.:~;%*@### ###@*%;~:.
,.-=;$*@## ##@*$;=-.,
,^«:$£@@## ##@@£$:«^,
¨,.»;$%#@# #@#%$;».,¨
.:«:%$@### ###@$%:«:.
¨.--;%£#@# statuette #@#£%;--.¨
.~~\^%@### ###@%^\~~.
,¨,»=^$#@# §%§$%@£%¤*%$$$@£~-»~~=~»@$$*@¤$§¤$£§£$¤% #@#$^=»,¨,
,,«†$*£### £$£$£$*¤£ ###£*$†«,,
,.~~††¤### ###¤††~~.,
¨.=^$¤¶@## forests around my childhood home. thick ##@¶¤$^=.¨
¨¨-«†*¤### pine arcades that were planted and ###¤*†«-¨¨
.,~;^¤#### forgotten. wild boars roaming ####¤^;~,.
¨.,-*†%£@# underneath, sniffing at the ground. it #@£%†*-,.¨
,.-\$£¶### is dark and moist, the canopy having ###¶£$\-.,
¨¨^«^$%### already soaked up all the sun. ###%$^«^¨¨
..=^*§#@## ##@#§*^=..
.¨-~:$%£@# there's a river passing by, from east #@£%$:~-¨.
,^-\*$@### to west, getting broader and deeper and ###@$*\-^,
,,,~†%*£## slower as it goes. equisetum grow just ##£*%†~,,,
¨,~=†&@### where the pine hands start to let ###@&†=~,¨
,,-»/^%### through light, horsemint on the rocky ###%^/»-,,
,,»=*### river bed. ####&*=»,,
¨.,=^†$@## ##@$†^=,.¨
,:«†%*@### † ###@*%†«:,
,.:~\%@# #@#&%\~:.,
¨~~=%¤¶@## the riverbanks reek of magic. tonight ##@¶¤%=~~¨
,.:-/%£¶## they had been a swampworld with sylvan ##¶£%/-:.,
¨:~/%££### water, stone rings and floating moss. ###££%/~:¨
..,==§*#@# you could've found me wallowing around #@#*§==,..
.,«†%$£### on the southern shores until i got ###£$%†«,.
¨,~»/§£¶@# bitten. #@¶£§/»~,¨
.,~=$¤#### ####¤$=~,.
,.^~†$£### but now i'm further back, on solid ###£$†~^.,
..«\*£#### ground, in shoulder-high grass, with an ####£*\«..
,.,»;*@### orange tin radio and a translucent ###@*;»,.,
.^»/%*@### umbrella which i'm sitting on. ###@*%/»^.
¨,,»^$*@## ##@*$^»,,¨
.^~††££### * ###££††~^.
.¨-=:%%£@# #@£%%:=-¨.
¨,»^%£@### somethings moving in the grass. it's ###@£%^»,¨
,¨.«/*$@## invisible to my eyes but i can feel ##@$*/«.¨,
¨-~^§£#### through the ground just how large it is. ####£§^~-¨
¨..~\§*@## ##@*§\~..¨
,.=:%$¶### the soil is muddy. i slip when trying ###¶$%:=.,
..,=†*£### to get up, still looking at the ###£*†=,..
¨,~;^¤£@## direction of sound rather than at my ##@£¤^;~,¨
,¨^=*=$@@# hands, who are busy putting things in #@@$=*=^¨,
¨~=*%$@### my pockets. ###@$%*=~¨
,,,~^$$@## ##@$$^~,,,
.,«=%§@### then i run east toward my home. ###@§%=«,.
.,:~/†$@## ##@$†/~:,.
¨,~:*&@### / ###@&*:~,¨
¨¨,~==§@## ##@§==~,¨¨
,~»:%&¶### i am not followed, and slow down in the ###¶&%:»~,
,.:-;%¤@## clearing where you at first can spot ##@¤%;-:.,
.:~/*§@@## the house, not yet really in the ##@@§*/~:.
..,«^§§@@# backyard. from my pockets i retrieve my #@@§§^«,..
¨^~;%&@### radio (now dented) but also a small ###@&%;~^¨
,,.~^^%¶## clay figure i've never seen before. it ##¶%^^~.,,
,^-^%$@### must have been laying in the wet dirt, ###@$%^-^,
¨.:«:§§¶## and i must've picked it up with my ##¶§§:«:.¨
,,-\%$#@## other belongings. ##@#$%\-,,
.¨^«*^@¶## ##¶@^*«^¨.
,^=\%### it's a statuette of a girl laying naked ####&%\=^,
,¨.~†§&@@# on her stomach, feet in the air, #@@&§†~.¨,
,-«^*%#### roughly seven centimeters long. it's ####%*^«-,
,¨.-=%$### freshly made, not yet completely dried. ###$%=-.¨,
.~«;%§@### ###@§%;«~.
,¨~=/%## my mom is here now. i ask her for some ###&%/=~¨,
.^~\*@@@## particle board for it to dry on, but ##@@@*\~^.
,¨,~^^%@## she is worried and wants me to ##@%^^~,¨,
.-~:**#@## throw it away. ##@#**:~-.
.,-=/†%£## ##£%†/=-,.
,:~\*%£### ###£%*\~:,
,..~\=@£## ##£@=\~..,
.,=^%££@## ##@££%^=,.
.,,-^^%@## ##@%^^-,,.
,-~**$@@## ##@@$**~-,