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@&££=~,,,,                                          ,,,,~=££&@
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#@@&£=/~^,                 ,,£@#@£,,                ,^~/=£&@@#
#@@&£=/~^,       ^^ PITTSBURGH ELECTRONICS ^^       ,^~/=£&@@#
&&&&£=/~^,             ~~ LIFEFORMS ~~              ,^~/=£&&&&
##@@&£=/~^               // SV ONE //               ^~/=£&@@##
#@@&£=/~^,                                          ,^~/=£&@@#
&==~,,,,,, THIS IS A EURORACK  MODULE BUT  I BOUGHT ,,,,,,~==&
@&&===/~^, THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ,^~/===&&@
@@&&£=/~^,                                          ,^~/=£&&@@
&&£££=/~^, IT  SHIPS  WITH TOO  FEW  PATCH  CABLES. ,^~/=£££&&
@&&=/^^,,,                                          ,,,^^/=&&@
@@@&£=/~^,             ,=@ CONTAINS @=,             ,^~/=£&@@@
@&£=//~~^,           MIDI TO CV CONVERTER           ,^~~//=£&@
@@@&£=/~^,                TWO VCO'S                 ,^~/=£&@@@
@£=~,,,,,, FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER ,,,,,,~=£@
#@@&£=/~^,        TWO SUB OSCILLATORS I THINK       ,^~/=£&@@#
##@@&=/~^,         TWO ONE TO TWO SPLITTERS         ,^~/=&@@##
##@&£=/~^,           WHITE NOISE GENERATOR          ,^~/=£&@##
@£=/^,,,,,             SAMPLE AND HOLD              ,,,,,^/=£@
#@@&£=/~^,          LFO PLUS A DIGITAL LFO          ,^~/=£&@@#
@&=~,,,,,,   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ,,,,,,~=&@
##@&£=/~^,              ADSR ENVELOPE               ,^~/=£&@##
@££/~,,,,,                  ONE VCA                 ,,,,,~/££@
&£/^,,,,,,               HEADPHONE AMP              ,,,,,,^/£&
&=/~^,,,,,         FOURTY NINE PATCHPOINTS!         ,,,,,^~/=&
##@&£=/~^,                                          ,^~/=£&@##
@@&£==/~^,                 ,^@#@^,                  ,^~/==£&@@
&=~,,,,,,,            ~== SO WHAT NOW ==~           ,,,,,,,~=&
#@@&£=/~^,                  ,^@#@^,                 ,^~/=£&@@#
#@@&£=/~^,                                          ,^~/=£&@@#
#@@&£=/~^, CLOCK IO GOES TO  ASDR  IN  I THINK  AND ,^~/=£&@@#
&=/////~^, MAYBE  ALSO TO THE SAMPLE  AND HOLD. PUT ,^~/////=&
##@@&£=~^, SUBBASE  AND NOISE  IN CHANNEL THREE AND ,^~=£&@@##
@@£===/~^, FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ,^~/===£@@
@&&=~^,,,, TWO, AND OSCILLATOR TWO  SAW  TO CHANNEL ,,,,^~=&&@
#@@&£=/~^, ONE.  SAMPLE  AND   HOLD   OUT   TO  THE ,^~/=£&@@#
@&=/^,,,,,  FILTER... MAYBE... RESONANCE AT HALF.   ,,,,,^/=&@
@&=/^,,,,, SOME FREQUENCY IN  THE  FIRST OSCILLATOR ,,,,,^/=&@
@&£/~~,,,, AND THEN  THE SECOND OSC FOUR  SEMITONES ,,,,~~/£&@
@&==~^,,,,                 HIGHER.                  ,,,,^~==&@
@&£=~,,,,,                                          ,,,,,~=£&@
&&£===/~^,                 ^~&@&~^                  ,^~/===£&&
##@@&£=/~^          /££ DESKTOP SYNTH ££/           ^~/=£&@@##
#@@&£=/~^,                  ^~&@&~^                 ,^~/=£&@@#
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