.~-^*£&¶@# #@¶&£*^-~.
.~-^*£&¶@# #@¶&£*^-~.
.~--^**£¶@ @¶£**^--~.
.~-^*£&¶@# #@¶&£*^-~.
.~-^*&¶@## ##@¶&*^-~.
.~-^*£&¶@# THE SKYSCRAPER THAT MOVES #@¶&£*^-~.
.~-^*£&¶@# #@¶&£*^-~.
.....~-^£& TAINARON IS A BUILDING OWNED AND &£^-~.....
.~-^*&¶@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@¶&*^-~.
....-^^^£& CLOSED TO THE HARBOR IN MALMÖ. IT'S &£^^^-....
.....~--*& ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER &*--~.....
.~-^*£&¶@# UNKNOWN), DARK BLUE AND COMPLETELY #@¶&£*^-~.
.~-^*£&¶@# RECTANGULAR. IT FEATURES NO SIGNS, #@¶&£*^-~.
.....~-*&& LIGHTS, OR ORNAMENTS, APART FROM A &&*-~.....
.~-^****&& HELIPAD ON TOP. MOST FLOORS HAVE &&****^-~.
......~-*& EXTERIOR WALLS COMPLETELY MADE OF GLASS. &*-~......
.~-^*£&¶@@ @@¶&£*^-~.
.~-^*£&¶@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@¶&£*^-~.
.~-^*£&¶@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@¶&£*^-~.
.~^*£&¶@## THE BUILDING COMES TO LIFE: IT MOVES ON ##@¶&£*^~.
.~-^*£&¶@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@¶&£*^-~.
.~-^*££&&@ (SECRET) PART OF TOWN, OR PERHAPS OUT @&&££*^-~.
.~-^*£&¶@# TO SEA. THIS SIGNALS A NEW AND MORE #@¶&£*^-~.
.....-^^£& VISCIOUS PHASE OF THE TAINARON &£^^-.....
.....~-^£¶ ECOSYSTEM. ¶£^-~.....
.~-^*£&¶@# #@¶&£*^-~.
.~-^*£&¶@# THE GUESTS ARRIVING DURING THE EARLY #@¶&£*^-~.
.~-^*£££&& EVENING ARE TREATED TO FOOD AND DRINK, &&£££*^-~.
.~-^*£&¶@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@¶&£*^-~.
.~-^*£&¶@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@¶&£*^-~.
.....~^^£& STRUCTURE (THE BUILDING FEATURES A &£^^~.....
.~-^*£&¶## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##¶&£*^-~.
.~-^*£&¶## PLACED SEEMINGLY AT RANDOM, NONE GOING ##¶&£*^-~.
......--*& FURTHER THAN A FEW FLOORS). &*--......
.~-^*£&¶@# #@¶&£*^-~.
.~-^*£&¶## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##¶&£*^-~.
.~-^*£&¶@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@¶&£*^-~.
.~-^*£&¶¶@ SAME QUALITY AS THE SURROUNDING MIST: @¶¶&£*^-~.
..~--*£&¶@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @¶&£*--~..
.~-^*£&¶@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@¶&£*^-~.
.~-^*£&¶@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@¶&£*^-~.
.~-^***&&@ YOU WOULD SEE THE MIST ROLLING BY, AND @&&***^-~.
.....~-*&& PERHAPS THE OUTLINE OF SOME OTHER &&*-~.....
.~-^^*££&@ BUILDING, FAR BELOW. @&££*^^-~.
.~-^*£&¶¶@ @¶¶&£*^-~.
...~-**£&@ DURING THE NIGHT, AFTER TAINARON HAS @&£**-~...
...~^**£&& STARTED MOVING, THE LOWER FLOORS ARE &&£**^~...
..~--^^**& SHUT OFF, PREVENTING ENTRY OR EXIT FOR &**^^--~..
.....-*££& THE GUESTS. FOOD IS NO LONGER SERVED, &££*-.....
....~-*&¶¶ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¶¶&*-~....
.~^*£&¶@## IT'S AT THIS POINT THAT THE SECOND SET ##@¶&£*^~.
....----*& OF GUEST ARRIVES, VIA HELICOPTER - &*----....
.~-^*£&¶@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@¶&£*^-~.
.~~--***£¶ ¶£***--~~.
.....-^£¶¶ ----- ¶¶£^-.....
.~-^*£&¶@@ @@¶&£*^-~.
....~~^£¶¶ IN MY DREAM I AM INVITED AS A FRIEND OF ¶¶£^~~....
.~-^*£&¶@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@¶&£*^-~.
.~-^*£&¶@# SIT IN ONE OF THE LARGE WINDOWS, #@¶&£*^-~.
.~-^*££££& LOOKING THROUGH THE MIST FOR ANY &££££*^-~.
......~-*& LANDMARKS TO PIERCE THROUGH THE MIST. &*-~......
...~~^*&&¶ SHE TELLS ME THAT APART FROM COMING AND ¶&&*^~~...
....~-*££¶ GOING FROM WORK, SHE'S NEVER SEEN THE ¶££*-~....
.~-^*£&¶¶@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @¶¶&£*^-~.
.~-^*£&¶## ##¶&£*^-~.
.~-^*£&¶@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@¶&£*^-~.
.~-^*£&¶@# DEMONSTRATION OF THE EXOBUBBLE. #@¶&£*^-~.
.....~^£¶@ @¶£^~.....
.~-^*&¶@## ##@¶&*^-~.
.~-^*£&¶@@ @@¶&£*^-~.
....--*&&& &&&*--....
.~----^^£& &£^^----~.