,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,:                                          :,,,,,,,,,
,,,,,,,,:=                                          =:,,,,,,,,
,,,,,,,:=/                                          /=:,,,,,,,
,,,,,,:=/%                                          %/=:,,,,,,
,,,,,:=/%$                                          $%/=:,,,,,
,,,,:=/%$&                 ,,$###$,,                &$%/=:,,,,
,,,:=/%$&#       :: PITTSBURGH ELECTRONICS ::       #&$%/=:,,,
,,:=/%$&##             == LIFEFORMS ==              ##&$%/=:,,
,:=/%$&###               // SV ONE //               ###&$%/=:,
,,:=/%$&##                                          ##&$%/=:,,
,,,:=/%$&# THIS IS A  EURORACK MODULE BUT I  BOUGHT #&$%/=:,,,
,,,,:=/%$& THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. &$%/=:,,,,
,,,,,:=/%$                                          $%/=:,,,,,
,,,,,,:=/% IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. %/=:,,,,,,
,,,,,,,:=/                                          /=:,,,,,,,
,,,,,,,,:=             ,%£ CONTAINS £%,             =:,,,,,,,,
,,,,,,,,,:           MIDI TO CV CONVERTER           :,,,,,,,,,
,,,,,,,,,,                TWO VCO'S                 ,,,,,,,,,,
,,,,,,,,,, FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ,,,,,,,,,,
,,,,,,,,,,        TWO SUB OSCILLATORS I THINK       ,,,,,,,,,,
,,,,,,,,,:         TWO ONE TO TWO SPLITTERS         :,,,,,,,,,
,,,,,,,,:=          WHITE NOISE GENERATOR           =:,,,,,,,,
,,,,,,,:=/             SAMPLE AND HOLD              /=:,,,,,,,
,,,,,,:=/%          LFO PLUS A DIGITAL LFO          %/=:,,,,,,
,,,,,:=/%$   FILTER (LOWPASS, BANDPASS, HIGHPASS)   $%/=:,,,,,
,,,,:=/%$&              ADSR ENVELOPE               &$%/=:,,,,
,,,:=/%$&#                  ONE VCA                 #&$%/=:,,,
,,:=/%$&##               HEADPHONE AMP              ##&$%/=:,,
,:=/%$&###         FOURTY NINE PATCHPOINTS!         ###&$%/=:,
,,:=/%$&##                                          ##&$%/=:,,
,,,:=/%$&#                 ,:###:,                  #&$%/=:,,,
,,,,:=/%$&           =%% SO WHAT NOW %%=            &$%/=:,,,,
,,,,,:=/%$                 ,:###:,                  $%/=:,,,,,
,,,,,,:=/%                                          %/=:,,,,,,
,,,,,,,:=/ CLOCK  IO GOES  TO ASDR  IN  I THINK AND /=:,,,,,,,
,,,,,,,,:= MAYBE  ALSO  TO THE SAMPLE AND HOLD. PUT =:,,,,,,,,
,,,,,,,,,: SUBBASE AND  NOISE  IN CHANNEL THREE AND :,,,,,,,,,
,,,,,,,,,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,,,,,,,,,
,,,,,,,,,, TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL ,,,,,,,,,,
,,,,,,,,,, ONE.   SAMPLE   AND   HOLD  OUT  TO  THE ,,,,,,,,,,
,,,,,,,,,:  FILTER... MAYBE... RESONANCE AT HALF.   :,,,,,,,,,
,,,,,,,,:= SOME  FREQUENCY IN THE  FIRST OSCILLATOR =:,,,,,,,,
,,,,,,,:=/ AND THEN  THE  SECOND OSC FOUR SEMITONES /=:,,,,,,,
,,,,,,:=/%                 HIGHER.                  %/=:,,,,,,
,,,,,:=/%$                                          $%/=:,,,,,
,,,,:=/%$&                  :=&£&=:                 &$%/=:,,,,
,,,:=/%$&#           /$$ DESKTOP SYNTH $$/          #&$%/=:,,,
,,:=/%$&##                  :=&£&=:                 ##&$%/=:,,
,:=/%$&###                                          ###&$%/=:,
,,:=/%$&##                                          ##&$%/=:,,
,,,:=/%$&#                                          #&$%/=:,,,
,,,,:=/%$&                                          &$%/=:,,,,
,,,,,:=/%$                                          $%/=:,,,,,
,,,,,,:=/%                                          %/=:,,,,,,