.^=\$&¤### ###¤&$\=^.
..^=\$&¤## ##¤&$\=^..
...^=\$&¤# #¤&$\=^...
..^=\$&¤## ##¤&$\=^..
.^=\$&¤### ###¤&$\=^.
..^=\$&¤## the skyscraper that moves ##¤&$\=^..
...^=\$&¤# #¤&$\=^...
..^=\$&¤## tainaron is a building owned and ##¤&$\=^..
.^=\$&¤### operated by amata texnologiyasi placed ###¤&$\=^.
..^=\$&¤## closed to the harbor in malmÖ. it's ##¤&$\=^..
...^=\$&¤# roughly sixty floors high (real number #¤&$\=^...
..^=\$&¤## unknown), dark blue and completely ##¤&$\=^..
.^=\$&¤### rectangular. it features no signs, ###¤&$\=^.
..^=\$&¤## lights, or ornaments, apart from a ##¤&$\=^..
...^=\$&¤# helipad on top. most floors have #¤&$\=^...
..^=\$&¤## exterior walls completely made of glass. ##¤&$\=^..
.^=\$&¤### ###¤&$\=^.
..^=\$&¤## in late evenings, shrouded by malmö's ##¤&$\=^..
...^=\$&¤# signature fog rolling in from the sea, #¤&$\=^...
..^=\$&¤## the building comes to life: it moves on ##¤&$\=^..
.^=\$&¤### a thousand robotic legs to another ###¤&$\=^.
..^=\$&¤## (secret) part of town, or perhaps out ##¤&$\=^..
...^=\$&¤# to sea. this signals a new and more #¤&$\=^...
..^=\$&¤## viscious phase of the tainaron ##¤&$\=^..
.^=\$&¤### ecosystem. ###¤&$\=^.
..^=\$&¤## ##¤&$\=^..
...^=\$&¤# the guests arriving during the early #¤&$\=^...
..^=\$&¤## evening are treated to food and drink, ##¤&$\=^..
.^=\$&¤### live music, beatutiful views, and a ###¤&$\=^.
..^=\$&¤## comfortable but maze-like interior ##¤&$\=^..
...^=\$&¤# structure (the building features a #¤&$\=^...
..^=\$&¤## multitude of stairwells and elevators, ##¤&$\=^..
.^=\$&¤### placed seemingly at random, none going ###¤&$\=^.
..^=\$&¤## further than a few floors). ##¤&$\=^..
...^=\$&¤# #¤&$\=^...
..^=\$&¤## as time goes on, the lights slowly dim, ##¤&$\=^..
.^=\$&¤### until the air inside has taken on the ###¤&$\=^.
..^=\$&¤## same quality as the surrounding mist: ##¤&$\=^..
...^=\$&¤# blue-gray, sprinkled with the small red #¤&$\=^...
..^=\$&¤## dot's by door locks and control panels. ##¤&$\=^..
.^=\$&¤### if you would look through the windows ###¤&$\=^.
..^=\$&¤## you would see the mist rolling by, and ##¤&$\=^..
...^=\$&¤# perhaps the outline of some other #¤&$\=^...
..^=\$&¤## building, far below. ##¤&$\=^..
.^=\$&¤### ###¤&$\=^.
..^=\$&¤## during the night, after tainaron has ##¤&$\=^..
...^=\$&¤# started moving, the lower floors are #¤&$\=^...
..^=\$&¤## shut off, preventing entry or exit for ##¤&$\=^..
.^=\$&¤### the guests. food is no longer served, ###¤&$\=^.
..^=\$&¤## but the drinks become more extravagant. ##¤&$\=^..
...^=\$&¤# it's at this point that the second set #¤&$\=^...
..^=\$&¤## of guest arrives, via helicopter - ##¤&$\=^..
.^=\$&¤### amata texnologiyasi and their friends. ###¤&$\=^.
..^=\$&¤## ##¤&$\=^..
...^=\$&¤# ===== #¤&$\=^...
..^=\$&¤## ##¤&$\=^..
.^=\$&¤### in my dream i am invited as a friend of ###¤&$\=^.
..^=\$&¤## one of the servers, and thus safe. we ##¤&$\=^..
...^=\$&¤# sit in one of the large windows, #¤&$\=^...
..^=\$&¤## looking through the mist for any ##¤&$\=^..
.^=\$&¤### landmarks to pierce through the mist. ###¤&$\=^.
..^=\$&¤## she tells me that apart from coming and ##¤&$\=^..
...^=\$&¤# going from work, she's never seen the #¤&$\=^...
..^=\$&¤## building from the outside. we both sigh. ##¤&$\=^..
.^=\$&¤### ###¤&$\=^.
..^=\$&¤## the next day i am invited to the public ##¤&$\=^..
...^=\$&¤# demonstration of the exobubble. #¤&$\=^...
..^=\$&¤## ##¤&$\=^..
.^=\$&¤### ###¤&$\=^.
..^=\$&¤## ##¤&$\=^..
...^=\$&¤# #¤&$\=^...
..^=\$&¤## ##¤&$\=^..