...@@@@... @@@.@@.@@@
@..@...@.. @..@@.@@..
@@.@@..@@. @@.@.@@.@.
@.@@.@.@.@ ..@@@@.@@@
.@@.@@@@@@ ..@...@@..
.@.@@..... ~~\\~~ ..@@..@.@.
.@@@.@.... ... SLEEP ... ..@.@.@@@@
@@..@@@... ,,~~,, @.@@@@@...
@.@.@..@.. @@@....@..
@@@@@@.@@. SLEEP IS THE MOST IMPORTANT MEAL OF THE @..@...@@.
@.....@@.@ DAY. SLEEP IS SAYING GOODBYE FOR A .@.@@..@.@
.@....@.@@ WHILE. IF YOU CAN DREAM, YOU ALSO GET .@@@.@.@@@
@@@...@@@. TO VISIT FRIENDS AND OTHER ANIMALS. .@..@@@@..
@..@..@..@ @@@.@...@.
@@.@@.@@.@ ..,,.. ...@@@..@@
..@@.@@.@@ ...@..@.@.
..@.@@.@@. DEEPER THAN DEATH IS TO BE ALIVE AND @..@@.@@@@
@.@@@.@@.@ ASLEEP. IT IS DEATH IF IT WAS TEMPORARY @@.@.@@...
@@@..@@.@@ AND REJUVENATING. ..@@@@.@..
@..@.@.@@. ..@...@@@.
@@.@@@@@.@ ..,,.. ..@@..@..@
..@@....@@ @.@.@.@@.@
@.@.@...@. SLEEP IS A BLACK MARBLE OUTSIDE OF @@@@@@@.@@
.@@@@@..@@ WHICH THERE IS NOTHING. INSIDE IS ALL .......@@.
.@....@.@. THE STARS AND IN THE MIDDLE A .......@.@
@@@...@@@@ BLACK LAKE. AT THE FOOT OF THIS LAKE @......@@@
...@..@... STANDS AN OLD FRIEND. .@.....@..
...@@.@@.. .@@....@@.
...@.@@.@. ..,,.. .@.@...@.@
@..@@@.@@@ .@@@@..@@@
.@.@..@@.. WHEN YOU SLEEP ALL SOUND IS INTERNAL. .@...@.@..
.@@@@.@.@. WHEN YOU SLEEP YOUR BRAIN SHRINKS. @@@..@@@@.
.@...@@@@@ @..@.@...@
@@@..@.... ..,,.. @@.@@@@..@
...@.@@... ..@@...@.@
@..@@@.@.. IF YOU WISH TO MEASURE SLEEP, USE THESE @.@.@..@@@
.@.@..@@@. FOUR QUANTIFIERS:: GRIP, DEEPNESS, .@@@@@.@..
.@@@@.@..@ OTHERWORLDINESS AND REVITALIZATION. @@....@@@.
.@...@@@.@ ..@...@..@
@@@..@..@@ GRIP GOES FROM NOT BEING ABLE TO LET GO ..@@..@@.@
...@.@@.@. ALL DAY (LEFT) TO NOT CARING TO @.@.@.@.@@
@..@@@.@@@ REMEMBER (RIGHT). @@@@@@@@@.
@@.@..@@.. .........@
..@@@.@.@. DEEPNESS GOES FROM BEING SEVERAL .........@
@.@..@@@@@ HUNDRED METERS DOWN (LEFT) TO BARELY .........@
.@@@.@.... TOUCHING THE SURFACE (RIGHT). .........@
@@..@@@... .........@
..@.@..@.. OTHERWORLDLINESS GOES FROM A SINGLE .........@
@.@@@@.@@. COHERENT DREAMSCAPE (LEFT), VIA NORMAL .........@
.@@...@@.@ DREAM AMOUNTS (MIDDLE) TO NO DREAMS @........@
@@.@..@.@@ (RIGHT). .@.......@
..@@@.@@@. @@@......@
@.@..@@..@ REVITALIZATION GOES FROM A FEELING OF @..@.....@
.@@@.@.@.@ NOT HAVING SLEPT AT ALL (LEFT) TO BEING @@.@@....@
@@..@@@@@@ FULL OF ENERGY AND MAYBE OPTIMISM @.@@.@...@
..@.@..... (RIGHT). .@@.@@@..@
@.@@@@.... @@.@@..@.@
.@@...@... ,, ..@@.@.@@@
@@.@..@@.. ..@.@@@@..
@.@@@.@.@. HIGH OTHERWORLDLINESS AND HIGH GRIP IS ..@@@...@.
@@@..@@@@@ A PARTICULARLY EFFECTIVE COMBO. ..@..@..@@
...@.@.... @.@@.@@.@.
...@@@@... ~~\\~~ @@@.@@.@@@
@..@...@.. ... SEE ALSO ... @..@@.@@..
@@.@@..@@. ,,~~,, @@.@.@@.@.
@.@@.@.@.@ ..@@@@.@@@
.@@.@@@@@@ SLEEP DEITIES ..@...@@..
.@.@@..... THE BLACKBIRD ..@@..@.@.
.@@@.@.... SOLIPSISM ..@.@.@@@@
@@..@@@... @.@@@@@...
@.@.@..@.. ~~\\~~ @@@....@..
@@@@@@.@@. ... FURTHERMORE ... @..@...@@.
@.....@@.@ ,,~~,, .@.@@..@.@
.@....@.@@ .@@@.@.@@@
@@@...@@@. THIS IS STILL A PLACE: HERE, IN THE .@..@@@@..
@..@..@..@ SILENCE, DARKNESS AND NIGHT - AND @@@.@...@.
@@.@@.@@.@ LONELINESS, HOLDING A KIND OF DILUTION ...@@@..@@
..@@.@@.@@ OF REALITY, AND SUDDENLY IT'S NOT ...@..@.@.
..@.@@.@@. IMPORTANT THAT I LIE IN MY BED, THE @..@@.@@@@
@.@@@.@@.@ LACK OF PRESENCE BRINGS THE NOTION @@.@.@@...
@@@..@@.@@ THAT, IF I DO NOT CHOOSE SLEEP, I ..@@@@.@..
@..@.@.@@. CHOOSE PAST, FUTURE, SOMETHING WITH ..@...@@@.
@@.@@@@@.@ MORE SUBSTANCE THAN THE OBJECTS I ..@@..@..@
..@@....@@ SURROUND MYSELF WITH. @.@.@.@@.@
@.@.@...@. @@@@@@@.@@
.@@@@@..@@ .......@@.
.@....@.@. .......@.@
@@@...@@@@ @......@@@
...@..@... .@.....@..
...@@.@@.. .@@....@@.