¤&,,,#£§§@ ¨¨.,¨,¨¨¨,
,¨,§,¨&@&, @#£#&§&£&¨
#£.¨..,@,, ¤&@@@¤#@.,
.¨¨#@£...¤ #&&&@#&.,,
¤#,,&,,§,¨ ¤@£&¤#.¨##
§.¨,.¨,,,¤ statuette ,&¤§#.¨,,¤
.,&@¤&¤#.. .¨£&.,@#.,
@¨.#&¤§.., %%%%£$*£§£&¤%¤£*»~=~«~=«*&@%%$$*$$$£$£££ ¨.,¨.,..,#
,.¨.£&.¨¤@ £¤£@&¤*%@ @&@&§@#&,.
#.,,,..@ ¤#¤§¤¤&,.&
&§¨¨&@£§,, forests around my childhood home. thick #¤£#&¤¨,,.
,,¨.¨§§,.. pine arcades that were planted and ¨¤@¤§..#£.
#§§§,¨¨¨¤£ forgotten. wild boars roaming ,¨§&.¨¨.,¨
¨&¤,.£#,¨@ underneath, sniffing at the ground. it ¨,¨¨.§§£§,
¨.,,¨.¨,,. is dark and moist, the canopy having &£&@,.£&,.
£&¤&@§#, already soaked up all the sun. .#§.¨¨,.,#
¤¤&¤@##@¨. ¨..,¤£§#,¨
,#@¤£¨¨. there's a river passing by, from east ¨&@..¤¤,,¨
..§§¤¤¨, to west, getting broader and deeper and .,,¨,,¨¨#&
¨,¨#¤,,¨,§ slower as it goes. equisetum grow just ¤@£#¤@§¨.¨
££¨.,¨£@,. where the pine hands start to let ¤#@§¤£,,§#
&.,£@,¨¨¨. through light, horsemint on the rocky .@¤&@.¨¨¨@
.¨,¨¨¨§@#& river bed. ,.¤@,.&£,.
@#@§£¨,£§, ¤..,.¨.,¨#
££@&.,,,., = ¨¨§&£&§¤.,
¨£@,.§&@¤¨ @,¨#£#@,¨¨
¨,.¨..£&¨¨ the riverbanks reek of magic. tonight ¨,.,#£¨¨@&
,##§¤.¨,¨& they had been a swampworld with sylvan ¨¤&,¨,,.¨.
,,@£,.£&.¨ water, stone rings and floating moss. ,.¨¨§£&¤@¤
¨,¨.¨,¨,¨¤ you could've found me wallowing around £@@¨¨§¤&¤.
&££&@#¨. on the southern shores until i got ££.,.,&§..
.£¤¤§..§ bitten. #¨.£¤¨.¨¨,
¨¨§#¤£¨¨¨. ,.¨¨¨¨§&£¤
..,§¤¨¨£§£ but now i'm further back, on solid ¨££&£.¨#§¨
£&.¨¨.¨¨&& ground, in shoulder-high grass, with an ,.£&,,.¨¨.
.¨¨@¤§#.¨¨ orange tin radio and a translucent &..,,#¤@&¨
§@.,¤#..&& umbrella which i'm sitting on. ,.&&.¨¨,
,¨,,,.¨.¨, .¨,¨.¨.¨.,
@§&§§@§£&& † &£§&&&@&§#
#£#¤£§##@£ ¤#@£#£#¤##
£¤¤#§@&& somethings moving in the grass. it's ¤§@§@&&¤&£
#§@&&£¤#£# invisible to my eyes but i can feel &§£@@§#§¤§
##&@¤§##¤@ through the ground just how large it is. £@#£#§§#¤#
§@£@&¤££#@ £@@#§¤@@¤£
£#§@¤¤ the soil is muddy. i slip when trying ¤£§¤&&§#§¤
£¤#&&¤@¤ to get up, still looking at the @&&¤&¤@#
&¤&£@£§£#& direction of sound rather than at my ¤&£&§&¤§
££#£##¤@¤@ hands, who are busy putting things in @§#££§¤£#@
§£#@&§¤¤ my pockets. @&¤£#§¤&¤#
@&@@&&¤@¤# #@@§##&¤£§
&¤@#¤&¤§ then i run east toward my home. &§#@#@##
&£¤¤@#¤¤ @#£¤@@
§§¤£#¤@£@§ ^ &£@&§§§@&@
#@§&£&£¤§£ #&§#§¤§&@£
§££&@£¤#&@ i am not followed, and slow down in the @¤¤¤£@§#§§
@£§£¤#§¤@# clearing where you at first can spot §£¤£&@£@£@
#@#§§@¤@££ the house, not yet really in the &§££#£¤§#&
@§§£@§@¤ backyard. from my pockets i retrieve my @¤@£¤@£@@£
¤&&£§@#¤@§ radio (now dented) but also a small @&£¤§&&§&§
&@@&&@£& clay figure i've never seen before. it £§§@@££§££
&¤#&¤#¤£## must have been laying in the wet dirt, &¤¤#§§@&&£
¤§&£¤@¤&§@ and i must've picked it up with my @§@&§¤&§¤¤
§¤&£@§£# other belongings. @§@@@¤£&
§¤¤&@@¤@¤§ #¤£&§¤
@£#§##££@£ it's a statuette of a girl laying naked &@&&§§@§
§@§£&¤§£§¤ on her stomach, feet in the air, £@§#@££#¤@
&§@#¤@&@¤# roughly seven centimeters long. it's §@£@@¤§¤
@§@£¤@#@ freshly made, not yet completely dried. £&@@&@§@&¤
§#§§@¤@#¤# ¤¤£§@¤££&§
&§£¤£§¤&@¤ my mom is here now. i ask her for some £#¤¤§@#@
##§£§¤¤@§§ particle board for it to dry on, but #@&¤§@£@§#
¤£#@&&¤&¤# she is worried and wants me to &¤£#@¤££&§
#&£&§#¤&¤£ throw it away. @§&@##¤£
#@§#§# £@@&@&¤#£§
&@@¤¤@£¤ ££§&£@@#¤&
#££#@&@£@# ¤@#&@@£##¤
¤¤#@#@£& #§¤£&@#§§¤
&£&&&@&&££ ¤#£#¤£@&¤¤
§#£@¤#£#§£ £@§#¤§£§£&