¨,~\%¤@### ###@¤%\~,¨
¨¨,~\%¤@## ##@¤%\~,¨¨
¨¨¨,~\%¤@# #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ THE SKYSCRAPER THAT MOVES @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# #@¤%\~,¨¨¨
¨¨,~\%¤@## TAINARON IS A BUILDING OWNED AND ##@¤%\~,¨¨
¨,~\%¤@### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###@¤%\~,¨
¨¨,~\%¤@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@¤%\~,¨¨
¨¨¨,~\%¤@# ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ UNKNOWN), DARK BLUE AND COMPLETELY @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ LIGHTS, OR ORNAMENTS, APART FROM A @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# HELIPAD ON TOP. MOST FLOORS HAVE #@¤%\~,¨¨¨
¨¨,~\%¤@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@¤%\~,¨¨
¨,~\%¤@### ###@¤%\~,¨
¨¨,~\%¤@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@¤%\~,¨¨
¨¨¨,~\%¤@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ THE BUILDING COMES TO LIFE: IT MOVES ON @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ (SECRET) PART OF TOWN, OR PERHAPS OUT @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# TO SEA. THIS SIGNALS A NEW AND MORE #@¤%\~,¨¨¨
¨¨,~\%¤@## VISCIOUS PHASE OF THE TAINARON ##@¤%\~,¨¨
¨,~\%¤@### ECOSYSTEM. ###@¤%\~,¨
¨¨,~\%¤@## ##@¤%\~,¨¨
¨¨¨,~\%¤@# THE GUESTS ARRIVING DURING THE EARLY #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ EVENING ARE TREATED TO FOOD AND DRINK, @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ COMFORTABLE BUT MAZE-LIKE INTERIOR @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# STRUCTURE (THE BUILDING FEATURES A #@¤%\~,¨¨¨
¨¨,~\%¤@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@¤%\~,¨¨
¨,~\%¤@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@¤%\~,¨
¨¨,~\%¤@## FURTHER THAN A FEW FLOORS). ##@¤%\~,¨¨
¨¨¨,~\%¤@# #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ SAME QUALITY AS THE SURROUNDING MIST: @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #@¤%\~,¨¨¨
¨¨,~\%¤@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@¤%\~,¨¨
¨,~\%¤@### IF YOU WOULD LOOK THROUGH THE WINDOWS ###@¤%\~,¨
¨¨,~\%¤@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@¤%\~,¨¨
¨¨¨,~\%¤@# PERHAPS THE OUTLINE OF SOME OTHER #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ BUILDING, FAR BELOW. @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ DURING THE NIGHT, AFTER TAINARON HAS @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# STARTED MOVING, THE LOWER FLOORS ARE #@¤%\~,¨¨¨
¨¨,~\%¤@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@¤%\~,¨¨
¨,~\%¤@### THE GUESTS. FOOD IS NO LONGER SERVED, ###@¤%\~,¨
¨¨,~\%¤@## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##@¤%\~,¨¨
¨¨¨,~\%¤@# IT'S AT THIS POINT THAT THE SECOND SET #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ OF GUEST ARRIVES, VIA HELICOPTER - @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# ~~~~~ #@¤%\~,¨¨¨
¨¨,~\%¤@## ##@¤%\~,¨¨
¨,~\%¤@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@¤%\~,¨
¨¨,~\%¤@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@¤%\~,¨¨
¨¨¨,~\%¤@# SIT IN ONE OF THE LARGE WINDOWS, #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ LOOKING THROUGH THE MIST FOR ANY @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ SHE TELLS ME THAT APART FROM COMING AND @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# GOING FROM WORK, SHE'S NEVER SEEN THE #@¤%\~,¨¨¨
¨¨,~\%¤@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@¤%\~,¨¨
¨,~\%¤@### ###@¤%\~,¨
¨¨,~\%¤@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@¤%\~,¨¨
¨¨¨,~\%¤@# DEMONSTRATION OF THE EXOBUBBLE. #@¤%\~,¨¨¨
¨¨¨¨,~\%¤@ @¤%\~,¨¨¨¨
¨¨¨¨¨,~\%¤ ¤%\~,¨¨¨¨¨
¨¨¨¨,~\%¤@ @¤%\~,¨¨¨¨
¨¨¨,~\%¤@# #@¤%\~,¨¨¨
¨¨,~\%¤@## ##@¤%\~,¨¨