.~~~;;;%$§ §$%;;;~~~.
.~~;%$$$$@ @$$$$%;~~.
.~~;;;;%§# #§%;;;;~~.
.~~;%$§@## ##@§$%;~~.
.~~;%§@### ###@§%;~~.
.~~;%$§@## #### ##### ##@§$%;~~.
.~~;%%$§§@ TAPE DREAM @§§$%%;~~.
...~~;;$$@ #### ##### @$$;;~~...
.~~;%$§@## ##@§$%;~~.
....~;$$$@ FOR STORING MUSIC ON. ALSO DATA BUT @$$$;~....
...~~~~%§§ AT THIS POINT IN TIME THAT'S NOT §§%~~~~...
.......~%§ REALLY IMPORTANT I THINK. §%~.......
.~~~~~;%§# #§%;~~~~~.
.~~;%$§@## ##@§$%;~~.
...~~~;$§# ;;;;;;;; TYPES OF TAPE ;;;;;;;; #§$;~~~...
..~~~;;%§# #§%;;~~~..
.~~;%$§@## CLASS I - "BAD" IRON ##@§$%;~~.
.~~;%$§@## CLASS II - GOOD CHROMIUM ##@§$%;~~.
.~~;%$§@## CLASS III - BAD IRON PART TWO ##@§$%;~~.
.~~;%$§@## CLASS IV - DANGEROUS METALS ##@§$%;~~.
.~~;;%$§@@ @@§$%;;~~.
.~~;%§@### RUMORS EXIST ABOUT A SECRET CLASS V TAPE ###@§%;~~.
.~~;%$§§§# THAT IS ACTUALLY USEFUL. #§§§$%;~~.
.....~;$§§ §§$;~.....
.....~~;%§ ;; BIAS ;; §%;~~.....
.~~;%$§### ###§$%;~~.
.~~;%$@### CLASS I USES ONE HUNDRED AND TWENTY ###@$%;~~.
.....~;;$@ MICRO-SOMETHING WHILE THE OTHERS ALL @$;;~.....
.~~;%$§@## USE SEVENTY OF THE SAME UNIT. ##@§$%;~~.
.~~;%$§@## ##@§$%;~~.
.~~;%$§@## ##@§$%;~~.
.~~;%$§@## %%%%%%%%% AHA AND %%%%%%%%% ##@§$%;~~.
.~~;%$§@## ##@§$%;~~.
.~~;%$§@## CLASS IV IS APPARENTLY TOO STRONG TO ##@§$%;~~.
.~~;%$§@## BE USED ON CLASS I PLAYERS. IT WILL ##@§$%;~~.
....~~;$@# SOUND TOO LOUND AND IT CANNOT BE #@$;~~....
....~~~%§# COMPLETELY ERASED. THIS IS VERY WELL. #§%~~~....
.~~;%$§@## MAYBE SOME WONDERFUL BLENDING EFFECTS ##@§$%;~~.
....~~~%§§ COULD BE ACHIEVED? §§%~~~....
.....~~%§# #§%~~.....
..~~~~;$$@ THEY ALSO GNAW AT THE TAPE HEADS A BIT @$$;~~~~..
....~~%§§§ BETTER THAN EARLIER TAPE TYPES. §§§%~~....
.~~;%$§@@@ @@@§$%;~~.
.~~;%$§@@@ @@@§$%;~~.
.~~;%$§@## ;;;;;;;; ARTIFACTS ;;;;;;;; ##@§$%;~~.
.~~;%$§§@@ @@§§$%;~~.
.~~;%$$$§# GOOD TAPES ARE DECENT AND HAVE A GOOD #§$$$%;~~.
.~~;%$@### HIGH FREQUENCY PRESENCE, BAD TAPES ARE ###@$%;~~.
.~~;%$§@## LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA ##@§$%;~~.
.~~;%$§@## LIKE IT. ##@§$%;~~.
.....~;%%§ §%%;~.....
.~~;%$§@## BIAS LOSS: IF YOU FORGET THE BIAS WHO ##@§$%;~~.
...~~~;%$@ KNOWS WHATS EVEN ON THERE ANYMORE @$%;~~~...
.~~~;%%§§# #§§%%;~~~.
.~~;%$§@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@§$%;~~.
.~~;%$§@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@§$%;~~.
.~~;$§@### ###@§$;~~.
..~~;%$$@# WOW: A SLOWER FLUTTER, USUALLY SEVERAL #@$$%;~~..
....~~~~%§ SECONDS LONG. WHAT UP. BOTH OF THESE §%~~~~....
.~~;%$§@## INCREASE WHEN TAPE SPEED DECREASES. ##@§$%;~~.
...~~;;$§@ @§$;;~~...
..~~~;;%§§ PRINT THROUGH: TAPES RUB SOUND ON EACH §§%;;~~~..
.~~;$§@### OTHER IF THEYRE ALONE FOR TOO LONG ###@§$;~~.
.~~;%$§@## ##@§$%;~~.
.~~;%$§@@# #@@§$%;~~.
.~~;%$§@## ##@§$%;~~.
....~~;%§@ @§%;~~....
.~~;%$§@## ##@§$%;~~.
....~~;;$@ @$;;~~....