,,,,-«/%*§                                          §*%/«-,,,,
,,,-«/%*§#                                          #§*%/«-,,,
,,-«/%*§##                                          ##§*%/«-,,
,-«/%*§###                                          ###§*%/«-,
,,-«/%*§##                                          ##§*%/«-,,
,,,-«/%*§#                                          #§*%/«-,,,
,,,,-«/%*§                 ,,*###*,,                §*%/«-,,,,
,,,,,-«/%*       -- pittsburgh electronics --       *%/«-,,,,,
,,,,-«/%*§             «« lifeforms ««              §*%/«-,,,,
,,,-«/%*§#               // sv one //               #§*%/«-,,,
,,-«/%*§##                                          ##§*%/«-,,
,-«/%*§### this is a eurorack  module  but i bought ###§*%/«-,
,,-«/%*§## the  blackbox  one  so  it's  also  not. ##§*%/«-,,
,,,-«/%*§#                                          #§*%/«-,,,
,,,,-«/%*§ it  ships with  too  few  patch  cables. §*%/«-,,,,
,,,,,-«/%*                                          *%/«-,,,,,
,,,,-«/%*§             ,%# contains #%,             §*%/«-,,,,
,,,-«/%*§#           midi to cv converter           #§*%/«-,,,
,,-«/%*§##                two vco's                 ##§*%/«-,,
,-«/%*§### four channel or  two x two channel mixer ###§*%/«-,
,,-«/%*§##        two sub oscillators i think       ##§*%/«-,,
,,,-«/%*§#         two one to two splitters         #§*%/«-,,,
,,,,-«/%*§          white noise generator           §*%/«-,,,,
,,,,,-«/%*              sample and hold             *%/«-,,,,,
,,,,-«/%*§          lfo plus a digital lfo          §*%/«-,,,,
,,,-«/%*§#   filter (lowpass, bandpass, highpass)   #§*%/«-,,,
,,-«/%*§##               adsr envelope              ##§*%/«-,,
,-«/%*§###                  one vca                 ###§*%/«-,
,,-«/%*§##               headphone amp              ##§*%/«-,,
,,,-«/%*§#         fourty nine patchpoints!         #§*%/«-,,,
,,,,-«/%*§                                          §*%/«-,,,,
,,,,,-«/%*                  ,-###-,                 *%/«-,,,,,
,,,,-«/%*§            «%% so what now %%«           §*%/«-,,,,
,,,-«/%*§#                 ,-###-,                  #§*%/«-,,,
,,-«/%*§##                                          ##§*%/«-,,
,-«/%*§### clock io  goes  to asdr  in  i think and ###§*%/«-,
,,-«/%*§## maybe also  to the sample and  hold. put ##§*%/«-,,
,,,-«/%*§# subbase  and noise  in channel three and #§*%/«-,,,
,,,,-«/%*§ four.  oscillator  one  saw  to  channel §*%/«-,,,,
,,,,,-«/%* two, and oscillator  two saw  to channel *%/«-,,,,,
,,,,-«/%*§ one.   sample   and  hold  out  to   the §*%/«-,,,,
,,,-«/%*§#   filter... maybe... resonance at half.  #§*%/«-,,,
,,-«/%*§## some  frequency in  the first oscillator ##§*%/«-,,
,-«/%*§### and  then the  second osc four semitones ###§*%/«-,
,,-«/%*§##                  higher.                 ##§*%/«-,,
,,,-«/%*§#                                          #§*%/«-,,,
,,,,-«/%*§                  -«§#§«-                 §*%/«-,,,,
,,,,,-«/%*          /** desktop synth **/           *%/«-,,,,,
,,,,-«/%*§                 -«§#§«-                  §*%/«-,,,,
,,,-«/%*§#                                          #§*%/«-,,,
,,-«/%*§##                                          ##§*%/«-,,
,-«/%*§###                                          ###§*%/«-,
,,-«/%*§##                                          ##§*%/«-,,
,,,-«/%*§#                                          #§*%/«-,,,
,,,,-«/%*§                                          §*%/«-,,,,