¨-»=$#¶### ###¶#$=»-¨
.¨:»:&§### ###§&:»:¨.
,,~=£#£### ###£#£=~,,
,¨-~^*¤¶## ##¶¤*^~-¨,
.--;%#¶### ###¶#%;--.
,.-»=%§@## statuette ##@§%=»-.,
¨,==£&£### ###£&£==,¨
,,~»\$&£@# &%@*£@££¤%¤@£$%&~==-=---%£*££@$&%$££¤£*§ #@£&$\»~,,
.,~*$£@### $£$$¤@£$% ###@£$*~,.
.¨,«†*£¶@# #@¶£*†«,¨.
.^-:%£#### forests around my childhood home. thick ####£%:-^.
.,.«\§£#@# pine arcades that were planted and #@#£§\«.,.
,--/$§#### forgotten. wild boars roaming ####§$/--,
.¨.-;*&£## underneath, sniffing at the ground. it ##£&*;-.¨.
¨^«/$¤£@## is dark and moist, the canopy having ##@£¤$/«^¨
.¨~~†£§### already soaked up all the sun. ###§£†~~¨.
,.»†$&@### ###@&$†».,
¨.^«\$&@## there's a river passing by, from east ##@&$\«^.¨
¨-=:*@¶@## to west, getting broader and deeper and ##@¶@*:=-¨
¨¨,»^%##@# slower as it goes. equisetum grow just #@##%^»,¨¨
.:«/$§@### where the pine hands start to let ###@§$/«:.
,¨:»\@@@@# through light, horsemint on the rocky #@@@@\»:¨,
,:=†%§@### river bed. ###@§%†=:,
...~=¤§@@# #@@§¤=~...
..-;%££### : ###££%;-..
.¨~-:$¤¶## ##¶¤$:-~¨.
.,-\§&@### the riverbanks reek of magic. tonight ###@&§\-,.
,,~«\£¤£## they had been a swampworld with sylvan ##£¤£\«~,,
¨:~^$§£### water, stone rings and floating moss. ###£§$^~:¨
,¨--;&¤### you could've found me wallowing around ###¤&;--¨,
.:=^§#@### on the southern shores until i got ###@#§^=:.
.¨,-:£§¶## bitten. ##¶§£:-,¨.
¨-~/$@¶### ###¶@$/~-¨
.¨,»;%#£## but now i'm further back, on solid ##£#%;»,¨.
¨~=\£££### ground, in shoulder-high grass, with an ###£££\=~¨
.¨:~:§&£## orange tin radio and a translucent ##£&§:~:¨.
¨^==$£¶### umbrella which i'm sitting on. ###¶£$==^¨
,,:-=*££@# #@££*=-:,,
,.«†¤£#### ^ ####£¤†«.,
.¨-=\%£@## ##@£%\=-¨.
.-~:$£@### somethings moving in the grass. it's ###@£$:~-.
¨,^«:@£### invisible to my eyes but i can feel ###£@:«^,¨
¨:~/%¤#@## through the ground just how large it is. ##@#¤%/~:¨
,¨,-;%¤@@# #@@¤%;-,¨,
.:~=£@@@## the soil is muddy. i slip when trying ##@@@£=~:.
,,:»:§£### to get up, still looking at the ###£§:»:,,
,.«†%&¶@## direction of sound rather than at my ##@¶&%†«.,
,.,-/£@@## hands, who are busy putting things in ##@@£/-,.,
¨,=^£#¶### my pockets. ###¶#£^=,¨
,¨~~=%¤### ###¤%=~~¨,
¨.=;*¤@### then i run east toward my home. ###@¤*;=.¨
¨..-;¤#¶## ##¶#¤;-..¨
¨~~\%@#### ; ####@%\~~¨
.¨~=†### ####&†=~¨.
.^=^$££### i am not followed, and slow down in the ###££$^=^.
..:~†$@### clearing where you at first can spot ###@$†~:..
,,«;%£@### the house, not yet really in the ###@£%;«,,
¨,,-:@§£## backyard. from my pockets i retrieve my ##£§@:-,,¨
¨~«†@### radio (now dented) but also a small ####&@†«~¨
..^«;£&£## clay figure i've never seen before. it ##£&£;«^..
¨,»/%¤@### must have been laying in the wet dirt, ###@¤%/»,¨
¨,~-*%&@@# and i must've picked it up with my #@@&%*-~,¨
.,~=$£#### other belongings. ####£$=~,.
,.,«=$§### ###§$=«,.,
¨:=;%@#### it's a statuette of a girl laying naked ####@%;=:¨
..-~=¤@£## on her stomach, feet in the air, ##£@¤=~-..
¨~«^£¤#@## roughly seven centimeters long. it's ##@#¤£^«~¨
,.-~\&££## freshly made, not yet completely dried. ##££&\~-.,
.:»;&§#### ####§&;»:.
¨.,«/¤@### my mom is here now. i ask her for some ###@¤/«,.¨
¨-»^*&¶### particle board for it to dry on, but ###¶&*^»-¨
¨,,~=£&£## she is worried and wants me to ##£&£=~,,¨
,^==§@#@## throw it away. ##@#@§==^,
,.~~^%#@## ##@#%^~~.,
¨.=†%@#### ####@%†=.¨
.¨,-;§@£## ##£@§;-,¨.
.~«^$¤@### ###@¤$^«~.
.,~»\£££## ##£££\»~,.
..~/%£#### ####£%/~..