##@#¤*==^, ,^==*¤#@##
#¤*====^,, ,,^====*¤#
§¤¤¤¤*==^, ,^==*¤¤¤¤§
@#¤*==^,,, ,,,^==*¤#@
#@#§¤*==^, ,^==*¤§#@#
#@#§¤*==^, delay delay d,la@ § *a, ^ ,# = ^ ,^==*¤§#@#
#§¤¤**==^, ,^==**¤¤§#
@@#§¤*==^, ,^==*¤§#@@
#@#§¤*==^, ,^==*¤§#@#
#@#§¤*==^, ,^==*¤§#@#
#@#§¤*==^, "delay" means repetiton or likewise, ,^==*¤§#@#
#¤====^,,, but it's mainly useless without ,,,^====¤#
@§*===,,,, feedback, ,,,,===*§@
#¤****==^, to allow the delay to eat of it's own ,^==****¤#
###§¤*==^, tail, like one of those eaty serpents. ,^==*¤§###
##¤***==^, thus: it's the serpent effect! ,^==***¤##
#@#§¤*==^, ,^==*¤§#@#
§**==,,,,, it's to be revered as a creator of ,,,,,==**§
@@#§¤*==^, ambience and of space, if you treat it ,^==*¤§#@@
#@#§¤*==^, right. a somewhat more solid and ,^==*¤§#@#
@#¤=^^,,,, slippery sibling of reverb. ,,,,^^=¤#@
#@#§¤*==^, ,^==*¤§#@#
#@#§¤*==^, ,^==*¤§#@#
@§¤*=^,,,, ,,,,^=*¤§@
#@#§¤*==^, ,^==*¤§#@#
@§§**=^,,, ,,,^=**§§@