,,«\*¤¤### ###¤¤*\«,,
,,,«\*¤¤## ##¤¤*\«,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,,,«\*¤¤ ¤¤*\«,,,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,«\*¤¤## #### ##### ##¤¤*\«,,,
,,«\*¤¤### tape dream ###¤¤*\«,,
,,,«\*¤¤## #### ##### ##¤¤*\«,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,,,«\*¤¤ for storing music on. also data but ¤¤*\«,,,,,
,,,,«\*¤¤# at this point in time that's not #¤¤*\«,,,,
,,,«\*¤¤## really important i think. ##¤¤*\«,,,
,,«\*¤¤### ###¤¤*\«,,
,,,«\*¤¤## ##¤¤*\«,,,
,,,,«\*¤¤# \\\\\\\\ types of tape \\\\\\\\ #¤¤*\«,,,,
,,,,,«\*¤¤ ¤¤*\«,,,,,
,,,,«\*¤¤# class i - "bad" iron #¤¤*\«,,,,
,,,«\*¤¤## class ii - good chromium ##¤¤*\«,,,
,,«\*¤¤### class iii - bad iron part two ###¤¤*\«,,
,,,«\*¤¤## class iv - dangerous metals ##¤¤*\«,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,,,«\*¤¤ rumors exist about a secret class v tape ¤¤*\«,,,,,
,,,,«\*¤¤# that is actually useful. #¤¤*\«,,,,
,,,«\*¤¤## ##¤¤*\«,,,
,,«\*¤¤### \\ bias \\ ###¤¤*\«,,
,,,«\*¤¤## ##¤¤*\«,,,
,,,,«\*¤¤# class i uses one hundred and twenty #¤¤*\«,,,,
,,,,,«\*¤¤ micro-something while the others all ¤¤*\«,,,,,
,,,,«\*¤¤# use seventy of the same unit. #¤¤*\«,,,,
,,,«\*¤¤## ##¤¤*\«,,,
,,«\*¤¤### ###¤¤*\«,,
,,,«\*¤¤## ********* aha and ********* ##¤¤*\«,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,,,«\*¤¤ class iv is apparently too strong to ¤¤*\«,,,,,
,,,,«\*¤¤# be used on class i players. it will #¤¤*\«,,,,
,,,«\*¤¤## sound too lound and it cannot be ##¤¤*\«,,,
,,«\*¤¤### completely erased. this is very well. ###¤¤*\«,,
,,,«\*¤¤## maybe some wonderful blending effects ##¤¤*\«,,,
,,,,«\*¤¤# could be achieved? #¤¤*\«,,,,
,,,,,«\*¤¤ ¤¤*\«,,,,,
,,,,«\*¤¤# they also gnaw at the tape heads a bit #¤¤*\«,,,,
,,,«\*¤¤## better than earlier tape types. ##¤¤*\«,,,
,,«\*¤¤### ###¤¤*\«,,
,,,«\*¤¤## ##¤¤*\«,,,
,,,,«\*¤¤# \\\\\\\\ artifacts \\\\\\\\ #¤¤*\«,,,,
,,,,,«\*¤¤ ¤¤*\«,,,,,
,,,,«\*¤¤# good tapes are decent and have a good #¤¤*\«,,,,
,,,«\*¤¤## high frequency presence, bad tapes are ##¤¤*\«,,,
,,«\*¤¤### lofi if not outright bad. idk, i kinda ###¤¤*\«,,
,,,«\*¤¤## like it. ##¤¤*\«,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,,,«\*¤¤ bias loss: if you forget the bias who ¤¤*\«,,,,,
,,,,«\*¤¤# knows whats even on there anymore #¤¤*\«,,,,
,,,«\*¤¤## ##¤¤*\«,,,
,,«\*¤¤### flutter: kinda quick pitch variations. ###¤¤*\«,,
,,,«\*¤¤## beautiful, wonderful, extraordinary. ##¤¤*\«,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,,,«\*¤¤ wow: a slower flutter, usually several ¤¤*\«,,,,,
,,,,«\*¤¤# seconds long. what up. both of these #¤¤*\«,,,,
,,,«\*¤¤## increase when tape speed decreases. ##¤¤*\«,,,
,,«\*¤¤### ###¤¤*\«,,
,,,«\*¤¤## print through: tapes rub sound on each ##¤¤*\«,,,
,,,,«\*¤¤# other if theyre alone for too long #¤¤*\«,,,,
,,,,,«\*¤¤ ¤¤*\«,,,,,
,,,,«\*¤¤# #¤¤*\«,,,,
,,,«\*¤¤## ##¤¤*\«,,,
,,«\*¤¤### ###¤¤*\«,,
,,,«\*¤¤## ##¤¤*\«,,,
,,,,«\*¤¤# #¤¤*\«,,,,