,,-~†*%£@# #@£%*†~-,,
,:«^*### ####&*^«:,
,,~~:*&£## ##£&*:~~,,
¨,¨~«==$@# #@$==«~¨,¨
¨¨¨..-:%£¶ ¶£%:-..¨¨¨
,¨¨.=/^£@# statuette #@£^/=.¨¨,
¨,:»=§@### ###@§=»:,¨
..-;^%#### ¤%*&&£*£%§@¤*$£§-««««~~»££@%%£$§§§§@$¤%% ####%^;-..
,¨.«*†¤@## &§@$%£££% ##@¤†*«.¨,
.,¨:=\=@¶# #¶@=\=:¨,.
,¨..,»*§§@ forests around my childhood home. thick @§§*»,..¨,
,...=;$£@# pine arcades that were planted and #@£$;=...,
,,-~/†%### forgotten. wild boars roaming ###%†/~-,,
,.~=*$¶### underneath, sniffing at the ground. it ###¶$*=~.,
¨,.-^%£¶@# is dark and moist, the canopy having #@¶£%^-.,¨
¨.¨~»:*$@# already soaked up all the sun. #@$*:»~¨.¨
.,,.~»:§¤@ @¤§:»~.,,.
.¨,-«†$¤¶@ there's a river passing by, from east @¶¤$†«-,¨.
,.,-†%¤£@# to west, getting broader and deeper and #@£¤%†-,.,
.,===§@@## slower as it goes. equisetum grow just ##@@§===,.
¨¨.~†%£@@# where the pine hands start to let #@@£%†~.¨¨
¨,.,~;^§## through light, horsemint on the rocky ##§^;~,.,¨
.,..~«/=$@ river bed. @$=/«~..,.
¨¨¨.==$£@@ @@£$==.¨¨¨
,,~=**## = ###&**=~,,
,^-=†@¶### ###¶@†=-^,
¨¨-~**¤### the riverbanks reek of magic. tonight ###¤**~-¨¨
.¨,^«/*@## they had been a swampworld with sylvan ##@*/«^,¨.
¨¨,¨~»/=&@ water, stone rings and floating moss. @&=/»~¨,¨¨
,,¨,~:*$@# you could've found me wallowing around #@$*:~,¨,,
,¨~-††$£@# on the southern shores until i got #@£$††-~¨,
¨,~=$@## bitten. ##@#&$=~,¨
.¨,=/§$¶## ##¶$§/=,¨.
.,¨:-*§£¶@ but now i'm further back, on solid @¶£§*-:¨,.
¨¨¨¨:-/%%@ ground, in shoulder-high grass, with an @%%/-:¨¨¨¨
,.¨,«\§$@# orange tin radio and a translucent #@$§\«,¨.,
..~»†*%¶## umbrella which i'm sitting on. ##¶%*†»~..
¨,-†=£¶### ###¶£=†-,¨
,,,~*§%@@# ^ #@@%§*~,,,
.,.,»==$@# #@$==»,.,.
,¨,,^~/=%# somethings moving in the grass. it's #%=/~^,,¨,
,.¨.~^**¶@ invisible to my eyes but i can feel @¶**^~.¨.,
,¨~-/§£@## through the ground just how large it is. ##@£§/-~¨,
,~~**%#@## ##@#%**~~,
,¨,~*†%### the soil is muddy. i slip when trying ###%†*~,¨,
¨.,:~=*%#@ to get up, still looking at the @#%*=~:,.¨
¨,¨.-«:$*£ direction of sound rather than at my £*$:«-.¨,¨
¨¨.:-*%§¶# hands, who are busy putting things in #¶§%*-:.¨¨
..:===§### my pockets. ###§===:..
¨,-†§%¶### ###¶%§†-,¨
.,~=^^%£## then i run east toward my home. ##£%^^=~,.
..¨,«^†%¶# #¶%†^«,¨..
.¨.¨^-;†&@ \ @&†;-^¨.¨.
¨,.:~;†*## ##*†;~:.,¨
.¨^-;^@@@# i am not followed, and slow down in the #@@@^;-^¨.
¨.~^%$#@## clearing where you at first can spot ##@#$%^~.¨
.,,~†%£¶## the house, not yet really in the ##¶£%†~,,.
.¨,~«^†£@@ backyard. from my pockets i retrieve my @@£†^«~,¨.
¨¨,¨.-/*¤@ radio (now dented) but also a small @¤*/-.¨,¨¨
,,.:»^*@¶@ clay figure i've never seen before. it @¶@*^»:.,,
,..-;$%¶## must have been laying in the wet dirt, ##¶%$;-..,
,^»†$£@### and i must've picked it up with my ###@£$†»^,
.¨:=;*&@## other belongings. ##@&*;=:¨.
...~~*=¤## ##¤=*~~...
¨¨,¨,«†^*@ it's a statuette of a girl laying naked @*^†«,¨,¨¨
,.,~~†^¤@@ on her stomach, feet in the air, @@¤^†~~,.,
¨,:-*†%¶@# roughly seven centimeters long. it's #@¶%†*-:,¨
.~~;%§#@## freshly made, not yet completely dried. ##@#§%;~~.
.,,»/%§@## ##@§%/»,,.
¨,,.»;%&¶# my mom is here now. i ask her for some #¶&%;».,,¨
.¨,.--†%¤@ particle board for it to dry on, but @¤%†--.,¨.
,,,:-;*§@# she is worried and wants me to #@§*;-:,,,
,,-«:^%£@# throw it away. #@£%^:«-,,
.,~†=@@@## ##@@@=†~,.
,¨,-/*£### ###£*/-,¨,
.¨¨,~;*%@@ @@%*;~,¨¨.
..,¨,~\^$# #$^\~,¨,..
...-~;**## ##**;~-...
,,~»;*## ###&*;»~,,