.,-=$@§@@@ @@@§@$=-,.
.....,-=@§ §@=-,.....
.,-=$@§@@# #@@§@$=-,.
.,,,=$$$@§ §@$$$=,,,.
.,-=$@§@@@ @@@§@$=-,.
.....,,=@@ THE SKYSCRAPER THAT MOVES @@=,,.....
.,-=$@@@## ##@@@$=-,.
.,-=$@§@@# TAINARON IS A BUILDING OWNED AND #@@§@$=-,.
....,==$@§ OPERATED BY AMATA TEXNOLOGIYASI PLACED §@$==,....
...,==$§@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@§$==,...
....,-$$§@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @§$$-,....
.,-=$@§@@# UNKNOWN), DARK BLUE AND COMPLETELY #@@§@$=-,.
.,-=$@§@@# RECTANGULAR. IT FEATURES NO SIGNS, #@@§@$=-,.
....-$$@@§ LIGHTS, OR ORNAMENTS, APART FROM A §@@$$-....
....-$@@@@ HELIPAD ON TOP. MOST FLOORS HAVE @@@@$-....
.,-==$$@@§ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §@@$$==-,.
.....,=@§@ @§@=,.....
....-=$@§@ IN LATE EVENINGS, SHROUDED BY MALMö'S @§@$=-....
.....-$$$§ SIGNATURE FOG ROLLING IN FROM THE SEA, §$$$-.....
.,-=$@§@@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@@§@$=-,.
.,-=$@§§@@ A THOUSAND ROBOTIC LEGS TO ANOTHER @@§§@$=-,.
.,-=$@§@@# (SECRET) PART OF TOWN, OR PERHAPS OUT #@@§@$=-,.
.,-=$$@@@§ TO SEA. THIS SIGNALS A NEW AND MORE §@@@$$=-,.
.,-=$@§@@# VISCIOUS PHASE OF THE TAINARON #@@§@$=-,.
.,-==$$@@@ ECOSYSTEM. @@@$$==-,.
.,-=$@§@@# #@@§@$=-,.
....--=$§@ THE GUESTS ARRIVING DURING THE EARLY @§$=--....
.....,==$§ EVENING ARE TREATED TO FOOD AND DRINK, §$==,.....
.,-=$@§@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@§@$=-,.
.,-=$@§@@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@@§@$=-,.
.,-=$@§§@@ STRUCTURE (THE BUILDING FEATURES A @@§§@$=-,.
...,-=@@@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@@@=-,...
.,-=$@§@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@§@$=-,.
.....-=@@@ FURTHER THAN A FEW FLOORS). @@@=-.....
.,-=$@§@## ##@§@$=-,.
.,-=$@§§§@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @§§§@$=-,.
...,,-=@@@ UNTIL THE AIR INSIDE HAS TAKEN ON THE @@@=-,,...
.....,,-$§ SAME QUALITY AS THE SURROUNDING MIST: §$-,,.....
.,-=$@§@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@§@$=-,.
.,-=$@§@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@§@$=-,.
...,,=$§§§ IF YOU WOULD LOOK THROUGH THE WINDOWS §§§$=,,...
.,-=$@§§@@ YOU WOULD SEE THE MIST ROLLING BY, AND @@§§@$=-,.
......-=$§ PERHAPS THE OUTLINE OF SOME OTHER §$=-......
....-$$§@@ BUILDING, FAR BELOW. @@§$$-....
.,-=$@§@## ##@§@$=-,.
.,-=$@§@@# DURING THE NIGHT, AFTER TAINARON HAS #@@§@$=-,.
.,-=$@§@@# STARTED MOVING, THE LOWER FLOORS ARE #@@§@$=-,.
.....,-$@§ SHUT OFF, PREVENTING ENTRY OR EXIT FOR §@$-,.....
...,,-=@@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@@=-,,...
......,-$§ BUT THE DRINKS BECOME MORE EXTRAVAGANT. §$-,......
......,=@@ IT'S AT THIS POINT THAT THE SECOND SET @@=,......
.....,-$§§ OF GUEST ARRIVES, VIA HELICOPTER - §§$-,.....
.,-=$@@@§@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @§@@@$=-,.
.,-=$@§@## ##@§@$=-,.
.,-=$@§@@# ----- #@@§@$=-,.
.,-=$@@@## ##@@@$=-,.
.,-=$@§@@# IN MY DREAM I AM INVITED AS A FRIEND OF #@@§@$=-,.
.,-=$@§@@# ONE OF THE SERVERS, AND THUS SAFE. WE #@@§@$=-,.
.,-==$$$§@ SIT IN ONE OF THE LARGE WINDOWS, @§$$$==-,.
.,-=$@§@@# LOOKING THROUGH THE MIST FOR ANY #@@§@$=-,.
.....,-$@@ LANDMARKS TO PIERCE THROUGH THE MIST. @@$-,.....
....,,=$$§ SHE TELLS ME THAT APART FROM COMING AND §$$=,,....
....,-=$§§ GOING FROM WORK, SHE'S NEVER SEEN THE §§$=-,....
.,-=$@§§§@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @§§§@$=-,.
...,====@@ @@====,...
...,-$@@§@ THE NEXT DAY I AM INVITED TO THE PUBLIC @§@@$-,...
.....---$§ DEMONSTRATION OF THE EXOBUBBLE. §$---.....
......-=@@ @@=-......
.,-=$@@@§@ @§@@@$=-,.
..,,-$@§§§ §§§@$-,,..
.,-===@§§§ §§§@===-,.
.,-=$$$@@@ @@@$$$=-,.