,,=††*@§%& &%§@*††=,,
.:»;%@¤%@# #@%¤@%;»:.
..»/§§#@## ##@#§§/»..
.,«^*&§£#£ £#£§&*^«,.
.,:~~~~†@¤ ¤@†~~~~:,.
.¨.¨~=^@§# #§@^=~¨.¨.
¨¨,,»§£*£¤ #$†,,.¨¨,,....¨,.=%# ¤£*£§»,,¨¨
,.,»»$$#¤£ #§§ "DIGITALITY" %^# £¤#$$»»,.,
,,,¨¨..-§¤ #*%¨¨..¨¨¨¨¨...,¨$†# ¤§-..¨¨,,,
.~»\§%§### ###§%§\»~.
....,~/§#@ * @#§/~,....
¨.-/%*§¤#@ @#¤§*%/-.¨
,.,~,/^£#@ DIGITAL, THE DIGITAL, TO BECOME DIGITAL @#£^/,~,.,
¨.,:.†/^£# #£^/†.:,.¨
.-»\^&¤¶#@ % @#¶¤&^\»-.
¨..~«-\*§& &§*\-«~..¨
.¨¨..,»$¤¶ ANCIENT (MESOPOTHAMIA) KNOT MADE OF ¶¤$»,..¨¨.
.:~\§%@£¤¶ SYMBOLS. THE ENGLISH TRANSLATION IS ¶¤£@%§\~:.
.-»=%%&@## "THROUGH NUMBERS". YOU CAN USE THIS ##@&%%=»-.
,,-/%@¤¶## MACHINE TO REMEMBER, PREDICT, OR HIDE. ##¶¤@%/-,,
.,~/*¤&£££ £££&¤*/~,.
¨,«=%$#£¤# † #¤£#$%=«,¨
¨-»:*%££@# #@££%*:»-¨
,.¨^-†§&## THOUGH IT MIGHT LOOK LIKE WITCHCRAFT, ##&§†-^¨.,
¨.¨.:.»;$£ THE GIFTED CAN TURN ANALOG SIGNALS INTO £$;».:.¨.¨
.¨..††$£££ DIGITAL - THE ANALOG IS IN ITSELF A £££$††..¨.
,-~*%§¤¶## REPRESENTATION OF THE WORLD INSIDE THE ##¶¤§%*~-,
.,»**††@## WORLD, WHICH IS FURTHER ENCODED INTO ##@††**»,.
,.¨~«%§&¤¶ DIGITAL (ENCODED IN THE LITERAL SENSE; ¶¤&§%«~¨.,
¨.»*=%@@## THE NUMBERS ARE SYMBOLS WHO CARRY THE ##@@%=*».¨
,~~*=£&¶## MEANING SEMANTICALLY AND NOT IN THEIR ##¶&£=*~~,
,¨.,~,\*£@ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) @£*\,~,.¨,
,¨,,¨,=*£# #£*=,¨,,¨,
¨.-\=%¤§§# ^ #§§¤%=\-.¨
.¨,~:,-\*& &*\-,:~,¨.
¨¨¨¨¨¨,=*¤ VARIOUS SCHEMES EXIST FOR HOW TO ¤*=,¨¨¨¨¨¨
¨,=;*%¤£## INTERPRET AND WORK FURTHER WITH THESE ##£¤%*;=,¨
¨,,,==*¤£# SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ, #£¤*==,,,¨
¨¨¨¨¨,;%¤# VOR, HYP, MKV). GETTING FAMILIAR WITH #¤%;,¨¨¨¨¨
¨,=;*%¤£## THESE IS A GOOD START ON YOUR JOURNEY, ##£¤%*;=,¨
¨,=;**%%¤¤ ALTHOUGH EVEN A WIZARD MIGHT ONLY ¤¤%%**;=,¨
¨¨,=;**¤¤¤ =REALLY= KNOW TWO OR THREE IN THEIR ¤¤¤**;=,¨¨
¨¨¨¨¨=;;%£ LIFETIME. £%;;=¨¨¨¨¨
.¨,¨¨~^%£¶ ¶£%^~¨¨,¨.
,^.~»;$$@# † #@$$;»~.^,
¨:~:^%§@@# #@@§%^:~:¨
.^»^**&### SOME PITFALLS INCLUDE THAT EVEN IF YOU ###&**^»^.
.,..»§$%¤@ CAN ENCODE THE DIGITAL SYMBOLS @¤%$§»..,.
.:~^$&@##£ THEMSELVES AS DIGITAL, SOMEHOW IT MUST £##@&$^~:.
..~*%§¤¶## TERMINATE IN THE ANALOG; IF KNOWLEDGE ##¶¤§%*~..
¨.¨~--§%&¶ IS LOST, YOU CAN HAVE SYMBOLS WITH NO ¶&%§--~¨.¨
.-«-~^^§&@ ROUTE TO THEIR ORIGINAL MEANING, AND @&§^^~-«-.
¨¨¨.^«^$§@ THAT WITH THE RIGHT SPELLS AND METHODS @§$^«^.¨¨¨
¨.,,.\£&£¤ YOU CAN USE DIGITAL REPRESENTATION FOR ¤£&£\.,,.¨
,,«/%$#@## ANALYSIS (MUST BE COMBATTED AT EVERY ##@#$%/«,,
¨^«\%$¤¶## OPPORTUNITY) ##¶¤$%\«^¨
.-~;%*£@## ##@£*%;~-.
,:~;=§§@## ##@§§=;~:,
¨-=^%%@@## ##@@%%^=-¨
,,«==&£¶## ##¶£&==«,,
,^~\=$#@## ##@#$=\~^,