,,,.~†**£#                                          #£**†~.,,,
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,.~†**£###                                          ###£**†~.,
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,,,,.~†**£         ,,,,**## växjö ##**,,,,          £**†~.,,,,
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,,,,,,.~†* the  apartment smells of old  coffee and *†~.,,,,,,
,,,,,,,.~† sweeteners. i  don't know how  i  let it †~.,,,,,,,
,,,,,,,,.~ get like  this.  it's  not  intentional. ~.,,,,,,,,
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,,,,,,,,,, i  wear yellow tinted glasses. the  room ,,,,,,,,,,
,,,,,,,,,. changes shape a lot.  right  now there's .,,,,,,,,,
,,,,,,,,.~ a   blue   sofa  with  yellow  seams.  i ~.,,,,,,,,
,,,,,,,.~†     experiment with different colored    †~.,,,,,,,
,,,,,,.~†*       lights. i'm learning things.       *†~.,,,,,,
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,,,,.~†**£ my  thoughts are  revolving around time, £**†~.,,,,
,,,.~†**£# and the perception of it. can i  make it #£**†~.,,,
,,.~†**£## rigid? if i  really want  to, can i make ##£**†~.,,
,.~†**£### it feel like  there  is  enough  of  it? ###£**†~.,
,,.~†**£##    also, and maybe, ultimately, more     ##£**†~.,,
,,,.~†**£# important -  can i make it feel like  it #£**†~.,,,
,,,,.~†**£             doesn't matter?              £**†~.,,,,
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