,,===†††§# #§†††===,,
,,,=/††§## ##§††/=,,,
,,=/†§#¶## ##¶#§†/=,,
,,=/†§#¶## ##¶#§†/=,,
,,=/†#¶### ###¶#†/=,,
,,=/†§#¶## THE SKYSCRAPER THAT MOVES ##¶#§†/=,,
,,=/†§#¶## ##¶#§†/=,,
,,=/†§#¶## TAINARON IS A BUILDING OWNED AND ##¶#§†/=,,
,,,====/§¶ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¶§/====,,,
,,,,,=††§¶ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¶§††=,,,,,
,,=/†§#¶## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##¶#§†/=,,
,,=/†§#¶¶# UNKNOWN), DARK BLUE AND COMPLETELY #¶¶#§†/=,,
,,,,,=/†§¶ RECTANGULAR. IT FEATURES NO SIGNS, ¶§†/=,,,,,
,,=/†§#¶## LIGHTS, OR ORNAMENTS, APART FROM A ##¶#§†/=,,
,,=/†§#¶## HELIPAD ON TOP. MOST FLOORS HAVE ##¶#§†/=,,
,,=/†§§§§¶ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¶§§§§†/=,,
,,=/†§#¶## ##¶#§†/=,,
,,,==/††## IN LATE EVENINGS, SHROUDED BY MALMö'S ##††/==,,,
,,=/†§§§## SIGNATURE FOG ROLLING IN FROM THE SEA, ##§§§†/=,,
,,=/†§###¶ THE BUILDING COMES TO LIFE: IT MOVES ON ¶###§†/=,,
,,,,,,=†## A THOUSAND ROBOTIC LEGS TO ANOTHER ##†=,,,,,,
,,,,,,/§#¶ (SECRET) PART OF TOWN, OR PERHAPS OUT ¶#§/,,,,,,
,,=/†§#¶## TO SEA. THIS SIGNALS A NEW AND MORE ##¶#§†/=,,
,,,,//†§§# VISCIOUS PHASE OF THE TAINARON #§§†//,,,,
,,,,=††##¶ ECOSYSTEM. ¶##††=,,,,
,,=/†§#¶## ##¶#§†/=,,
,,=/†§#¶## THE GUESTS ARRIVING DURING THE EARLY ##¶#§†/=,,
,,,,,=//§¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶§//=,,,,,
,,=////†§# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #§†////=,,
,,=/†§#¶## COMFORTABLE BUT MAZE-LIKE INTERIOR ##¶#§†/=,,
,,,,,=†§## STRUCTURE (THE BUILDING FEATURES A ##§†=,,,,,
,,,,,,/§#¶ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¶#§/,,,,,,
,,=/†§#¶¶# PLACED SEEMINGLY AT RANDOM, NONE GOING #¶¶#§†/=,,
,,=/†§#### FURTHER THAN A FEW FLOORS). ####§†/=,,
,,=/†§#¶## ##¶#§†/=,,
,,,,,=†§¶# AS TIME GOES ON, THE LIGHTS SLOWLY DIM, #¶§†=,,,,,
,,,,,,,/§¶ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¶§/,,,,,,,
,,=/†§#¶¶# SAME QUALITY AS THE SURROUNDING MIST: #¶¶#§†/=,,
,,,,,,=††# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #††=,,,,,,
,,=/†§¶### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###¶§†/=,,
,,=/†§#¶## IF YOU WOULD LOOK THROUGH THE WINDOWS ##¶#§†/=,,
,,=/†§§§## YOU WOULD SEE THE MIST ROLLING BY, AND ##§§§†/=,,
,,,,,=†### PERHAPS THE OUTLINE OF SOME OTHER ###†=,,,,,
,,,=//†§¶# BUILDING, FAR BELOW. #¶§†//=,,,
,,,,,//†## ##†//,,,,,
,,,,,/§§## DURING THE NIGHT, AFTER TAINARON HAS ##§§/,,,,,
,,=/†§§§#¶ STARTED MOVING, THE LOWER FLOORS ARE ¶#§§§†/=,,
,,,,,,/†§¶ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¶§†/,,,,,,
,,,,,///§¶ THE GUESTS. FOOD IS NO LONGER SERVED, ¶§///,,,,,
,,=/†§#¶## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##¶#§†/=,,
,,=/†§#¶¶# IT'S AT THIS POINT THAT THE SECOND SET #¶¶#§†/=,,
,,,,=††§## OF GUEST ARRIVES, VIA HELICOPTER - ##§††=,,,,
,,=/†§#¶## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##¶#§†/=,,
,,,,//§§§# #§§§//,,,,
,,,,,,=††# ===== #††=,,,,,,
,,=/†§#¶¶¶ ¶¶¶#§†/=,,
,,===//††# IN MY DREAM I AM INVITED AS A FRIEND OF #††//===,,
,,,,,/†§¶¶ ONE OF THE SERVERS, AND THUS SAFE. WE ¶¶§†/,,,,,
,,=/§#¶### SIT IN ONE OF THE LARGE WINDOWS, ###¶#§/=,,
,,,,,,=/†# LOOKING THROUGH THE MIST FOR ANY #†/=,,,,,,
,,,,,,=††# LANDMARKS TO PIERCE THROUGH THE MIST. #††=,,,,,,
,,=/†§#¶## SHE TELLS ME THAT APART FROM COMING AND ##¶#§†/=,,
,,,,,,/§## GOING FROM WORK, SHE'S NEVER SEEN THE ##§/,,,,,,
,,=/†§#¶## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##¶#§†/=,,
,,,,//§§## ##§§//,,,,
,,=/†§#¶## THE NEXT DAY I AM INVITED TO THE PUBLIC ##¶#§†/=,,
,,=/††§§§# DEMONSTRATION OF THE EXOBUBBLE. #§§§††/=,,
,,,,,/§##¶ ¶##§/,,,,,
,,=/†§#### ####§†/=,,
,,,,,=/†## ##†/=,,,,,
,,,,,,,/§# #§/,,,,,,,
,,=/††††§¶ ¶§††††/=,,