.......«*%                                          %*«.......
......«*%&                                          &%*«......
.....«*%&£                                          £&%*«.....
....«*%&£@                                          @£&%*«....
...«*%&£@#                                          #@£&%*«...
..«*%&£@##                #### #####                ##@£&%*«..
...«*%&£@#                TAPE DREAM                #@£&%*«...
....«*%&£@                #### #####                @£&%*«....
.....«*%&£                                          £&%*«.....
......«*%& FOR  STORING  MUSIC  ON.  ALSO DATA  BUT &%*«......
.......«*% AT   THIS  POINT  IN   TIME  THAT'S  NOT %*«.......
........«*        REALLY IMPORTANT I THINK.         *«........
.........«                                          «.........
..........                                          ..........
.........«      ******** TYPES OF TAPE ********     «.........
........«*                                          *«........
.......«*%           CLASS I - "BAD" IRON           %*«.......
......«*%&         CLASS II - GOOD CHROMIUM         &%*«......
.....«*%&£       CLASS III - BAD IRON PART TWO      £&%*«.....
....«*%&£@        CLASS IV - DANGEROUS METALS       @£&%*«....
...«*%&£@#                                          #@£&%*«...
..«*%&£@## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##@£&%*«..
...«*%&£@#         THAT IS ACTUALLY USEFUL.         #@£&%*«...
....«*%&£@                                          @£&%*«....
.....«*%&£                ** BIAS **                £&%*«.....
......«*%&                                          &%*«......
.......«*% CLASS  I USES  ONE  HUNDRED  AND  TWENTY %*«.......
........«*   MICRO-SOMETHING WHILE THE OTHERS ALL   *«........
.........« USE   SEVENTY   OF   THE    SAME   UNIT. «.........
..........                                          ..........
.........«                                          «.........
........«*       %%%%%%%%% AHA AND %%%%%%%%%        *«........
.......«*%                                          %*«.......
......«*%& CLASS  IV IS APPARENTLY  TOO  STRONG  TO &%*«......
.....«*%&£ BE  USED  ON CLASS  I  PLAYERS.  IT WILL £&%*«.....
....«*%&£@ SOUND   TOO   LOUND  AND  IT  CANNOT  BE @£&%*«....
...«*%&£@# COMPLETELY ERASED.  THIS  IS VERY  WELL. #@£&%*«...
..«*%&£@##   MAYBE SOME WONDERFUL BLENDING EFFECTS  ##@£&%*«..
...«*%&£@#            COULD BE ACHIEVED?            #@£&%*«...
....«*%&£@                                          @£&%*«....
.....«*%&£ THEY ALSO  GNAW AT THE TAPE  HEADS A BIT £&%*«.....
......«*%&     BETTER THAN EARLIER TAPE TYPES.      &%*«......
.......«*%                                          %*«.......
........«*                                          *«........
.........«       ******** ARTIFACTS ********        «.........
..........                                          ..........
.........« GOOD TAPES  ARE DECENT AND  HAVE  A GOOD «.........
........«* HIGH FREQUENCY  PRESENCE, BAD TAPES  ARE *«........
.......«*% LOFI IF NOT OUTRIGHT  BAD. IDK,  I KINDA %*«.......
......«*%&                 LIKE IT.                 &%*«......
.....«*%&£                                          £&%*«.....
....«*%&£@ BIAS LOSS: IF YOU  FORGET  THE BIAS  WHO @£&%*«....
...«*%&£@# KNOWS   WHATS  EVEN   ON  THERE  ANYMORE #@£&%*«...
..«*%&£@##                                          ##@£&%*«..
...«*%&£@#  FLUTTER: KINDA QUICK PITCH VARIATIONS.  #@£&%*«...
....«*%&£@   BEAUTIFUL, WONDERFUL, EXTRAORDINARY.   @£&%*«....
.....«*%&£                                          £&%*«.....
......«*%& WOW: A SLOWER FLUTTER,  USUALLY  SEVERAL &%*«......
.......«*% SECONDS LONG.  WHAT  UP. BOTH  OF  THESE %*«.......
........«*   INCREASE WHEN TAPE SPEED DECREASES.    *«........
.........«                                          «.........
.......... PRINT THROUGH: TAPES RUB  SOUND ON  EACH ..........
.........« OTHER  IF  THEYRE  ALONE  FOR  TOO  LONG «.........
........«*                                          *«........
.......«*%                                          %*«.......
......«*%&                                          &%*«......
.....«*%&£                                          £&%*«.....
....«*%&£@                                          @£&%*«....
...«*%&£@#                                          #@£&%*«...