@@^=«^,.¨¨                                          ¨¨.,^«=^@@
¤%=«,.,¨..                                          ..¨,.,«=%¤
%;«..¨,,¨¨                                          ¨¨,,¨..«;%
\-,.¨,,.¨,                                          ,¨.,,¨.,-\
«~,..,¨,,,                                          ,,,¨,..,~«
,.,...,¨,¨                                          ¨,¨,...,.,
,¨¨..,.¨¨.           #^^¨¨.¨,,,..¨¨.¨,=*#           .¨¨.,..¨¨,
,.,¨¨.,.,.          #%*  "DIGITALITY"  $$#          .,.,.¨¨,.,
~~,¨.,¨..,           #%%,,,¨,¨¨,¨,¨¨¨.=%#           ,..¨,.¨,~~
\=,¨¨,,.¨,                                          ,¨.,,¨¨,=\
§=-^...,.¨                    *                     ¨.,...^-=§
¤^/~.¨¨¨¨.                                          .¨¨¨¨.~/^¤
££==~.¨,¨, DIGITAL,  THE DIGITAL, TO BECOME DIGITAL ,¨,¨.~==££
@££$^=~.¨.                                          .¨.~=^$££@
##££†*-~¨¨                    *                     ¨¨~-*†££##
##@@&%^»~¨                                          ¨~»^%&@@##
##¶&*=»^,¨   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ¨,^»=*&¶##
##£$^-,.,,    SYMBOLS. THE ENGLISH TRANSLATION IS   ,,.,-^$£##
¶@%†«-,¨¨¨    "THROUGH NUMBERS". YOU CAN USE THIS   ¨¨¨,-«†%@¶
§=/-~,¨¨¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨¨¨,~-/=§
*\~,.¨,¨,¨                                          ¨,¨,¨.,~\*
^«.¨,.,.¨¨                     %                    ¨¨.,.,¨.«^
~:.,.¨,.¨.                                          .¨.,¨.,.:~
..¨,¨,.,..  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ..,.,¨,¨..
.,.,¨..¨,¨ THE GIFTED CAN TURN ANALOG SIGNALS INTO  ¨,¨..¨,.,.
.,.¨..,,,.   DIGITAL - THE ANALOG IS IN ITSELF A    .,,,..¨.,.
~~....¨.,,  REPRESENTATION OF THE WORLD INSIDE THE  ,,.¨....~~
^«,.,¨,,¨¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨¨,,¨,.,«^
$/=~,,¨.,.  DIGITAL (ENCODED IN THE LITERAL SENSE;  .,.¨,,~=/$
&%\-:,..,.   THE NUMBERS ARE SYMBOLS WHO CARRY THE  .,..,:-\%&
@§**«,¨¨¨.   MEANING SEMANTICALLY AND NOT IN THEIR  .¨¨¨,«**§@
##¤*^~,¨.¨ SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ¨.¨,~^*¤##
#@@&§:~.,.                                          .,.~:§&@@#
#####$†»:¨                     †                    ¨:»†$#####
##¶&*^»-¨.                                          .¨-»^*&¶##
##£$;-,¨¨¨     VARIOUS SCHEMES EXIST FOR HOW TO     ¨¨¨,-;$£##
#£$;-,¨¨¨¨   INTERPRET AND WORK FURTHER WITH THESE  ¨¨¨¨,-;$£#
£$;-,¨¨¨¨¨   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ¨¨¨¨¨,-;$£
$;-,¨¨¨¨¨¨  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¨¨¨¨¨¨,-;$
;-,¨¨¨¨¨¨¨  THESE IS A GOOD START ON YOUR JOURNEY,  ¨¨¨¨¨¨¨,-;
-,¨¨¨¨¨¨¨¨     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ¨¨¨¨¨¨¨¨,-
,¨¨¨¨¨¨¨¨¨   -REALLY- KNOW TWO OR THREE IN THEIR    ¨¨¨¨¨¨¨¨¨,
¨¨¨¨¨¨¨¨¨¨                 LIFETIME.                ¨¨¨¨¨¨¨¨¨¨
,¨.,,¨,¨,.                                          .,¨,¨,,.¨,
=:,¨.¨,¨..                    %                     ..¨,¨.¨,:=
^~-..¨..,,                                          ,,..¨..-~^
%^«,¨.,..,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,..,.¨,«^%
§^\=^¨,,,¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨,,,¨^=\^§
@£%;«~,.¨,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,¨.,~«;%£@
#@£%/»^¨¨¨   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¨¨¨^»/%£@#
#@@&$^»:,,  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ,,:»^$&@@#
###£@^^=:¨   ROUTE TO THEIR ORIGINAL MEANING, AND   ¨:=^^@£###
#@#&*†~..¨  THAT WITH THE RIGHT SPELLS AND METHODS  ¨..~†*&#@#
#@¤*\«,,¨¨  YOU CAN USE DIGITAL REPRESENTATION FOR  ¨¨,,«\*¤@#
¶@%/~,.,,.   ANALYSIS (MUST BE COMBATTED AT EVERY   .,,.,~/%@¶
@%†--.¨¨.¨               OPPORTUNITY)               ¨.¨¨.--†%@
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~.,¨,¨,,.,                                          ,.,,¨,¨,.~
.,,.¨.,.¨,                                          ,¨.,.¨.,,.
,¨..,¨,,,,                                          ,,,,¨,..¨,