.:~/%$§£##                                          ##£§$%/~:.
.:~/%$§£##                                          ##£§$%/~:.
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.:~/%$§£##                                          ##£§$%/~:.
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.:~/%$§££#                TAPE DREAM                #££§$%/~:.
.:~/%$§£##                #### #####                ##£§$%/~:.
.:~////$§#                                          #§$////~:.
....::/%§§ FOR  STORING  MUSIC  ON.  ALSO DATA  BUT §§%/::....
.:~/%$§£## AT  THIS  POINT   IN  TIME   THAT'S  NOT ##£§$%/~:.
.:~/%$§£##         REALLY IMPORTANT I THINK.        ##£§$%/~:.
.:~%$§£###                                          ###£§$%~:.
.:~/%$§£##                                          ##£§$%/~:.
.:~/%$§###     //////// TYPES OF TAPE ////////      ###§$%/~:.
.:~/%$§£##                                          ##£§$%/~:.
..::~~%%§§           CLASS I - "BAD" IRON           §§%%~~::..
...::/%$£#         CLASS II - GOOD CHROMIUM         #£$%/::...
....::/%§£       CLASS III - BAD IRON PART TWO      £§%/::....
....~~%§§£       CLASS IV - DANGEROUS METALS        £§§%~~....
.:~/%$§£##                                          ##£§$%/~:.
.:~/%$§£## RUMORS EXIST ABOUT A SECRET CLASS V TAPE ##£§$%/~:.
.::~~//$££         THAT IS ACTUALLY USEFUL.         ££$//~~::.
.:~/%$§§§#                                          #§§§$%/~:.
.:~/%$§£##                // BIAS //                ##£§$%/~:.
.:~/%$§£##                                          ##£§$%/~:.
.:~/%$§£## CLASS  I  USES  ONE  HUNDRED  AND TWENTY ##£§$%/~:.
.:~/%$§£##   MICRO-SOMETHING WHILE THE OTHERS ALL   ##£§$%/~:.
...::~%§£# USE   SEVENTY    OF   THE   SAME   UNIT. #£§%~::...
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.:~/%§£###                                          ###£§%/~:.
.:~/%$§£##       %%%%%%%%% AHA AND %%%%%%%%%        ##£§$%/~:.
.:~/%$§£##                                          ##£§$%/~:.
.:~~~/$$££ CLASS  IV  IS  APPARENTLY  TOO STRONG TO ££$$/~~~:.
.:~/%$§£## BE  USED ON  CLASS I  PLAYERS.  IT  WILL ##£§$%/~:.
..:~/%%§§§ SOUND  TOO   LOUND   AND  IT  CANNOT  BE §§§%%/~:..
......:/$£ COMPLETELY  ERASED. THIS IS  VERY  WELL. £$/:......
....::/$£#   MAYBE SOME WONDERFUL BLENDING EFFECTS  #£$/::....
....:~/$§£            COULD BE ACHIEVED?            £§$/~:....
.:~/%$§£##                                          ##£§$%/~:.
.:~/%$§£## THEY  ALSO GNAW AT THE TAPE  HEADS A BIT ##£§$%/~:.
.:~/%$§£##     BETTER THAN EARLIER TAPE TYPES.      ##£§$%/~:.
.:~/%$£###                                          ###£$%/~:.
.:~/%$§£##                                          ##£§$%/~:.
.....:/$§£       //////// ARTIFACTS ////////        £§$/:.....
.:~/%$§§££                                          ££§§$%/~:.
.:~/%%$§££ GOOD  TAPES ARE  DECENT  AND HAVE A GOOD ££§$%%/~:.
.:~/%$§£## HIGH  FREQUENCY  PRESENCE, BAD TAPES ARE ##£§$%/~:.
.:~//%%%§§ LOFI IF  NOT OUTRIGHT BAD. IDK, I  KINDA §§%%%//~:.
.:~/%%%§§#                 LIKE IT.                 #§§%%%/~:.
....~~~/$£                                          £$/~~~....
.:~/%$§£## BIAS LOSS: IF  YOU FORGET  THE BIAS  WHO ##£§$%/~:.
.:~/%$§£## KNOWS  WHATS   EVEN  ON  THERE   ANYMORE ##£§$%/~:.
.:~/%$§£##                                          ##£§$%/~:.
...:~~%%§#  FLUTTER: KINDA QUICK PITCH VARIATIONS.  #§%%~~:...
.:~/%$§£##   BEAUTIFUL, WONDERFUL, EXTRAORDINARY.   ##£§$%/~:.
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.:~/%$§£## WOW: A  SLOWER FLUTTER, USUALLY  SEVERAL ##£§$%/~:.
.......~%§ SECONDS  LONG. WHAT  UP.  BOTH  OF THESE §%~.......
.:~/%$§£££    INCREASE WHEN TAPE SPEED DECREASES.   £££§$%/~:.
.:~/%$£###                                          ###£$%/~:.
....::~/$£ PRINT THROUGH: TAPES RUB  SOUND  ON EACH £$/~::....
.:~/$§£### OTHER  IF  THEYRE  ALONE  FOR  TOO  LONG ###£§$/~:.
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