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###¤£**-,. THE SKYSCRAPER THAT MOVES .,-**£¤###
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#¤£**--,,. TAINARON IS A BUILDING OWNED AND .,,--**£¤#
###¤£**-,. OPERATED BY AMATA TEXNOLOGIYASI PLACED .,-**£¤###
###¤£**-,. CLOSED TO THE HARBOR IN MALMÖ. IT'S .,-**£¤###
###¤£**-,. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER .,-**£¤###
¤£*****-,. UNKNOWN), DARK BLUE AND COMPLETELY .,-*****£¤
###¤£**-,. RECTANGULAR. IT FEATURES NO SIGNS, .,-**£¤###
¤£*****-,. LIGHTS, OR ORNAMENTS, APART FROM A .,-*****£¤
###¤£**-,. HELIPAD ON TOP. MOST FLOORS HAVE .,-**£¤###
#¤¤**--... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ...--**¤¤#
###¤£**-,. .,-**£¤###
¤£*-...... IN LATE EVENINGS, SHROUDED BY MALMö'S ......-*£¤
###¤£**-,. SIGNATURE FOG ROLLING IN FROM THE SEA, .,-**£¤###
####¤£*-,. THE BUILDING COMES TO LIFE: IT MOVES ON .,-*£¤####
###¤£**-,. A THOUSAND ROBOTIC LEGS TO ANOTHER .,-**£¤###
###¤£**-,. (SECRET) PART OF TOWN, OR PERHAPS OUT .,-**£¤###
¤***-,.... TO SEA. THIS SIGNALS A NEW AND MORE ....,-***¤
#¤£**-,... VISCIOUS PHASE OF THE TAINARON ...,-**£¤#
¤**----,.. ECOSYSTEM. ..,----**¤
###¤£**-,. .,-**£¤###
¤**---,,.. THE GUESTS ARRIVING DURING THE EARLY ..,,---**¤
###¤£**-,. EVENING ARE TREATED TO FOOD AND DRINK, .,-**£¤###
###¤£**-,. LIVE MUSIC, BEATUTIFUL VIEWS, AND A .,-**£¤###
###¤£**-,. COMFORTABLE BUT MAZE-LIKE INTERIOR .,-**£¤###
###¤£**-,. STRUCTURE (THE BUILDING FEATURES A .,-**£¤###
###¤£**-,. MULTITUDE OF STAIRWELLS AND ELEVATORS, .,-**£¤###
###¤£**-,. PLACED SEEMINGLY AT RANDOM, NONE GOING .,-**£¤###
##¤££**-,. FURTHER THAN A FEW FLOORS). .,-**££¤##
###¤£**-,. .,-**£¤###
#£*,,..... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .....,,*£#
###¤£**-,. UNTIL THE AIR INSIDE HAS TAKEN ON THE .,-**£¤###
###¤£**-,. SAME QUALITY AS THE SURROUNDING MIST: .,-**£¤###
¤££**-.... BLUE-GRAY, SPRINKLED WITH THE SMALL RED ....-**££¤
#¤¤¤£**-,. DOT'S BY DOOR LOCKS AND CONTROL PANELS. .,-**£¤¤¤#
###¤£**-,. IF YOU WOULD LOOK THROUGH THE WINDOWS .,-**£¤###
#¤¤*-,.... YOU WOULD SEE THE MIST ROLLING BY, AND ....,-*¤¤#
#£**,..... PERHAPS THE OUTLINE OF SOME OTHER .....,**£#
###¤£**-,. BUILDING, FAR BELOW. .,-**£¤###
¤£*,,..... .....,,*£¤
#£*,...... DURING THE NIGHT, AFTER TAINARON HAS ......,*£#
#££*-,.... STARTED MOVING, THE LOWER FLOORS ARE ....,-*££#
###¤£**-,. SHUT OFF, PREVENTING ENTRY OR EXIT FOR .,-**£¤###
###¤£**-,. THE GUESTS. FOOD IS NO LONGER SERVED, .,-**£¤###
¤*----,,,. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .,,,----*¤
###¤£**-,. IT'S AT THIS POINT THAT THE SECOND SET .,-**£¤###
¤£**-,.... OF GUEST ARRIVES, VIA HELICOPTER - ....,-**£¤
###¤£**-,. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. .,-**£¤###
###¤£**-,. .,-**£¤###
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###¤£**-,. .,-**£¤###
###¤£**-,. IN MY DREAM I AM INVITED AS A FRIEND OF .,-**£¤###
#££*,,,,.. ONE OF THE SERVERS, AND THUS SAFE. WE ..,,,,*££#
####¤**-,. SIT IN ONE OF THE LARGE WINDOWS, .,-**¤####
#¤¤£***-,. LOOKING THROUGH THE MIST FOR ANY .,-***£¤¤#
#¤£*-..... LANDMARKS TO PIERCE THROUGH THE MIST. .....-*£¤#
###¤£**-,. SHE TELLS ME THAT APART FROM COMING AND .,-**£¤###
#¤¤**-.... GOING FROM WORK, SHE'S NEVER SEEN THE ....-**¤¤#
####¤£*-,. BUILDING FROM THE OUTSIDE. WE BOTH SIGH. .,-*£¤####
###¤£**-,. .,-**£¤###
#£**-..... THE NEXT DAY I AM INVITED TO THE PUBLIC .....-**£#
#¤¤£***-,. DEMONSTRATION OF THE EXOBUBBLE. .,-***£¤¤#
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