.,-**$&@## ##@&$**-,.
.,-**$&@## ##@&$**-,.
...,***$$& &$$***,...
.,-***$$ #&$$***-,.
.....-*$$& &$$*-.....
...-***$&@ THE SKYSCRAPER THAT MOVES @&$***-...
.,-**$&@## ##@&$**-,.
......-*$@ TAINARON IS A BUILDING OWNED AND @$*-......
.,-**$&@@@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @@@&$**-,.
...,---*$& CLOSED TO THE HARBOR IN MALMÖ. IT'S &$*---,...
...-**** ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER #&****-...
....,-*$@@ UNKNOWN), DARK BLUE AND COMPLETELY @@$*-,....
..,,--*$ RECTANGULAR. IT FEATURES NO SIGNS, #&$*--,,..
.,-**$$&@# LIGHTS, OR ORNAMENTS, APART FROM A #@&$$**-,.
....-*$& HELIPAD ON TOP. MOST FLOORS HAVE #&&$*-....
.,-**$&@## EXTERIOR WALLS COMPLETELY MADE OF GLASS. ##@&$**-,.
..,,,**& #&&**,,,..
.,-***$$$& IN LATE EVENINGS, SHROUDED BY MALMö'S &$$$***-,.
.....,*$@# SIGNATURE FOG ROLLING IN FROM THE SEA, #@$*,.....
.,-**$&@@@ THE BUILDING COMES TO LIFE: IT MOVES ON @@@&$**-,.
.,-**$&@## A THOUSAND ROBOTIC LEGS TO ANOTHER ##@&$**-,.
....-***$& (SECRET) PART OF TOWN, OR PERHAPS OUT &$***-....
.,-**$&@## TO SEA. THIS SIGNALS A NEW AND MORE ##@&$**-,.
.,-**$$&@# VISCIOUS PHASE OF THE TAINARON #@&$$**-,.
...-***$&& ECOSYSTEM. &&$***-...
.,-**$&@## ##@&$**-,.
.,-**$## THE GUESTS ARRIVING DURING THE EARLY ###&$**-,.
......-* EVENING ARE TREATED TO FOOD AND DRINK, #&*-......
.....,-*$& LIVE MUSIC, BEATUTIFUL VIEWS, AND A &$*-,.....
.,-**$&@## COMFORTABLE BUT MAZE-LIKE INTERIOR ##@&$**-,.
.,-**$## STRUCTURE (THE BUILDING FEATURES A ###&$**-,.
.,-*****&& MULTITUDE OF STAIRWELLS AND ELEVATORS, &&*****-,.
.,-*$&@### PLACED SEEMINGLY AT RANDOM, NONE GOING ###@&$*-,.
.,-**$&@## FURTHER THAN A FEW FLOORS). ##@&$**-,.
....,,,*$@ @$*,,,....
.,-**$## AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###&$**-,.
.,-***$$&& UNTIL THE AIR INSIDE HAS TAKEN ON THE &&$$***-,.
....,-**$& SAME QUALITY AS THE SURROUNDING MIST: &$**-,....
.,-**$$$$& BLUE-GRAY, SPRINKLED WITH THE SMALL RED &$$$$**-,.
.,-**$&@## DOT'S BY DOOR LOCKS AND CONTROL PANELS. ##@&$**-,.
.,-*****$& IF YOU WOULD LOOK THROUGH THE WINDOWS &$*****-,.
.....-*&&& YOU WOULD SEE THE MIST ROLLING BY, AND &&&*-.....
....,,-*$& PERHAPS THE OUTLINE OF SOME OTHER &$*-,,....
....-***&& BUILDING, FAR BELOW. &&***-....
.,-*****$& &$*****-,.
.,,,****$& DURING THE NIGHT, AFTER TAINARON HAS &$****,,,.
.,-**$&@## STARTED MOVING, THE LOWER FLOORS ARE ##@&$**-,.
.,-**$&@## SHUT OFF, PREVENTING ENTRY OR EXIT FOR ##@&$**-,.
..,-***&@# THE GUESTS. FOOD IS NO LONGER SERVED, #@&***-,..
..,,--**&& BUT THE DRINKS BECOME MORE EXTRAVAGANT. &&**--,,..
...,-**&&@ IT'S AT THIS POINT THAT THE SECOND SET @&&**-,...
.,-**$&@## OF GUEST ARRIVES, VIA HELICOPTER - ##@&$**-,.
.,-**$&@## AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ##@&$**-,.
.....-**&& &&**-.....
.....,-* ----- #&*-,.....
.,-**$&@## ##@&$**-,.
.,-**$&@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@&$**-,.
.,-**$&& ONE OF THE SERVERS, AND THUS SAFE. WE #&&&$**-,.
.,----***& SIT IN ONE OF THE LARGE WINDOWS, &***----,.
.,-**$## LOOKING THROUGH THE MIST FOR ANY ###&$**-,.
.,---***$& LANDMARKS TO PIERCE THROUGH THE MIST. &$***---,.
.,-**$$&@@ SHE TELLS ME THAT APART FROM COMING AND @@&$$**-,.
.,----*$$@ GOING FROM WORK, SHE'S NEVER SEEN THE @$$*----,.
......,*$@ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. @$*,......
.....,-*&@ @&*-,.....
.....,*$&& THE NEXT DAY I AM INVITED TO THE PUBLIC &&$*,.....
....-***&@ DEMONSTRATION OF THE EXOBUBBLE. @&***-....
.,-**$&@## ##@&$**-,.
.,-**$&@## ##@&$**-,.
.,-**$&@## ##@&$**-,.
.,-**$&@## ##@&$**-,.
.,-**$&@## ##@&$**-,.