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¨¨¨¨-†††§¤                                          ¤§†††-¨¨¨¨
¨-~†^§¤#@#                                          #@#¤§^†~-¨
¨-~†§¤#@##                ¨¨§@#@§¨¨                 ##@#¤§†~-¨
¨-~†^§#@##       -- PITTSBURGH ELECTRONICS --       ##@#§^†~-¨
¨-~†^§¤#@#              ~~ LIFEFORMS ~~             #@#¤§^†~-¨
¨-~†^§¤#@#               †† SV ONE ††               #@#¤§^†~-¨
¨¨¨-~~^§#@                                          @#§^~~-¨¨¨
¨¨¨¨-†§§¤@ THIS IS A EURORACK MODULE  BUT  I BOUGHT @¤§§†-¨¨¨¨
¨-~†^§¤#@# THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. #@#¤§^†~-¨
¨-~†^§¤#@#                                          #@#¤§^†~-¨
¨-~†^§¤#@# IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. #@#¤§^†~-¨
¨-~†^§¤#@#                                          #@#¤§^†~-¨
¨-~†^§¤#@@             ¨^# CONTAINS #^¨             @@#¤§^†~-¨
¨¨¨--†^¤¤@           MIDI TO CV CONVERTER           @¤¤^†--¨¨¨
¨¨¨--†§§#@                TWO VCO'S                 @#§§†--¨¨¨
-~†^§¤#@## FOUR CHANNEL OR TWO X  TWO CHANNEL MIXER ##@#¤§^†~-
¨¨¨--~^§¤#        TWO SUB OSCILLATORS I THINK       #¤§^~--¨¨¨
¨¨¨¨-†^^¤#         TWO ONE TO TWO SPLITTERS         #¤^^†-¨¨¨¨
¨-~†§¤#@##           WHITE NOISE GENERATOR          ##@#¤§†~-¨
¨-~†^§¤#@#              SAMPLE AND HOLD             #@#¤§^†~-¨
¨-~†^§§§¤¤          LFO PLUS A DIGITAL LFO          ¤¤§§§^†~-¨
¨-~†^§¤#@#   FILTER (LOWPASS, BANDPASS, HIGHPASS)   #@#¤§^†~-¨
¨¨¨~~†^^§#              ADSR ENVELOPE               #§^^†~~¨¨¨
¨-~†^§¤#@@                  ONE VCA                 @@#¤§^†~-¨
¨¨¨¨-~††§#              HEADPHONE AMP               #§††~-¨¨¨¨
¨-~†^§¤#@#         FOURTY NINE PATCHPOINTS!         #@#¤§^†~-¨
¨-~††^§¤¤@                                          @¤¤§^††~-¨
¨¨¨¨--††§¤                 ¨-@#@-¨                  ¤§††--¨¨¨¨
¨¨¨¨¨~^¤##           ~^^ SO WHAT NOW ^^~            ##¤^~¨¨¨¨¨
¨-~†^§¤#@#                 ¨-@#@-¨                  #@#¤§^†~-¨
¨-~†^§¤#@#                                          #@#¤§^†~-¨
¨¨¨-~~†§#@ CLOCK  IO GOES  TO ASDR IN  I THINK  AND @#§†~~-¨¨¨
¨¨¨¨¨¨~^¤@ MAYBE ALSO TO  THE SAMPLE AND  HOLD. PUT @¤^~¨¨¨¨¨¨
¨-~†^§#@## SUBBASE AND NOISE IN  CHANNEL  THREE AND ##@#§^†~-¨
¨¨¨¨¨-†^§# FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL #§^†-¨¨¨¨¨
¨-~†^^^^§¤ TWO, AND OSCILLATOR  TWO SAW TO  CHANNEL ¤§^^^^†~-¨
¨-~†^¤#@## ONE.   SAMPLE  AND   HOLD  OUT  TO   THE ##@#¤^†~-¨
¨¨¨¨¨-†§#@  FILTER... MAYBE... RESONANCE AT HALF.   @#§†-¨¨¨¨¨
¨-~†^§¤### SOME FREQUENCY  IN THE FIRST  OSCILLATOR ###¤§^†~-¨
¨¨¨-~~††§# AND THEN  THE SECOND OSC  FOUR SEMITONES #§††~~-¨¨¨
¨-~†^§¤#@#                 HIGHER.                  #@#¤§^†~-¨
¨-~†^§¤#@#                                          #@#¤§^†~-¨
¨-~†^§#@##                  -~¤#¤~-                 ##@#§^†~-¨
¨-~†^§¤#@@          †§§ DESKTOP SYNTH §§†           @@#¤§^†~-¨
¨-~†^^^^§¤                  -~¤#¤~-                 ¤§^^^^†~-¨
¨-~†^§¤#@#                                          #@#¤§^†~-¨
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¨-~†^§¤#@#                                          #@#¤§^†~-¨
¨-~†^§¤#@#                                          #@#¤§^†~-¨
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¨¨¨¨--†§§#                                          #§§†--¨¨¨¨