.^~*=§§### ###§§=*~^.
¨-=/=%##@# #@##%=/=-¨
,,»:%%¤@## ##@¤%%:»,,
.~«:=£§§£# #£§§£=:«~.
¨,~^=££@## ##@££=^~,¨
¨..~-~†*¤¤ statuette ¤¤*†~-~..¨
..:.:,\§$& &$§\,:.:..
.:«*†£#### &$¤£$§@§%§@$&%$%«~-~«=«=£@*&$£%%$*%§@&§£ ####£†*«:.
,-«\**£#@@ £%@%&*£¤@ @@#£**\«-,
.,~==$@#@# #@#@$==~,.
,.«^%&¤@@# forests around my childhood home. thick #@@¤&%^«.,
...¨.«/%%¶ pine arcades that were planted and ¶%%/«.¨...
¨^-:=%¤@@# forgotten. wild boars roaming #@@¤%=:-^¨
,~~**£@#@@ underneath, sniffing at the ground. it @@#@£**~~,
..,.,:†@## is dark and moist, the canopy having ##@†:,.,..
,,-*%*@@ already soaked up all the sun. @@#&*%*-,,
¨,.,..-~*£ £*~-..,.,¨
,¨,~-=;$@§ there's a river passing by, from east §@$;=-~,¨,
¨,«:=*@@## to west, getting broader and deeper and ##@@*=:«,¨
,~=†@&¶@## slower as it goes. equisetum grow just ##@¶&@†=~,
¨...-;=¤#¶ where the pine hands start to let ¶#¤=;-...¨
,,....;%*@ through light, horsemint on the rocky @*%;....,,
,¨,,»=§££@ river bed. @££§=»,,¨,
¨,,-.\\*§& &§*\\.-,,¨
,.,¨«**@@¶ : ¶@@**«¨,.,
¨¨¨~/;£%$& &$%£;/~¨¨¨
,¨.:~~:¤¤@ the riverbanks reek of magic. tonight @¤¤:~~:.¨,
,,~*=*^%%& they had been a swampworld with sylvan &%%^*=*~,,
¨....:,*@£ water, stone rings and floating moss. £@*,:....¨
,:«†$*§¶## you could've found me wallowing around ##¶§*$†«:,
.:=**¤§@## on the southern shores until i got ##@§¤**=:.
.~~;%%#@@# bitten. #@@#%%;~~.
¨^»:$¤£### ###£¤$:»^¨
,:«:*§@### but now i'm further back, on solid ###@§*:«:,
,¨¨¨.-%¤¤@ ground, in shoulder-high grass, with an @¤¤%-.¨¨¨,
¨,,,-*/*¶# orange tin radio and a translucent #¶*/*-,,,¨
,..¨.,»:£¶ umbrella which i'm sitting on. ¶£:»,.¨..,
.:«;†;†¤¤§ §¤¤†;†;«:.
,.-:/%%=£# \ #£=%%/:-.,
¨,,¨.»:@£@ @£@:».¨,,¨
.-»=§$$#£# somethings moving in the grass. it's #£#$$§=»-.
¨,«\*£#@@# invisible to my eyes but i can feel #@@#£*\«,¨
,~«/=$¤¶ through the ground just how large it is. ¶¤#&$=/«~,
¨,,.¨==§§@ @§§==¨.,,¨
¨.~†$$#### the soil is muddy. i slip when trying ####$$†~.¨
.-=*%@@### to get up, still looking at the ###@@%*=-.
¨~«:%$§@£# direction of sound rather than at my #£@§$%:«~¨
,,~\§§#¶## hands, who are busy putting things in ##¶#§§\~,,
,,.¨¨¨¨«*§ my pockets. §*«¨¨¨¨.,,
¨.=\^@§¶## ##¶§@^\=.¨
¨^~*^$£@## then i run east toward my home. ##@£$^*~^¨
.~~^†§£@## ##@£§†^~~.
.¨¨¨»**%&¶ / ¶&%**»¨¨¨.
,»;=£### ####&£=;»,
.-»;$#@### i am not followed, and slow down in the ###@#$;»-.
,.,-;^%^†@ clearing where you at first can spot @†^%^;-,.,
,-=^§£&£## the house, not yet really in the ##£&£§^=-,
.,«;%§££## backyard. from my pockets i retrieve my ##££§%;«,.
¨¨.¨.»=£ radio (now dented) but also a small £#&=».¨.¨¨
,.==%&¶@## clay figure i've never seen before. it ##@¶&%==.,
.,~;=^$$#£ must have been laying in the wet dirt, £#$$^=;~,.
.,=\=§*& and i must've picked it up with my #&&*§=\=,.
,-«^*$@#@¶ other belongings. ¶@#@$*^«-,
¨.~*%£§### ###§£%*~.¨
,^-=*£¤@#@ it's a statuette of a girl laying naked @#@¤£*=-^,
.¨,.:-%#&@ on her stomach, feet in the air, @%-:.,¨.
.-«\§£§@@# roughly seven centimeters long. it's #@@§£§\«-.
,,=^†$@@## freshly made, not yet completely dried. ##@@$†^=,,
,¨,»^*%¤@¶ ¶@¤%*^»,¨,
,^=/%†££§# my mom is here now. i ask her for some #§££†%/=^,
¨:-;%£&@## particle board for it to dry on, but ##@&£%;-:¨
,:=:*£§£@# she is worried and wants me to #@£§£*:=:,
,...,-%%@& throw it away. &@%%-,...,
,,=†%£¤@## ##@¤£%†=,,
,.¨..~*%¤& &¤%*~..¨.,
.:~«/:¤§&£ £&§¤:/«~:.
,.~/§##@## ##@##§/~.,
,.»^^£@### ###@£^^».,
..¨--**& #&&**--¨..