-~........                                          ........~-
:-~.......                                          .......~-:
$:-~......                                          ......~-:$
%$:-~.....                                          .....~-:$%
§%$:-~....                                          ....~-:$%§
@§%$:-~...                                          ...~-:$%§@
#@§%$:-~..                 ..%@#@%..                ..~-:$%§@#
##@§%$:-~.       ~~ PITTSBURGH ELECTRONICS ~~       .~-:$%§@##
#@§%$:-~..              -- LIFEFORMS --             ..~-:$%§@#
@§%$:-~...               :: SV ONE ::               ...~-:$%§@
§%$:-~....                                          ....~-:$%§
%$:-~..... THIS IS A  EURORACK MODULE  BUT I BOUGHT .....~-:$%
$:-~...... THE  BLACKBOX  ONE  SO  IT'S  ALSO  NOT. ......~-:$
:-~.......                                          .......~-:
-~........ IT  SHIPS  WITH  TOO  FEW  PATCH CABLES. ........~-
~.........                                          .........~
..........             .$@ CONTAINS @$.             ..........
..........           MIDI TO CV CONVERTER           ..........
..........                 TWO VCO'S                ..........
~......... FOUR  CHANNEL OR TWO X TWO CHANNEL MIXER .........~
-~........       TWO SUB OSCILLATORS I THINK        ........~-
:-~.......         TWO ONE TO TWO SPLITTERS         .......~-:
$:-~......           WHITE NOISE GENERATOR          ......~-:$
%$:-~.....             SAMPLE AND HOLD              .....~-:$%
§%$:-~....          LFO PLUS A DIGITAL LFO          ....~-:$%§
@§%$:-~...   FILTER (LOWPASS, BANDPASS, HIGHPASS)   ...~-:$%§@
#@§%$:-~..              ADSR ENVELOPE               ..~-:$%§@#
##@§%$:-~.                  ONE VCA                 .~-:$%§@##
#@§%$:-~..              HEADPHONE AMP               ..~-:$%§@#
@§%$:-~...         FOURTY NINE PATCHPOINTS!         ...~-:$%§@
§%$:-~....                                          ....~-:$%§
%$:-~.....                  .~@#@~.                 .....~-:$%
$:-~......            -$$ SO WHAT NOW $$-           ......~-:$
:-~.......                  .~@#@~.                 .......~-:
-~........                                          ........~-
~......... CLOCK  IO GOES TO ASDR  IN  I  THINK AND .........~
.......... MAYBE ALSO TO  THE SAMPLE AND  HOLD. PUT ..........
.......... SUBBASE  AND NOISE IN CHANNEL THREE  AND ..........
.......... FOUR.  OSCILLATOR  ONE  SAW  TO  CHANNEL ..........
~......... TWO, AND OSCILLATOR TWO SAW  TO  CHANNEL .........~
-~........ ONE.   SAMPLE  AND  HOLD   OUT  TO   THE ........~-
:-~.......   FILTER... MAYBE... RESONANCE AT HALF.  .......~-:
$:-~...... SOME FREQUENCY  IN  THE FIRST OSCILLATOR ......~-:$
%$:-~..... AND THEN THE SECOND  OSC  FOUR SEMITONES .....~-:$%
§%$:-~....                 HIGHER.                  ....~-:$%§
@§%$:-~...                                          ...~-:$%§@
#@§%$:-~..                  ~-§@§-~                 ..~-:$%§@#
##@§%$:-~.           :%% DESKTOP SYNTH %%:          .~-:$%§@##
#@§%$:-~..                 ~-§@§-~                  ..~-:$%§@#
@§%$:-~...                                          ...~-:$%§@
§%$:-~....                                          ....~-:$%§
%$:-~.....                                          .....~-:$%
$:-~......                                          ......~-:$
:-~.......                                          .......~-:
-~........                                          ........~-