##@&%§^=.¨                                          ¨.=^§%&@##
##@&%§^=.¨                                          ¨.=^§%&@##
@%^=¨¨¨¨¨¨                                          ¨¨¨¨¨¨=^%@
##@&%§^=.¨                                          ¨.=^§%&@##
##@&%§^=.¨                                          ¨.=^§%&@##
##@&%§^=.¨                                          ¨.=^§%&@##
##@&%§^=.¨                 ¨¨%###%¨¨                ¨.=^§%&@##
##@&%§^=.¨       .. PITTSBURGH ELECTRONICS ..       ¨.=^§%&@##
##@&%§^=.¨             == LIFEFORMS ==              ¨.=^§%&@##
###&%§^=.¨               ^^ SV ONE ^^               ¨.=^§%&###
###@&%^=.¨                                          ¨.=^%&@###
##@&%§^=.¨ THIS  IS A EURORACK MODULE BUT I  BOUGHT ¨.=^§%&@##
@&&§^^=..¨ THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ¨..=^^§&&@
##@&%§^=.¨                                          ¨.=^§%&@##
#&%%§§^=.¨ IT  SHIPS WITH  TOO  FEW  PATCH  CABLES. ¨.=^§§%%&#
#@%§=¨¨¨¨¨                                          ¨¨¨¨¨=§%@#
@&%%%§^=.¨             ¨§@ CONTAINS @§¨             ¨.=^§%%%&@
&§§^^=.¨¨¨           MIDI TO CV CONVERTER           ¨¨¨.=^^§§&
##@&%§^=.¨                TWO VCO'S                 ¨.=^§%&@##
@%§=.¨¨¨¨¨ FOUR CHANNEL OR TWO X TWO  CHANNEL MIXER ¨¨¨¨¨.=§%@
###@&%§=.¨       TWO SUB OSCILLATORS I THINK        ¨.=§%&@###
&%%%§§^=.¨         TWO ONE TO TWO SPLITTERS         ¨.=^§§%%%&
#@%^=....¨           WHITE NOISE GENERATOR          ¨....=^%@#
###@&§^=.¨             SAMPLE AND HOLD              ¨.=^§&@###
##@&%§^=.¨          LFO PLUS A DIGITAL LFO          ¨.=^§%&@##
#@&§§§^=.¨   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ¨.=^§§§&@#
##@&%§^=.¨               ADSR ENVELOPE              ¨.=^§%&@##
##@&%§^=.¨                  ONE VCA                 ¨.=^§%&@##
##@&%§^=.¨              HEADPHONE AMP               ¨.=^§%&@##
##@&%§^=.¨         FOURTY NINE PATCHPOINTS!         ¨.=^§%&@##
#&&&%§^=.¨                                          ¨.=^§%&&&#
##@&%§^=.¨                  ¨.###.¨                 ¨.=^§%&@##
##@&%§^=.¨            =§§ SO WHAT NOW §§=           ¨.=^§%&@##
##@&%§^=.¨                  ¨.###.¨                 ¨.=^§%&@##
###@%§^=.¨                                          ¨.=^§%@###
##@&%§^=.¨ CLOCK IO  GOES TO  ASDR IN  I THINK  AND ¨.=^§%&@##
&§^=.¨¨¨¨¨ MAYBE  ALSO TO THE SAMPLE AND  HOLD. PUT ¨¨¨¨¨.=^§&
#@@&%§^=.¨ SUBBASE AND NOISE  IN CHANNEL  THREE AND ¨.=^§%&@@#
@&§==.¨¨¨¨ FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ¨¨¨¨.==§&@
&§==¨¨¨¨¨¨ TWO, AND  OSCILLATOR  TWO SAW TO CHANNEL ¨¨¨¨¨¨==§&
##@&%§^=.¨ ONE.  SAMPLE   AND  HOLD   OUT   TO  THE ¨.=^§%&@##
@@@&%§^=.¨  FILTER... MAYBE... RESONANCE AT HALF.   ¨.=^§%&@@@
#@@&%§^=.¨ SOME FREQUENCY  IN THE  FIRST OSCILLATOR ¨.=^§%&@@#
##@&%§^=.¨ AND  THEN THE SECOND  OSC FOUR SEMITONES ¨.=^§%&@##
###@&%§=.¨                  HIGHER.                 ¨.=§%&@###
&%§^.¨¨¨¨¨                                          ¨¨¨¨¨.^§%&
##@&%§^=.¨                 .=&@&=.                  ¨.=^§%&@##
@&§=.¨¨¨¨¨          ^%% DESKTOP SYNTH %%^           ¨¨¨¨¨.=§&@
@%%%^^=.¨¨                  .=&@&=.                 ¨¨.=^^%%%@
&&&§§§^=.¨                                          ¨.=^§§§&&&
&&&§=¨¨¨¨¨                                          ¨¨¨¨¨=§&&&
##@&%§^=.¨                                          ¨.=^§%&@##
##@&%§^=.¨                                          ¨.=^§%&@##
@@@&%§^=.¨                                          ¨.=^§%&@@@
@@@&%§^=.¨                                          ¨.=^§%&@@@