,:~\%§&@## ##@&§%\~:,
,,,,,~~\§& &§\~~,,,,,
,:~\%%§§&@ @&§§%%\~:,
,,,~~~\%§@ @§%\~~~,,,
,:~\%§&@## ##@&§%\~:,
,,,:\%%%§@ #### ##### @§%%%\:,,,
,,,~~%%%%& TAPE DREAM &%%%%~~,,,
,:~\%§&&@@ #### ##### @@&&§%\~:,
,:~\%§&@## ##@&§%\~:,
,:~\%§&@## FOR STORING MUSIC ON. ALSO DATA BUT ##@&§%\~:,
,:~\%§&@## AT THIS POINT IN TIME THAT'S NOT ##@&§%\~:,
,:~\%§@### REALLY IMPORTANT I THINK. ###@§%\~:,
,:~\%§&@## ##@&§%\~:,
,,,,~~\§§@ @§§\~~,,,,
,,::~\§§@@ \\\\\\\\ TYPES OF TAPE \\\\\\\\ @@§§\~::,,
,:~\%§&@## ##@&§%\~:,
,:~\%%%§@@ CLASS I - "BAD" IRON @@§%%%\~:,
,:~\%§&@## CLASS II - GOOD CHROMIUM ##@&§%\~:,
,,,,,~~~%& CLASS III - BAD IRON PART TWO &%~~~,,,,,
,:~\%%%&@# CLASS IV - DANGEROUS METALS #@&%%%\~:,
,,,~\\\%%& &%%\\\~,,,
,:~\%§§§&# RUMORS EXIST ABOUT A SECRET CLASS V TAPE #&§§§%\~:,
,:~\%§&@## THAT IS ACTUALLY USEFUL. ##@&§%\~:,
,,,,:~\%&# #&%\~:,,,,
,,,,:~\%§@ \\ BIAS \\ @§%\~:,,,,
,:~\%§&@## ##@&§%\~:,
,:~\%%%%§@ CLASS I USES ONE HUNDRED AND TWENTY @§%%%%\~:,
,:~\%§&@## MICRO-SOMETHING WHILE THE OTHERS ALL ##@&§%\~:,
,:~\%§@### USE SEVENTY OF THE SAME UNIT. ###@§%\~:,
,:~\%§&@@# #@@&§%\~:,
,:~\%§&@## ##@&§%\~:,
,,,~~~%&&# %%%%%%%%% AHA AND %%%%%%%%% #&&%~~~,,,
,,,,:\§&&# #&&§\:,,,,
,:~\%§&@## CLASS IV IS APPARENTLY TOO STRONG TO ##@&§%\~:,
,:~\%§&@## BE USED ON CLASS I PLAYERS. IT WILL ##@&§%\~:,
,:~\%§&@## SOUND TOO LOUND AND IT CANNOT BE ##@&§%\~:,
,,,,:~~%§@ COMPLETELY ERASED. THIS IS VERY WELL. @§%~~:,,,,
,,,,,~\§§& MAYBE SOME WONDERFUL BLENDING EFFECTS &§§\~,,,,,
,:~\%§&@@# COULD BE ACHIEVED? #@@&§%\~:,
,:~\%§&@@# #@@&§%\~:,
,:~\%§&@## THEY ALSO GNAW AT THE TAPE HEADS A BIT ##@&§%\~:,
,,,,,~\§§@ BETTER THAN EARLIER TAPE TYPES. @§§\~,,,,,
,,,,,~\§&& &&§\~,,,,,
,:~\%§&@## ##@&§%\~:,
,,:~~\\\§@ \\\\\\\\ ARTIFACTS \\\\\\\\ @§\\\~~:,,
,,,,,,,~%& &%~,,,,,,,
,:~~~~\%&& GOOD TAPES ARE DECENT AND HAVE A GOOD &&%\~~~~:,
,,::\\\%§& HIGH FREQUENCY PRESENCE, BAD TAPES ARE &§%\\\::,,
,,,,,:\\§& LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA &§\\:,,,,,
,,,:\%§§@@ LIKE IT. @@§§%\:,,,
,:~\%§&@## ##@&§%\~:,
,:~\%%%%%& BIAS LOSS: IF YOU FORGET THE BIAS WHO &%%%%%\~:,
,,,,,,~%&# KNOWS WHATS EVEN ON THERE ANYMORE #&%~,,,,,,
,,:~~%%§§@ @§§%%~~:,,
,:~\%§&@## FLUTTER: KINDA QUICK PITCH VARIATIONS. ##@&§%\~:,
,:~\%§&@## BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ##@&§%\~:,
,,,,:~~%§@ @§%~~:,,,,
,:~\%§&### WOW: A SLOWER FLUTTER, USUALLY SEVERAL ###&§%\~:,
,:~\%§&@## SECONDS LONG. WHAT UP. BOTH OF THESE ##@&§%\~:,
,,,,:\§§&# INCREASE WHEN TAPE SPEED DECREASES. #&§§\:,,,,
,:~\%§&@## ##@&§%\~:,
,:~\%§§§@# PRINT THROUGH: TAPES RUB SOUND ON EACH #@§§§%\~:,
,:~\%§&@## OTHER IF THEYRE ALONE FOR TOO LONG ##@&§%\~:,
,:~\%§§§&& &&§§§%\~:,
,:~\%§&@@@ @@@&§%\~:,
,:~\%§§§&@ @&§§§%\~:,
,:~\%%§§@# #@§§%%\~:,
,:~\%§&&@# #@&&§%\~:,
,:~\%§&### ###&§%\~:,