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##@§£=^«-¨ # the name is a little mis- # ¨-«^=£§@##
#@§£=^«-¨¨ « giving, because of course there is « ¨¨-«^=£§@#
@§£=^«-¨¨¨ no real geometry in the caves. you may ¨¨¨-«^=£§@
§£=^«-¨¨¨¨ feel as if you are venturing into some ¨¨¨¨-«^=£§
@§£=^«-¨¨¨ vast structure, but you are in fact ¨¨¨-«^=£§@
#@§£=^«-¨¨ leaving any such thing at the entrance. ¨¨-«^=£§@#
##@§£=^«-¨ ¨-«^=£§@##
#@§£=^«-¨¨ leaving physical tethers behind, ¨¨-«^=£§@#
@§£=^«-¨¨¨ submitting to an inescapable darkness, ¨¨¨-«^=£§@
§£=^«-¨¨¨¨ the world around you becomes more of a ¨¨¨¨-«^=£§
@§£=^«-¨¨¨ manifestation of your mind, or a ¨¨¨-«^=£§@
#@§£=^«-¨¨ collective mind, with a shape and a ¨¨-«^=£§@#
##@§£=^«-¨ direction and a taste. ¨-«^=£§@##
#@§£=^«-¨¨ ¨¨-«^=£§@#
@§£=^«-¨¨¨ inescapeable darkness, because if you ¨¨¨-«^=£§@
§£=^«-¨¨¨¨ bring a candle or mount electrical ¨¨¨¨-«^=£§
@§£=^«-¨¨¨ lights, the walls only serves as ¨¨¨-«^=£§@
#@§£=^«-¨¨ markers to where the tiny spatial ¨¨-«^=£§@#
##@§£=^«-¨ existence ends and the darkness beneath ¨-«^=£§@##
#@§£=^«-¨¨ it begins. ¨¨-«^=£§@#
@§£=^«-¨¨¨ ¨¨¨-«^=£§@
§£=^«-¨¨¨¨ like an inverted mandelbrot, the real ¨¨¨¨-«^=£§
@§£=^«-¨¨¨ cave is actually not the pockets, but ¨¨¨-«^=£§@
#@§£=^«-¨¨ the black around them. keep that in ¨¨-«^=£§@#
##@§£=^«-¨ mind. ¨-«^=£§@##
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@§£=^«-¨¨¨ the moisture that permeates any cave ¨¨¨-«^=£§@
#@§£=^«-¨¨ worth it's name... it's the water the ¨¨-«^=£§@#
##@§£=^«-¨ world rose from. it's the water you ¨-«^=£§@##
#@§£=^«-¨¨ drown in, in your dreams. ¨¨-«^=£§@#
@§£=^«-¨¨¨ ¨¨¨-«^=£§@
§£=^«-¨¨¨¨ the only sounds in the cave are those ¨¨¨¨-«^=£§
@§£=^«-¨¨¨ that you make yourselves. they may be ¨¨¨-«^=£§@
#@§£=^«-¨¨ distorted by the stone structure, and ¨¨-«^=£§@#
##@§£=^«-¨ amplified by your mind. try not to be ¨-«^=£§@##
#@§£=^«-¨¨ alarmed, try to remember the persons ¨¨-«^=£§@#
@§£=^«-¨¨¨ and objects around you, and you can ¨¨¨-«^=£§@
§£=^«-¨¨¨¨ discern a mirage from a friend. ¨¨¨¨-«^=£§
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