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.@..@.@.@. @.@.@.@@.@
.@.@@.@.@. the skyscraper that moves @.@.@..@.@
.@..@.@.@. @.@.@.@@.@
.@.@@.@.@. tainaron is a building owned and @.@.@..@.@
.@..@.@.@. operated by amata texnologiyasi placed @.@.@.@@.@
.@.@@.@.@. closed to the harbor in malmÖ. it's @.@.@..@.@
.@..@.@.@. roughly sixty floors high (real number @.@.@.@@.@
.@.@@.@.@. unknown), dark blue and completely @.@.@..@.@
.@..@.@.@. rectangular. it features no signs, @.@.@.@@.@
.@.@@.@.@. lights, or ornaments, apart from a @.@.@..@.@
.@..@.@.@. helipad on top. most floors have @.@.@.@@.@
.@.@@.@.@. exterior walls completely made of glass. @.@.@..@.@
.@..@.@.@. @.@.@.@@.@
.@.@@.@.@. in late evenings, shrouded by malmö's @.@.@..@.@
.@..@.@.@. signature fog rolling in from the sea, @.@.@.@@.@
.@.@@.@.@. the building comes to life: it moves on @.@.@..@.@
.@..@.@.@. a thousand robotic legs to another @.@.@.@@.@
.@.@@.@.@. (secret) part of town, or perhaps out @.@.@..@.@
.@..@.@.@. to sea. this signals a new and more @.@.@.@@.@
.@.@@.@.@. viscious phase of the tainaron @.@.@..@.@
.@..@.@.@. ecosystem. @.@.@.@@.@
.@.@@.@.@. @.@.@..@.@
.@..@.@.@. the guests arriving during the early @.@.@.@@.@
.@.@@.@.@. evening are treated to food and drink, @.@.@..@.@
.@..@.@.@. live music, beatutiful views, and a @.@.@.@@.@
.@.@@.@.@. comfortable but maze-like interior @.@.@..@.@
.@..@.@.@. structure (the building features a @.@.@.@@.@
.@.@@.@.@. multitude of stairwells and elevators, @.@.@..@.@
.@..@.@.@. placed seemingly at random, none going @.@.@.@@.@
.@.@@.@.@. further than a few floors). @.@.@..@.@
.@..@.@.@. @.@.@.@@.@
.@.@@.@.@. as time goes on, the lights slowly dim, @.@.@..@.@
.@..@.@.@. until the air inside has taken on the @.@.@.@@.@
.@.@@.@.@. same quality as the surrounding mist: @.@.@..@.@
.@..@.@.@. blue-gray, sprinkled with the small red @.@.@.@@.@
.@.@@.@.@. dot's by door locks and control panels. @.@.@..@.@
.@..@.@.@. if you would look through the windows @.@.@.@@.@
.@.@@.@.@. you would see the mist rolling by, and @.@.@..@.@
.@..@.@.@. perhaps the outline of some other @.@.@.@@.@
.@.@@.@.@. building, far below. @.@.@..@.@
.@..@.@.@. @.@.@.@@.@
.@.@@.@.@. during the night, after tainaron has @.@.@..@.@
.@..@.@.@. started moving, the lower floors are @.@.@.@@.@
.@.@@.@.@. shut off, preventing entry or exit for @.@.@..@.@
.@..@.@.@. the guests. food is no longer served, @.@.@.@@.@
.@.@@.@.@. but the drinks become more extravagant. @.@.@..@.@
.@..@.@.@. it's at this point that the second set @.@.@.@@.@
.@.@@.@.@. of guest arrives, via helicopter - @.@.@..@.@
.@..@.@.@. amata texnologiyasi and their friends. @.@.@.@@.@
.@.@@.@.@. @.@.@..@.@
.@..@.@.@. ~~~~~ @.@.@.@@.@
.@.@@.@.@. @.@.@..@.@
.@..@.@.@. in my dream i am invited as a friend of @.@.@.@@.@
.@.@@.@.@. one of the servers, and thus safe. we @.@.@..@.@
.@..@.@.@. sit in one of the large windows, @.@.@.@@.@
.@.@@.@.@. looking through the mist for any @.@.@..@.@
.@..@.@.@. landmarks to pierce through the mist. @.@.@.@@.@
.@.@@.@.@. she tells me that apart from coming and @.@.@..@.@
.@..@.@.@. going from work, she's never seen the @.@.@.@@.@
.@.@@.@.@. building from the outside. we both sigh. @.@.@..@.@
.@..@.@.@. @.@.@.@@.@
.@.@@.@.@. the next day i am invited to the public @.@.@..@.@
.@..@.@.@. demonstration of the exobubble. @.@.@.@@.@
.@.@@.@.@. @.@.@..@.@
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