##@&£%^».,                                          ,.»^%£&@##
#@§$§/-,,.                                          .,,-/§$§@#
##£*:~.,¨,                                          ,¨,.~:*£##
&&$\«..,¨,                                          ,¨,..«\$&&
£%\».,,,,¨                                          ¨,,,,.»\%£
#@%:«:..,¨                                          ¨,..:«:%@#
@#@=\~^...           #%†¨.¨.¨¨,.¨¨,..,^%#           ...^~\=@#@
##§$*^--.,          #*†  "digitality"  =*#          ,.--^*$§##
##£££$;~~.           #$%.¨¨¨,,¨¨,,.,,¨†=#           .~~;$£££##
##£&*/~~,,                                          ,,~~/*&£##
@@&$†~,,¨,                     %                    ,¨,,~†$&@@
£¤*:»:,...                                          ...,:»:*¤£
§*\~.¨.¨., digital, the digital,  to become digital ,.¨.¨.~\*§
&%*;»~,.¨,                                          ,¨.,~»;*%&
#£%†^«,¨,.                     $                    .,¨,«^†%£#
#£#£†=~,,.                                          .,,~=†£#£#
###££*\--,    ancient (mesopothamia) knot made of   ,--\*££###
##£¤§*=~¨,    symbols. the english translation is   ,¨~=*§¤£##
#£*†:=~¨,.   "through numbers". you can use this    .,¨~=:†*£#
@§§\~,¨,,.  machine to remember, predict, or hide.  .,,¨,~\§§@
$*^~,.,¨,.                                          .,¨,.,~^*$
¤£*†=,..¨.                    ^                     .¨..,=†*£¤
@£@§:=..¨,                                          ,¨..=:§@£@
#@#§$:~^..   though it might look like witchcraft,  ..^~:$§#@#
##@¤%^\~:,  the gifted can turn analog signals into ,:~\^%¤@##
#£&@††»~,.    digital - the analog is in itself a   .,~»††@&£#
#&£*/=:.¨,  representation of the world inside the  ,¨.:=/*£&#
#£*=-..¨.¨   world, which is further encoded into   ¨.¨..-=*£#
%†\~~,¨,,,  digital (encoded in the literal sense;  ,,,¨,~~\†%
@$*\»-.,,,  the numbers are symbols who carry the   ,,,.-»\*$@
#&%%=~...¨  meaning semantically and not in their   ¨...~=%%&#
##&$††-,,, shape (analog beings are the opposite.)) ,,,-††$&##
##£#*†/»,¨                                          ¨,»/†*#£##
#@§£$\»-,¨                    †                     ¨,-»\$£§@#
#&$§=«,,..                                          ..,,«=§$&#
¤*=†«,¨¨¨¨     various schemes exist for how to     ¨¨¨¨,«†=*¤
*=†«,¨¨¨¨¨  interpret and work further with these   ¨¨¨¨¨,«†=*
¤*=†«,¨¨¨¨   symbols (such as wav, jpg, nfo, diz,   ¨¨¨¨,«†=*¤
@¤*=†«,¨¨¨  vor, hyp, mkv). getting familiar with   ¨¨¨,«†=*¤@
#@¤*=†«,¨¨  these is a good start on your journey,  ¨¨,«†=*¤@#
##@¤*=†«,¨     although even a wizard might only    ¨,«†=*¤@##
#@¤*=†«,¨¨   «really« know two or three in their    ¨¨,«†=*¤@#
@¤*=†«,¨¨¨                 lifetime.                ¨¨¨,«†=*¤@
£¤*;~-.¨¨¨                                          ¨¨¨.-~;*¤£
§$†~^,,.¨,                    %                     ,¨.,,^~†$§
#¤^^~:.¨,,                                          ,,¨.:~^^¤#
#§$$;~:..,  some pitfalls include that even if you  ,..:~;$$§#
#@££%;~:¨,      can encode the digital symbols      ,¨:~;%££@#
##@§@^^«-¨  themselves as digital, somehow it must  ¨-«^^@§@##
##¤%§^-,,,  terminate in the analog; if knowledge   ,,,-^§%¤##
@#§=;«,¨¨¨  is lost, you can have symbols with no   ¨¨¨,«;=§#@
@£§^-..¨..   route to their original meaning, and   ..¨..-^§£@
&§†-:,,.¨.  that with the right spells and methods  .¨.,,:-†§&
£@%*--,¨,.  you can use digital representation for  .,¨,--*%@£
£§@§*=~¨¨¨   analysis (must be combatted at every   ¨¨¨~=*§@§£
#@&§*=~,,.               opportunity)               .,,~=*§&@#
###&£§;=,,                                          ,,=;§£&###
###%^;~~¨.                                          .¨~~;^%###
¶@£†:»^¨,¨                                          ¨,¨^»:†£@¶
&£*;~,¨,.,                                          ,.,¨,~;*£&
@*=~:.,..,                                          ,..,.:~=*@