,,,~~*%£@# #@£%*~~,,,
,,~~*%£@## ##@£%*~~,,
,~~*%£@### ###@£%*~~,
,,~~*%£@## ##@£%*~~,,
,,,~~*%£@# #@£%*~~,,,
,,,,~~*%£@ the last song on side b (and to some @£%*~~,,,,
,,,~~*%£@# extent the first song on side a) talks #@£%*~~,,,
,,~~*%£@## for the whole album, not just their ##@£%*~~,,
,~~*%£@### side. the last song on side b is ###@£%*~~,
,,~~*%£@## probably the most important ##@£%*~~,,
,,,~~*%£@# opportunity, the most charged slot. #@£%*~~,,,
,,,,~~*%£@ @£%*~~,,,,
,,,~~*%£@# ,###, #@£%*~~,,,
,,~~*%£@## ##@£%*~~,,
,~~*%£@### the album is a singularity, an anomaly ###@£%*~~,
,,~~*%£@## in spacetime, a creature that knows ##@£%*~~,,
,,,~~*%£@# exactly how beautiful it is. #@£%*~~,,,
,,,,~~*%£@ , @£%*~~,,,,
,,,~~*%£@# and the thing is: it sees itself in #@£%*~~,,,
,,~~*%£@## three d. it knows that it's dying. ##@£%*~~,,
,~~*%£@### ###@£%*~~,
,,~~*%£@## %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% ##@£%*~~,,
,,,~~*%£@# #@£%*~~,,,
,,,,~~*%£@ ~ dolphins and cats ~ @£%*~~,,,,
,,,~~*%£@# bring us #@£%*~~,,,
,,~~*%£@## , flowers and honey , ##@£%*~~,,
,~~*%£@### ###@£%*~~,
,,~~*%£@## ~ dolphins and cats ~ ##@£%*~~,,
,,,~~*%£@# bring us #@£%*~~,,,
,,,,~~*%£@ , fairies and bees , @£%*~~,,,,
,,,~~*%£@# #@£%*~~,,,
,,~~*%£@## our boat is afloat ##@£%*~~,,
,~~*%£@### on a surface of lilies ###@£%*~~,
,,~~*%£@## ~ dolphins and cats ~ ##@£%*~~,,
,,,~~*%£@# drag us down #@£%*~~,,,
,,,,~~*%£@ ,~% underneath %~, @£%*~~,,,,
,,,~~*%£@# #@£%*~~,,,
,,~~*%£@## %%££%%££%%££%%££%%£@@£%%££%%££%%££%%££%% ##@£%*~~,,
,~~*%£@### ###@£%*~~,
,,~~*%£@## side a is foresty, and side b might ##@£%*~~,,
,,,~~*%£@# be lizardy. but the last song is full #@£%*~~,,,
,,,,~~*%£@ of space. @£%*~~,,,,
,,,~~*%£@# #@£%*~~,,,
,,~~*%£@## ##@£%*~~,,
,~~*%£@### ###@£%*~~,
,,~~*%£@## ##@£%*~~,,
,,,~~*%£@# #@£%*~~,,,