.¨.....,«;                                          ;«,.....¨.
,..,¨,-==^                                          ^==-,¨,..,
¨,¨,¨~~;%£                                          £%;~~¨,¨,¨
,¨,.,=†*@§                                          §@*†=,.,¨,
,¨,^«\=$¤#                                          #¤$=\«^,¨,
¨¨^~†%¤&##                                          ##&¤%†~^¨¨
¨~«/%%####           #$*.,..,,,..,.,,¨%=#           ####%%/«~¨
.,-=;†£###          #§%  "DIGITALITY"  =*#          ###£†;=-,.
,,.,~\%£@#           #†§,.,,.¨¨¨¨,,¨¨,**#           #@£%\~,.,,
,.¨,~=*^@&                                          &@^*=~,¨.,
..,.¨~-=^%                     *                    %^=-~¨.,..
¨..,.¨.«;†                                          †;«.¨.,..¨
,..¨,...=* DIGITAL, THE DIGITAL, TO  BECOME DIGITAL *=...,¨..,
,¨.¨¨.¨,~-                                          -~,¨.¨¨.¨,
,¨¨¨,,¨¨,,                    =                     ,,¨¨,,¨¨¨,
.,.¨...¨~«                                          «~¨...¨.,.
¨,,¨¨..-»^    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ^»-..¨¨,,¨
.¨.¨,¨,-\*    SYMBOLS. THE ENGLISH TRANSLATION IS   *\-,¨,¨.¨.
,,,¨¨-~=*£    "THROUGH NUMBERS". YOU CAN USE THIS   £*=~-¨¨,,,
¨,¨,,~^$&@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @&$^~,,¨,¨
¨,..«=§§§#                                          #§§§=«..,¨
¨,^~*%$#@#                    *                     #@#$%*~^,¨
,^-^%%§@##                                          ##@§%%^-^,
.¨.-=$*§##   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ##§*$=-.¨.
.¨.-~;*¤§@  THE GIFTED CAN TURN ANALOG SIGNALS INTO @§¤*;~-.¨.
¨,,..»†§%#    DIGITAL - THE ANALOG IS IN ITSELF A   #%§†»..,,¨
..,,,,«^†§  REPRESENTATION OF THE WORLD INSIDE THE  §†^«,,,,..
.,¨.,,,-;=   WORLD, WHICH IS FURTHER ENCODED INTO   =;-,,,.¨,.
¨...¨,¨,«;  DIGITAL (ENCODED IN THE LITERAL SENSE;  ;«,¨,¨...¨
.,¨,.,¨,^~   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ~^,¨,.,¨,.
¨..,,¨..¨,  MEANING SEMANTICALLY AND NOT IN THEIR   ,¨..¨,,..¨
,,.¨.,.,:~ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ~:,.,.¨.,,
,¨.¨,.,.=;                                          ;=.,.,¨.¨,
..,...:-=$                    =                     $=-:...,..
,¨,.¨,=/^$                                          $^/=,¨.,¨,
....~-/=%&     VARIOUS SCHEMES EXIST FOR HOW TO     &%=/-~....
...~-/=%&@   INTERPRET AND WORK FURTHER WITH THESE  @&%=/-~...
..~-/=%&@#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #@&%=/-~..
.~-/=%&@##  VOR, HYP, MKV). GETTING FAMILIAR WITH   ##@&%=/-~.
..~-/=%&@#  THESE IS A GOOD START ON YOUR JOURNEY,  #@&%=/-~..
...~-/=%&@     ALTHOUGH EVEN A WIZARD MIGHT ONLY    @&%=/-~...
....~-/=%&    -REALLY- KNOW TWO OR THREE IN THEIR   &%=/-~....
.....~-/=%                 LIFETIME.                %=/-~.....
¨¨.,¨..~=*                                          *=~..¨,.¨¨
.¨.¨,¨.,==                    §                     ==,.¨,¨.¨.
.,.¨,.¨,.=                                          =.,¨.,¨.,.
¨.,...,.,.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .,.,...,.¨
..¨..¨¨¨,~      CAN ENCODE THE DIGITAL SYMBOLS      ~,¨¨¨..¨..
¨¨,.,¨.,«\  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  \«,.¨,.,¨¨
.¨.¨¨,^»=†  TERMINATE IN THE ANALOG; IF KNOWLEDGE   †=»^,¨¨.¨.
¨,.¨,--\§@  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   @§\--,¨.,¨
,..,-«†=$#   ROUTE TO THEIR ORIGINAL MEANING, AND   #$=†«-,..,
,,¨,-/=¤§#  THAT WITH THE RIGHT SPELLS AND METHODS  #§¤=/-,¨,,
.¨.~=$¤###  YOU CAN USE DIGITAL REPRESENTATION FOR  ###¤$=~.¨.
¨,~†*$@###   ANALYSIS (MUST BE COMBATTED AT EVERY   ###@$*†~,¨
.¨,«:%&§##               OPPORTUNITY)               ##§&%:«,¨.
,,,~~=$£#@                                          @#£$=~~,,,
¨¨,,,«:%£#                                          #£%:«,,,¨¨
¨,.,,.=;%@                                          @%;=.,,.,¨
,.,¨¨¨,-=§                                          §=-,¨¨¨,.,
¨,.¨..¨,«†                                          †«,¨..¨.,¨