¨,.~=\%¤&#                                          #&¤%\=~.,¨
¨¨.==%$#¶#                                          #¶#$%==.¨¨
,,~;=&£¶##                                          ##¶£&=;~,,
¨..~^*¤&##                                          ##&¤*^~..¨
,,,,«==%@¶                                          ¶@%==«,,,,
.¨.,^«†$@§                                          §@$†«^,.¨.
..,,.,-*§§           #††¨,.¨.,¨...,,¨.*§#           §§*-,.,,..
¨,....,»^%          #*§  "DIGITALITY"  %*#          %^»,....,¨
,.,,,,,~«*           #**,,¨¨¨,,,,¨,¨.,††#           *«~,,,,,.,
..¨,¨¨¨,:«                                          «:,¨¨¨,¨..
,.¨¨.,¨.,:                    =                     :,.¨,.¨¨.,
,.,.¨¨,,.,                                          ,.,,¨¨.,.,
¨¨,,,.¨¨.. DIGITAL, THE DIGITAL, TO BECOME  DIGITAL ..¨¨.,,,¨¨
¨.¨¨...,~~                                          ~~,...¨¨.¨
,,,¨¨,,.-†                     †                    †-.,,¨¨,,,
.¨.,,,~«:$                                          $:«~,,,.¨.
,¨¨..-~*$£   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    £$*~-..¨¨,
..¨¨:=^^££   SYMBOLS. THE ENGLISH TRANSLATION IS    ££^^=:¨¨..
¨,,^-^$¤¤@   "THROUGH NUMBERS". YOU CAN USE THIS    @¤¤$^-^,,¨
¨..«\*@&¶@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @¶&@*\«..¨
,~~\†¤@@@#                                          #@@@¤†\~~,
.¨-=:%§&@#                     =                    #@&§%:=-¨.
,¨.:-†*£¤£                                          £¤£*†-:.¨,
¨¨,,:«:$££  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ££$:«:,,¨¨
.,¨¨.,»;§@ THE GIFTED CAN TURN ANALOG SIGNALS INTO  @§;»,.¨¨,.
¨.,,¨,-=**   DIGITAL - THE ANALOG IS IN ITSELF A    **=-,¨,,.¨
¨....,¨,~/  REPRESENTATION OF THE WORLD INSIDE THE  /~,¨,....¨
¨..¨,¨,,~«   WORLD, WHICH IS FURTHER ENCODED INTO   «~,,¨,¨..¨
,,¨,....,~  DIGITAL (ENCODED IN THE LITERAL SENSE;  ~,....,¨,,
,.,¨..¨¨..   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ..¨¨..¨,.,
,,,.,,,¨.~   MEANING SEMANTICALLY AND NOT IN THEIR  ~.¨,,,.,,,
,......,.- SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) -.,......,
¨¨¨,.¨¨.~=                                          =~.¨¨.,¨¨¨
,,¨,¨¨,«†*                    *                     *†«,¨¨,¨,,
,.,.,.«^%§                                          §%^«.,.,.,
....,«^*£§     VARIOUS SCHEMES EXIST FOR HOW TO     §£*^«,....
...,«^*£§@  INTERPRET AND WORK FURTHER WITH THESE   @§£*^«,...
..,«^*£§@#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #@§£*^«,..
.,«^*£§@##   VOR, HYP, MKV). GETTING FAMILIAR WITH  ##@§£*^«,.
..,«^*£§@#  THESE IS A GOOD START ON YOUR JOURNEY,  #@§£*^«,..
...,«^*£§@     ALTHOUGH EVEN A WIZARD MIGHT ONLY    @§£*^«,...
....,«^*£§    «REALLY« KNOW TWO OR THREE IN THEIR   §£*^«,....
.....,«^*£                 LIFETIME.                £*^«,.....
.¨,¨,¨^=/*                                          */=^¨,¨,¨.
.¨.¨,,,.«/                     †                    /«.,,,¨.¨.
,,,.,.¨¨^«                                          «^¨¨.,.,,,
,¨.,¨,...,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,...,¨,.¨,
,.¨,.,¨,..      CAN ENCODE THE DIGITAL SYMBOLS      ..,¨,.,¨.,
¨.¨,..,,,-  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  -,,,..,¨.¨
...¨.¨.¨-»   TERMINATE IN THE ANALOG; IF KNOWLEDGE  »-¨.¨.¨...
,.¨¨...~-†  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   †-~...¨¨.,
,¨,..¨:=\*   ROUTE TO THEIR ORIGINAL MEANING, AND   *\=:¨..,¨,
,.¨..,»=*%  THAT WITH THE RIGHT SPELLS AND METHODS  %*=»,..¨.,
,,,,:=:$¤£  YOU CAN USE DIGITAL REPRESENTATION FOR  £¤$:=:,,,,
.¨¨-«†%@#@   ANALYSIS (MUST BE COMBATTED AT EVERY   @#@%†«-¨¨.
,¨:»:$§¤¶#               OPPORTUNITY)               #¶¤§$:»:¨,
¨,==§$¤¶##                                          ##¶¤$§==,¨
..,~†^£§¶#                                          #¶§£^†~,..
¨¨.^~;*§&£                                          £&§*;~^.¨¨
,,..,«^**@                                          @**^«,..,,
¨¨.¨¨~=***                                          ***=~¨¨.¨¨