¨,..,##¨¨. ,,@.,¨¨#¨.
@¤#¤¨.¨,¤£ @¨,.£#...&
#§@.,&§.¨§ ¨¨£,,¨¨#,.
¨§.....¨,¨ ¨.¨,§#,¨.¨
¨.¨¤@¤&££# ¤¤§,..¨£
,&..&&&££& statuette ¨¤,¨§@,,#.
.,.¨,§§#£@ ..,¨¨.,¨..
@¤¤§¨,¤£¤£ £§&$§%*£@*@£$$&&-«~=~«~~$**§*&¤£$£££&*@& ,@#&&§¤§¤#
£@§,¨¨,£@§ £*$$¤%%¤$ ,¨#§#@££§¤
££,¨¨.§§ ...¤£@§@£&
¤,¨.¨¨¨¨,. forests around my childhood home. thick §¤..¤@¤&@¤
¨,§@£¤&£&§ pine arcades that were planted and .,¨,.£¤¤£@
¨,.¤¤@££¤£ forgotten. wild boars roaming §&§§,.§££,
£@,.§@@@ underneath, sniffing at the ground. it ,&§¨,.,£,.
,¨¨,¨&¤&@, is dark and moist, the canopy having .,,,&§,,¨¨
###@,¨§&,. already soaked up all the sun. £&&,¨¨.£¤#
§#¤,.,.¨,& @#¨.¤@,¨@§
§£¨.#&£&¨, there's a river passing by, from east ¨¨¨¨¨,,¨.#
&.¨¨¨£&,,§ to west, getting broader and deeper and #££&¤@#§,,
..§¤,¨.¨,, slower as it goes. equisetum grow just ¤¤££@#&,,¨
§,,,.£¤¨ where the pine hands start to let &¤&£#£,,£#
¨¨§#,,#&,¨ through light, horsemint on the rocky ,§@#&¨.,.£
.,,¨¨¨.,.¨ river bed. ¨.¤¤¨¨&¤.,
&¤#£@@§£¤£ ¨..,.,,,¨£
&£#&§§#, : #§&£@###¨¨
.££#@#¤£,. .§&§¤§@,..
,¨£#££&.¨§ the riverbanks reek of magic. tonight ..&&@&.¨&¤
.¨,§§#¨,,¨ they had been a swampworld with sylvan ¤¨.#@¨¨,,.
§¤,.§,¨#§, water, stone rings and floating moss. ¨¨,,.,&@£@
¤,,,,,,¨., you could've found me wallowing around &@#£¤¨.#@@
¨¨§§@&¤§§£ on the southern shores until i got #@&£,¨..§¤
¨¨¨£##§#@@ bitten. ¨§¤..¨..
£¤¨.£¤£§££ ,¨.,,,,,§¤
#,.,,##§&& but now i'm further back, on solid §¤£#§¤#¨¨@
¨¨¤£,¨£§§§ ground, in shoulder-high grass, with an #£&@@#,,,¨
&¨,...,£§§ orange tin radio and a translucent ¨&&§£.,&@¤
,,&@&§.,@. umbrella which i'm sitting on. ¨,@¤¨.,,&@
,.¨#&¨¨... .¨¨¨.#¤,.,
§§,,¨¨#@¤. * @##@¨¨.¨#&
£¨¨£@¨,§¨¨ .£#¨¨§@¨.#
¨.,.¨..¨.¨ somethings moving in the grass. it's ,..¨.¨,¨,¨
§#@##&§¤ invisible to my eyes but i can feel &¤§#@&§@
£££§§£££§§ through the ground just how large it is. ¤@&£@##¤&@
#¤#§#§@£ ¤@&&§£@§#@
§#@#&¤§¤@§ the soil is muddy. i slip when trying @¤#§£@¤#&£
#§§#£@£#@§ to get up, still looking at the £¤§¤&¤¤£
&&§¤¤§#££@ direction of sound rather than at my ¤£§&§#£¤
@##¤§§@§@@ hands, who are busy putting things in ¤#@£§@££¤#
¤#§&¤§#¤#@ my pockets. &£##&&¤&¤@
#§#¤@@@¤£¤ ££§£@£&&@@
§&§@§&§£§# then i run east toward my home. &@¤@@§@@¤@
¤@&@££@¤#¤ §###§¤££@#
¤£¤§¤&§&¤£ = §@@§§§@§£§
&@§¤££@§&§ £@£¤£¤#¤§#
¤##&¤£#&§@ i am not followed, and slow down in the @§§£§@£&@§
@&¤&§##§§# clearing where you at first can spot #&¤£@&£§
##§§&@¤@#@ the house, not yet really in the &£&¤&¤#¤&@
£¤@¤#¤&§£¤ backyard. from my pockets i retrieve my #¤¤¤##@¤
¤¤@&&¤#§§¤ radio (now dented) but also a small &¤@¤##£@&@
¤@@¤§¤@&&& clay figure i've never seen before. it &@£@#§@£@@
£@&££#&§&@ must have been laying in the wet dirt, &¤¤§¤@¤¤¤¤
@&&£§¤¤¤#£ and i must've picked it up with my £¤£@¤@&¤£¤
¤§¤¤¤¤#@@# other belongings. &¤&§@§@§
¤&¤¤§¤#@ &£¤¤££&¤
@§£####§&& it's a statuette of a girl laying naked £@&&¤¤§§&&
&££##&§@ on her stomach, feet in the air, ##@##££@
#§¤¤@£¤§#& roughly seven centimeters long. it's @&§@@¤£&££
@§§@¤¤&@#£ freshly made, not yet completely dried. ##§&£@&¤@#
§£@§§£#£¤@ #¤¤&@¤#&@§
&&@§¤££££# my mom is here now. i ask her for some #&@@&&£¤&£
&£&§§¤£&£& particle board for it to dry on, but §¤¤#£@§&£@
@¤#£#@§§¤§ she is worried and wants me to #&@£&£#&£&
£¤#§¤&@£ throw it away. £§&£££#§
¤@§§#@§¤ £&¤#§@¤&&&
§#@¤£¤£@#§ ££¤&¤@#§#&
#@§¤¤£&&£¤ #¤&@£§££@§
#@@@@##£## §#¤@#§&£§#
@#@§£&@£#£ &&@&¤£#¤
&&@§&§@@ ¤¤@¤&¤&@£&