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@@@¤£†\»-¨ THE SKYSCRAPER THAT MOVES ¨-»\†£¤@@@
@@££†»-¨¨¨ ¨¨¨-»†££@@
@¤¤£\»--¨¨ TAINARON IS A BUILDING OWNED AND ¨¨--»\£¤¤@
##@¤£†\»-¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨-»\†£¤@##
¤¤¤††»¨¨¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨¨¨»††¤¤¤
@¤¤£†»¨¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨¨»†£¤¤@
¤£††††\»-¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨-»\††††£¤
@¤£££†\»-¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨-»\†£££¤@
@£\\-¨¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨¨-\\£@
#@@¤£†\»-¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨-»\†£¤@@#
@¤¤¤£†\»-¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨-»\†£¤¤¤@
¤£†\\»¨¨¨¨ ¨¨¨¨»\\†£¤
#@@¤£†\»-¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨-»\†£¤@@#
#@@¤£†\»-¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨-»\†£¤@@#
@@£\\\\»-¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨-»\\\\£@@
@@£†»¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨»†£@@
¤¤†\-¨¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨¨-\†¤¤
#@@¤£†\»-¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨-»\†£¤@@#
#@@¤£†\»-¨ VISCIOUS PHASE OF THE TAINARON ¨-»\†£¤@@#
@@@¤£†\»-¨ ECOSYSTEM. ¨-»\†£¤@@@
@¤£££†\»-¨ ¨-»\†£££¤@
##@¤£†\»-¨ THE GUESTS ARRIVING DURING THE EARLY ¨-»\†£¤@##
@¤†\-¨¨¨¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨¨¨¨-\†¤@
##@@¤£†»-¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨-»†£¤@@##
¤††»¨¨¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨¨¨»††¤
#@@¤£†\»-¨ STRUCTURE (THE BUILDING FEATURES A ¨-»\†£¤@@#
##@@¤£†\»- MULTITUDE OF STAIRWELLS AND ELEVATORS, -»\†£¤@@##
@¤¤££†\»-¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨-»\†££¤¤@
¤£†\\-¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨-\\†£¤
@@£†††\»-¨ ¨-»\†††£@@
@@@¤£†\»-¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨-»\†£¤@@@
@££\\\\»-¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨-»\\\\££@
¤£\---¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨---\£¤
¤¤†\»»»»-¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨-»»»»\†¤¤
¤¤£\»»¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨»»\£¤¤
@£††»¨¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨¨»††£@
@@¤†\»»-¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨-»»\†¤@@
¤†\\-¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨-\\†¤
@£†»»»»¨¨¨ BUILDING, FAR BELOW. ¨¨¨»»»»†£@
#@@¤£†\»-¨ ¨-»\†£¤@@#
¤†»¨¨¨¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨¨¨¨»†¤
¤¤††»»»¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨»»»††¤¤
@¤£££†\»-¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨-»\†£££¤@
#@@¤£†\»-¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨-»\†£¤@@#
¤††»--¨¨¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨¨¨--»††¤
#@@¤£†\»-¨ IT'S AT THIS POINT THAT THE SECOND SET ¨-»\†£¤@@#
¤£\\---¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨---\\£¤
@££££†\»-¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨-»\†££££@
@@@¤£†\»-¨ ¨-»\†£¤@@@
@£\»»¨¨¨¨¨ »»»»» ¨¨¨¨¨»»\£@
@@@¤£†\»-¨ ¨-»\†£¤@@@
¤¤†»¨¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨¨»†¤¤
#@@¤£†\»-¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨-»\†£¤@@#
#@@¤£†\»-¨ SIT IN ONE OF THE LARGE WINDOWS, ¨-»\†£¤@@#
#@@¤£†\»-¨ LOOKING THROUGH THE MIST FOR ANY ¨-»\†£¤@@#
#@@¤£†\»-¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨-»\†£¤@@#
@@@¤£†\»-¨ SHE TELLS ME THAT APART FROM COMING AND ¨-»\†£¤@@@
#@@¤£†\»-¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨-»\†£¤@@#
#@@¤£†\»-¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨-»\†£¤@@#
#@@¤£†\»-¨ ¨-»\†£¤@@#
@¤£††\-¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨-\††£¤@
#@@¤£†\»-¨ DEMONSTRATION OF THE EXOBUBBLE. ¨-»\†£¤@@#
#@@¤£†\»-¨ ¨-»\†£¤@@#
#@@¤£†\»-¨ ¨-»\†£¤@@#
#@@¤£†\»-¨ ¨-»\†£¤@@#
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