¨:~/%$¤¤@@ @@¤¤$%/~:¨
¨:~/%$¤@## ##@¤$%/~:¨
¨¨¨¨¨~%¤¤@ @¤¤%~¨¨¨¨¨
¨:~/%$¤@@# #@@¤$%/~:¨
¨:~/%$¤@@# #@@¤$%/~:¨
¨:~/$¤@@## THE SKYSCRAPER THAT MOVES ##@@¤$/~:¨
¨:~/%$¤@@# #@@¤$%/~:¨
¨:~/%¤@@## TAINARON IS A BUILDING OWNED AND ##@@¤%/~:¨
¨¨¨¨:/%%$@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @$%%/:¨¨¨¨
¨:~/%$¤@@@ CLOSED TO THE HARBOR IN MALMÖ. IT'S @@@¤$%/~:¨
¨¨¨¨¨~//$@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @$//~¨¨¨¨¨
¨:~/%%%%¤@ UNKNOWN), DARK BLUE AND COMPLETELY @¤%%%%/~:¨
¨:~/%$¤@## RECTANGULAR. IT FEATURES NO SIGNS, ##@¤$%/~:¨
¨:~/%$¤@@# LIGHTS, OR ORNAMENTS, APART FROM A #@@¤$%/~:¨
¨¨¨¨~/%%$@ HELIPAD ON TOP. MOST FLOORS HAVE @$%%/~¨¨¨¨
¨¨¨¨~~%¤@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@¤%~~¨¨¨¨
¨¨¨¨¨:/%¤¤ ¤¤%/:¨¨¨¨¨
¨:~~~%%$$@ IN LATE EVENINGS, SHROUDED BY MALMö'S @$$%%~~~:¨
¨:~/%%%%%¤ SIGNATURE FOG ROLLING IN FROM THE SEA, ¤%%%%%/~:¨
¨:~/%$¤@@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@@¤$%/~:¨
¨:~/%$¤@@# A THOUSAND ROBOTIC LEGS TO ANOTHER #@@¤$%/~:¨
¨:~/%$¤@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@@¤$%/~:¨
¨:~/%$¤@@# TO SEA. THIS SIGNALS A NEW AND MORE #@@¤$%/~:¨
¨:~/%$¤@@# VISCIOUS PHASE OF THE TAINARON #@@¤$%/~:¨
¨:~~/%%$¤@ ECOSYSTEM. @¤$%%/~~:¨
¨:~/%$¤@## ##@¤$%/~:¨
¨:~/%$¤@## THE GUESTS ARRIVING DURING THE EARLY ##@¤$%/~:¨
¨:~/%$¤@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@¤$%/~:¨
¨:~/%$¤@@# LIVE MUSIC, BEATUTIFUL VIEWS, AND A #@@¤$%/~:¨
¨:~/%$¤@@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@@¤$%/~:¨
¨¨¨::/$$@@ STRUCTURE (THE BUILDING FEATURES A @@$$/::¨¨¨
¨¨:://$¤¤@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @¤¤$//::¨¨
¨:~/%$¤@@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@@¤$%/~:¨
¨¨¨¨¨¨~%%¤ FURTHER THAN A FEW FLOORS). ¤%%~¨¨¨¨¨¨
¨:~///%%¤@ @¤%%///~:¨
¨¨¨¨~~/%¤@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @¤%/~~¨¨¨¨
¨:~/%%%%%¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤%%%%%/~:¨
¨:~/%$¤@@# SAME QUALITY AS THE SURROUNDING MIST: #@@¤$%/~:¨
¨:~/%$@@## BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##@@$%/~:¨
¨:~/%$¤@@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@@¤$%/~:¨
¨:~/%$¤@@@ IF YOU WOULD LOOK THROUGH THE WINDOWS @@@¤$%/~:¨
¨:~/%$¤@@# YOU WOULD SEE THE MIST ROLLING BY, AND #@@¤$%/~:¨
¨:~/%$¤@@# PERHAPS THE OUTLINE OF SOME OTHER #@@¤$%/~:¨
¨:~/%$¤@@@ BUILDING, FAR BELOW. @@@¤$%/~:¨
¨:~/%$¤@@# #@@¤$%/~:¨
¨:~/%$¤¤@@ DURING THE NIGHT, AFTER TAINARON HAS @@¤¤$%/~:¨
¨¨¨¨¨~~%¤¤ STARTED MOVING, THE LOWER FLOORS ARE ¤¤%~~¨¨¨¨¨
¨:~/%$¤@@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@@¤$%/~:¨
¨:~/%$¤@@# THE GUESTS. FOOD IS NO LONGER SERVED, #@@¤$%/~:¨
¨:~////%$¤ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¤$%////~:¨
¨:~/%$¤@@# IT'S AT THIS POINT THAT THE SECOND SET #@@¤$%/~:¨
¨::~~%%$¤@ OF GUEST ARRIVES, VIA HELICOPTER - @¤$%%~~::¨
¨¨¨¨¨~//%¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤%//~¨¨¨¨¨
¨¨¨::~/$¤@ @¤$/~::¨¨¨
¨¨¨¨¨:/$@@ ~~~~~ @@$/:¨¨¨¨¨
¨:~/%$¤@@# #@@¤$%/~:¨
¨:~/%$¤@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@¤$%/~:¨
¨¨¨¨¨¨~/%¤ ONE OF THE SERVERS, AND THUS SAFE. WE ¤%/~¨¨¨¨¨¨
¨:~/%$¤@@# SIT IN ONE OF THE LARGE WINDOWS, #@@¤$%/~:¨
¨¨¨:~/$$¤@ LOOKING THROUGH THE MIST FOR ANY @¤$$/~:¨¨¨
¨:~/%$¤@@# LANDMARKS TO PIERCE THROUGH THE MIST. #@@¤$%/~:¨
¨¨¨¨¨:~%%¤ SHE TELLS ME THAT APART FROM COMING AND ¤%%~:¨¨¨¨¨
¨:~/%%%¤¤@ GOING FROM WORK, SHE'S NEVER SEEN THE @¤¤%%%/~:¨
¨:::~//%¤@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @¤%//~:::¨
¨:~/%$¤@@@ @@@¤$%/~:¨
¨:~/%$¤@@@ THE NEXT DAY I AM INVITED TO THE PUBLIC @@@¤$%/~:¨
¨:~/%¤@@## DEMONSTRATION OF THE EXOBUBBLE. ##@@¤%/~:¨
¨¨¨¨¨:~%¤@ @¤%~:¨¨¨¨¨
¨:~/$¤@@## ##@@¤$/~:¨
¨:~/%$¤@@@ @@@¤$%/~:¨
¨:~/%$¤@@# #@@¤$%/~:¨
¨:~/%$¤@@@ @@@¤$%/~:¨