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.,»;%£&¶## DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ##¶&£%;»,.
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.,~†§£####   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ####£§†~,.
..,=/%$§@#   SYMBOLS. THE ENGLISH TRANSLATION IS    #@§$%/=,..
,,,,»††$#¶   "THROUGH NUMBERS". YOU CAN USE THIS    ¶#$††»,,,,
¨.~«^$¤¤¶@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @¶¤¤$^«~.¨
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.¨.~/%$¤@#   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  #@¤$%/~.¨.
¨,~:†%¤¶##  THE GIFTED CAN TURN ANALOG SIGNALS INTO ##¶¤%†:~,¨
¨,:~;§%¤¶@   DIGITAL - THE ANALOG IS IN ITSELF A    @¶¤%§;~:,¨
.,,-»^§&£#  REPRESENTATION OF THE WORLD INSIDE THE  #£&§^»-,,.
.,~-\$§§@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@§§$\-~,.
¨,-=%*££@#  DIGITAL (ENCODED IN THE LITERAL SENSE;  #@££*%=-,¨
¨,^-†*£###   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ###£*†-^,¨
¨.¨:~:$&§£  MEANING SEMANTICALLY AND NOT IN THEIR   £§&$:~:¨.¨
.,,~*%££## SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ##££%*~,,.
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..,»\**£#@     VARIOUS SCHEMES EXIST FOR HOW TO     @#£**\»,..
.,»\**£#@#  INTERPRET AND WORK FURTHER WITH THESE   #@#£**\»,.
..,»\**£#@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @#£**\»,..
...,»\**£#   VOR, HYP, MKV). GETTING FAMILIAR WITH  #£**\»,...
..,»\**£#@  THESE IS A GOOD START ON YOUR JOURNEY,  @#£**\»,..
.,»\**£#@#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #@#£**\»,.
..,»\**£#@   »REALLY» KNOW TWO OR THREE IN THEIR    @#£**\»,..
...,»\**£#                 LIFETIME.                #£**\»,...
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,¨,,»:*%£#  SOME PITFALLS INCLUDE THAT EVEN IF YOU  #£%*:»,,¨,
,¨-«†%$@##      CAN ENCODE THE DIGITAL SYMBOLS      ##@$%†«-¨,
,:~:*$£#@#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #@#£$*:~:,
,.,~/§£§##  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ##§£§/~,.,
¨¨.:~=*&§#   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  #§&*=~:.¨¨
..~«/^$@@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@@$^/«~..
¨:-*$$#@##  THAT WITH THE RIGHT SPELLS AND METHODS  ##@#$$*-:¨
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,.¨,=:§¤@#   ANALYSIS (MUST BE COMBATTED AT EVERY   #@¤§:=,¨.,
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