...~~\\$##                                          ##$\\~~...
.~=\*$§§§#                                          #§§§$*\=~.
.....~=*§§                                          §§*=~.....
.~=\*$§###                                          ###§$*\=~.
.~=\*$§###                                          ###§$*\=~.
.~=\*$§###                                          ###§$*\=~.
.~~=\\**$§                ..$###$..                 §$**\\=~~.
.~=\*$§###       ~~ PITTSBURGH ELECTRONICS ~~       ###§$*\=~.
.~=\*$§###              == LIFEFORMS ==             ###§$*\=~.
.....==*§§               \\ SV ONE \\               §§*==.....
.~=\*$§§##                                          ##§§$*\=~.
.~=\*$§### THIS IS  A  EURORACK MODULE BUT I BOUGHT ###§$*\=~.
.~=\*$§### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ###§$*\=~.
....==*$##                                          ##$*==....
.~=\*$§### IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ###§$*\=~.
....~\$$##                                          ##$$\~....
.~=\*$§###             .*# CONTAINS #*.             ###§$*\=~.
...~=\\$$§           MIDI TO CV CONVERTER           §$$\\=~...
.~=\*$§###                TWO VCO'S                 ###§$*\=~.
.~=\\\$§§# FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER #§§$\\\=~.
.~=\***§§#        TWO SUB OSCILLATORS I THINK       #§§***\=~.
.~=\*$§###         TWO ONE TO TWO SPLITTERS         ###§$*\=~.
.....~\\*§           WHITE NOISE GENERATOR          §*\\~.....
.~=\*$§###              SAMPLE AND HOLD             ###§$*\=~.
.~=\*$§###          LFO PLUS A DIGITAL LFO          ###§$*\=~.
.~=\*$§§##   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ##§§$*\=~.
.~=\*$§###              ADSR ENVELOPE               ###§$*\=~.
...~===**§                  ONE VCA                 §**===~...
.~=\*$§###               HEADPHONE AMP              ###§$*\=~.
.~=\*$$$§#         FOURTY NINE PATCHPOINTS!         #§$$$*\=~.
.~=\*$§###                                          ###§$*\=~.
.~=\*$$§§§                  .~###~.                 §§§$$*\=~.
....~=*§§#           =** SO WHAT NOW **=            #§§*=~....
...~\\***§                  .~###~.                 §***\\~...
.~=\*$§###                                          ###§$*\=~.
....=\\$§§ CLOCK  IO  GOES  TO ASDR IN  I THINK AND §§$\\=....
.~=\*$$$$§ MAYBE  ALSO TO THE  SAMPLE AND HOLD. PUT §$$$$*\=~.
.~=\*$$§§§ SUBBASE  AND NOISE IN CHANNEL  THREE AND §§§$$*\=~.
...~=*$§§# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #§§$*=~...
.~=\*$$$## TWO,  AND  OSCILLATOR TWO SAW TO CHANNEL ##$$$*\=~.
....~~=*§§ ONE.   SAMPLE  AND  HOLD  OUT   TO   THE §§*=~~....
......=\$#  FILTER... MAYBE... RESONANCE AT HALF.   #$\=......
...~\*$§§# SOME FREQUENCY IN THE  FIRST  OSCILLATOR #§§$*\~...
.~=\*$§### AND THEN  THE SECOND OSC  FOUR SEMITONES ###§$*\=~.
.~=\*$§###                  HIGHER.                 ###§$*\=~.
.~=\\\$$$#                                          #$$$\\\=~.
..~~~=\$$§                  ~=§#§=~                 §$$\=~~~..
.~=\*$§###          \$$ DESKTOP SYNTH $$\           ###§$*\=~.
.~~==**$$§                 ~=§#§=~                  §$$**==~~.
.....==*$#                                          #$*==.....
.~=\*$§###                                          ###§$*\=~.
.~\*$§####                                          ####§$*\~.
.~=\*$§###                                          ###§$*\=~.
.~=\*$§###                                          ###§$*\=~.
...~=\\$$#                                          #$$\\=~...