,,.,¨^~**%                                          %**~^¨,.,,
¨.¨.--:†££                                          ££†:--.¨.¨
..,,«\*&@#                                          #@&*\«,,..
,.:~*=&@@#                                          #@@&=*~:.,
,:=^*§@@##                                          ##@@§*^=:,
¨..«**@£##                                          ##£@**«..¨
¨¨,-~^†@&#           #*§.¨,¨,..,.¨¨¨.¨=*#           #&@†^~-,¨¨
,.¨¨-~/†§¤          #**  "DIGITALITY"  **#          ¤§†/~-¨¨.,
.¨,¨¨,~*†$           #%§,,.,¨.¨,¨¨,,..††#           $†*~,¨¨,¨.
¨,,,,¨-«;*                                          *;«-¨,,,,¨
,.¨,.,¨,=/                    §                     /=,¨,.,¨.,
¨,.¨..,¨-~                                          ~-¨,..¨.,¨
.,¨,.¨¨^-/ DIGITAL, THE DIGITAL,  TO BECOME DIGITAL /-^¨¨.,¨,.
¨.¨,,¨,~=§                                          §=~,¨,,¨.¨
¨,.¨,,«;%%                     ^                    %%;«,,¨.,¨
.,,,,-\%£§                                          §£%\-,,,,.
¨¨,~«^*%##    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ##%*^«~,¨¨
¨,-~=%$@@#    SYMBOLS. THE ENGLISH TRANSLATION IS   #@@$%=~-,¨
,,-**%@@##   "THROUGH NUMBERS". YOU CAN USE THIS    ##@@%**-,,
.¨-~^§£###  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ###£§^~-¨.
¨..:»†*%¤@                                          @¤%*†»:..¨
.,¨.,~\^£&                     *                    &£^\~,.¨,.
,,..,,-†*&                                          &*†-,,..,,
¨..,,.~«*†   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  †*«~.,,..¨
¨,.,,¨.-=: THE GIFTED CAN TURN ANALOG SIGNALS INTO  :=-.¨,,.,¨
¨¨,¨..,.--   DIGITAL - THE ANALOG IS IN ITSELF A    --.,..¨,¨¨
.,.,,,.:-;  REPRESENTATION OF THE WORLD INSIDE THE  ;-:.,,,.,.
¨¨.¨¨¨,«/†   WORLD, WHICH IS FURTHER ENCODED INTO   †/«,¨¨¨.¨¨
,,.¨.^~:%£  DIGITAL (ENCODED IN THE LITERAL SENSE;  £%:~^.¨.,,
,.,,~-*$@&   THE NUMBERS ARE SYMBOLS WHO CARRY THE  &@$*-~,,.,
¨..,~:^¤#@  MEANING SEMANTICALLY AND NOT IN THEIR   @#¤^:~,..¨
..:»*=&¤## SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ##¤&=*»:..
..»;%£§###                                          ###§£%;»..
¨.:~/%*@##                    *                     ##@*%/~:.¨
.,¨:»=§¤§#                                          #§¤§=»:¨,.
....:=:=@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@=:=:....
.....:=:=@  INTERPRET AND WORK FURTHER WITH THESE   @=:=:.....
......:=:=   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   =:=:......
.......:=:  VOR, HYP, MKV). GETTING FAMILIAR WITH   :=:.......
........:=  THESE IS A GOOD START ON YOUR JOURNEY,  =:........
.......:=:    ALTHOUGH EVEN A WIZARD MIGHT ONLY     :=:.......
......:=:=    =REALLY= KNOW TWO OR THREE IN THEIR   =:=:......
.....:=:=@                 LIFETIME.                @=:=:.....
.,,,^»:†£¤                                          ¤£†:»^,,,.
¨¨,~-==@¤@                    §                     @¤@==-~,¨¨
,,,~*§££##                                          ##££§*~,,,
,~~†%*£@##  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ##@£*%†~~,
,,:-\=£¤@#      CAN ENCODE THE DIGITAL SYMBOLS      #@¤£=\-:,,
¨,¨.«;%%§#  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  #§%%;«.¨,¨
....,-:*£#  TERMINATE IN THE ANALOG; IF KNOWLEDGE   #£*:-,....
.,,...~^=$   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  $=^~...,,.
.¨¨.¨.^~:$   ROUTE TO THEIR ORIGINAL MEANING, AND   $:~^.¨.¨¨.
..,,..,-«†  THAT WITH THE RIGHT SPELLS AND METHODS  †«-,..,,..
..¨¨¨...~»  YOU CAN USE DIGITAL REPRESENTATION FOR  »~...¨¨¨..
,.¨,¨.,.«/   ANALYSIS (MUST BE COMBATTED AT EVERY   /«.,.¨,¨.,
¨,¨,¨.:»^*               OPPORTUNITY)               *^»:.¨,¨,¨
.,...^-;%§                                          §%;-^...,.
,¨,,,~^^§&                                          &§^^~,,,¨,
¨,¨~~;†£§#                                          #§£†;~~¨,¨
,.:»*§§@@#                                          #@@§§*»:.,
.-«;%£¤###                                          ###¤£%;«-.