§¨¨&.§¤¨,.                                          ..¨#,#&.#,
¤,@#.¨#,¨,                                          .,&§,¨§¨#.
@,,&,#§.,,                                          ,#¨#¨£§.&¨
#.¤¤¨,§¨.,                                          ,@.&,,§¨¤,
&,¨#.£¤¨,.                                          ¨§.@¨#§,¤,
§.¤¤..&¨¨§                                          ¨@.&,¨¤,£¨
£,.@,¤§.£&           #$*,,..,¨.,..¨..¨^§#           ¨§¨§.§§.&,
#,¤@¨,&,¨@          #%*  "digitality"  =§#          ,§¨@¨,§,£,
#.,£,¤£,££           #$%.¨,¨.,¨,..,.,¨^$#           ¨¤.£,§&¨§,
§¨¤#,¨&¨,¤                                          ,@¨§.¨@,#,
¤.,£.£¤¨&@                    %                     ¨¤,£¨§¤,§¨
¤,£§,,#¨,@                                          ¨&.&,,¤,@,
§.,&.§&¨## digital, the digital,  to become digital ,¤¨&.#&,#.
&.¤£¨.@.,#                                          ,¤,@.,#,@¨
#..&¨#§,¤¤                    *                     .#,@¨£¤.#¨
£,&¤¨¨¤¨,£                                          .£,£,¨¤,&¨
§.,@¨££.&¤   ancient (mesopothamia) knot made of    ¨§.§,§#,¤,
&,@#.,¤.¨¤    symbols. the english translation is   ¨¤.&¨¨§¨@.
&.,¤¨¤@,§&    "through numbers". you can use this   ¨#¨¤¨@¤¨@.
¤.#¤.¨#.,§  machine to remember, predict, or hide.  .¤¨§..§.&.
&.¨¤¨#£,&&                                          ,¤,§.¤#¨&¨
&¨§#¨,¤¨.£                     *                    .§¨£..£¨@,
¤.¨#.#§¨£§                                          ¨§¨&¨£#,@,
£¨£¤,.#,,§  though it might look like witchcraft,   .&¨¤¨,§,@.
&¨.¤¨§#.#£  the gifted can turn analog signals into ¨&,#,@¤,@.
£¨#¤,¨£.¨£   digital - the analog is in itself a    ,#,¤..£,&,
§..&.#£,£§  representation of the world inside the  ¨@.@,§¤,#¨
&.£@,,&¨,#   world, which is further encoded into   .#¨£¨.#¨£,
#¨.¤¨@&¨##  digital (encoded in the literal sense;  .&.¤.§£,¤¨
¤¨¤#¨,§.,@  the numbers are symbols who carry the   .¤.&,.§¨§.
¤,¨#.@#¨##   meaning semantically and not in their  ,§.¤¨&§¨#¨
§¨&¤¨.£,.£ shape (analog beings are the opposite.)) .&,#,¨#,¤,
§¨,@¨#&.@&                                          ¨§¨£¨&¤.&.
¤.£§,¨¤¨.¤                    *                     .¤,§¨,£,@.
@.¨@,&£,@#                                          ¨¤,#,@&,£¨
#¨##¨¨#¨¨#     various schemes exist for how to     ¨#¨#¨¨#¨#¨
#¨¨#¨##¨##  interpret and work further with these   ¨#¨#¨##¨#¨
#¨##¨¨#¨¨#   symbols (such as wav, jpg, nfo, diz,   ¨#¨#¨¨#¨#¨
#¨¨#¨##¨##  vor, hyp, mkv). getting familiar with   ¨#¨#¨##¨#¨
#¨##¨¨#¨¨#  these is a good start on your journey,  ¨#¨#¨¨#¨#¨
#¨¨#¨##¨##     although even a wizard might only    ¨#¨#¨##¨#¨
#¨##¨¨#¨¨#    ~really~ know two or three in their   ¨#¨#¨¨#¨#¨
#¨¨#¨##¨##                 lifetime.                ¨#¨#¨##¨#¨
@¨£&¨,&¨,£                                          ¨¤.@.,@.§.
§,¨£¨&@.@¤                    ^                     .#¨£.@@.@,
&.£@¨¨§,.§                                          ,@,£,¨§¨£¨
¤¨¨¤,@£¨¤#  some pitfalls include that even if you  .£,#¨£&,£¨
#¨¤£,,@,¨#      can encode the digital symbols      ,£¨#,.@,&.
@..&¨@&,#§  themselves as digital, somehow it must  ¨§¨£.##.#.
&.&#..£,.@   terminate in the analog; if knowledge  .&,@.¨&,¤,
#.,¤.#£.¤&  is lost, you can have symbols with no   ¨¤.¤,§¤.§¨
#.£&,.#¨.§   route to their original meaning, and   ,&,#.,&,@¨
&.,§¨£#¨@¤  that with the right spells and methods  .#¨@.#@,¤,
¤¨¤£.¨@,¨§  you can use digital representation for  .@,£¨,£.£.
@,,¤.§§.#@   analysis (must be combatted at every   ¨&,#,@¤.&.
§¨£&..@,¨¤               opportunity)               .&¨@.¨§.@,
§¨¨§,#£¨&#                                          .@,#¨¤#¨&¨
§¨#£.,&¨,#                                          ¨£.@.,¤,§,
§,,#.¤&.¤§                                          ¨¤¨¤.@#,#,
£.£@..¤¨¨£                                          ¨¤.#,,#.£.
§.¨§¨&#.@@                                          .@¨£,&#.¤,