@@@@%*\~,,                                          ,,~\*%@@@@
#@@@%*\~,,                                          ,,~\*%@@@#
#@@@%*\~,,                                          ,,~\*%@@@#
@@@@%*\~,,                                          ,,~\*%@@@@
#@@@%*\~,,                                          ,,~\*%@@@#
@%**\\,,,,                                          ,,,,\\**%@
##@@%*\~,,                 ,,%@#@%,,                ,,~\*%@@##
##@@@*\~,,       ,, PITTSBURGH ELECTRONICS ,,       ,,~\*@@@##
@@**\\\~,,              ~~ LIFEFORMS ~~             ,,~\\\**@@
@@%\,,,,,,               \\ SV ONE \\               ,,,,,,\%@@
##@@@%*~,,                                          ,,~*%@@@##
#@@@%*\~,, THIS IS A EURORACK MODULE  BUT  I BOUGHT ,,~\*%@@@#
#@@@%*\~,, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,,~\*%@@@#
@@***~,,,,                                          ,,,,~***@@
#@@@%*\~,, IT  SHIPS  WITH  TOO FEW  PATCH  CABLES. ,,~\*%@@@#
#@@@%*\~,,                                          ,,~\*%@@@#
##@@%*\~,,             ,*@ CONTAINS @*,             ,,~\*%@@##
#@@@%*\~,,           MIDI TO CV CONVERTER           ,,~\*%@@@#
@@%***\~,,                TWO VCO'S                 ,,~\***%@@
@@@%\\~~,, FOUR CHANNEL OR  TWO X TWO CHANNEL MIXER ,,~~\\%@@@
##@@%*\~,,        TWO SUB OSCILLATORS I THINK       ,,~\*%@@##
@%\~~~~~,,         TWO ONE TO TWO SPLITTERS         ,,~~~~~\%@
#@@@%*\~,,          WHITE NOISE GENERATOR           ,,~\*%@@@#
#@@@%*\~,,             SAMPLE AND HOLD              ,,~\*%@@@#
@@@%%*\~,,          LFO PLUS A DIGITAL LFO          ,,~\*%%@@@
##@@%*\~,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,~\*%@@##
@@@%%*\~,,              ADSR ENVELOPE               ,,~\*%%@@@
##@@@*\~,,                 ONE VCA                  ,,~\*@@@##
@*\,,,,,,,               HEADPHONE AMP              ,,,,,,,\*@
@@@@%*\~,,         FOURTY NINE PATCHPOINTS!         ,,~\*%@@@@
@@@@%*\~,,                                          ,,~\*%@@@@
@@@@%*\~,,                  ,,@#@,,                 ,,~\*%@@@@
#@@@%*\~,,            ~** SO WHAT NOW **~           ,,~\*%@@@#
@@@@%*\~,,                 ,,@#@,,                  ,,~\*%@@@@
#@@@%*\~,,                                          ,,~\*%@@@#
@@%\\,,,,, CLOCK  IO GOES TO  ASDR IN  I THINK  AND ,,,,,\\%@@
@@@@%*\~,, MAYBE ALSO  TO THE SAMPLE  AND HOLD. PUT ,,~\*%@@@@
#@@@%*\~,, SUBBASE AND  NOISE IN CHANNEL THREE  AND ,,~\*%@@@#
##@@%*\~,, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,,~\*%@@##
##@@@*\~,, TWO, AND  OSCILLATOR TWO SAW TO  CHANNEL ,,~\*@@@##
@*~,,,,,,, ONE.   SAMPLE   AND  HOLD  OUT  TO   THE ,,,,,,,~*@
##@@%*\~,,   FILTER... MAYBE... RESONANCE AT HALF.  ,,~\*%@@##
#@@@%*\~,, SOME FREQUENCY IN THE  FIRST  OSCILLATOR ,,~\*%@@@#
##@@%*\~,, AND THEN THE  SECOND  OSC FOUR SEMITONES ,,~\*%@@##
##@@@%\~,,                  HIGHER.                 ,,~\%@@@##
@%%\,,,,,,                                          ,,,,,,\%%@
#@@@%*\~,,                  ,~@@@~,                 ,,~\*%@@@#
##@@%*\~,,          \%% DESKTOP SYNTH %%\           ,,~\*%@@##
#@@@%*\~,,                  ,~@@@~,                 ,,~\*%@@@#
@@%\~~,,,,                                          ,,,,~~\%@@
##@@%*\~,,                                          ,,~\*%@@##
#@@@%*\~,,                                          ,,~\*%@@@#
##@@%*\~,,                                          ,,~\*%@@##
@%%**~,,,,                                          ,,,,~**%%@
##@@%*\~,,                                          ,,~\*%@@##