#£¤&%:-.,, ,,.-:%&¤£#
£¤&%:-.,,, ,,,.-:%&¤£
¤&%:-.,,,, ,,,,.-:%&¤
&%:-.,,,,, ,,,,,.-:%&
%:-.,,,,,, ,,,,,,.-:%
&%:-.,,,,, #### ##### ,,,,,.-:%&
¤&%:-.,,,, TAPE DREAM ,,,,.-:%&¤
£¤&%:-.,,, #### ##### ,,,.-:%&¤£
#£¤&%:-.,, ,,.-:%&¤£#
##£¤&%:-., FOR STORING MUSIC ON. ALSO DATA BUT ,.-:%&¤£##
#£¤&%:-.,, AT THIS POINT IN TIME THAT'S NOT ,,.-:%&¤£#
£¤&%:-.,,, REALLY IMPORTANT I THINK. ,,,.-:%&¤£
¤&%:-.,,,, ,,,,.-:%&¤
&%:-.,,,,, ,,,,,.-:%&
%:-.,,,,,, :::::::: TYPES OF TAPE :::::::: ,,,,,,.-:%
&%:-.,,,,, ,,,,,.-:%&
¤&%:-.,,,, CLASS I - "BAD" IRON ,,,,.-:%&¤
£¤&%:-.,,, CLASS II - GOOD CHROMIUM ,,,.-:%&¤£
#£¤&%:-.,, CLASS III - BAD IRON PART TWO ,,.-:%&¤£#
##£¤&%:-., CLASS IV - DANGEROUS METALS ,.-:%&¤£##
#£¤&%:-.,, ,,.-:%&¤£#
£¤&%:-.,,, RUMORS EXIST ABOUT A SECRET CLASS V TAPE ,,,.-:%&¤£
¤&%:-.,,,, THAT IS ACTUALLY USEFUL. ,,,,.-:%&¤
&%:-.,,,,, ,,,,,.-:%&
%:-.,,,,,, :: BIAS :: ,,,,,,.-:%
&%:-.,,,,, ,,,,,.-:%&
¤&%:-.,,,, CLASS I USES ONE HUNDRED AND TWENTY ,,,,.-:%&¤
£¤&%:-.,,, MICRO-SOMETHING WHILE THE OTHERS ALL ,,,.-:%&¤£
#£¤&%:-.,, USE SEVENTY OF THE SAME UNIT. ,,.-:%&¤£#
##£¤&%:-., ,.-:%&¤£##
#£¤&%:-.,, ,,.-:%&¤£#
£¤&%:-.,,, %%%%%%%%% AHA AND %%%%%%%%% ,,,.-:%&¤£
¤&%:-.,,,, ,,,,.-:%&¤
&%:-.,,,,, CLASS IV IS APPARENTLY TOO STRONG TO ,,,,,.-:%&
%:-.,,,,,, BE USED ON CLASS I PLAYERS. IT WILL ,,,,,,.-:%
&%:-.,,,,, SOUND TOO LOUND AND IT CANNOT BE ,,,,,.-:%&
¤&%:-.,,,, COMPLETELY ERASED. THIS IS VERY WELL. ,,,,.-:%&¤
£¤&%:-.,,, MAYBE SOME WONDERFUL BLENDING EFFECTS ,,,.-:%&¤£
#£¤&%:-.,, COULD BE ACHIEVED? ,,.-:%&¤£#
##£¤&%:-., ,.-:%&¤£##
#£¤&%:-.,, THEY ALSO GNAW AT THE TAPE HEADS A BIT ,,.-:%&¤£#
£¤&%:-.,,, BETTER THAN EARLIER TAPE TYPES. ,,,.-:%&¤£
¤&%:-.,,,, ,,,,.-:%&¤
&%:-.,,,,, ,,,,,.-:%&
%:-.,,,,,, :::::::: ARTIFACTS :::::::: ,,,,,,.-:%
&%:-.,,,,, ,,,,,.-:%&
¤&%:-.,,,, GOOD TAPES ARE DECENT AND HAVE A GOOD ,,,,.-:%&¤
£¤&%:-.,,, HIGH FREQUENCY PRESENCE, BAD TAPES ARE ,,,.-:%&¤£
#£¤&%:-.,, LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ,,.-:%&¤£#
##£¤&%:-., LIKE IT. ,.-:%&¤£##
#£¤&%:-.,, ,,.-:%&¤£#
£¤&%:-.,,, BIAS LOSS: IF YOU FORGET THE BIAS WHO ,,,.-:%&¤£
¤&%:-.,,,, KNOWS WHATS EVEN ON THERE ANYMORE ,,,,.-:%&¤
&%:-.,,,,, ,,,,,.-:%&
%:-.,,,,,, FLUTTER: KINDA QUICK PITCH VARIATIONS. ,,,,,,.-:%
&%:-.,,,,, BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ,,,,,.-:%&
¤&%:-.,,,, ,,,,.-:%&¤
£¤&%:-.,,, WOW: A SLOWER FLUTTER, USUALLY SEVERAL ,,,.-:%&¤£
#£¤&%:-.,, SECONDS LONG. WHAT UP. BOTH OF THESE ,,.-:%&¤£#
##£¤&%:-., INCREASE WHEN TAPE SPEED DECREASES. ,.-:%&¤£##
#£¤&%:-.,, ,,.-:%&¤£#
£¤&%:-.,,, PRINT THROUGH: TAPES RUB SOUND ON EACH ,,,.-:%&¤£
¤&%:-.,,,, OTHER IF THEYRE ALONE FOR TOO LONG ,,,,.-:%&¤
&%:-.,,,,, ,,,,,.-:%&
%:-.,,,,,, ,,,,,,.-:%
&%:-.,,,,, ,,,,,.-:%&
¤&%:-.,,,, ,,,,.-:%&¤
£¤&%:-.,,, ,,,.-:%&¤£
#£¤&%:-.,, ,,.-:%&¤£#