##@#%^:»., ,.»:^%#@##
#@#%^:».,, ,,.»:^%#@#
@#%^:».,,, ,,,.»:^%#@
#@#%^:».,, ,,.»:^%#@#
##@#%^:»., ,.»:^%#@##
#@#%^:».,, the skyscraper that moves ,,.»:^%#@#
@#%^:».,,, ,,,.»:^%#@
#@#%^:».,, tainaron is a building owned and ,,.»:^%#@#
##@#%^:»., operated by amata texnologiyasi placed ,.»:^%#@##
#@#%^:».,, closed to the harbor in malmÖ. it's ,,.»:^%#@#
@#%^:».,,, roughly sixty floors high (real number ,,,.»:^%#@
#@#%^:».,, unknown), dark blue and completely ,,.»:^%#@#
##@#%^:»., rectangular. it features no signs, ,.»:^%#@##
#@#%^:».,, lights, or ornaments, apart from a ,,.»:^%#@#
@#%^:».,,, helipad on top. most floors have ,,,.»:^%#@
#@#%^:».,, exterior walls completely made of glass. ,,.»:^%#@#
##@#%^:»., ,.»:^%#@##
#@#%^:».,, in late evenings, shrouded by malmö's ,,.»:^%#@#
@#%^:».,,, signature fog rolling in from the sea, ,,,.»:^%#@
#@#%^:».,, the building comes to life: it moves on ,,.»:^%#@#
##@#%^:»., a thousand robotic legs to another ,.»:^%#@##
#@#%^:».,, (secret) part of town, or perhaps out ,,.»:^%#@#
@#%^:».,,, to sea. this signals a new and more ,,,.»:^%#@
#@#%^:».,, viscious phase of the tainaron ,,.»:^%#@#
##@#%^:»., ecosystem. ,.»:^%#@##
#@#%^:».,, ,,.»:^%#@#
@#%^:».,,, the guests arriving during the early ,,,.»:^%#@
#@#%^:».,, evening are treated to food and drink, ,,.»:^%#@#
##@#%^:»., live music, beatutiful views, and a ,.»:^%#@##
#@#%^:».,, comfortable but maze-like interior ,,.»:^%#@#
@#%^:».,,, structure (the building features a ,,,.»:^%#@
#@#%^:».,, multitude of stairwells and elevators, ,,.»:^%#@#
##@#%^:»., placed seemingly at random, none going ,.»:^%#@##
#@#%^:».,, further than a few floors). ,,.»:^%#@#
@#%^:».,,, ,,,.»:^%#@
#@#%^:».,, as time goes on, the lights slowly dim, ,,.»:^%#@#
##@#%^:»., until the air inside has taken on the ,.»:^%#@##
#@#%^:».,, same quality as the surrounding mist: ,,.»:^%#@#
@#%^:».,,, blue-gray, sprinkled with the small red ,,,.»:^%#@
#@#%^:».,, dot's by door locks and control panels. ,,.»:^%#@#
##@#%^:»., if you would look through the windows ,.»:^%#@##
#@#%^:».,, you would see the mist rolling by, and ,,.»:^%#@#
@#%^:».,,, perhaps the outline of some other ,,,.»:^%#@
#@#%^:».,, building, far below. ,,.»:^%#@#
##@#%^:»., ,.»:^%#@##
#@#%^:».,, during the night, after tainaron has ,,.»:^%#@#
@#%^:».,,, started moving, the lower floors are ,,,.»:^%#@
#@#%^:».,, shut off, preventing entry or exit for ,,.»:^%#@#
##@#%^:»., the guests. food is no longer served, ,.»:^%#@##
#@#%^:».,, but the drinks become more extravagant. ,,.»:^%#@#
@#%^:».,,, it's at this point that the second set ,,,.»:^%#@
#@#%^:».,, of guest arrives, via helicopter - ,,.»:^%#@#
##@#%^:»., amata texnologiyasi and their friends. ,.»:^%#@##
#@#%^:».,, ,,.»:^%#@#
@#%^:».,,, »»»»» ,,,.»:^%#@
#@#%^:».,, ,,.»:^%#@#
##@#%^:»., in my dream i am invited as a friend of ,.»:^%#@##
#@#%^:».,, one of the servers, and thus safe. we ,,.»:^%#@#
@#%^:».,,, sit in one of the large windows, ,,,.»:^%#@
#@#%^:».,, looking through the mist for any ,,.»:^%#@#
##@#%^:»., landmarks to pierce through the mist. ,.»:^%#@##
#@#%^:».,, she tells me that apart from coming and ,,.»:^%#@#
@#%^:».,,, going from work, she's never seen the ,,,.»:^%#@
#@#%^:».,, building from the outside. we both sigh. ,,.»:^%#@#
##@#%^:»., ,.»:^%#@##
#@#%^:».,, the next day i am invited to the public ,,.»:^%#@#
@#%^:».,,, demonstration of the exobubble. ,,,.»:^%#@
#@#%^:».,, ,,.»:^%#@#
##@#%^:»., ,.»:^%#@##
#@#%^:».,, ,,.»:^%#@#
@#%^:».,,, ,,,.»:^%#@
#@#%^:».,, ,,.»:^%#@#