@@@&£†/~:, ,:~/†£&@@@
@££†/~::,, ,,::~/†££@
@&†//~,,,, ,,,,~//†&@
&£†††/~~:, ,:~~/†††£&
#@@&£†/~:, ,:~/†£&@@#
@@£††/~~:, train dream ,:~~/††£@@
@@&£//::,, ######,,,,:~::,,##################### ,,:://£&@@
@@@&£†/~:, /// ,:~/†£&@@@
#@@&£†/~:, ~ ,:~/†£&@@#
&£/~~~~:,, ~ ,,:~~~~/£&
#@@&£†/~:, ,:~/†£&@@#
@&£//~,,,, (situation) ,,,,~//£&@
&&&&£†/~:, ,:~/†£&&&&
#@@&£†/~:, you find yourself in a rift - a ,:~/†£&@@#
#@@&£†/~:, clearing, narrow but immeasurably long. ,:~/†£&@@#
#@@&£†/~:, to your sides are walls made of trees, ,:~/†£&@@#
@@&†/~,,,, thick and ready to swallow you. the sun ,,,,~/†&@@
#@@&£†/~:, is nowhere to be seen, but nontheless ,:~/†£&@@#
@£//:,,,,, it is very bright - the air feels light ,,,,,://£@
&†~~:,,,,, blue, almost white. ,,,,,:~~†&
#@@&£†/~:, ,:~/†£&@@#
#@@&£†/~:, along the span of the clearing lay two ,:~/†£&@@#
@&†/~:,,,, parallel silvery lines, dark hard ,,,,:~/†&@
#@@&£†/~:, metal. somehow you can see how heavy ,:~/†£&@@#
@£/~,,,,,, they are. ,,,,,,~/£@
#@@&£†/~:, ,:~/†£&@@#
##@&£†/~:, they emit a high pitched whine... ,:~/†£&@##
&†/~~,,,,, ,,,,,~~/†&
@@@&£†/~:, ~ ,:~/†£&@@@
#@@&£†/~:, ,,†,, ,:~/†£&@@#
#@@&£†/~:, ~ ,:~/†£&@@#
@@££††/~:, ,:~/††££@@
#@@&£†/~:, (situation) ,:~/†£&@@#
#@@&£†/~:, ,:~/†£&@@#
#@@&£†/~:, youre at the train station, on a ,:~/†£&@@#
@£†††/~:,, catwalk above the rails. your train is ,,:~/†††£@
#@@&£†/~:, late, or you are late to the train. ,:~/†£&@@#
@@££†~,,,, it's a summer afternoon and the station ,,,,~†££@@
&£//:,,,,, is busy, full of relaxed confidence. ,,,,,://£&
&†////:,,, ,,,:////†&
##@&£†/~:, you're in high spirits, although a bit ,:~/†£&@##
##@&£†/~:, stressed about the time, while moving ,:~/†£&@##
#@@&£†/~:, up the stairs to your platform. the ,:~/†£&@@#
@@&&£†/~:, station is in several levels, all ,:~/†£&&@@
#@@&£†/~:, placed within eachother by some ,:~/†£&@@#
#@@&£†/~:, intelligent designer, and full of ,:~/†£&@@#
@@&&£†/~:, stairs, elevators, shortcuts, ,:~/†£&&@@
@&£/~,,,,, bazaars... you sight your train through ,,,,,~/£&@
@@£/~~~,,, some glass windows. it's... not where ,,,~~~/£@@
&&££//~,,, it's supposed to be? ,,,~//££&&
@££†~:,,,, ,,,,:~†££@
@@@&£†/~:, ~ ,:~/†£&@@@
@&£/~:,,,, ::£:: ,,,,:~/£&@
#@@&£†/~:, ~ ,:~/†£&@@#
@@£££†/~:, ,:~/†£££@@
#@@&£†/~:, (situation) ,:~/†£&@@#
&&††††/~:, ,:~/††††&&
&††~~,,,,, you're finally entering the city. while ,,,,,~~††&
#@@&£†/~:, it is indeed a very high speed train ,:~/†£&@@#
#@@&£†/~:, you're traveling in, the journey has ,:~/†£&@@#
#@@&£†/~:, been long. but it's about to end! ,:~/†£&@@#
##@@&£†/~, ,~/†£&@@##
#@@&£†/~:, society is growing denser around you, ,:~/†£&@@#
@@£†~~~~:, through the windows you see first small ,:~~~~†£@@
@@@&£†/~:, shacks, built of metal and stone, then ,:~/†£&@@@
&†††/~,,,, proper houses with mortar to keep them ,,,,~/†††&
#@@&£†/~:, together... who in turn make way for ,:~/†£&@@#
@&&£††/~:, the industrial buildings, the urban ,:~/††£&&@
##@&£†/~:, maze, protective walls, jungle ,:~/†£&@##
@&£££†/~:, network... ,:~/†£££&@
&££†~,,,,, ,,,,,~†££&
&†//:,,,,, the tracks leave the ground, which is ,,,,,://†&
@@@&£†/~:, needed for other purposes. you are ,:~/†£&@@@
&†/::,,,,, carried gently, curving upwards until ,,,,,::/†&
#@@&£†/~:, you're moving upward along the wall of ,:~/†£&@@#
@@£†/~,,,, a building. it's made of slabby stone, ,,,,~/†£@@
##@&£†/~:, with great glassless window holes ,:~/†£&@##
#@@&£†/~:, looking out the way you came. it is ,:~/†£&@@#
@£†~:,,,,, pitch black inside. ,,,,,:~†£@
@@&&£†/~:, ,:~/†£&&@@
#@@&£†/~:, ,:~/†£&@@#
##@&£†/~:, ,:~/†£&@##
@£//~,,,,, ,,,,,~//£@
&†/:::,,,, ,,,,:::/†&