¨,=/*%@@## ##@@%*/=,¨
¨,,,=/*%@@ @@%*/=,,,¨
¨,=/*%@@## ##@@%*/=,¨
¨¨¨¨,/*%%@ @%%*/,¨¨¨¨
¨,=/*%@@## ##@@%*/=,¨
¨,=/*@@### THE SKYSCRAPER THAT MOVES ###@@*/=,¨
¨,=/*%@### ###@%*/=,¨
¨¨¨=//%%@# TAINARON IS A BUILDING OWNED AND #@%%//=¨¨¨
¨,=/*%@@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@@%*/=,¨
¨,=/**%%@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@%%**/=,¨
¨,=/*%@@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@@%*/=,¨
¨,=/*%@@## UNKNOWN), DARK BLUE AND COMPLETELY ##@@%*/=,¨
¨¨¨¨¨¨,/%@ RECTANGULAR. IT FEATURES NO SIGNS, @%/,¨¨¨¨¨¨
¨,=/*%@@## LIGHTS, OR ORNAMENTS, APART FROM A ##@@%*/=,¨
¨¨¨¨¨,//%@ HELIPAD ON TOP. MOST FLOORS HAVE @%//,¨¨¨¨¨
¨,=/*%@@@@ EXTERIOR WALLS COMPLETELY MADE OF GLASS. @@@@%*/=,¨
¨,=/*%@@## ##@@%*/=,¨
¨,=/*%@@## IN LATE EVENINGS, SHROUDED BY MALMö'S ##@@%*/=,¨
¨,=/*%@@## SIGNATURE FOG ROLLING IN FROM THE SEA, ##@@%*/=,¨
¨¨¨¨¨¨,/*@ THE BUILDING COMES TO LIFE: IT MOVES ON @*/,¨¨¨¨¨¨
¨,=/*%@@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@@%*/=,¨
¨,=/*%@@@@ (SECRET) PART OF TOWN, OR PERHAPS OUT @@@@%*/=,¨
¨,====**@@ TO SEA. THIS SIGNALS A NEW AND MORE @@**====,¨
¨,=/*%@@## VISCIOUS PHASE OF THE TAINARON ##@@%*/=,¨
¨,=/*%@@## ECOSYSTEM. ##@@%*/=,¨
¨¨¨¨¨=*@@@ @@@*=¨¨¨¨¨
¨,=/****%@ THE GUESTS ARRIVING DURING THE EARLY @%****/=,¨
¨¨¨¨¨¨¨=*@ EVENING ARE TREATED TO FOOD AND DRINK, @*=¨¨¨¨¨¨¨
¨,=/*%%@@@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @@@%%*/=,¨
¨,,,=/%@@@ COMFORTABLE BUT MAZE-LIKE INTERIOR @@@%/=,,,¨
¨,=/*%@@@@ STRUCTURE (THE BUILDING FEATURES A @@@@%*/=,¨
¨¨¨¨==*%@@ MULTITUDE OF STAIRWELLS AND ELEVATORS, @@%*==¨¨¨¨
¨,=////*@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@*////=,¨
¨¨¨¨,==*@@ FURTHER THAN A FEW FLOORS). @@*==,¨¨¨¨
¨,=/*%@### ###@%*/=,¨
¨,/*%@@### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###@@%*/,¨
¨,=/*%@@@# UNTIL THE AIR INSIDE HAS TAKEN ON THE #@@@%*/=,¨
¨¨¨¨,/%@@# SAME QUALITY AS THE SURROUNDING MIST: #@@%/,¨¨¨¨
¨,=/*%@### BLUE-GRAY, SPRINKLED WITH THE SMALL RED ###@%*/=,¨
¨,=/*%@@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@@%*/=,¨
¨¨¨¨¨¨,/%@ IF YOU WOULD LOOK THROUGH THE WINDOWS @%/,¨¨¨¨¨¨
¨,=/*%@### YOU WOULD SEE THE MIST ROLLING BY, AND ###@%*/=,¨
¨,=/*%@### PERHAPS THE OUTLINE OF SOME OTHER ###@%*/=,¨
¨¨¨¨¨¨¨=*@ BUILDING, FAR BELOW. @*=¨¨¨¨¨¨¨
¨,=/*%@### ###@%*/=,¨
¨,=/*%@@## DURING THE NIGHT, AFTER TAINARON HAS ##@@%*/=,¨
¨¨¨¨,//%@@ STARTED MOVING, THE LOWER FLOORS ARE @@%//,¨¨¨¨
¨,=/*%@### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###@%*/=,¨
¨¨¨¨,//%%@ THE GUESTS. FOOD IS NO LONGER SERVED, @%%//,¨¨¨¨
¨¨¨¨=/*@@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@@*/=¨¨¨¨
¨¨¨¨,//*@@ IT'S AT THIS POINT THAT THE SECOND SET @@*//,¨¨¨¨
¨,=/*%@@## OF GUEST ARRIVES, VIA HELICOPTER - ##@@%*/=,¨
¨,=/*%@@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@@%*/=,¨
¨¨¨¨¨,/%%@ @%%/,¨¨¨¨¨
¨¨¨,=*%%@# ===== #@%%*=,¨¨¨
¨¨¨¨¨=/*@@ @@*/=¨¨¨¨¨
¨,=/*%@### IN MY DREAM I AM INVITED AS A FRIEND OF ###@%*/=,¨
¨¨¨,==*@@# ONE OF THE SERVERS, AND THUS SAFE. WE #@@*==,¨¨¨
¨,=///**%@ SIT IN ONE OF THE LARGE WINDOWS, @%**///=,¨
¨¨¨¨¨,/*@# LOOKING THROUGH THE MIST FOR ANY #@*/,¨¨¨¨¨
¨,=/*%@@@# LANDMARKS TO PIERCE THROUGH THE MIST. #@@@%*/=,¨
¨,=/*%@@@@ SHE TELLS ME THAT APART FROM COMING AND @@@@%*/=,¨
¨,=/*%@@## GOING FROM WORK, SHE'S NEVER SEEN THE ##@@%*/=,¨
¨,=/*%@@## BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ##@@%*/=,¨
¨¨¨¨,=**%@ @%**=,¨¨¨¨
¨,=/*%@@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@@%*/=,¨
¨¨,==//%@@ DEMONSTRATION OF THE EXOBUBBLE. @@%//==,¨¨
¨¨¨¨¨=*%@# #@%*=¨¨¨¨¨
¨,=/*%@@## ##@@%*/=,¨
¨,=/*%@@## ##@@%*/=,¨
¨,=/*%@@## ##@@%*/=,¨
¨,=/*%%@@@ @@@%%*/=,¨