¨-~;*£@### ###@£*;~-¨
.,=\§§¤£## ##£¤§§\=,.
¨,:-.=\†§@ @§†\=.-:,¨
,~=/=&¤£@@ @@£¤&=/=~,
.~=†^&@### ###@&^†=~.
,^-;**£#@# statuette #@#£**;-^,
..»†$§%$## ##$%§$†»..
,-«;§¤¤@## $££$$%%%£*¤@$£$§~=-»»»»~@%§£¤@&$¤@%$$§%& ##@¤¤§;«-,
,,,,~»:$^£ *¤%§¤%&%% £^$:»~,,,,
,,~=~»†£#@ @#£†»~=~,,
¨-~/^§§£#@ forests around my childhood home. thick @#£§§^/~-¨
,^»=%%#### pine arcades that were planted and ####%%=»^,
¨:~†%£¤@@# forgotten. wild boars roaming #@@¤£%†~:¨
,¨¨,,.=%§@ underneath, sniffing at the ground. it @§%=.,,¨¨,
¨^~/*£#£## is dark and moist, the canopy having ##£#£*/~^¨
.¨,,»;$@¤@ already soaked up all the sun. @¤@$;»,,¨.
.-«^%*##@# #@##*%^«-.
,,~^^*¤§#@ there's a river passing by, from east @#§¤*^^~,,
,,-\=@£¶@# to west, getting broader and deeper and #@¶£@=\-,,
,~«:*£#¶#@ slower as it goes. equisetum grow just @#¶#£*:«~,
.^«=^£§@@# where the pine hands start to let #@@§£^=«^.
.-~*%$#¶## through light, horsemint on the rocky ##¶#$%*~-.
¨-~\=$#£## river bed. ##£#$=\~-¨
¨¨.~=««;*¤ ¤*;««=~.¨¨
,~«^§£@£## = ##£@£§^«~,
,,»†=:%$*# #*$%:=†»,,
,.,,~;*§§& the riverbanks reek of magic. tonight &§§*;~,,.,
.:=;%$¤£## they had been a swampworld with sylvan ##£¤$%;=:.
¨^~/%†=%#@ water, stone rings and floating moss. @#%=†%/~^¨
.,«=^*§¶## you could've found me wallowing around ##¶§*^=«,.
..=†*£££@@ on the southern shores until i got @@£££*†=..
.~-*$$#@## bitten. ##@#$$*-~.
¨,¨,.:=* #&*=:.,¨,¨
,.,,~=%££@ but now i'm further back, on solid @££%=~,,.,
,.~=%%@### ground, in shoulder-high grass, with an ###@%%=~.,
,,.,-~-%£@ orange tin radio and a translucent @£%-~-,.,,
¨-~:§£@@## umbrella which i'm sitting on. ##@@£§:~-¨
.,~**;%££¶ ¶££%;**~,.
.,»^^&¤### : ###¤&^^»,.
,-»**%#@#@ @#@#%**»-,
.--.,/==£# somethings moving in the grass. it's #£==/,.--.
¨.:-:\†*$# invisible to my eyes but i can feel #$*†\:-:.¨
,.,¨~%$£@@ through the ground just how large it is. @@£$%~¨,.,
¨,=†^%@#£# #£#@%^†=,¨
.,«†%%#¶¶@ the soil is muddy. i slip when trying @¶¶#%%†«,.
¨,:=«^£§£@ to get up, still looking at the @£§£^«=:,¨
..»\=&@¶@@ direction of sound rather than at my @@¶@&=\»..
.:-*†&¤&§# hands, who are busy putting things in #§&¤&†*-:.
,:~:=@§@## my pockets. ##@§@=:~:,
....¨-»==£ £==»-¨....
,:~=**§### then i run east toward my home. ###§**=~:,
.^»/§$&@## ##@&$§/»^.
,~=;*@&££@ ; @££&@*;=~,
.,=;$%§### ###§%$;=,.
.-==§§£@## i am not followed, and slow down in the ##@£§§==-.
,:»*%£&@@@ clearing where you at first can spot @@@&£%*»:,
.,«/§*¤### the house, not yet really in the ###¤*§/«,.
.,~*$£&@## backyard. from my pockets i retrieve my ##@&£$*~,.
¨,,.-,=~=& radio (now dented) but also a small &=~=,-.,,¨
¨:-;*@@@## clay figure i've never seen before. it ##@@@*;-:¨
¨.~\%$*&¤& must have been laying in the wet dirt, &¤&*$%\~.¨
¨^-:/†%§@# and i must've picked it up with my #@§%†/:-^¨
¨-««~«-/£¶ other belongings. ¶£/-«~««-¨
,^††£&@@## ##@@&£††^,
,¨,--=%@@¶ it's a statuette of a girl laying naked ¶@@%=--,¨,
,,..^*†$*¤ on her stomach, feet in the air, ¤*$†*^..,,
.~«^§$&@@# roughly seven centimeters long. it's #@@&$§^«~.
,~~†*$@£@# freshly made, not yet completely dried. #@£@$*†~~,
¨,-†%@£@## ##@£@%†-,¨
¨:«*%&¤### my mom is here now. i ask her for some ###¤&%*«:¨
¨.¨.=~;*¤@ particle board for it to dry on, but @¤*;~=.¨.¨
¨..¨-^^§ she is worried and wants me to #&§^^-¨..¨
,,~;§&@#@# throw it away. #@#@&§;~,,
,~«\*%##£@ @£##%*\«~,
¨,~†*$¤% #&%¤$*†~,¨
¨^~^*¤£### ###£¤*^~^¨
.,«:*$*£§§ §§£*$*:«,.
,.,.:*£¤@¶ ¶@¤£*:.,.,
,^==$§@¶#@ @#¶@§$==^,