......^†§@ @§†^......
....^†&@@# #@@&†^....
......-†&@ @&†-......
.^-†&@#### ####@&†-^.
..^-†§§§&# #&§§§†-^..
.^---§§§&@ #### ##### @&§§§---^.
....^††&&# TAPE DREAM #&&††^....
.....^†§&# #### ##### #&§†^.....
.^-†††††§@ @§†††††-^.
.^-†§&@### FOR STORING MUSIC ON. ALSO DATA BUT ###@&§†-^.
.^-†&@#### AT THIS POINT IN TIME THAT'S NOT ####@&†-^.
....^††&## REALLY IMPORTANT I THINK. ##&††^....
....-†&@@# #@@&†-....
......-†&@ @&†-......
.....-§§@@ †††††††† TYPES OF TAPE †††††††† @@§§-.....
.^-†§&@### ###@&§†-^.
.^-†§&@### CLASS I - "BAD" IRON ###@&§†-^.
.^-†§&@### CLASS II - GOOD CHROMIUM ###@&§†-^.
..^--†§@## CLASS III - BAD IRON PART TWO ##@§†--^..
.^-†§&@### CLASS IV - DANGEROUS METALS ###@&§†-^.
...^^†§§@# #@§§†^^...
.^-†§&@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@&§†-^.
...^†††§§@ THAT IS ACTUALLY USEFUL. @§§†††^...
.^-†§&@### ###@&§†-^.
.^-†§&@### †† BIAS †† ###@&§†-^.
.^-†§&@### ###@&§†-^.
.^-†§&@### CLASS I USES ONE HUNDRED AND TWENTY ###@&§†-^.
.^-†§&@### MICRO-SOMETHING WHILE THE OTHERS ALL ###@&§†-^.
....^†§@@@ USE SEVENTY OF THE SAME UNIT. @@@§†^....
.^-†§&@### ###@&§†-^.
...^--††§@ @§††--^...
....---§@@ §§§§§§§§§ AHA AND §§§§§§§§§ @@§---....
......-§@@ @@§-......
.....^-§@# CLASS IV IS APPARENTLY TOO STRONG TO #@§-^.....
....^^†§§@ BE USED ON CLASS I PLAYERS. IT WILL @§§†^^....
.^-†§&@### SOUND TOO LOUND AND IT CANNOT BE ###@&§†-^.
.....-§§&@ COMPLETELY ERASED. THIS IS VERY WELL. @&§§-.....
..^--†§@@# MAYBE SOME WONDERFUL BLENDING EFFECTS #@@§†--^..
.^-†§&@### COULD BE ACHIEVED? ###@&§†-^.
.^-†§&@### ###@&§†-^.
.^-†§&@### THEY ALSO GNAW AT THE TAPE HEADS A BIT ###@&§†-^.
.^--†††§@@ BETTER THAN EARLIER TAPE TYPES. @@§†††--^.
.^-†§&@### ###@&§†-^.
.^-†††&&@@ @@&&†††-^.
.^-†§&@### †††††††† ARTIFACTS †††††††† ###@&§†-^.
.....^†&@# #@&†^.....
.....^†§@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@§†^.....
.^-†§&@### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###@&§†-^.
.^-†§&@### LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ###@&§†-^.
.^-†§&@### LIKE IT. ###@&§†-^.
.....^††&# #&††^.....
.....^†&&# BIAS LOSS: IF YOU FORGET THE BIAS WHO #&&†^.....
.^-†§&&&&@ KNOWS WHATS EVEN ON THERE ANYMORE @&&&&§†-^.
...^††&@## ##@&††^...
......-§&@ FLUTTER: KINDA QUICK PITCH VARIATIONS. @&§-......
.^-†§&@### BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ###@&§†-^.
.^----§@## ##@§----^.
.^-†§&@@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@@&§†-^.
.^-†§&@### SECONDS LONG. WHAT UP. BOTH OF THESE ###@&§†-^.
.^-†§&@### INCREASE WHEN TAPE SPEED DECREASES. ###@&§†-^.
.^-†§&@### ###@&§†-^.
..^^--§§&# PRINT THROUGH: TAPES RUB SOUND ON EACH #&§§--^^..
.^-†§&@### OTHER IF THEYRE ALONE FOR TOO LONG ###@&§†-^.
.^-†§&#### ####&§†-^.
.^-†§&@@@@ @@@@&§†-^.
.^-†§&@### ###@&§†-^.
.^-†§&@### ###@&§†-^.
.^-†§&@### ###@&§†-^.
.^-†§&@### ###@&§†-^.