##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.                 ..¤###¤..                .^~†%¤#@##
#@#¤%†~^..       ^^ Pittsburgh Electronics ^^       ..^~†%¤#@#
##@#¤%†~^.              ~~ Lifeforms ~~             .^~†%¤#@##
#@#¤%†~^..               †† Sv One ††               ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^.. This Is  A Eurorack Module But  I Bought ..^~†%¤#@#
##@#¤%†~^. The  Blackbox  One  So  It'S  Also  Not. .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^. It  Ships With  Too  Few  Patch  Cables. .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.             .%@ Contains @%.             .^~†%¤#@##
#@#¤%†~^..           Midi To Cv Converter           ..^~†%¤#@#
##@#¤%†~^.                Two Vco'S                 .^~†%¤#@##
#@#¤%†~^.. Four Channel  Or Two X Two Channel Mixer ..^~†%¤#@#
##@#¤%†~^.        Two Sub Oscillators I Think       .^~†%¤#@##
#@#¤%†~^..         Two One To Two Splitters         ..^~†%¤#@#
##@#¤%†~^.          White Noise Generator           .^~†%¤#@##
#@#¤%†~^..              Sample And Hold             ..^~†%¤#@#
##@#¤%†~^.          Lfo Plus A Digital Lfo          .^~†%¤#@##
#@#¤%†~^..   Filter (Lowpass, Bandpass, Highpass)   ..^~†%¤#@#
##@#¤%†~^.               Adsr Envelope              .^~†%¤#@##
#@#¤%†~^..                  One Vca                 ..^~†%¤#@#
##@#¤%†~^.              Headphone Amp               .^~†%¤#@##
#@#¤%†~^..         Fourty Nine Patchpoints!         ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^..                 .^###^.                  ..^~†%¤#@#
##@#¤%†~^.            ~%% So What Now %%~           .^~†%¤#@##
#@#¤%†~^..                 .^###^.                  ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^.. Clock Io  Goes To Asdr  In I  Think  And ..^~†%¤#@#
##@#¤%†~^. Maybe  Also To The  Sample And Hold. Put .^~†%¤#@##
#@#¤%†~^.. Subbase  And Noise In Channel  Three And ..^~†%¤#@#
##@#¤%†~^. Four.  Oscillator  One  Saw  To  Channel .^~†%¤#@##
#@#¤%†~^.. Two, And Oscillator Two  Saw To  Channel ..^~†%¤#@#
##@#¤%†~^. One.  Sample  And   Hold  Out   To   The .^~†%¤#@##
#@#¤%†~^..  Filter... Maybe... Resonance At Half.   ..^~†%¤#@#
##@#¤%†~^. Some  Frequency In The  First Oscillator .^~†%¤#@##
#@#¤%†~^.. And Then  The  Second Osc Four Semitones ..^~†%¤#@#
##@#¤%†~^.                 Higher.                  .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.                  ^~#@#~^                 .^~†%¤#@##
#@#¤%†~^..           †¤¤ Desktop Synth ¤¤†          ..^~†%¤#@#
##@#¤%†~^.                 ^~#@#~^                  .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##
#@#¤%†~^..                                          ..^~†%¤#@#
##@#¤%†~^.                                          .^~†%¤#@##