,-~:%¤&@@# #@@&¤%:~-,
¨,=*=*#### ####*=*=,¨
¨..¨.=*&£# #£&*=.¨..¨
¨¨.,,=†@§@ @§@†=,,.¨¨
.-»=^¤¤¶@# #@¶¤¤^=»-.
¨.,,,.^=%@ statuette @%=^.,,,.¨
,-~=§£#@@# #@@#£§=~-,
¨,¨.,,,=%@ @$§§¤@$$@$¤&£$&*-==~«~~-§§&§§£%%$%£@§*%& @%=,,,.¨,¨
,¨,.-*^*%& &@@&£&£¤% &%*^*-.,¨,
¨¨¨.,~\@§# #§@\~,.¨¨¨
¨~«^=££@## forests around my childhood home. thick ##@££=^«~¨
,,.,:~*¤¤# pine arcades that were planted and #¤¤*~:,.,,
.,~\%*#### forgotten. wild boars roaming ####*%\~,.
.:»**$@### underneath, sniffing at the ground. it ###@$**»:.
.~»**=§%£# is dark and moist, the canopy having #£%§=**»~.
.~~\$%@#@# already soaked up all the sun. #@#@%$\~~.
.,¨.,¨~=## ##=~¨,.¨,.
.,,.¨^^%@@ there's a river passing by, from east @@%^^¨.,,.
,:~~=~/*§@ to west, getting broader and deeper and @§*/~=~~:,
,.»*$§§@## slower as it goes. equisetum grow just ##@§§$*».,
,^~/*£@#@# where the pine hands start to let #@#@£*/~^,
¨¨,¨,¨^~=£ through light, horsemint on the rocky £=~^¨,¨,¨¨
,.«†§&&@## river bed. ##@&&§†«.,
.,,.,:\@ #&@\:,.,,.
.^~\*£@@#@ : @#@@£*\~^.
....\^†$§& &§$†^\....
¨¨,.^~*%$£ the riverbanks reek of magic. tonight £$%*~^.,¨¨
¨,¨,,,,«$& they had been a swampworld with sylvan &$«,,,,¨,¨
.~»/†*#### water, stone rings and floating moss. ####*†/»~.
.-~/%%¤§&@ you could've found me wallowing around @&§¤%%/~-.
.,~†^¤#@## on the southern shores until i got ##@#¤^†~,.
.-=:^£§¶## bitten. ##¶§£^:=-.
,^-;†*#@£# #£@#*†;-^,
.~~:$%@£&¶ but now i'm further back, on solid ¶&£@%$:~~.
.,»:%££#@@ ground, in shoulder-high grass, with an @@#££%:»,.
¨~-^^$@£## orange tin radio and a translucent ##£@$^^-~¨
¨.»**&&@## umbrella which i'm sitting on. ##@&&**».¨
.,¨.,»=§%# #%§=»,.¨,.
¨:=;=£#@## = ##@#£=;=:¨
,~~†*££@@@ @@@££*†~~,
,^~*%&@£## somethings moving in the grass. it's ##£@&%*~^,
,,,.,~-*§@ invisible to my eyes but i can feel @§*-~,.,,,
..-†*$#@## through the ground just how large it is. ##@#$*†-..
,-~;*%#&§& &§%*;~-,
,,~*%*## the soil is muddy. i slip when trying ###&*%*~,,
.~~^%@£@## to get up, still looking at the ##@£@%^~~.
.~=†*¤££## direction of sound rather than at my ##££¤*†=~.
¨.~/**##@# hands, who are busy putting things in #@##**/~.¨
,.,.:-;*$@ my pockets. @$*;-:.,.,
¨:~†=¤¤#@# #@#¤¤=†~:¨
.,«*$¤@### then i run east toward my home. ###@¤$*«,.
,¨¨.,,:%£§ §£%:,,.¨¨,
.:=**%§#@# † #@#§%**=:.
¨~=^*@£¶## ##¶£@*^=~¨
,.,.,=^@ i am not followed, and slow down in the @#&^=,.,.,
¨~~/*$¤£## clearing where you at first can spot ##£¤$*/~~¨
.-~~/;\$£# the house, not yet really in the #£$\;/~~-.
...,.¨»%@§ backyard. from my pockets i retrieve my §@%»¨.,...
¨~=:§%## radio (now dented) but also a small ###&%§:=~¨
,:»†^†^¤## clay figure i've never seen before. it ##¤^†^†»:,
¨^»/%%¤@£# must have been laying in the wet dirt, #£@¤%%/»^¨
,,¨¨.«~:£& and i must've picked it up with my &£:~«.¨¨,,
¨.=†%&## other belongings. ###&&%†=.¨
.,¨^**§§§@ @§§§**^¨,.
,.¨../^\@# it's a statuette of a girl laying naked #@\^/..¨.,
,-=^$@¤### on her stomach, feet in the air, ###¤@$^=-,
.,=†%$@#@# roughly seven centimeters long. it's #@#@$%†=,.
,-~†=$¤@## freshly made, not yet completely dried. ##@¤$=†~-,
¨~=^†£#### ####£†^=~¨
,.,¨~,=§&@ my mom is here now. i ask her for some @&§=,~¨,.,
¨.¨,,«§%£# particle board for it to dry on, but #£%§«,,¨.¨
¨:-\*$§@@# she is worried and wants me to #@@§$*\-:¨
,.,,~*%@@# throw it away. #@@%*~,,.,
,-«=*%§¤¶# #¶¤§%*=«-,
,¨,.«»»%&@ @&%»»«.,¨,
,:~;=@§@@# #@@§@=;~:,
,,=†*%###£ £###%*†=,,
.:«/=@¶### ###¶@=/«:.
,:=^%¤#@@# #@@#¤%^=:,