.¤¨#¨,,¤@, &.§,,@¤@£¤
,&.§..#¨&, #¨&¨#.##£@
,§.£,@£.&. £,&,¤¨¨@£§
¨@¨¤.,@,¤. &,§¨§,@.£¤
¨#¨#.¤§¨&¨ #.@¨£,£.¨£
,£,&,,&¨£, statuette £.&,&,¤.&&
¨£,§.,&. £,&¨&¨@.,&
.§.#,.#,#¨ &$&§%$@£%%£*§%¤$~~-»=««~%¤*$¤%§&*£¤£$£%@ £,&¨£¨¤,£&
¨#.¤¨§#,¤. $%$&£%§&£ @¨£¨&,£¨.¤
¨£¨£,,@.@, &.¤¨¤,@.£§
¨@¨@.¤¤¨@, forests around my childhood home. thick £.§.¤¨&¨¨@
.@¨¤,¨¤,§¨ pine arcades that were planted and &,§.#¨¤,§§
¨£.§,&¤,#. forgotten. wild boars roaming ¤¨£,§¨&..¤
.¤,&¨¨&.¤. underneath, sniffing at the ground. it £.#¨¤,£,££
.£.£.&@.£, is dark and moist, the canopy having @¨#¨£.#¨,&
¨§,@.¨£¨#¨ already soaked up all the sun. #¨&,&.&,&@
,&.@,#§.§¨ @,@.#¨§,.§
.#.#.,£,¤, there's a river passing by, from east £.§¨¤.#.#&
,¤.#¨£&.@¨ to west, getting broader and deeper and #¨¤¨¤¨#..#
¨§¨@¨.£,£, slower as it goes. equisetum grow just &,&,¤,#¨§£
¨#¨&¨¤&,@. where the pine hands start to let §.#.¤¨&.,@
.#.#.¨¤¨#, through light, horsemint on the rocky &,¤.¤.¤,
,#,@.#@.¤, river bed. #¨£.&¨@,,£
,#.@.,#¨£. #,@¨&.£.#£
.#.@.¤&¨£. : &¨¤.&.¤,,@
.§¨£,,&,§. ¤¨£,#.#,¤@
.¤,§,§§,#. the riverbanks reek of magic. tonight @,£,¤.¤¨¨&
.£,@¨,£.¤. they had been a swampworld with sylvan ¤¨¤,§¨¤,§@
,#.§.##¨§, water, stone rings and floating moss. @¨£.£.§.¨£
¨¤¨§.¨#¨§¨ you could've found me wallowing around ¤,¤.@,&¨¤@
.#.£¨¤£,§. on the southern shores until i got §,£¨#,£,¨§
¨&,#,.£,§. bitten. &¨&¨@¨§.§¤
¨£.§¨#&,£¨ §.@,¤,&.,@
.£,@¨,¤,§¨ but now i'm further back, on solid #¨&.#.§¨@¤
¨¤.@¨¤£¨@. ground, in shoulder-high grass, with an ¤,#,£¨#.¨@
¨¤.#,,¤¨¤. orange tin radio and a translucent #¨#¨@¨#,#§
,#.#.¤£,@. umbrella which i'm sitting on. £¨@.@.@,¨&
.@¨@,.@,#. ¤.£.#,@¨§@
¨§.£¨#@¨&¨ = @,&.£¨£,¨@
¨£.§.¨#,£, £,¤¨#,£.§§
.#.@,@¤.§¨ somethings moving in the grass. it's ¤,@.@.§¨,£
.¤,@¨¨&.£, invisible to my eyes but i can feel @.¤¨§¨¤,#§
.&.@,§#¨@. through the ground just how large it is. #¨£.¤¨¤,,&
.¤¨¤,.&.&. £¨£.#,¤.£#
¨¤¨#,£#.£. the soil is muddy. i slip when trying @,¤.£.¤,¨£
.§.£¨,¤,§, to get up, still looking at the £¨#,£.&.@#
.£¨#¨@£,§, direction of sound rather than at my ¤.£,§.¤.¨&
,#,#,.£.@¨ hands, who are busy putting things in £¨@¨£¨@¨@&
,§,#.¤£¨¤. my pockets. £¨§¨£.§.,@
.¤,#¨,@,¤¨ ¤.&¨&,#,¤&
.¤.¤.¤@¨£. then i run east toward my home. @¨£¨#.@,.@
,&.¤,,¤¨@¨ £.£¨¤,¤¨§@
,§.¤¨¤£.£¨ \ @,£,#.¤..£
¨¤¨£.,§¨#¨ @.#.£,¤.§&
¨#¨&,¤&¨§, i am not followed, and slow down in the @.£¨@¨#.,§
¨§,£.¨§,§¨ clearing where you at first can spot §,¤¨§¨£¨
,#¨£¨@@,#, the house, not yet really in the @.&,@.¤..@
¨§¨#,.§.£, backyard. from my pockets i retrieve my #,#.§¨&,£@
,#¨@.£¤¨&. radio (now dented) but also a small ¤.&¨&,¤,.§
¨&.#,¨&,&, clay figure i've never seen before. it £.@,§¨§.§@
,@,£¨§&,&¨ must have been laying in the wet dirt, §.§¨#,#,,§
,#¨£..¤¨£¨ and i must've picked it up with my &,§¨@.§¨§£
,#¨§¨@£.&. other belongings. ¤¨¤.§¨#,¨@
,§.@¨.£¨#, £.¤,£¨§,¤@
¨§¨¤.##¨§. it's a statuette of a girl laying naked ¤,£¨¤¨@,.£
.£,@.,#.#. on her stomach, feet in the air, §.#¨&,£,£&
.§,@,¤¤¨#, roughly seven centimeters long. it's @,@,£.¤,¨#
,#,&¨,£¨§¨ freshly made, not yet completely dried. &.@,£¨&¨@¤
.§,£,@&,¤¨ @,&,@.§¨¨@
.@.@¨.£,§, my mom is here now. i ask her for some ¤.£,&¨#.&§
¨#,£.§&.&, particle board for it to dry on, but #,#¨&¨@.¨¤
,¤,#¨¨#.£¨ she is worried and wants me to ¤¨@,@¨&.££
¨&,§.¤¤¨#. throw it away. &.¤.§¨£,,@
¨§.£.,&.&. @¨#.£,#¨¤£
¨&¨£.£&,&. ¤,§¨@¨#,¨@
.§.¤,¨#,&. &,@¨¤¨@¨¤¤
,£,@,&@,£. &¨&¨@.£..¤
¨§¨£..¤.¤¨ @,£¨@,&¨§£
,#,#,£&¨¤¨ §,&¨#,&,,£