,@,@@,,,,,                                          ,,,,,,,,@@
@@@@,@,,,,                                          ,,,,,,,,@,
@,,,@@@,,,                                          @,,,,,,,@@
,@,,@,,@,,                                          ,@,,,,,,@,
,@@,@@,@@,                                          @@@,,,,,@@
@@,@@,@@,@                                          ,,,@,,,,@,
@,@@,@@,@@                 ,,&###&,,                ,,,@@,,,@@
,@@,@@,@@,       ,, PITTSBURGH ELECTRONICS ,,       ,,,@,@,,@,
,@,@@,@@,@              ~~ LIFEFORMS ~~             ,,,@@@@,@@
@@@@,@@,@@               :: SV ONE ::               ,,,@,,,@@,
@,,,@@,@@,                                          ,,,@@,,@,@
,@,,@,@@,@ THIS  IS A EURORACK MODULE BUT  I BOUGHT ,,,@,@,@@@
@@@,@@@,@@ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. @,,@@@@@,,
@,,@@,,@@,                                          ,@,@,,,,@,
@@,@,@,@,@ IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. @@@@@,,,@@
,,@@@@@@@@                                          ,,,,,@,,@,
,,@,,,,,,,             ,*# CONTAINS #*,             @,,,,@@,@@
@,@@,,,,,,           MIDI TO CV CONVERTER           @@,,,@,@@,
@@@,@,,,,,                TWO VCO'S                 ,,@,,@@@,@
,,,@@@,,,, FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ,,@@,@,,@@
@,,@,,@,,,       TWO SUB OSCILLATORS I THINK        @,@,@@@,@,
@@,@@,@@,,         TWO ONE TO TWO SPLITTERS         @@@@@,,@@@
,,@@,@@,@,          WHITE NOISE GENERATOR           @,,,,@,@,,
,,@,@@,@@@              SAMPLE AND HOLD             @@,,,@@@@,
,,@@@,@@,,          LFO PLUS A DIGITAL LFO          ,,@,,@,,,@
@,@,,@@,@,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,@@,@@,,@
,@@@,@,@@@               ADSR ENVELOPE              ,,@,@@,@,@
@@,,@@@@,,                  ONE VCA                 @,@@@,@@@@
,,@,@,,,@,              HEADPHONE AMP               ,@@,,@@,,,
,,@@@@,,@@         FOURTY NINE PATCHPOINTS!         @@,@,@,@,,
,,@,,,@,@,                                          @,@@@@@@@,
,,@@,,@@@@                  ,,###,,                 @@@,,,,,,@
@,@,@,@,,,            ~** SO WHAT NOW **~           @,,@,,,,,@
,@@@@@@@,,                  ,,###,,                 @@,@@,,,,@
@@,,,,,,@,                                          ,,@@,@,,,@
,,@,,,,,@@ CLOCK  IO  GOES TO ASDR  IN I THINK  AND @,@,@@@,,@
@,@@,,,,@, MAYBE ALSO TO  THE SAMPLE AND HOLD.  PUT ,@@@@,,@,@
,@@,@,,,@@ SUBBASE  AND NOISE IN CHANNEL  THREE AND ,@,,,@,@@@
@@,@@@,,@, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,@@,,@@@,,
@,@@,,@,@@ TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL @@,@,@,,@,
@@@,@,@@@, ONE.   SAMPLE  AND   HOLD   OUT  TO  THE ,,@@@@@,@@
,,,@@@@,,@  FILTER... MAYBE... RESONANCE AT HALF.   @,@,,,,@@,
,,,@,,,@,@ SOME FREQUENCY  IN THE FIRST  OSCILLATOR @@@@,,,@,@
@,,@@,,@@@ AND THEN  THE  SECOND OSC FOUR SEMITONES ,,,,@,,@@@
,@,@,@,@,,                  HIGHER.                 @,,,@@,@,,
,@@@@@@@@,                                          ,@,,@,@@@,
,@,,,,,,,@                  ,~@#@~,                 @@@,@@@,,@
@@@,,,,,,@           :&& DESKTOP SYNTH &&:          ,,,@@,,@,@
,,,@,,,,,@                 ,~@#@~,                  @,,@,@,@@@
@,,@@,,,,@                                          ,@,@@@@@,,
@@,@,@,,,@                                          ,@@@,,,,@,
@,@@@@@,,@                                          ,@,,@,,,@@
,@@,,,,@,@                                          @@@,@@,,@,
,@,@,,,@@@                                          ,,,@@,@,@@
@@@@@,,@,,                                          @,,@,@@@@,