,&&,,&,&,,                                          ,&&,,,&&,&
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,,&,&&,&,,                                          &,&,,&,&,&
,&&,,&,&,,                 ,,%###%,,                &,&,&&,&,&
,,&,&&,&,&       ,, PITTSBURGH ELECTRONICS ,,       &,&,,&,&,&
,&&,,&,&,,              == LIFEFORMS ==             &,&,&&,&,&
,,&,&&,&,&               \\ SV ONE \\               &,&,,&,&,&
,&&,,&,&,,                                          &,&,&&,&,&
,,&,&&,&,& THIS IS  A  EURORACK MODULE BUT I BOUGHT &,&,,&,&,&
,&&,,&,&,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. &,&,&&,&,&
,,&,&&,&,&                                          &,&,,&,&,&
,&&,,&,&,, IT SHIPS  WITH  TOO  FEW  PATCH  CABLES. &,&,&&,&,&
,,&,&&,&,&                                          &,&,,&,&,&
,&&,,&,&,,             ,†¶ CONTAINS ¶†,             &,&,&&,&,&
,,&,&&,&,&           MIDI TO CV CONVERTER           &,&,,&,&,&
,&&,,&,&,,                 TWO VCO'S                &,&,&&,&,&
,,&,&&,&,& FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER &,&,,&,&,&
,&&,,&,&,,       TWO SUB OSCILLATORS I THINK        &,&,&&,&,&
,,&,&&,&,&         TWO ONE TO TWO SPLITTERS         &,&,,&,&,&
,&&,,&,&,,           WHITE NOISE GENERATOR          &,&,&&,&,&
,,&,&&,&,&              SAMPLE AND HOLD             &,&,,&,&,&
,&&,,&,&,,          LFO PLUS A DIGITAL LFO          &,&,&&,&,&
,,&,&&,&,&   FILTER (LOWPASS, BANDPASS, HIGHPASS)   &,&,,&,&,&
,&&,,&,&,,              ADSR ENVELOPE               &,&,&&,&,&
,,&,&&,&,&                  ONE VCA                 &,&,,&,&,&
,&&,,&,&,,              HEADPHONE AMP               &,&,&&,&,&
,,&,&&,&,&         FOURTY NINE PATCHPOINTS!         &,&,,&,&,&
,&&,,&,&,,                                          &,&,&&,&,&
,,&,&&,&,&                  ,,###,,                 &,&,,&,&,&
,&&,,&,&,,           =†† SO WHAT NOW ††=            &,&,&&,&,&
,,&,&&,&,&                 ,,###,,                  &,&,,&,&,&
,&&,,&,&,,                                          &,&,&&,&,&
,,&,&&,&,& CLOCK  IO GOES TO ASDR  IN I  THINK  AND &,&,,&,&,&
,&&,,&,&,, MAYBE ALSO  TO  THE SAMPLE AND HOLD. PUT &,&,&&,&,&
,,&,&&,&,& SUBBASE AND NOISE IN  CHANNEL THREE  AND &,&,,&,&,&
,&&,,&,&,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL &,&,&&,&,&
,,&,&&,&,& TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL &,&,,&,&,&
,&&,,&,&,, ONE.  SAMPLE  AND   HOLD   OUT   TO  THE &,&,&&,&,&
,,&,&&,&,&  FILTER... MAYBE... RESONANCE AT HALF.   &,&,,&,&,&
,&&,,&,&,, SOME  FREQUENCY IN THE  FIRST OSCILLATOR &,&,&&,&,&
,,&,&&,&,& AND  THEN  THE SECOND OSC FOUR SEMITONES &,&,,&,&,&
,&&,,&,&,,                 HIGHER.                  &,&,&&,&,&
,,&,&&,&,&                                          &,&,,&,&,&
,&&,,&,&,,                 ,=&¶&=,                  &,&,&&,&,&
,,&,&&,&,&           \%% DESKTOP SYNTH %%\          &,&,,&,&,&
,&&,,&,&,,                 ,=&¶&=,                  &,&,&&,&,&
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