@,,,@@,,,@                                          ,@,,,@,,@,
,@,,@@@,,@                                          ,,@,,,@,,,
,,@,@,@@,@                                          ,,,@,,,@,,
,,,,,,@@,@                                          ,,,,@,,,@,
,,,,,,@@,@                                          @,,,,@,,,@
@,,,,,@@,@                                          ,@,,,,@,,,
,@,,,,@@,@                ,,&@#@&,,                 ,,@,,,,@,,
,,@,,,@@,@       ,, Pittsburgh Electronics ,,       @,,@,,,,@,
,,,@,,@@,,              -- Lifeforms --             ,@,,@,,,,@
@,,,@,@@@,               ^^ Sv One ^^               ,,@,,@,,,,
,@,,,,@,@@                                          ,,,@,,@,,,
,,@,,,,,@@ This Is  A Eurorack  Module But I Bought @,,,@,,@,,
,,,@,,,,@, The  Blackbox  One  So  It'S  Also  Not. @@,,,@,,@,
,,,,@,,,,,                                          @@@,,,@,,@
@,,,,@,,,, It  Ships With  Too  Few  Patch  Cables. @,@@,,,@,,
,@,,,,@,,,                                          ,,@@@,,,@,
,,@,,,,@,,             ,*@ Contains @*,             ,,@,@@,,,@
@,,@,,,,@,           Midi To Cv Converter           ,,,,@@@,,,
,@,,@,,,,@                Two Vco'S                 ,,,,@,@@,,
,,@,,@,,,, Four Channel Or Two X Two  Channel Mixer @,,,,,@@@,
,,,@,,@,,,       Two Sub Oscillators I Think        @@,,,,@,@@
@,,,@,,@,,         Two One To Two Splitters         ,@@,,,,,@@
@@,,,@,,@,           White Noise Generator          ,@@@,,,,@,
@@@,,,@,,@             Sample And Hold              ,@,@@,,,,,
@,@@,,,@,,          Lfo Plus A Digital Lfo          ,,,@@@,,,,
,,@@@,,,@,   Filter (Lowpass, Bandpass, Highpass)   ,,,@,@@,,,
,,@,@@,,,@              Adsr Envelope               @,,,,@@@,,
,,,,@@@,,,                 One Vca                  @@,,,@,@@,
,,,,@,@@,,              Headphone Amp               @@@,,,,@@@
@,,,,,@@@,         Fourty Nine Patchpoints!         @,@@,,,@,@
@@,,,,@,@@                                          ,,@@@,,,,@
,@@,,,,,@@                  ,,@#@,,                 ,,@,@@,,,@
,@@@,,,,@,           -** So What Now **-            ,,,,@@@,,,
,@,@@,,,,,                 ,,@#@,,                  ,,,,@,@@,,
,,,@@@,,,,                                          ,,,,,,@@@,
,,,@,@@,,, Clock  Io  Goes To  Asdr In  I Think And @,,,,,@,@@
@,,,,@@@,, Maybe Also To  The Sample And  Hold. Put @@,,,,,,@@
@@,,,@,@@, Subbase  And Noise In Channel  Three And ,@@,,,,,@,
@@@,,,,@@@ Four.  Oscillator  One  Saw  To  Channel ,@@@,,,,,,
@,@@,,,@,@ Two, And  Oscillator Two Saw To  Channel ,@,@@,,,,,
,,@@@,,,,@ One.   Sample  And  Hold   Out   To  The ,,,@@@,,,,
,,@,@@,,,@   Filter... Maybe... Resonance At Half.  @,,@,@@,,,
,,,,@@@,,, Some Frequency In The  First  Oscillator @@,,,@@@,,
,,,,@,@@,, And Then The Second Osc  Four  Semitones @@@,,@,@@,
,,,,,,@@@,                  Higher.                 @,@@,,,@@@
@,,,,,@,@@                                          ,,@@@,,@,@
@@,,,,,,@@                 ,-@@@-,                  ,,@,@@,,,@
,@@,,,,,@,          ^&& Desktop Synth &&^           @,,,@@@,,@
,@@@,,,,,,                 ,-@@@-,                  @@,,@,@@,,
,@,@@,,,,,                                          ,@@,,,@@@,
,,,@@@,,,,                                          ,@@@,,@,@@
@,,@,@@,,,                                          ,@,@@,,,@@
@@,,,@@@,,                                          ,,,@@@,,@,
@@@,,@,@@,                                          @,,@,@@,,,
@,@@,,,@@@                                          @@,,,@@@,,