¨¨,~==†%£#                                          #£%†==~,¨¨
¨¨.¨~~*^%@                                          @%^*~~¨.¨¨
,¨...~=^$£                                          £$^=~...¨,
,¨,¨,.-=:*                                          *:=-.,¨,¨,
,¨.¨.,¨--*                                          *--¨,.¨.¨,
,..,¨¨¨.,«                                          «,.¨¨¨,..,
,.¨.,.¨,»†           #%$¨¨¨.,¨,¨,.,,¨¨*%#           †»,¨.,.¨.,
...¨¨..~/*          #^†  "DIGITALITY"  †=#          */~..¨¨...
,,..,:~*%*           #%$.¨..,,¨,.¨,,,,†$#           *%*~:,..,,
¨.,,,~;*&¶                                          ¶&*;~,,,.¨
...:«=%¤@#                    =                     #@¤%=«:...
,.-=/$%#@#                                          #@#%$/=-.,
,--^%§¶### DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ###¶§%^--,
¨,:-*%$###                                          ###$%*-:,¨
.,,.~==£@#                     §                    #@£==~.,,.
.,..,-/^%#                                          #%^/-,..,.
,¨.,¨^~\=£   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    £=\~^¨,.¨,
,.,¨,.~«;§   SYMBOLS. THE ENGLISH TRANSLATION IS    §;«~.,¨,.,
,,,,¨..-~†   "THROUGH NUMBERS". YOU CAN USE THIS    †~-..¨,,,,
.¨,¨¨,.¨,«  MACHINE TO REMEMBER, PREDICT, OR HIDE.  «,¨.,¨¨,¨.
..,,¨.¨^-\                                          \-^¨.¨,,..
,.,¨,¨,«;%                     $                    %;«,¨,¨,.,
,¨,,,:~=%*                                          *%=~:,,,¨,
¨.¨,,«:^$¶  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ¶$^:«,,¨.¨
¨,.,-\%@##  THE GIFTED CAN TURN ANALOG SIGNALS INTO ##@%\-,.,¨
¨¨~-:%%@@#    DIGITAL - THE ANALOG IS IN ITSELF A   #@@%%:-~¨¨
,,-†*§¶###  REPRESENTATION OF THE WORLD INSIDE THE  ###¶§*†-,,
¨¨,»;*%###   WORLD, WHICH IS FURTHER ENCODED INTO   ###%*;»,¨¨
..,,~††§@@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @@§††~,,..
,...^-*^£¶  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ¶£^*-^...,
,.,,,^~\†¤  MEANING SEMANTICALLY AND NOT IN THEIR   ¤†\~^,,,.,
,.,,¨¨~«/% SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) %/«~¨¨,,.,
,¨,,,¨,,=†                                          †=,,¨,,,¨,
,...¨¨¨,.«                    %                     «.,¨¨¨...,
.¨.¨,¨,-»†                                          †»-,¨,¨.¨.
¨¨¨¨¨¨--††     VARIOUS SCHEMES EXIST FOR HOW TO     ††--¨¨¨¨¨¨
¨¨¨¨¨--††*   INTERPRET AND WORK FURTHER WITH THESE  *††--¨¨¨¨¨
¨¨¨¨--††*#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #*††--¨¨¨¨
¨¨¨--††*#@   VOR, HYP, MKV). GETTING FAMILIAR WITH  @#*††--¨¨¨
¨¨--††*#@#  THESE IS A GOOD START ON YOUR JOURNEY,  #@#*††--¨¨
¨--††*#@##     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ##@#*††--¨
¨¨--††*#@#    -REALLY- KNOW TWO OR THREE IN THEIR   #@#*††--¨¨
¨¨¨--††*#@                 LIFETIME.                @#*††--¨¨¨
¨..,:=;§%@                                          @%§;=:,..¨
,,¨,,.~*^§                     ^                    §^*~.,,¨,,
,¨.,¨.-«=*                                          *=«-.¨,.¨,
,.,¨¨¨.^»*  SOME PITFALLS INCLUDE THAT EVEN IF YOU  *»^.¨¨¨,.,
.,..,...~=      CAN ENCODE THE DIGITAL SYMBOLS      =~...,..,.
..,¨.¨,--†  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  †--,¨.¨,..
.¨,.¨,-»:^   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ^:»-,¨.,¨.
.,.,.,«:=$   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  $=:«,.,.,.
.¨.,,«^§*#   ROUTE TO THEIR ORIGINAL MEANING, AND   #*§^«,,.¨.
...-~\$@@#  THAT WITH THE RIGHT SPELLS AND METHODS  #@@$\~-...
,,~-/^%@##  YOU CAN USE DIGITAL REPRESENTATION FOR  ##@%^/-~,,
¨~~;=$####   ANALYSIS (MUST BE COMBATTED AT EVERY   ####$=;~~¨
,,.»**$###               OPPORTUNITY)               ###$**».,,
,..~-\^£@#                                          #@£^\-~..,
,¨,.^»;^&@                                          @&^;»^.,¨,
,...,.»/%%                                          %%/».,...,
¨.,,,,^-^%                                          %^-^,,,,.¨
,,,,¨,¨~~*                                          *~~¨,¨,,,,