¨£¨££¨¨£££                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                ¨¨¤###¤¨¨                 £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££       -- PITTSBURGH ELECTRONICS --       £¨£¨£¨£¨££
¨£¨££¨£¨¨£             ~~ LIFEFORMS ~~              £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££               // SV ONE //               £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££ THIS IS A  EURORACK MODULE BUT I  BOUGHT £¨£¨£¨£¨££
¨£¨££¨£¨¨£ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£ IT  SHIPS  WITH  TOO  FEW PATCH  CABLES. £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£             ¨†@ CONTAINS @†¨             £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££           MIDI TO CV CONVERTER           £¨£¨£¨£¨££
¨£¨££¨£¨¨£                TWO VCO'S                 £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££ FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER £¨£¨£¨£¨££
¨£¨££¨£¨¨£       TWO SUB OSCILLATORS I THINK        £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££         TWO ONE TO TWO SPLITTERS         £¨£¨£¨£¨££
¨£¨££¨£¨¨£           WHITE NOISE GENERATOR          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££             SAMPLE AND HOLD              £¨£¨£¨£¨££
¨£¨££¨£¨¨£          LFO PLUS A DIGITAL LFO          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££   FILTER (LOWPASS, BANDPASS, HIGHPASS)   £¨£¨£¨£¨££
¨£¨££¨£¨¨£               ADSR ENVELOPE              £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                  ONE VCA                 £¨£¨£¨£¨££
¨£¨££¨£¨¨£              HEADPHONE AMP               £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££         FOURTY NINE PATCHPOINTS!         £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                 ¨-###-¨                  £¨£¨£¨£¨££
¨£¨££¨£¨¨£            ~†† SO WHAT NOW ††~           £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                  ¨-###-¨                 £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££ CLOCK IO  GOES TO ASDR  IN I  THINK  AND £¨£¨£¨£¨££
¨£¨££¨£¨¨£ MAYBE ALSO TO THE  SAMPLE AND  HOLD. PUT £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££ SUBBASE AND NOISE  IN CHANNEL  THREE AND £¨£¨£¨£¨££
¨£¨££¨£¨¨£ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££ TWO, AND  OSCILLATOR TWO  SAW TO CHANNEL £¨£¨£¨£¨££
¨£¨££¨£¨¨£ ONE.   SAMPLE  AND   HOLD  OUT  TO   THE £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££  FILTER... MAYBE... RESONANCE AT HALF.   £¨£¨£¨£¨££
¨£¨££¨£¨¨£ SOME FREQUENCY  IN  THE FIRST OSCILLATOR £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££ AND THEN THE SECOND  OSC  FOUR SEMITONES £¨£¨£¨£¨££
¨£¨££¨£¨¨£                  HIGHER.                 £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                  -~£@£~-                 £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££           /¤¤ DESKTOP SYNTH ¤¤/          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                 -~£@£~-                  £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£
¨£¨¨£¨£¨££                                          £¨£¨£¨£¨££
¨£¨££¨£¨¨£                                          £¨£¨£¨£¨¨£