¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶# #\~~~~~~~                      ~~~~~~~\# #¶#*$\~,¨¨
¨,~\$*#¶## #                                      # ##¶#*$\~,¨
¨¨,~\$*#¶# # list  of strategic and/or  magically # #¶#*$\~,¨¨
¨,~\$*#¶## #    important   musical    devices    # ##¶#*$\~,¨
¨¨,~\$*#¶# #                                      # #¶#*$\~,¨¨
¨,~\$*#¶## #\~~~~~~~                      ~~~~~~~\# ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶# ¨¨¨¨¨¨ in  sanctioned  posession  ¨¨¨¨¨¨ #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶# [question box   eurorack]    [volca keys #¶#*$\~,¨¨
¨,~\$*#¶## pocket                           meower] ##¶#*$\~,¨
¨¨,~\$*#¶# [handysound hs twohundred        weather #¶#*$\~,¨¨
¨,~\$*#¶## maker]   [lyra eight   hypnotic   visor] ##¶#*$\~,¨
¨¨,~\$*#¶# [tcm twenty   journaller]  [tcm onefifty #¶#*$\~,¨¨
¨,~\$*#¶## journaller]  [dmg one  folk  instrument] ##¶#*$\~,¨
¨¨,~\$*#¶# [x fifteen                 input/output] #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶## ¨¨¨¨¨¨  recommended  yet  dropped ¨¨¨¨¨¨ ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶## [tr oh eight    anchor]     [dr oneforty ##¶#*$\~,¨
¨¨,~\$*#¶# digital                      journaller] #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶## ¨¨¨¨¨¨  unermarkable.  flairless  ¨¨¨¨¨¨ ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶## [po twelve     limited]      [stylophone ##¶#*$\~,¨
¨¨,~\$*#¶# limited]       [po sixteen      strange] #¶#*$\~,¨¨
¨,~\$*#¶## [hme sixtysix                    common] ##¶#*$\~,¨
¨¨,~\$*#¶# [wm exoneseventytwo   common]  [wm exten #¶#*$\~,¨¨
¨,~\$*#¶## common]      [beatstep pro       opaque] ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶# ¨¨¨¨¨¨   dark   shoutout    to:   ¨¨¨¨¨¨ #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶# [volca fm      difficult]     [otamatone #¶#*$\~,¨¨
¨,~\$*#¶## absolutely wonderful  little  annoyance] ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶# ¨¨¨¨¨¨          beguiling         ¨¨¨¨¨¨ #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶# [tb o three   for   acids]   [ge fastrac #¶#*$\~,¨¨
¨,~\$*#¶## pitch+speed]    [teac     open cassette, ##¶#*$\~,¨
¨¨,~\$*#¶# dubious]   [volca modular  solid  dream] #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨
¨¨,~\$*#¶#                                          #¶#*$\~,¨¨
¨,~\$*#¶##                                          ##¶#*$\~,¨