#.#.#.#.## #.##..##.#
#.#.#.#..# #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. $ DREAM PALACE $ #..#.#.#..
#.#.#.#.#. , ----- ------ , #.##.#.#.#
#.#.#.#.#. $ ..... ...... $ #..#.#.#..
#.#.#.#.#. * ..... ...... * #.##.#.#.#
#.#.#.#.#. , ..... ...... , #..#.#.#..
#.#.#.#.#. , ..... ...... , #.##.#.#.#
#.#.#.#.#. . ..... ...... . #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. #..#.#.#..
#.#.#.#.#. NOT ACTUALLY A PALACE. A COTTAGE IN THE #.##.#.#.#
#.#.#.#.#. WOODS (TEMPERATE CLIMATE, RAINS EVERY #..#.#.#..
#.#.#.#.#. OTHER DAY, SPRINGS AND STREAMS AND #.##.#.#.#
#.#.#.#.#. MYSTERIOUS IRON AND STONE ARTIFACTS, #..#.#.#..
#.#.#.#.#. BIRDLAND-ISH ETERNAL SPRING (LATE #.##.#.#.#
#.#.#.#.#. SPRING)) #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. ~ #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. I WAKE UP EVERY MORNING AT SIX AM. IT'S #..#.#.#..
#.#.#.#.#. DARK, AND THE STARS ARE OUT, BUT THE #.##.#.#.#
#.#.#.#.#. SUN IS ABOUT TO RISE. ITS A LONG DAY, #..#.#.#..
#.#.#.#.#. BEFORE IT FADES TO NIGHT AGAIN, AND #.##.#.#.#
#.#.#.#.#. THEN IT STAYS SO UNTIL I FALL ASLEEP. #..#.#.#..
#.#.#.#.#. IT DOESN'T RISE UNLESS I'VE HAD MY #.##.#.#.#
#.#.#.#.#. DREAMS. #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. * #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. IN THIS COTTAGE THERE'S A LOT OF RADIO #..#.#.#..
#.#.#.#.#. EQUIPMENT, SOUND STUFF, SYNTHS, TAPE #.##.#.#.#
#.#.#.#.#. PLAYERS. PEN AND PAPER, BOOKS, CAMERAS, #..#.#.#..
#.#.#.#.#. MIRRORS, PRISMS, AND VARIOUS THINGS TO #.##.#.#.#
#.#.#.#.#. DO ART WITH. THE FRIDGE IS FILLED WITH #..#.#.#..
#.#.#.#.#. DIFFERET FOODS, ALL OF THEM INTRIGUING, #.##.#.#.#
#.#.#.#.#. SLIGHTLY WEIRD. #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. # #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. I HAVE FRIENDS - THERE'S A CAT, AND A #..#.#.#..
#.#.#.#.#. DOG (WHO IS RIDICOLOUSLY LARGE AND #.##.#.#.#
#.#.#.#.#. WANTS TO BE THE BIG SPOON). I LISTEN TO #..#.#.#..
#.#.#.#.#. THE SHORTWAVE RADIO, AND TRANSMIT A BIT #.##.#.#.#
#.#.#.#.#. MYSELF, SONGS AND POETRY, AND FOUND #..#.#.#..
#.#.#.#.#. SOUNDS FROM THE FOREST. THE OTHERS TELL #.##.#.#.#
#.#.#.#.#. OF THEIR LIVES, PLAY THE GUITAR FOR ME, #..#.#.#..
#.#.#.#.#. AND TELL TALES OF THE OLD WORLD. I #.##.#.#.#
#.#.#.#.#. CONSIDER THEM FRIENDS AS WELL. #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. # #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. MOST IMPORTANTLY, THERE'S A TWO SQUARE #..#.#.#..
#.#.#.#.#. METER AREA ON THE FLOOR WHERE I CAN #.##.#.#.#
#.#.#.#.#. "SAVE" THINGS. WHATEVER I PUT IN HERE #..#.#.#..
#.#.#.#.#. WILL NOT BE AFFECTED BY THE NIGHTLY #.##.#.#.#
#.#.#.#.#. RESET. EVERYTHING ELSE, HOWEVER, IS #..#.#.#..
#.#.#.#.#. COMPLETELY RESET OVERNIGHT: SYNTH #.##.#.#.#
#.#.#.#.#. PATCHES REMOVED, FOOD UNEATEN, WOUNDS #..#.#.#..
#.#.#.#.#. HEALED, AND WHEREVER AND WHENEVER I'D #.##.#.#.#
#.#.#.#.#. FALL ASLEEP I'D ALWAYS WAKE UP FULLY #..#.#.#..
#.#.#.#.#. RESTED IN MY BED. SOMETIMES THERE'S #.##.#.#.#
#.#.#.#.#. ACCIDENTS WHERE I LOSE STUFF BY #..#.#.#..
#.#.#.#.#. FORGETTING TO PUT THEM IN THE SQUARE. #.##.#.#.#
#.#.#.#.#. #..#.#.#..
#.#.#.#.#. . #.##.#.#.#
#.#.#.#.#. #..#.#.#..
#.#.#.#.#. AT NIGHT, I HAVE DEMI-LUCID DREAMS #.##.#.#.#
#.#.#.#.#. WHERE THE SPIRITS OF THE FOREST AROUND #..#.#.#..
#.#.#.#.#. THE COTTAGE TRIES TO COMMUNICATE. HERE, #.##.#.#.#
#.#.#.#.#. IT'S NOT ENDLESS BUT CONNECTED TO A #..#.#.#..
#.#.#.#.#. LARGE SPRAWLING CITY, WHERE MY RADIO #.##.#.#.#
#.#.#.#.#. FRIENDS LIVE. WE GO EXPLORING TOGETHER #..#.#.#..
#.#.#.#.#. - THINGS ARE DEEP AND DARK - BUT UNLIKE #.##.#.#.#
#.#.#.#.#. ME, THEY NEVER REMEMBER DURING THE DAY. #..#.#.#..
#.#.#.#.#. THIS IS A MYSTERY WE OFTEN DISCUSS. #.##.#.#.#
#.#.#.#.#. #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. #..#.#.#..
#.#.#.#.#. #.##.#.#.#
#.#.#.#.#. #..#.#.#..
#.#.#.#.#. #.##.#.#.#