¨¨¨¨-\%@@# #@@%\-¨¨¨¨
¨¨--\\*@@@ @@@*\\--¨¨
¨¨¨¨¨--\%# #%\--¨¨¨¨¨
¨--\*%%%@@ @@%%%*\--¨
¨--\*%@#@# #@#@%*\--¨
¨¨¨¨¨--*%@ THE SKYSCRAPER THAT MOVES @%*--¨¨¨¨¨
¨--\*%@### ###@%*\--¨
¨--\*%#@## TAINARON IS A BUILDING OWNED AND ##@#%*\--¨
¨--\*%%%#@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @#%%%*\--¨
¨¨¨¨¨-\*@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@*\-¨¨¨¨¨
¨--\*%@#@@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @@#@%*\--¨
¨--\*%@#@# UNKNOWN), DARK BLUE AND COMPLETELY #@#@%*\--¨
¨¨¨¨--\\*@ RECTANGULAR. IT FEATURES NO SIGNS, @*\\--¨¨¨¨
¨--\*%@#@# LIGHTS, OR ORNAMENTS, APART FROM A #@#@%*\--¨
¨--\*%@#@# HELIPAD ON TOP. MOST FLOORS HAVE #@#@%*\--¨
¨¨¨--\*%#@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @#%*\--¨¨¨
¨--\*%@@@# #@@@%*\--¨
¨¨¨¨¨¨-\*@ IN LATE EVENINGS, SHROUDED BY MALMö'S @*\-¨¨¨¨¨¨
¨--\*%@#@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@#@%*\--¨
¨¨--\\***@ THE BUILDING COMES TO LIFE: IT MOVES ON @***\\--¨¨
¨--\*%@#@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@#@%*\--¨
¨¨¨¨¨---*@ (SECRET) PART OF TOWN, OR PERHAPS OUT @*---¨¨¨¨¨
¨¨¨¨¨-\\%# TO SEA. THIS SIGNALS A NEW AND MORE #%\\-¨¨¨¨¨
¨--\*%@##@ VISCIOUS PHASE OF THE TAINARON @##@%*\--¨
¨--\*%@#@# ECOSYSTEM. #@#@%*\--¨
¨--\%@#@## ##@#@%\--¨
¨--\*%@#@# THE GUESTS ARRIVING DURING THE EARLY #@#@%*\--¨
¨--\*%@##@ EVENING ARE TREATED TO FOOD AND DRINK, @##@%*\--¨
¨--*%@#@## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##@#@%*--¨
¨--\*%@### COMFORTABLE BUT MAZE-LIKE INTERIOR ###@%*\--¨
¨--\\**%## STRUCTURE (THE BUILDING FEATURES A ##%**\\--¨
¨--\*@#@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@#@*\--¨
¨¨¨----*%@ PLACED SEEMINGLY AT RANDOM, NONE GOING @%*----¨¨¨
¨¨¨¨---*@@ FURTHER THAN A FEW FLOORS). @@*---¨¨¨¨
¨¨¨-\**%## ##%**\-¨¨¨
¨--\*%#@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@#%*\--¨
¨--\*%@#@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@#@%*\--¨
¨¨¨¨-*%@@@ SAME QUALITY AS THE SURROUNDING MIST: @@@%*-¨¨¨¨
¨¨¨¨¨-\%@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@%\-¨¨¨¨¨
¨--\*%@#@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@#@%*\--¨
¨¨¨¨¨-\*%@ IF YOU WOULD LOOK THROUGH THE WINDOWS @%*\-¨¨¨¨¨
¨¨¨¨¨-**%# YOU WOULD SEE THE MIST ROLLING BY, AND #%**-¨¨¨¨¨
¨--\\\*%@# PERHAPS THE OUTLINE OF SOME OTHER #@%*\\\--¨
¨¨----**@@ BUILDING, FAR BELOW. @@**----¨¨
¨¨¨---*%@@ @@%*---¨¨¨
¨¨¨¨¨--*%@ DURING THE NIGHT, AFTER TAINARON HAS @%*--¨¨¨¨¨
¨--\\*%%@@ STARTED MOVING, THE LOWER FLOORS ARE @@%%*\\--¨
¨¨¨¨---*@@ SHUT OFF, PREVENTING ENTRY OR EXIT FOR @@*---¨¨¨¨
¨¨¨¨-\\*@@ THE GUESTS. FOOD IS NO LONGER SERVED, @@*\\-¨¨¨¨
¨¨¨-----*@ BUT THE DRINKS BECOME MORE EXTRAVAGANT. @*-----¨¨¨
¨--\*%@#@# IT'S AT THIS POINT THAT THE SECOND SET #@#@%*\--¨
¨¨¨¨-\\**@ OF GUEST ARRIVES, VIA HELICOPTER - @**\\-¨¨¨¨
¨--\*%@#@# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. #@#@%*\--¨
¨--\*%@#@# #@#@%*\--¨
¨¨¨¨--**@@ ----- @@**--¨¨¨¨
¨--\*%@#@# #@#@%*\--¨
¨¨¨¨-\\%%# IN MY DREAM I AM INVITED AS A FRIEND OF #%%\\-¨¨¨¨
¨--\**%%%# ONE OF THE SERVERS, AND THUS SAFE. WE #%%%**\--¨
¨¨¨-\****@ SIT IN ONE OF THE LARGE WINDOWS, @****\-¨¨¨
¨--\*%@#@# LOOKING THROUGH THE MIST FOR ANY #@#@%*\--¨
¨--\*%#@## LANDMARKS TO PIERCE THROUGH THE MIST. ##@#%*\--¨
¨¨¨¨--*@## SHE TELLS ME THAT APART FROM COMING AND ##@*--¨¨¨¨
¨--\*%@#@# GOING FROM WORK, SHE'S NEVER SEEN THE #@#@%*\--¨
¨--\%@#@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@#@%\--¨
¨--\*%@#@# #@#@%*\--¨
¨--\*%@### THE NEXT DAY I AM INVITED TO THE PUBLIC ###@%*\--¨
¨--\*%@#@# DEMONSTRATION OF THE EXOBUBBLE. #@#@%*\--¨
¨¨¨---\*@@ @@*\---¨¨¨
¨-----\**@ @**\-----¨
¨¨¨¨-\\\*@ @*\\\-¨¨¨¨
¨--\*%@#@# #@#@%*\--¨
¨--\*%@#@# #@#@%*\--¨