,-«†§%¤###                                          ###¤%§†«-,
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,,-««§%%##                ,,%###%,,                 ##%%§««-,,
,,,,,,-†§¤       -- PITTSBURGH ELECTRONICS --       ¤§†-,,,,,,
,,,,,-†§%#             «« LIFEFORMS ««              #%§†-,,,,,
,-«†§%%%%¤               †† SV ONE ††               ¤%%%%§†«-,
,,,,,-«§%¤                                          ¤%§«-,,,,,
,-«†§%¤### THIS IS A EURORACK MODULE  BUT  I BOUGHT ###¤%§†«-,
,-«†§%¤### THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ###¤%§†«-,
,-«†§%¤###                                          ###¤%§†«-,
,-«†§%¤### IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ###¤%§†«-,
,,--«§%%%¤                                          ¤%%%§«--,,
,-«†§%¤###             ,§# CONTAINS #§,             ###¤%§†«-,
,-«†§%¤###           MIDI TO CV CONVERTER           ###¤%§†«-,
,-«†§%¤###                TWO VCO'S                 ###¤%§†«-,
,-«†§%¤### FOUR CHANNEL OR TWO  X TWO CHANNEL MIXER ###¤%§†«-,
,,,-††%%##        TWO SUB OSCILLATORS I THINK       ##%%††-,,,
,-«†§%¤###         TWO ONE TO TWO SPLITTERS         ###¤%§†«-,
,,,-††%¤¤#           WHITE NOISE GENERATOR          #¤¤%††-,,,
,,,,--††%#              SAMPLE AND HOLD             #%††--,,,,
,-«†§%¤###          LFO PLUS A DIGITAL LFO          ###¤%§†«-,
,-«†§%¤###   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ###¤%§†«-,
,-«†§%¤###              ADSR ENVELOPE               ###¤%§†«-,
,-«†††§§%¤                 ONE VCA                  ¤%§§†††«-,
,,,,-†§§¤#              HEADPHONE AMP               #¤§§†-,,,,
,,,««††%%#         FOURTY NINE PATCHPOINTS!         #%%††««,,,
,-«††§%%¤#                                          #¤%%§††«-,
,-«†§%¤###                  ,-###-,                 ###¤%§†«-,
,,,,«««†%¤            «§§ SO WHAT NOW §§«           ¤%†«««,,,,
,,,,,-†%%#                  ,-###-,                 #%%†-,,,,,
,-«††§§%%¤                                          ¤%%§§††«-,
,-«†§%¤### CLOCK IO  GOES  TO ASDR  IN I  THINK AND ###¤%§†«-,
,-«†§%¤### MAYBE  ALSO  TO THE SAMPLE AND HOLD. PUT ###¤%§†«-,
,,,-««§¤¤# SUBBASE  AND NOISE IN CHANNEL THREE  AND #¤¤§««-,,,
,-«†§%¤### FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ###¤%§†«-,
,-««««§§%# TWO,  AND OSCILLATOR  TWO SAW TO CHANNEL #%§§««««-,
,-«†§%¤### ONE.  SAMPLE  AND   HOLD   OUT  TO   THE ###¤%§†«-,
,-«†§%%%##  FILTER... MAYBE... RESONANCE AT HALF.   ##%%%§†«-,
,-«†§%¤¤¤# SOME FREQUENCY IN  THE FIRST  OSCILLATOR #¤¤¤%§†«-,
,-«†§%¤### AND THEN THE SECOND OSC  FOUR  SEMITONES ###¤%§†«-,
,-«†§%¤###                  HIGHER.                 ###¤%§†«-,
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,-«†§%####                  -«¤#¤«-                 ####%§†«-,
,-«†§§%%##           †%% DESKTOP SYNTH %%†          ##%%§§†«-,
,-«†§%¤###                 -«¤#¤«-                  ###¤%§†«-,
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