¨.-^*¤@### ###@¤*^-.¨
¨.-^*¤¤@## ##@¤¤*^-.¨
¨....^¤¤¤@ @¤¤¤^....¨
¨.-^*¤¤@## ##@¤¤*^-.¨
¨¨¨¨.^*¤¤@ @¤¤*^.¨¨¨¨
¨.-^*¤¤@@# THE SKYSCRAPER THAT MOVES #@@¤¤*^-.¨
¨.-^*¤¤@@@ @@@¤¤*^-.¨
¨.-^¤¤@### TAINARON IS A BUILDING OWNED AND ###@¤¤^-.¨
¨.-^*¤¤¤¤@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @¤¤¤¤*^-.¨
¨.-^*¤¤@## CLOSED TO THE HARBOR IN MALMÖ. IT'S ##@¤¤*^-.¨
¨.-^*¤¤¤¤¤ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¤¤¤¤¤*^-.¨
¨¨¨¨--*¤¤¤ UNKNOWN), DARK BLUE AND COMPLETELY ¤¤¤*--¨¨¨¨
¨.-^*¤¤@## RECTANGULAR. IT FEATURES NO SIGNS, ##@¤¤*^-.¨
¨.-^*¤¤@## LIGHTS, OR ORNAMENTS, APART FROM A ##@¤¤*^-.¨
¨¨..---**¤ HELIPAD ON TOP. MOST FLOORS HAVE ¤**---..¨¨
¨¨¨¨----*¤ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¤*----¨¨¨¨
¨.-^*¤¤### ###¤¤*^-.¨
¨.-^*¤¤@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@¤¤*^-.¨
¨.-^*¤¤@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@¤¤*^-.¨
¨¨¨¨---*¤¤ THE BUILDING COMES TO LIFE: IT MOVES ON ¤¤*---¨¨¨¨
¨¨¨¨¨--^*¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤*^--¨¨¨¨¨
¨¨¨--**¤¤@ (SECRET) PART OF TOWN, OR PERHAPS OUT @¤¤**--¨¨¨
¨.-^*¤¤@## TO SEA. THIS SIGNALS A NEW AND MORE ##@¤¤*^-.¨
¨.-^^^¤¤@@ VISCIOUS PHASE OF THE TAINARON @@¤¤^^^-.¨
¨¨¨¨¨¨-^*¤ ECOSYSTEM. ¤*^-¨¨¨¨¨¨
¨¨...-**¤¤ ¤¤**-...¨¨
¨¨¨.-*¤¤¤¤ THE GUESTS ARRIVING DURING THE EARLY ¤¤¤¤*-.¨¨¨
¨.-^*¤¤@@# EVENING ARE TREATED TO FOOD AND DRINK, #@@¤¤*^-.¨
¨¨¨¨¨¨-**¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤**-¨¨¨¨¨¨
¨.-^*¤¤@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@¤¤*^-.¨
¨.-^*¤¤@## STRUCTURE (THE BUILDING FEATURES A ##@¤¤*^-.¨
¨.-^*¤¤@## MULTITUDE OF STAIRWELLS AND ELEVATORS, ##@¤¤*^-.¨
¨¨..-^^¤¤@ PLACED SEEMINGLY AT RANDOM, NONE GOING @¤¤^^-..¨¨
¨.-^*¤¤¤@# FURTHER THAN A FEW FLOORS). #@¤¤¤*^-.¨
¨¨¨¨¨-^^¤@ @¤^^-¨¨¨¨¨
¨.-^*¤¤@## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ##@¤¤*^-.¨
¨.-^*¤¤@## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##@¤¤*^-.¨
¨.-^*¤¤@## SAME QUALITY AS THE SURROUNDING MIST: ##@¤¤*^-.¨
¨.-^^**¤@@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @@¤**^^-.¨
¨.-^*¤¤@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@¤¤*^-.¨
¨.-^*¤¤@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@¤¤*^-.¨
¨.-^*¤¤@## YOU WOULD SEE THE MIST ROLLING BY, AND ##@¤¤*^-.¨
¨.----*¤@# PERHAPS THE OUTLINE OF SOME OTHER #@¤*----.¨
¨.-^*¤¤@## BUILDING, FAR BELOW. ##@¤¤*^-.¨
¨¨¨¨¨.^^¤¤ ¤¤^^.¨¨¨¨¨
¨¨¨.--*¤¤@ DURING THE NIGHT, AFTER TAINARON HAS @¤¤*--.¨¨¨
¨.-^*¤¤@## STARTED MOVING, THE LOWER FLOORS ARE ##@¤¤*^-.¨
¨.-^*¤¤@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@¤¤*^-.¨
¨.-^*¤¤@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@¤¤*^-.¨
¨.-^****¤# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¤****^-.¨
¨.-^*¤¤@## IT'S AT THIS POINT THAT THE SECOND SET ##@¤¤*^-.¨
¨.-^*¤¤@## OF GUEST ARRIVES, VIA HELICOPTER - ##@¤¤*^-.¨
¨.-^*¤¤@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@¤¤*^-.¨
¨¨¨¨..^¤¤¤ ¤¤¤^..¨¨¨¨
¨¨¨..-^*¤@ ----- @¤*^-..¨¨¨
¨.-^*¤¤@## ##@¤¤*^-.¨
¨¨¨¨¨¨-*¤¤ IN MY DREAM I AM INVITED AS A FRIEND OF ¤¤*-¨¨¨¨¨¨
¨.-^*¤¤¤@@ ONE OF THE SERVERS, AND THUS SAFE. WE @@¤¤¤*^-.¨
¨.-^*¤¤@## SIT IN ONE OF THE LARGE WINDOWS, ##@¤¤*^-.¨
¨.-^*¤¤### LOOKING THROUGH THE MIST FOR ANY ###¤¤*^-.¨
¨....^**¤¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤¤**^....¨
¨¨¨¨¨.-*¤¤ SHE TELLS ME THAT APART FROM COMING AND ¤¤*-.¨¨¨¨¨
¨.-^^^^^¤@ GOING FROM WORK, SHE'S NEVER SEEN THE @¤^^^^^-.¨
¨¨¨¨¨--*¤# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #¤*--¨¨¨¨¨
¨¨¨...-^¤¤ ¤¤^-...¨¨¨
¨.-^*¤¤@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@¤¤*^-.¨
¨.-^*¤¤@## DEMONSTRATION OF THE EXOBUBBLE. ##@¤¤*^-.¨
¨.-^*¤¤@## ##@¤¤*^-.¨
¨.-^*¤¤@## ##@¤¤*^-.¨
¨.-^*¤¤@## ##@¤¤*^-.¨
¨.-^*¤¤@@# #@@¤¤*^-.¨
¨¨¨¨¨-^¤@@ @@¤^-¨¨¨¨¨