##@¤&*;«^. .^«;*&¤@##
#@¤&*;«^.. ..^«;*&¤@#
@¤&*;«^... ...^«;*&¤@
¤&*;«^.... ....^«;*&¤
&*;«^..... .....^«;*&
*;«^...... #### ##### ......^«;*
;«^....... TAPE DREAM .......^«;
«^........ #### ##### ........^«
^......... .........^
.......... FOR STORING MUSIC ON. ALSO DATA BUT ..........
^......... AT THIS POINT IN TIME THAT'S NOT .........^
«^........ REALLY IMPORTANT I THINK. ........^«
;«^....... .......^«;
*;«^...... ......^«;*
&*;«^..... ;;;;;;;; TYPES OF TAPE ;;;;;;;; .....^«;*&
¤&*;«^.... ....^«;*&¤
@¤&*;«^... CLASS I - "BAD" IRON ...^«;*&¤@
#@¤&*;«^.. CLASS II - GOOD CHROMIUM ..^«;*&¤@#
##@¤&*;«^. CLASS III - BAD IRON PART TWO .^«;*&¤@##
#@¤&*;«^.. CLASS IV - DANGEROUS METALS ..^«;*&¤@#
@¤&*;«^... ...^«;*&¤@
¤&*;«^.... RUMORS EXIST ABOUT A SECRET CLASS V TAPE ....^«;*&¤
&*;«^..... THAT IS ACTUALLY USEFUL. .....^«;*&
*;«^...... ......^«;*
;«^....... ;; BIAS ;; .......^«;
«^........ ........^«
^......... CLASS I USES ONE HUNDRED AND TWENTY .........^
.......... MICRO-SOMETHING WHILE THE OTHERS ALL ..........
^......... USE SEVENTY OF THE SAME UNIT. .........^
«^........ ........^«
;«^....... .......^«;
*;«^...... ********* AHA AND ********* ......^«;*
&*;«^..... .....^«;*&
¤&*;«^.... CLASS IV IS APPARENTLY TOO STRONG TO ....^«;*&¤
@¤&*;«^... BE USED ON CLASS I PLAYERS. IT WILL ...^«;*&¤@
#@¤&*;«^.. SOUND TOO LOUND AND IT CANNOT BE ..^«;*&¤@#
##@¤&*;«^. COMPLETELY ERASED. THIS IS VERY WELL. .^«;*&¤@##
#@¤&*;«^.. MAYBE SOME WONDERFUL BLENDING EFFECTS ..^«;*&¤@#
@¤&*;«^... COULD BE ACHIEVED? ...^«;*&¤@
¤&*;«^.... ....^«;*&¤
&*;«^..... THEY ALSO GNAW AT THE TAPE HEADS A BIT .....^«;*&
*;«^...... BETTER THAN EARLIER TAPE TYPES. ......^«;*
;«^....... .......^«;
«^........ ........^«
^......... ;;;;;;;; ARTIFACTS ;;;;;;;; .........^
.......... ..........
^......... GOOD TAPES ARE DECENT AND HAVE A GOOD .........^
«^........ HIGH FREQUENCY PRESENCE, BAD TAPES ARE ........^«
;«^....... LOFI IF NOT OUTRIGHT BAD. IDK, I KINDA .......^«;
*;«^...... LIKE IT. ......^«;*
&*;«^..... .....^«;*&
¤&*;«^.... BIAS LOSS: IF YOU FORGET THE BIAS WHO ....^«;*&¤
@¤&*;«^... KNOWS WHATS EVEN ON THERE ANYMORE ...^«;*&¤@
#@¤&*;«^.. ..^«;*&¤@#
##@¤&*;«^. FLUTTER: KINDA QUICK PITCH VARIATIONS. .^«;*&¤@##
#@¤&*;«^.. BEAUTIFUL, WONDERFUL, EXTRAORDINARY. ..^«;*&¤@#
@¤&*;«^... ...^«;*&¤@
¤&*;«^.... WOW: A SLOWER FLUTTER, USUALLY SEVERAL ....^«;*&¤
&*;«^..... SECONDS LONG. WHAT UP. BOTH OF THESE .....^«;*&
*;«^...... INCREASE WHEN TAPE SPEED DECREASES. ......^«;*
;«^....... .......^«;
«^........ PRINT THROUGH: TAPES RUB SOUND ON EACH ........^«
^......... OTHER IF THEYRE ALONE FOR TOO LONG .........^
.......... ..........
^......... .........^
«^........ ........^«
;«^....... .......^«;
*;«^...... ......^«;*
&*;«^..... .....^«;*&