.#,¨¨.¨@,, .¨¨,¨,,,¨¨
¨¨.£#@¨,,& §£§§¤&§£§&
.§,¨#.¨@¨. ¤##£§§¤§¤¨
¨¨.¨,,,... §§@£#£#§¨,
&£§&@¤¤# .¤£¤£§&..£
§¤£@@§@£§£ statuette ¨,§§§£¨,.¨
,@&@£&¤£&& .,.@§¨¨#§,
¨¨&@§£&&¤# §£§%@¤*¤*¤%£**¤%~=»~-»~~£%$£*%£$%£%*@%@§ ¤#,¨,¨,,,.
@,.¤£££#@@ %%%§$¤$%& ,.¨¤§¤§&£#
,..¨#§@£#£ &§,.#£¤@@@
.§§¨.£@&¤. forests around my childhood home. thick ,..,¨£¤¤#,
,.,¨,¨£&¨. pine arcades that were planted and &@&£,.#&.,
@@§@§¨.¨,¨ forgotten. wild boars roaming §@£¨,,.,¨§
§@@§,¨##&¤ underneath, sniffing at the ground. it §§¨.§£#£,¨
.¤&,¨¨.&£. is dark and moist, the canopy having #.¨,.¤£.¨,
,.,¨¤¤¨¨,¨ already soaked up all the sun. .¨£@¨¨,,§£
.@§.,.,¨ @,¨..£#,.¨
,¨¨¨#¤.,.¨ there's a river passing by, from east ,¨@§,.,¨@#
.£#...,¤@@ to west, getting broader and deeper and ,¨¨.,¤@,,¨
¨,¨.§#,,#¤ slower as it goes. equisetum grow just &&§£¨..¨£§
,&£,¨,..¨, where the pine hands start to let @¤¤¨¨@@..¨
.¨,,¤&&&§@ through light, horsemint on the rocky §£,..,.¨§¤
.£§¨.@¤&&& river bed. ...##&¤,.¨
,¨.,,.¤§£¤ &£¨¨£¤,¨##
¨@¤&§.¨@¤. / £¨,¨.¨,¨..
..@£..¨.¨¨ ,.£¤¤£@¤
¨,,.,¤§@¤# the riverbanks reek of magic. tonight ¤,.@&§@¤¤.
§&@§¨¨¤#££ they had been a swampworld with sylvan ,,..§¤#@,,
,#@..¨¨§#¨ water, stone rings and floating moss. .@¤,¨#&,..
,,..§§..., you could've found me wallowing around ¨¨..¨¨.,£@
.¤¤¨.,.#@§ on the southern shores until i got .§@§¤#&,.,
.¨..¤£¨¨¤§ bitten. ..&&¤#.¨&£
¨§#.,.¨,.# ..,@¤¨,,.¨
¨,.,@£@£.¨ but now i'm further back, on solid &@¨¨¨¨££@§
¨§£..&&..# ground, in shoulder-high grass, with an &¨¨£#.¨£¤,
,¨¨¨,.,¨., orange tin radio and a translucent ¨,¨,¨,.,..
§@££@&¤&§¤ umbrella which i'm sitting on. £¤#&&&
@¤&@§#&§ &§@§¤#@@£§
§&@§£§@@££ \ @£@¤¤£&§
&@##¤##§&@ ¤£§¤@@&§£@
§¤&&§&£@&£ somethings moving in the grass. it's #§@§#@££#§
&¤#&§##§ invisible to my eyes but i can feel £¤##¤¤§&¤&
£#&@&@£¤£@ through the ground just how large it is. @@£¤@¤¤&¤£
#¤&§#&¤§ #&@¤£££§
&@¤§¤@&§ the soil is muddy. i slip when trying &£&&§§@¤£¤
#@¤#££&&££ to get up, still looking at the £&&&¤&&§¤@
&@@@¤§§¤@£ direction of sound rather than at my §§£§£#&@¤#
@#££¤#@#¤# hands, who are busy putting things in §&@&§@¤#&@
§##§&§£& my pockets. §&&@¤&&¤
£@&£§&¤#§@ £¤¤@£@£@£#
#&££¤£@@ then i run east toward my home. @&@@¤#@&&£
@£&£@£&§#£ ¤¤¤§££&§¤#
¤&¤¤@#&£¤@ / ¤§@#¤@£#&¤
@§#§£¤¤¤ @@#§&£#@#£
££#£¤£#@ i am not followed, and slow down in the ¤§¤@@##@§£
£§§¤§@£&§@ clearing where you at first can spot §£&§¤#£@#&
££§#¤#§@§& the house, not yet really in the @#@£§£&£§¤
§§@#£¤#£ backyard. from my pockets i retrieve my #§¤&¤££#
£&¤#§£##§£ radio (now dented) but also a small ¤##&££@#£@
#¤@¤&¤§§£# clay figure i've never seen before. it @&¤¤§@@¤
£££&@@@@£@ must have been laying in the wet dirt, @£¤@¤#¤¤@&
£§£#@§§&&& and i must've picked it up with my §#@###£#@¤
¤#@@@¤§£§@ other belongings. @§#£##¤££¤
#¤££#@¤££# ##¤§£¤£#@£
£§¤£&£¤§&§ it's a statuette of a girl laying naked ¤@¤¤##£§££
@¤£#££#¤@¤ on her stomach, feet in the air, #@§&&§#@#¤
#@@§¤¤#§&@ roughly seven centimeters long. it's ¤¤£¤#¤§§
###¤@£¤££¤ freshly made, not yet completely dried. ¤#§£@¤##££
##§#@¤#£ &§#@@¤¤#
¤#§##¤@§ my mom is here now. i ask her for some £§&£@¤@##§
¤§§§##§§§& particle board for it to dry on, but ¤#§&¤@@§
&¤£&£££§¤@ she is worried and wants me to §¤#§@#@#
&§¤#@&§§ throw it away. §#@§#@§@&&
#£§¤@£#&&¤ §@&¤¤£§&&£
£§£¤££#¤&§ §¤§##@£¤§§
¤¤¤#§#&@ ¤§£¤£§£&&§
#¤¤@£#¤# §###§@§§
#@#@§@£#£¤ @@#§¤§#£
¤@££¤@¤#¤& &¤£§&@¤£§¤