...¤¤..¤.¤ .¤¤...¤..¤
¤..¤.¤.¤¤¤ .¤.¤..¤¤.¤
.¤.¤¤¤¤¤.. ¤¤¤¤¤.¤.¤¤
¤¤¤¤....¤. .....¤¤¤¤.
¤...¤...¤¤ ¤....¤...¤
.¤..¤¤..¤. L U S H .¤...¤¤..¤
¤¤¤.¤.¤.¤¤ A R P E G G I O ¤¤¤..¤.¤.¤
...¤¤¤¤¤¤. . . . . . . . . . . ¤..¤.¤¤¤¤¤
¤..¤.....¤ .¤.¤¤¤....
¤¤.¤¤....¤ WHAT ARE THESE THINGS IF NOT BIRDSONG? ¤¤¤¤..¤...
¤.¤¤.¤...¤ BLACKBIRD + NOISE CASCADE. ¤...¤.¤¤..
¤¤¤.¤¤¤..¤ .¤..¤¤¤.¤.
¤..¤¤..¤.¤ THE COMMODORE SOUND MAYBE. DIRTY, ¤¤¤.¤..¤¤¤
.¤.¤.¤.¤¤¤ MIRRORING, DISTORTED FLUTE, ¤..¤¤¤.¤..
.¤¤¤¤¤¤¤.. .¤.¤..¤¤¤.
.¤......¤. . . . . . .. ¤¤¤¤¤.¤..¤
¤¤¤.....¤¤ ¤....¤¤¤.¤
...¤....¤. DDRREEAAMMYY SSLLIIDDEESS ¤¤...¤..¤¤
¤..¤¤...¤¤ ..¤..¤¤.¤.
¤¤.¤.¤..¤. MIRAGES IN SOUND. ARPEGGIOS, CHORDS ..¤¤.¤.¤¤¤
..¤¤¤¤¤.¤¤ MULTIPLEXED IN THE TIME DOMAIN, ..¤.¤¤¤¤..
..¤....¤¤. ..¤¤¤...¤.
..¤¤...¤.¤ REFACTORED, REFRACTORED, REMADE ¤.¤..¤..¤¤
¤.¤.¤..¤¤¤ - - . . . .¤¤¤.¤¤.¤.
¤¤¤¤¤¤.¤.. ; ; ; ; = ; ¤¤..¤¤.¤¤¤
......¤¤¤. $ = $ = $ $ $ $ = ¤.¤.¤.¤¤..
......¤..¤ # # # # # ¤¤¤¤¤¤¤.¤.
......¤¤.¤ ¤......¤¤¤
¤.....¤.¤¤ .¤.....¤..
¤¤....¤¤¤. .¤¤....¤¤.
¤.¤...¤..¤ ¤¤.¤...¤.¤
.¤¤¤..¤¤.¤ ¤.¤¤¤..¤¤¤
¤¤..¤.¤.¤¤ ¤¤¤..¤.¤..