¨.~/†$§¶## ##¶§$†/~.¨
,¨^-\^£¤@# #@¤£^\-^¨,
,--=**@### ###@**=--,
¨,-~:%¤@@# #@@¤%:~-,¨
¨~-==@@¶## ##¶@@==-~¨
¨.:»/$££@# statuette #@££$/»:.¨
¨:=***§¶## ##¶§***=:¨
¨¨.»^$§££# &£*£%**¤&*%£$$$&»»=~~»~~§¤$£%$%&§%%££&%£ #££§$^».¨¨
.^«;^@££## §&£&$¤%$% ##££@^;«^.
,¨,»†^$#¶# #¶#$^†»,¨,
¨^«:%*@### forests around my childhood home. thick ###@*%:«^¨
..,~;%$¤## pine arcades that were planted and ##¤$%;~,..
,:~/*@@£## forgotten. wild boars roaming ##£@@*/~:,
..:-^^@@## underneath, sniffing at the ground. it ##@@^^-:..
¨:~:=*¤¶## is dark and moist, the canopy having ##¶¤*=:~:¨
¨,~~†*$§## already soaked up all the sun. ##§$*†~~,¨
¨--†$@#£## ##£#@$†--¨
.¨,-=§*# there's a river passing by, from east ##&*§=-,¨.
¨--=*%&@## to west, getting broader and deeper and ##@&%*=--¨
,¨^-*§@¤@# slower as it goes. equisetum grow just #@¤@§*-^¨,
¨.~==§@### where the pine hands start to let ###@§==~.¨
.¨.-=^&¤¶# through light, horsemint on the rocky #¶¤&^=-.¨.
¨.«/=@#@## river bed. ##@#@=/«.¨
,,.»†$*§@# #@§*$†».,,
¨,«†$$## ; ###&$$†«,¨
.,,»†§%£@# #@£%§†»,,.
,,-^§§#£## the riverbanks reek of magic. tonight ##£#§§^-,,
.¨,-^^£@## they had been a swampworld with sylvan ##@£^^-,¨.
.:=;$$#### water, stone rings and floating moss. ####$$;=:.
.,~-;%$£## you could've found me wallowing around ##£$%;-~,.
.~-†*&£### on the southern shores until i got ###£&*†-~.
,.~«=§%@## bitten. ##@%§=«~.,
.~»\§¤@¶## ##¶@¤§\»~.
¨.,~;^§@## but now i'm further back, on solid ##@§^;~,.¨
¨:~;†¤#£## ground, in shoulder-high grass, with an ##£#¤†;~:¨
¨.,«;%*§¶# orange tin radio and a translucent #¶§*%;«,.¨
.--;§£¤@## umbrella which i'm sitting on. ##@¤£§;--.
¨,~-†%@@## ##@@%†-~,¨
.^~:^@&¶## \ ##¶&@^:~^.
¨,:~*†£### ###£†*~:,¨
.,~^=£££## somethings moving in the grass. it's ##£££=^~,.
,.-=^$@#£# invisible to my eyes but i can feel #£#@$^=-.,
,~»†^%@@## through the ground just how large it is. ##@@%^†»~,
,,^~/$@£@# #@£@$/~^,,
..-^*%£@## the soil is muddy. i slip when trying ##@£%*^-..
,.,=/=$£@# to get up, still looking at the #@£$=/=,.,
,^«\*$¤### direction of sound rather than at my ###¤$*\«^,
¨,:~†*§£## hands, who are busy putting things in ##£§*†~:,¨
,-~^*§£¶## my pockets. ##¶£§*^~-,
,¨,»†*&§## ##§&*†»,¨,
.,=/$&@### then i run east toward my home. ###@&$/=,.
¨,,=\*&¤£# #£¤&*\=,,¨
.,»:*%## = ###&%*:»,.
¨,.»**§&£# #£&§**».,¨
¨,~\%$¤@## i am not followed, and slow down in the ##@¤$%\~,¨
¨,:»;$§@@# clearing where you at first can spot #@@§$;»:,¨
,^«/*$§@## the house, not yet really in the ##@§$*/«^,
.¨:«*§¤¤@# backyard. from my pockets i retrieve my #@¤¤§*«:¨.
.~~††¤&@## radio (now dented) but also a small ##@&¤††~~.
.¨:«^†@&¶# clay figure i've never seen before. it #¶&@†^«:¨.
.,=\=§§### must have been laying in the wet dirt, ###§§=\=,.
¨,^=*%¤£## and i must've picked it up with my ##£¤%*=^,¨
¨.«:=££¶## other belongings. ##¶££=:«.¨
¨.^-^†%@£# #£@%†^-^.¨
¨^»*§$§### it's a statuette of a girl laying naked ###§$§*»^¨
¨,:=:*£# on her stomach, feet in the air, ##&£*:=:,¨
.,~/%### roughly seven centimeters long. it's ####&%/~,.
..^»^$&¤¶# freshly made, not yet completely dried. #¶¤&$^»^..
.:~^%£@### ###@£%^~:.
¨.,=^=££@# my mom is here now. i ask her for some #@££=^=,.¨
.:~;†*#¶## particle board for it to dry on, but ##¶#*†;~:.
,,~-†^§#@# she is worried and wants me to #@#§^†-~,,
,^=:†$#### throw it away. ####$†:=^,
¨,^»;=*#¶# #¶#*=;»^,¨
¨:~;$£§£## ##£§£$;~:¨
,¨.~;^¤@@# #@@¤^;~.¨,
.^~††$&@## ##@&$††~^.
¨,,»:=*@@# #@@*=:»,,¨
¨,»*%%§@## ##@§%%*»,¨