¨:»^^¤#¶¶# #¶¶#¤^^»:¨
¨¨¨¨¨¨»^¤¶ ¶¤^»¨¨¨¨¨¨
¨¨¨¨::^^¤# #¤^^::¨¨¨¨
¨¨¨¨¨:^^^# #^^^:¨¨¨¨¨
¨¨::::»^^# #^^»::::¨¨
¨¨¨¨:^¤¤¤¶ THE SKYSCRAPER THAT MOVES ¶¤¤¤^:¨¨¨¨
¨¨:::^¤### ###¤^:::¨¨
¨:»^^¤#¶## TAINARON IS A BUILDING OWNED AND ##¶#¤^^»:¨
¨:»^^¤#¶## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##¶#¤^^»:¨
¨:»^^^^¤¶# CLOSED TO THE HARBOR IN MALMÖ. IT'S #¶¤^^^^»:¨
¨:»^^¤¶### ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ###¶¤^^»:¨
¨¨¨:»^^¤¤# UNKNOWN), DARK BLUE AND COMPLETELY #¤¤^^»:¨¨¨
¨:»^^¤#¶## RECTANGULAR. IT FEATURES NO SIGNS, ##¶#¤^^»:¨
¨:»^^¤#¶## LIGHTS, OR ORNAMENTS, APART FROM A ##¶#¤^^»:¨
¨¨¨¨»»^¤¶¶ HELIPAD ON TOP. MOST FLOORS HAVE ¶¶¤^»»¨¨¨¨
¨:»^^^^### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###^^^^»:¨
¨:»^^¤#¶## ##¶#¤^^»:¨
¨:»^^¤#¶## IN LATE EVENINGS, SHROUDED BY MALMö'S ##¶#¤^^»:¨
¨¨¨¨¨:^^¤¶ SIGNATURE FOG ROLLING IN FROM THE SEA, ¶¤^^:¨¨¨¨¨
¨:»^^¤#### THE BUILDING COMES TO LIFE: IT MOVES ON ####¤^^»:¨
¨¨¨:»^^^¤¶ A THOUSAND ROBOTIC LEGS TO ANOTHER ¶¤^^^»:¨¨¨
¨¨¨¨¨¨:»^# (SECRET) PART OF TOWN, OR PERHAPS OUT #^»:¨¨¨¨¨¨
¨¨¨¨¨¨»^^# TO SEA. THIS SIGNALS A NEW AND MORE #^^»¨¨¨¨¨¨
¨¨¨¨:»^^^# VISCIOUS PHASE OF THE TAINARON #^^^»:¨¨¨¨
¨:»^^¤#¶## ECOSYSTEM. ##¶#¤^^»:¨
¨:»^^¤#¶## ##¶#¤^^»:¨
¨::::^^##¶ THE GUESTS ARRIVING DURING THE EARLY ¶##^^::::¨
¨:»^^¤#¶## EVENING ARE TREATED TO FOOD AND DRINK, ##¶#¤^^»:¨
¨:»^^¤#¶¶¶ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¶¶¶#¤^^»:¨
¨¨¨¨¨:^^^# COMFORTABLE BUT MAZE-LIKE INTERIOR #^^^:¨¨¨¨¨
¨¨¨¨¨¨»^¤¶ STRUCTURE (THE BUILDING FEATURES A ¶¤^»¨¨¨¨¨¨
¨¨¨»»»»»^# MULTITUDE OF STAIRWELLS AND ELEVATORS, #^»»»»»¨¨¨
¨:»^^¤#### PLACED SEEMINGLY AT RANDOM, NONE GOING ####¤^^»:¨
¨¨¨¨::»^## FURTHER THAN A FEW FLOORS). ##^»::¨¨¨¨
¨:»^^¤#¶## ##¶#¤^^»:¨
¨:»^^¤¤### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###¤¤^^»:¨
¨:»^^¤#¶## UNTIL THE AIR INSIDE HAS TAKEN ON THE ##¶#¤^^»:¨
¨:»^^^¤¤## SAME QUALITY AS THE SURROUNDING MIST: ##¤¤^^^»:¨
¨¨¨¨¨¨»^¤# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #¤^»¨¨¨¨¨¨
¨:»^^¤#¶¶¶ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¶¶¶#¤^^»:¨
¨:»^^¤#¶## IF YOU WOULD LOOK THROUGH THE WINDOWS ##¶#¤^^»:¨
¨¨¨¨»^^^¤# YOU WOULD SEE THE MIST ROLLING BY, AND #¤^^^»¨¨¨¨
¨¨¨¨¨¨»^## PERHAPS THE OUTLINE OF SOME OTHER ##^»¨¨¨¨¨¨
¨:»^^¤#¶## BUILDING, FAR BELOW. ##¶#¤^^»:¨
¨:»^^¤¶### ###¶¤^^»:¨
¨¨¨¨»^¤¤¶# DURING THE NIGHT, AFTER TAINARON HAS #¶¤¤^»¨¨¨¨
¨:»^^¤#### STARTED MOVING, THE LOWER FLOORS ARE ####¤^^»:¨
¨¨:»^^^### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###^^^»:¨¨
¨:»^^¤#¶## THE GUESTS. FOOD IS NO LONGER SERVED, ##¶#¤^^»:¨
¨¨:»^^^¤¶# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #¶¤^^^»:¨¨
¨¨¨¨¨»^##¶ IT'S AT THIS POINT THAT THE SECOND SET ¶##^»¨¨¨¨¨
¨¨¨¨¨:^^## OF GUEST ARRIVES, VIA HELICOPTER - ##^^:¨¨¨¨¨
¨:»^^¤##¶¶ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¶¶##¤^^»:¨
¨¨¨¨:»^^#¶ ¶#^^»:¨¨¨¨
¨¨¨»^^^^¤¶ »»»»» ¶¤^^^^»¨¨¨
¨:»^^¤#¶## ##¶#¤^^»:¨
¨¨¨¨¨»»^## IN MY DREAM I AM INVITED AS A FRIEND OF ##^»»¨¨¨¨¨
¨:»^^¤#¶## ONE OF THE SERVERS, AND THUS SAFE. WE ##¶#¤^^»:¨
¨:»^^¤#¶## SIT IN ONE OF THE LARGE WINDOWS, ##¶#¤^^»:¨
¨¨¨¨:»^¤¤# LOOKING THROUGH THE MIST FOR ANY #¤¤^»:¨¨¨¨
¨:»^^¤#¶## LANDMARKS TO PIERCE THROUGH THE MIST. ##¶#¤^^»:¨
¨:»^^¤#¶## SHE TELLS ME THAT APART FROM COMING AND ##¶#¤^^»:¨
¨:»»»»»^## GOING FROM WORK, SHE'S NEVER SEEN THE ##^»»»»»:¨
¨:»^^¤#### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ####¤^^»:¨
¨:»^^¤¤¤¤# #¤¤¤¤^^»:¨
¨¨¨¨::»^## THE NEXT DAY I AM INVITED TO THE PUBLIC ##^»::¨¨¨¨
¨:»^^¤#¶## DEMONSTRATION OF THE EXOBUBBLE. ##¶#¤^^»:¨
¨:»^^¤#### ####¤^^»:¨
¨:»^^¤¤¤¤¶ ¶¤¤¤¤^^»:¨
¨:»^^¤¤¤¶# #¶¤¤¤^^»:¨
¨:»^^¤#¶## ##¶#¤^^»:¨
¨:»^^¤#¶## ##¶#¤^^»:¨