,,::~†%%&&                                          &&%%†~::,,
,,,,,~†%&&                                          &&%†~,,,,,
,:~†%&&£@#                                          #@£&&%†~:,
,:~†%&&£££                                          £££&&%†~:,
,,::~†%&&£                                          £&&%†~::,,
,:~†%&&£## delay  delay  d,la@  & %a,  : ,£   ~   : ##£&&%†~:,
,:~†%&&£@#                                          #@£&&%†~:,
,::~†††&&&                                          &&&†††~::,
,,,,:†%%%&                                          &%%%†:,,,,
,,,,~%%%&£                                          £&%%%~,,,,
,:~†%&&&£@ "delay" means repetiton or likewise,     @£&&&%†~:,
,,,,~†%%&£ but it's mainly useless without          £&%%†~,,,,
,:~†%%&&&@ feedback,                                @&&&%%†~:,
,:~†%&&£@# to allow the delay to eat of it's own    #@£&&%†~:,
,:~†%&&£@# tail, like one of those eaty serpents.   #@£&&%†~:,
,:~†%&&£@# thus: it's the serpent effect!           #@£&&%†~:,
,:~†%&&£##                                          ##£&&%†~:,
,,:~†%&&&& it's to be revered as a creator of       &&&&%†~:,,
,:~†%&&£@# ambience and of space, if you treat it   #@£&&%†~:,
,,,,~~%%&@ right. a somewhat more solid and         @&%%~~,,,,
,,,:††&&£@ slippery sibling of reverb.              @£&&††:,,,
,:~†%&&£@#                                          #@£&&%†~:,
,:~†%&£@##                                          ##@£&%†~:,
,:~†%&&£@#                                          #@£&&%†~:,
,:~†%&&£@#                                          #@£&&%†~:,
,:~†%&&&&@                                          @&&&&%†~:,