¨-~/%¤#@## ##@#¤%/~-¨
¨¨,«\*$§@# #@§$*\«,¨¨
¨^~\%£¤@## ##@¤£%\~^¨
¨¨~»;^@§## ##§@^;»~¨¨
¨.-\=$¤@## ##@¤$=\-.¨
¨,,«;*£¤## statuette ##¤£*;«,,¨
..»;%*££## ##££*%;»..
..~~†=&£@# %%¤%$$¤$$£$@£@$$~«~»-~~«££%¤£%§@£¤¤$@£@¤ #@£&=†~~..
,-«=†*#@## ¤£%*§£$£$ ##@#*†=«-,
,¨:-=^%¤@# #@¤%^=-:¨,
,,»\^@§### forests around my childhood home. thick ###§@^\»,,
,¨,»;*&¤¶# pine arcades that were planted and #¶¤&*;»,¨,
¨,~/^%£@## forgotten. wild boars roaming ##@£%^/~,¨
¨,:»^§%#¶# underneath, sniffing at the ground. it #¶#%§^»:,¨
,^»=%@£### is dark and moist, the canopy having ###£@%=»^,
¨.,-;*£¤¶# already soaked up all the sun. #¶¤£*;-,.¨
.^=:=&@### ###@&=:=^.
..-~;†¤£@# there's a river passing by, from east #@£¤†;~-..
.,-^$£¤¶## to west, getting broader and deeper and ##¶¤£$^-,.
.,~~**%£@# slower as it goes. equisetum grow just #@£%**~~,.
,:-*§$@### where the pine hands start to let ###@$§*-:,
.,.-\**£## through light, horsemint on the rocky ##£**\-.,.
.~«^§@&@## river bed. ##@&@§^«~.
,.-~^†$&£# #£&$†^~-.,
,,~^%@¤@## / ##@¤@%^~,,
..~=/§%§¶# #¶§%§/=~..
,.-*§@§@## the riverbanks reek of magic. tonight ##@§@§*-.,
,¨,«=%£&@# they had been a swampworld with sylvan #@&£%=«,¨,
.,=;†%@@## water, stone rings and floating moss. ##@@%†;=,.
,¨~~=§*§£# you could've found me wallowing around #£§*§=~~¨,
,^«†%%@@## on the southern shores until i got ##@@%%†«^,
,.:=\§@§## bitten. ##§@§\=:.,
.-«\*$¤£## ##£¤$*\«-.
,.^»†*%### but now i'm further back, on solid ###%*†»^.,
¨,~†$*@### ground, in shoulder-high grass, with an ###@*$†~,¨
¨¨.-:§*£@# orange tin radio and a translucent #@£*§:-.¨¨
..=^§&§@## umbrella which i'm sitting on. ##@§&§^=..
¨,~~^^£# ##&£^^~~,¨
.,=\=&£@## / ##@£&=\=,.
..~=/%*#£# #£#*%/=~..
,.«:*&£@## somethings moving in the grass. it's ##@£&*:«.,
¨..-;^%@£# invisible to my eyes but i can feel #£@%^;-..¨
,-=:$&£¶## through the ground just how large it is. ##¶£&$:=-,
¨¨,~:†£@@# #@@£†:~,¨¨
¨,~^§$¤### the soil is muddy. i slip when trying ###¤$§^~,¨
,,^«\%£&@# to get up, still looking at the #@&£%\«^,,
,,»=§&&£## direction of sound rather than at my ##£&&§=»,,
¨,:-;§$### hands, who are busy putting things in ###$§;-:,¨
,,=\*%@¶## my pockets. ##¶@%*\=,,
¨¨,«^%@# ##&@%^«,¨¨
,^»\†£§### then i run east toward my home. ###§£†\»^,
¨.,~;$%@¶# #¶@%$;~,.¨
,:-†**@@## † ##@@**†-:,
,.:~/=%£¶# #¶£%=/~:.,
.~»\*&&@## i am not followed, and slow down in the ##@&&*\»~.
..:»†$¤£## clearing where you at first can spot ##£¤$†»:..
.~»=†@£### the house, not yet really in the ###£@†=»~.
,¨,«:†$@## backyard. from my pockets i retrieve my ##@$†:«,¨,
.:»^=%££## radio (now dented) but also a small ##££%=^»:.
¨¨,~^$£### clay figure i've never seen before. it ###£$^~,¨¨
,~~\§*¤@## must have been laying in the wet dirt, ##@¤*§\~~,
¨¨^~\*&&@# and i must've picked it up with my #@&&*\~^¨¨
,,«;§¤@### other belongings. ###@¤§;«,,
.,,~=%&&@# #@&&%=~,,.
¨,=*%%@£## it's a statuette of a girl laying naked ##£@%%*=,¨
¨.^~^%## on her stomach, feet in the air, ###&%^~^.¨
,-«*%$@### roughly seven centimeters long. it's ###@$%*«-,
...«**£¤@# freshly made, not yet completely dried. #@¤£**«...
¨^-*$§#¶## ##¶#§$*-^¨
¨.,-*^$@£# my mom is here now. i ask her for some #£@$^*-,.¨
.:«^$$#@## particle board for it to dry on, but ##@#$$^«:.
..,»;%§§## she is worried and wants me to ##§§%;»,..
.,=*$%&£## throw it away. ##£&%$*=,.
.,.»^=&§## ##§&=^».,.
.~=/%@&¶## ##¶&@%/=~.
¨¨,-*%££@# #@££%*-,¨¨
.:=^†£@@## ##@@£†^=:.
,.~~*†%§## ##§%†*~~.,
.^~:$*#### ####*$:~^.