
###@@£§\«, direction of sound rather than at my ,«\§£@@###
###&%§\-¨, hands, who are busy putting things in ,¨-\§%##
###¶&$$*=¨ my pockets. ¨=*$$&¶###
##@§$$*«.. ..«*$$§@##
###£§§%=~, then i run east toward my home. ,~=%§§£###
#@#¤&§;~., ,.~;§&¤#@#
####&**\«, = ,«\**###
##¶§%^†~,, ,,~†^%§¶##
#####%$=». i am not followed, and slow down in the .»=$%#####
##£#%%/«,¨ clearing where you at first can spot ¨,«/%%#£##
##@£#§†*-. the house, not yet really in the .-*†§#£@##
#@#§$†\~.. backyard. from my pockets i retrieve my ..~\†$§#@#
##@@&$$/»¨ radio (now dented) but also a small ¨»/$$&@@##
##¶£*=:-¨. clay figure i've never seen before. it .¨-:=*£¶##
##@¶#$*^~. must have been laying in the wet dirt, .~^*$#¶@##
###&%=;~,, and i must've picked it up with my ,,~;=%##
####§*%\~¨ other belongings. ¨~\%*§####
####%%†«., ,.«†%%####
#####@===. it's a statuette of a girl laying naked .===@#####
##@&*%*~,¨ on her stomach, feet in the air, ¨,~*%*&@##
###@§%=†«. roughly seven centimeters long. it's .«†=%§@###
##@§£*:«,. freshly made, not yet completely dried. .,«:*£§@##
##@#§%*/~, ,~/*%§#@##
##£&%†:~., my mom is here now. i ask her for some ,.~:†%&£##
###@¤%=†=, particle board for it to dry on, but ,=†=%¤@###
#@##%%:»,¨ she is worried and wants me to ¨,»:%%##@#
###£¤§=;~. throw it away. .~;=§¤£###
#@@¤$^:-,¨ ¨,-:^$¤@@#
##@##&%†». .»†%#@##
#@@§*^*~,, ,,~*^*§@@#
####§§†^-¨ ¨-^†§§####
##@#%%†-,, ,,-†%%#@##
####§£**-, ,-**£§####