....^-==¤£ £¤==-^....
.....^-==¤ ¤==-^.....
......^-== ==-^......
.......^-= =-^.......
......^-== ==-^......
.....^-==¤ #### ##### ¤==-^.....
....^-==¤£ TAPE DREAM £¤==-^....
...^-==¤£@ #### ##### @£¤==-^...
..^-==¤£@# #@£¤==-^..
.^-==¤£@## FOR STORING MUSIC ON. ALSO DATA BUT ##@£¤==-^.
..^-==¤£@# AT THIS POINT IN TIME THAT'S NOT #@£¤==-^..
...^-==¤£@ REALLY IMPORTANT I THINK. @£¤==-^...
....^-==¤£ £¤==-^....
.....^-==¤ ¤==-^.....
......^-== ======== TYPES OF TAPE ======== ==-^......
.......^-= =-^.......
......^-== CLASS I - "BAD" IRON ==-^......
.....^-==¤ CLASS II - GOOD CHROMIUM ¤==-^.....
....^-==¤£ CLASS III - BAD IRON PART TWO £¤==-^....
...^-==¤£@ CLASS IV - DANGEROUS METALS @£¤==-^...
..^-==¤£@# #@£¤==-^..
.^-==¤£@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@£¤==-^.
..^-==¤£@# THAT IS ACTUALLY USEFUL. #@£¤==-^..
...^-==¤£@ @£¤==-^...
....^-==¤£ == BIAS == £¤==-^....
.....^-==¤ ¤==-^.....
......^-== CLASS I USES ONE HUNDRED AND TWENTY ==-^......
.......^-= MICRO-SOMETHING WHILE THE OTHERS ALL =-^.......
......^-== USE SEVENTY OF THE SAME UNIT. ==-^......
.....^-==¤ ¤==-^.....
....^-==¤£ £¤==-^....
...^-==¤£@ ========= AHA AND ========= @£¤==-^...
..^-==¤£@# #@£¤==-^..
.^-==¤£@## CLASS IV IS APPARENTLY TOO STRONG TO ##@£¤==-^.
..^-==¤£@# BE USED ON CLASS I PLAYERS. IT WILL #@£¤==-^..
...^-==¤£@ SOUND TOO LOUND AND IT CANNOT BE @£¤==-^...
....^-==¤£ COMPLETELY ERASED. THIS IS VERY WELL. £¤==-^....
.....^-==¤ MAYBE SOME WONDERFUL BLENDING EFFECTS ¤==-^.....
......^-== COULD BE ACHIEVED? ==-^......
.......^-= =-^.......
......^-== THEY ALSO GNAW AT THE TAPE HEADS A BIT ==-^......
.....^-==¤ BETTER THAN EARLIER TAPE TYPES. ¤==-^.....
....^-==¤£ £¤==-^....
...^-==¤£@ @£¤==-^...
..^-==¤£@# ======== ARTIFACTS ======== #@£¤==-^..
.^-==¤£@## ##@£¤==-^.
..^-==¤£@# GOOD TAPES ARE DECENT AND HAVE A GOOD #@£¤==-^..
...^-==¤£@ HIGH FREQUENCY PRESENCE, BAD TAPES ARE @£¤==-^...
....^-==¤£ LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA £¤==-^....
.....^-==¤ LIKE IT. ¤==-^.....
......^-== ==-^......
.......^-= BIAS LOSS: IF YOU FORGET THE BIAS WHO =-^.......
......^-== KNOWS WHATS EVEN ON THERE ANYMORE ==-^......
.....^-==¤ ¤==-^.....
....^-==¤£ FLUTTER: KINDA QUICK PITCH VARIATIONS. £¤==-^....
...^-==¤£@ BEAUTIFUL, WONDERFUL, EXTRAORDINARY. @£¤==-^...
..^-==¤£@# #@£¤==-^..
.^-==¤£@## WOW: A SLOWER FLUTTER, USUALLY SEVERAL ##@£¤==-^.
..^-==¤£@# SECONDS LONG. WHAT UP. BOTH OF THESE #@£¤==-^..
...^-==¤£@ INCREASE WHEN TAPE SPEED DECREASES. @£¤==-^...
....^-==¤£ £¤==-^....
.....^-==¤ PRINT THROUGH: TAPES RUB SOUND ON EACH ¤==-^.....
......^-== OTHER IF THEYRE ALONE FOR TOO LONG ==-^......
.......^-= =-^.......
......^-== ==-^......
.....^-==¤ ¤==-^.....
....^-==¤£ £¤==-^....
...^-==¤£@ @£¤==-^...
..^-==¤£@# #@£¤==-^..