,,,,«=^§@@                                          @@§^=«,,,,
,,,«=^§@@#                                          #@@§^=«,,,
,,«=^§@@##                                          ##@@§^=«,,
,,,«=^§@@#                                          #@@§^=«,,,
,,,,«=^§@@                                          @@§^=«,,,,
,,,,,«=^§@                                          @§^=«,,,,,
,,,,«=^§@@                 ,,§###§,,                @@§^=«,,,,
,,,«=^§@@#       ,, pittsburgh electronics ,,       #@@§^=«,,,
,,«=^§@@##              «« lifeforms ««             ##@@§^=«,,
,,,«=^§@@#               == sv one ==               #@@§^=«,,,
,,,,«=^§@@                                          @@§^=«,,,,
,,,,,«=^§@ this  is a eurorack  module but i bought @§^=«,,,,,
,,,,«=^§@@ the  blackbox  one  so  it's  also  not. @@§^=«,,,,
,,,«=^§@@#                                          #@@§^=«,,,
,,«=^§@@## it  ships  with  too  few  patch cables. ##@@§^=«,,
,,,«=^§@@#                                          #@@§^=«,,,
,,,,«=^§@@             ,^@ contains @^,             @@§^=«,,,,
,,,,,«=^§@           midi to cv converter           @§^=«,,,,,
,,,,«=^§@@                two vco's                 @@§^=«,,,,
,,,«=^§@@# four channel or  two x two channel mixer #@@§^=«,,,
,,«=^§@@##       two sub oscillators i think        ##@@§^=«,,
,,,«=^§@@#         two one to two splitters         #@@§^=«,,,
,,,,«=^§@@          white noise generator           @@§^=«,,,,
,,,,,«=^§@             sample and hold              @§^=«,,,,,
,,,,«=^§@@          lfo plus a digital lfo          @@§^=«,,,,
,,,«=^§@@#   filter (lowpass, bandpass, highpass)   #@@§^=«,,,
,,«=^§@@##              adsr envelope               ##@@§^=«,,
,,,«=^§@@#                  one vca                 #@@§^=«,,,
,,,,«=^§@@              headphone amp               @@§^=«,,,,
,,,,,«=^§@         fourty nine patchpoints!         @§^=«,,,,,
,,,,«=^§@@                                          @@§^=«,,,,
,,,«=^§@@#                  ,,###,,                 #@@§^=«,,,
,,«=^§@@##            «^^ so what now ^^«           ##@@§^=«,,
,,,«=^§@@#                 ,,###,,                  #@@§^=«,,,
,,,,«=^§@@                                          @@§^=«,,,,
,,,,,«=^§@ clock  io goes to  asdr in  i think  and @§^=«,,,,,
,,,,«=^§@@ maybe also to the  sample and  hold. put @@§^=«,,,,
,,,«=^§@@# subbase and  noise  in channel three and #@@§^=«,,,
,,«=^§@@## four.  oscillator  one  saw  to  channel ##@@§^=«,,
,,,«=^§@@# two, and oscillator  two  saw to channel #@@§^=«,,,
,,,,«=^§@@ one.  sample  and   hold   out  to   the @@§^=«,,,,
,,,,,«=^§@   filter... maybe... resonance at half.  @§^=«,,,,,
,,,,«=^§@@ some frequency in  the first  oscillator @@§^=«,,,,
,,,«=^§@@# and then the  second osc  four semitones #@@§^=«,,,
,,«=^§@@##                 higher.                  ##@@§^=«,,
,,,«=^§@@#                                          #@@§^=«,,,
,,,,«=^§@@                 ,«@@@«,                  @@§^=«,,,,
,,,,,«=^§@          =§§ desktop synth §§=           @§^=«,,,,,
,,,,«=^§@@                  ,«@@@«,                 @@§^=«,,,,
,,,«=^§@@#                                          #@@§^=«,,,
,,«=^§@@##                                          ##@@§^=«,,
,,,«=^§@@#                                          #@@§^=«,,,
,,,,«=^§@@                                          @@§^=«,,,,
,,,,,«=^§@                                          @§^=«,,,,,
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