##@§*%=~:¨                                          ¨:~=%*§@##
§§%~:¨¨¨¨¨                                          ¨¨¨¨¨:~%§§
#§§§*%=~:¨                                          ¨:~=%*§§§#
#@@§*%=~:¨                                          ¨:~=%*§@@#
##@§*%=~:¨                                          ¨:~=%*§@##
##@§*%=~:¨                                          ¨:~=%*§@##
#@@§*%=~:¨                 ¨¨*###*¨¨                ¨:~=%*§@@#
@§***%=~:¨       :: PITTSBURGH ELECTRONICS ::       ¨:~=%***§@
###§*%=~:¨             ~~ LIFEFORMS ~~              ¨:~=%*§###
##@§*%=~:¨               == SV ONE ==               ¨:~=%*§@##
##@§*%=~:¨                                          ¨:~=%*§@##
##@§*%=~:¨ THIS IS A  EURORACK MODULE  BUT I BOUGHT ¨:~=%*§@##
§*===:¨¨¨¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨¨¨¨:===*§
##@§*%=~:¨                                          ¨:~=%*§@##
#§§%=:¨¨¨¨ IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ¨¨¨¨:=%§§#
@*%=~:¨¨¨¨                                          ¨¨¨¨:~=%*@
##@§*%=~:¨             ¨%@ CONTAINS @%¨             ¨:~=%*§@##
§%%%=:¨¨¨¨           MIDI TO CV CONVERTER           ¨¨¨¨:=%%%§
###@§*%=~:                 TWO VCO'S                :~=%*§@###
##@§*%=~:¨ FOUR CHANNEL OR TWO X TWO CHANNEL  MIXER ¨:~=%*§@##
@@**%~¨¨¨¨       TWO SUB OSCILLATORS I THINK        ¨¨¨¨~%**@@
§%%%=::¨¨¨         TWO ONE TO TWO SPLITTERS         ¨¨¨::=%%%§
§§*====~:¨           WHITE NOISE GENERATOR          ¨:~====*§§
##@§*%=~:¨             SAMPLE AND HOLD              ¨:~=%*§@##
@*%%===~:¨          LFO PLUS A DIGITAL LFO          ¨:~===%%*@
#@@§*%=~:¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨:~=%*§@@#
@§§*==:¨¨¨               ADSR ENVELOPE              ¨¨¨:==*§§@
@**%%~:¨¨¨                 ONE VCA                  ¨¨¨:~%%**@
##@§*%=~:¨               HEADPHONE AMP              ¨:~=%*§@##
@§§§*%=~:¨         FOURTY NINE PATCHPOINTS!         ¨:~=%*§§§@
##@§*%=~:¨                                          ¨:~=%*§@##
##@§*%=~:¨                  ¨:###:¨                 ¨:~=%*§@##
##@§*%=~:¨            ~%% SO WHAT NOW %%~           ¨:~=%*§@##
##@§*%=~:¨                  ¨:###:¨                 ¨:~=%*§@##
@@*%=~::¨¨                                          ¨¨::~=%*@@
###@§%=~:¨ CLOCK IO  GOES  TO  ASDR IN I  THINK AND ¨:~=%§@###
##@§*%=~:¨ MAYBE  ALSO TO  THE SAMPLE AND HOLD. PUT ¨:~=%*§@##
##@§*%=~:¨ SUBBASE  AND NOISE IN CHANNEL  THREE AND ¨:~=%*§@##
@§*%~¨¨¨¨¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨¨¨¨¨~%*§@
§**%===~:¨ TWO, AND OSCILLATOR  TWO SAW TO  CHANNEL ¨:~===%**§
##@§*%=~:¨ ONE.  SAMPLE  AND   HOLD  OUT   TO   THE ¨:~=%*§@##
#§%%%%=~:¨   FILTER... MAYBE... RESONANCE AT HALF.  ¨:~=%%%%§#
#@@§*%=~:¨ SOME FREQUENCY  IN THE  FIRST OSCILLATOR ¨:~=%*§@@#
###@§%=~:¨ AND THEN THE  SECOND OSC FOUR  SEMITONES ¨:~=%§@###
@**====~:¨                 HIGHER.                  ¨:~====**@
§§*=::¨¨¨¨                                          ¨¨¨¨::=*§§
#§**%~¨¨¨¨                  :~§@§~:                 ¨¨¨¨~%**§#
##@§*%=~:¨          =** DESKTOP SYNTH **=           ¨:~=%*§@##
###§*%=~:¨                 :~§@§~:                  ¨:~=%*§###
#§%~¨¨¨¨¨¨                                          ¨¨¨¨¨¨~%§#
##@§*%=~:¨                                          ¨:~=%*§@##
###@§*%=~:                                          :~=%*§@###
§§§%==::¨¨                                          ¨¨::==%§§§
###§*%=~:¨                                          ¨:~=%*§###
##@§*%=~:¨                                          ¨:~=%*§@##