..^~/%%£@# #@£%%/~^..
.^~/%%£@## ##@£%%/~^.
..^~/%%£@# #@£%%/~^..
...^~/%%£@ @£%%/~^...
....^~/%%£ £%%/~^....
.....^~/%% ........................................ %%/~^.....
......^~/% ~~~~^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^~~~~ %/~^......
.......^~/ %%%%%%%//////////////////////////%%%%%%% /~^.......
........^~ ####@@@@@@£%%/~^. CAVE .^~/%%£@@@@@@#### ~^........
.........^ #######@£%%/~^. GEOMETRY .^~/%%£@####### ^.........
.......... ############ ############ ..........
.......... ######% %###### ..........
.......... # THE NAME IS A LITTLE MIS- # ..........
.........^ ~ GIVING, BECAUSE OF COURSE THERE IS ~ ^.........
........^~ NO REAL GEOMETRY IN THE CAVES. YOU MAY ~^........
.......^~/ FEEL AS IF YOU ARE VENTURING INTO SOME /~^.......
......^~/% VAST STRUCTURE, BUT YOU ARE IN FACT %/~^......
.....^~/%% LEAVING ANY SUCH THING AT THE ENTRANCE. %%/~^.....
....^~/%%£ £%%/~^....
...^~/%%£@ LEAVING PHYSICAL TETHERS BEHIND, @£%%/~^...
..^~/%%£@# SUBMITTING TO AN INESCAPABLE DARKNESS, #@£%%/~^..
.^~/%%£@## THE WORLD AROUND YOU BECOMES MORE OF A ##@£%%/~^.
..^~/%%£@# MANIFESTATION OF YOUR MIND, OR A #@£%%/~^..
...^~/%%£@ COLLECTIVE MIND, WITH A SHAPE AND A @£%%/~^...
....^~/%%£ DIRECTION AND A TASTE. £%%/~^....
.....^~/%% %%/~^.....
......^~/% INESCAPEABLE DARKNESS, BECAUSE IF YOU %/~^......
.......^~/ BRING A CANDLE OR MOUNT ELECTRICAL /~^.......
........^~ LIGHTS, THE WALLS ONLY SERVES AS ~^........
.........^ MARKERS TO WHERE THE TINY SPATIAL ^.........
.......... EXISTENCE ENDS AND THE DARKNESS BENEATH ..........
.......... IT BEGINS. ..........
.......... ..........
.........^ LIKE AN INVERTED MANDELBROT, THE REAL ^.........
........^~ CAVE IS ACTUALLY NOT THE POCKETS, BUT ~^........
.......^~/ THE BLACK AROUND THEM. KEEP THAT IN /~^.......
......^~/% MIND. %/~^......
.....^~/%% %%/~^.....
....^~/%%£ ....^^^~~%#%~~^^^... £%%/~^....
...^~/%%£@ @£%%/~^...
..^~/%%£@# THE MOISTURE THAT PERMEATES ANY CAVE #@£%%/~^..
.^~/%%£@## WORTH IT'S NAME... IT'S THE WATER THE ##@£%%/~^.
..^~/%%£@# WORLD ROSE FROM. IT'S THE WATER YOU #@£%%/~^..
...^~/%%£@ DROWN IN, IN YOUR DREAMS. @£%%/~^...
....^~/%%£ £%%/~^....
.....^~/%% THE ONLY SOUNDS IN THE CAVE ARE THOSE %%/~^.....
......^~/% THAT YOU MAKE YOURSELVES. THEY MAY BE %/~^......
.......^~/ DISTORTED BY THE STONE STRUCTURE, AND /~^.......
........^~ AMPLIFIED BY YOUR MIND. TRY NOT TO BE ~^........
.........^ ALARMED, TRY TO REMEMBER THE PERSONS ^.........
.......... AND OBJECTS AROUND YOU, AND YOU CAN ..........
.......... DISCERN A MIRAGE FROM A FRIEND. ..........
.......... ..........
.........^ . . . ^.........
........^~ % ^ % % % ^ %^ ~^........
.......^~/ % /~^.......
......^~/% # / # ~ . @ #. @ ~ #@ # @ %/~^......
.....^~/%% @ /%@%%@% ~~^ ~/%@/%@%/ £@/£%@% @@% ~%@ %%/~^.....
....^~/%%£ ##@£@####@£## %£@#@%###%@####@# ###@#### £%%/~^....
...^~/%%£@ ###########@#@######@#@#@##@###@##@###@# @£%%/~^...
..^~/%%£@# ###################@@ @@@############## #@£%%/~^..
.^~/%%£@## #### ######@@ % % ^@########## ##@£%%/~^.
..^~/%%£@# ## @# % . ###@ @## #@£%%/~^..
...^~/%%£@ #@ # ## ## @£%%/~^...
....^~/%%£ # # # # £%%/~^....
.....^~/%% @ @ # # %%/~^.....
......^~/% @ ^ @ # %/~^......
.......^~/ @ / @ /~^.......
........^~ . @ ~^........
.........^ ^.........
.......... ~ ..........
.......... ..........
.......... ..........
.........^ ^.........
........^~ ~^........
.......^~/ /~^.......
......^~/% %/~^......