.,~†*§#¶@#                                          #@¶#§*†~,.
.,~†*§#¶@@                                          @@¶#§*†~,.
.,~†*§##¶¶                                          ¶¶##§*†~,.
.....,†§##                                          ##§†,.....
.,~†*§#¶@#                                          #@¶#§*†~,.
.,~††**§#@        THE SKYSCRAPER THAT MOVES         @#§**††~,.
....~†§##¶                                          ¶##§†~....
...,~†††*# TAINARON  IS   A   BUILDING  OWNED   AND #*†††~,...
.,~†*§#¶@#  OPERATED BY AMATA TEXNOLOGIYASI PLACED  #@¶#§*†~,.
.,~†*§#¶@# CLOSED  TO  THE  HARBOR IN  MALMÖ.  IT'S #@¶#§*†~,.
..,,~***#@ ROUGHLY  SIXTY  FLOORS HIGH (REAL NUMBER @#***~,,..
.,~~~**§§¶    UNKNOWN), DARK BLUE AND COMPLETELY    ¶§§**~~~,.
.,~†*§#¶@#    RECTANGULAR. IT FEATURES NO SIGNS,    #@¶#§*†~,.
....,††*#¶ LIGHTS,   OR  ORNAMENTS,  APART  FROM  A ¶#*††,....
.,~†*§§§#@ HELIPAD   ON  TOP.   MOST  FLOORS   HAVE @#§§§*†~,.
...~~~*§§# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #§§*~~~...
....~*§§##                                          ##§§*~....
....,~*§§¶ IN LATE  EVENINGS,  SHROUDED  BY MALMö'S ¶§§*~,....
.,~†*§#¶@# SIGNATURE FOG ROLLING IN  FROM  THE SEA, #@¶#§*†~,.
.,~†*§#¶@@ THE  BUILDING COMES TO LIFE: IT MOVES ON @@¶#§*†~,.
.,~†*§#¶@@ A   THOUSAND  ROBOTIC  LEGS  TO  ANOTHER @@¶#§*†~,.
.,~†*§#¶@@ (SECRET)  PART  OF TOWN, OR PERHAPS  OUT @@¶#§*†~,.
.,~†*§#### TO  SEA.  THIS SIGNALS  A  NEW AND  MORE ####§*†~,.
.,~*§#¶@##      VISCIOUS PHASE OF THE TAINARON      ##@¶#§*~,.
....,††§¶@                ECOSYSTEM.                @¶§††,....
....,,†§§¶                                          ¶§§†,,....
..,,,†*##@ THE  GUESTS  ARRIVING  DURING  THE EARLY @##*†,,,..
.,~†*§#@## EVENING ARE  TREATED  TO FOOD AND DRINK, ##@#§*†~,.
....,†§#¶¶ LIVE  MUSIC,  BEATUTIFUL  VIEWS,  AND  A ¶¶#§†,....
...~~†§#¶@    COMFORTABLE BUT MAZE-LIKE INTERIOR    @¶#§†~~...
.,~†*§#¶@@    STRUCTURE (THE BUILDING FEATURES A    @@¶#§*†~,.
.,~†*§#¶@#  MULTITUDE OF STAIRWELLS AND ELEVATORS,  #@¶#§*†~,.
.....,~*#@ PLACED  SEEMINGLY AT RANDOM, NONE  GOING @#*~,.....
.,~†*§§##¶       FURTHER THAN A FEW FLOORS).        ¶##§§*†~,.
...,~~~*§#                                          #§*~~~,...
..,,,,†*§# AS  TIME GOES ON, THE LIGHTS SLOWLY DIM, #§*†,,,,..
.,~†*§#¶@# UNTIL THE  AIR  INSIDE HAS TAKEN ON  THE #@¶#§*†~,.
..,,,,,†§¶ SAME  QUALITY  AS  THE SURROUNDING MIST: ¶§†,,,,,..
...~†**#¶@ BLUE-GRAY,  SPRINKLED WITH THE SMALL RED @¶#**†~...
.,~†*§#¶@# DOT'S BY DOOR LOCKS AND  CONTROL PANELS. #@¶#§*†~,.
.,~†*#¶@## IF  YOU  WOULD LOOK THROUGH THE  WINDOWS ##@¶#*†~,.
.,~†*§###@ YOU  WOULD  SEE THE MIST ROLLING BY, AND @###§*†~,.
......,~*# PERHAPS  THE  OUTLINE   OF   SOME  OTHER #*~,......
.....,,†§#           BUILDING, FAR BELOW.           #§†,,.....
.,~†*§#@##                                          ##@#§*†~,.
.,~†*§¶@## DURING THE  NIGHT,  AFTER  TAINARON  HAS ##@¶§*†~,.
.~†*§#¶@## STARTED  MOVING, THE  LOWER  FLOORS  ARE ##@¶#§*†~.
....~**##¶ SHUT OFF,  PREVENTING ENTRY  OR EXIT FOR ¶##**~....
.,~~†***## THE  GUESTS. FOOD  IS  NO LONGER SERVED, ##***†~~,.
.,~†*§#¶@# BUT THE DRINKS  BECOME MORE EXTRAVAGANT. #@¶#§*†~,.
.,~†*§###¶ IT'S AT  THIS POINT THAT  THE SECOND SET ¶###§*†~,.
...,,†**§¶ OF  GUEST   ARRIVES,  VIA  HELICOPTER  - ¶§**†,,...
.,~†**§#¶¶  AMATA TEXNOLOGIYASI AND THEIR FRIENDS.  ¶¶#§**†~,.
.,~†*§#¶##                                          ##¶#§*†~,.
.,~†*§#¶@#                   ~~~~~                  #@¶#§*†~,.
.,~†*§#¶¶¶                                          ¶¶¶#§*†~,.
.,~†***#¶¶ IN MY DREAM I AM INVITED  AS A FRIEND OF ¶¶#***†~,.
.....~~*#@ ONE OF  THE  SERVERS, AND THUS  SAFE. WE @#*~~.....
.,~†*§#¶@# SIT  IN  ONE   OF  THE   LARGE  WINDOWS, #@¶#§*†~,.
.,~†*§#¶@# LOOKING  THROUGH   THE   MIST  FOR   ANY #@¶#§*†~,.
.,~†*§#¶¶@ LANDMARKS  TO  PIERCE THROUGH  THE MIST. @¶¶#§*†~,.
.....,,~*# SHE TELLS ME THAT  APART FROM COMING AND #*~,,.....
...,~†*##@ GOING FROM  WORK, SHE'S NEVER  SEEN  THE @##*†~,...
.,~†*§#¶@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@¶#§*†~,.
....,~*#¶¶                                          ¶¶#*~,....
.,~†**§§## THE NEXT DAY I AM INVITED TO THE  PUBLIC ##§§**†~,.
.,~†*§#¶@@      DEMONSTRATION OF THE EXOBUBBLE.     @@¶#§*†~,.
.,~†*§#¶@#                                          #@¶#§*†~,.
......,†*#                                          #*†,......
.,~†*§#¶@#                                          #@¶#§*†~,.
.....~†*§#                                          #§*†~.....
....~~†§¶¶                                          ¶¶§†~~....