###¶&@^\»¨ ¨»\^@&¶###
##¶&@^\»,¨ ¨,»\^@&¶##
##¶&@^\»,¨ ¨,»\^@&¶##
#¶&^»»,¨¨¨ ¨¨¨,»»^&¶#
##¶&@^\»,¨ ¨,»\^@&¶##
##¶&@^\»,¨ the last song on side b (and to some ¨,»\^@&¶##
¶&&&@^\»,¨ extent the first song on side a) talks ¨,»\^@&&&¶
¶@\»¨¨¨¨¨¨ for the whole album, not just their ¨¨¨¨¨¨»\@¶
#&@\\\\»,¨ side. the last song on side b is ¨,»\\\\@&#
##¶&@^\»,¨ probably the most important ¨,»\^@&¶##
##¶&@^\»,¨ opportunity, the most charged slot. ¨,»\^@&¶##
###¶@^\»,¨ ¨,»\^@¶###
###&@^\»,¨ ¨¶#¶¨ ¨,»\^@&###
##¶&@^\»,¨ ¨,»\^@&¶##
##¶&@^\»,¨ the album is a singularity, an anomaly ¨,»\^@&¶##
&@^\\\,¨¨¨ in spacetime, a creature that knows ¨¨¨,\\\^@&
##¶&@^\»,¨ exactly how beautiful it is. ¨,»\^@&¶##
##¶&@^\»,¨ ¨ ¨,»\^@&¶##
##¶&@^\»,¨ and the thing is: it sees itself in ¨,»\^@&¶##
##¶&@^\»,¨ three d. it knows that it's dying. ¨,»\^@&¶##
&^»»»,¨¨¨¨ ¨¨¨¨,»»»^&
##¶&@^\»,¨ ^^@@^^@@^^@@^^@@^^@&&@^^@@^^@@^^@@^^@@^^ ¨,»\^@&¶##
¶¶@\\,¨¨¨¨ ¨¨¨¨,\\@¶¶
##¶&@^\»,¨ , dolphins and cats , ¨,»\^@&¶##
&&&&@^\»,¨ bring us ¨,»\^@&&&&
&&&&@^\»,¨ ¨ flowers and honey ¨ ¨,»\^@&&&&
##¶&@^\»,¨ ¨,»\^@&¶##
##¶&@^\»,¨ , dolphins and cats , ¨,»\^@&¶##
¶¶¶&@^\»,¨ bring us ¨,»\^@&¶¶¶
¶&&@^\»¨¨¨ ¨ fairies and bees ¨ ¨¨¨»\^@&&¶
##¶&@^\»,¨ ¨,»\^@&¶##
¶&^»»¨¨¨¨¨ our boat is afloat ¨¨¨¨¨»»^&¶
¶&@\»»»,,¨ on a surface of lilies ¨,,»»»\@&¶
¶¶¶&@^\»,¨ , dolphins and cats , ¨,»\^@&¶¶¶
##¶&@^\»,¨ drag us down ¨,»\^@&¶##
##¶&@^\»,¨ ¨»^ underneath ^»¨ ¨,»\^@&¶##
¶@\»,¨¨¨¨¨ ¨¨¨¨¨,»\@¶
##¶&@^\»,¨ ^^@@^^@@^^@@^^@@^^@&&@^^@@^^@@^^@@^^@@^^ ¨,»\^@&¶##
##¶&@^\»,¨ ¨,»\^@&¶##
&&^^»»¨¨¨¨ side a is foresty, and side b might ¨¨¨¨»»^^&&
##¶&@^\»,¨ be lizardy. but the last song is full ¨,»\^@&¶##
##¶&@^\»,¨ of space. ¨,»\^@&¶##
##¶&@^\»,¨ ¨,»\^@&¶##
##¶&@^\»,¨ ¨,»\^@&¶##
¶¶&@@^\»,¨ ¨,»\^@@&¶¶
&&^^^»»¨¨¨ ¨¨¨»»^^^&&
&^\»¨¨¨¨¨¨ ¨¨¨¨¨¨»\^&