@@#@§$;~^¨ ¨^~;$§@#@@
@$~¨¨¨¨¨¨¨ ¨¨¨¨¨¨¨~$@
#@@§;~¨¨¨¨ ¨¨¨¨~;§@@#
#§§$$$;~^¨ ¨^~;$$$§§#
#@#@§$;~^¨ ¨^~;$§@#@#
@§$$$$;~^¨ THE SKYSCRAPER THAT MOVES ¨^~;$$$$§@
@#§$$~¨¨¨¨ ¨¨¨¨~$$§#@
#@#@§$;~^¨ TAINARON IS A BUILDING OWNED AND ¨^~;$§@#@#
@@@$$~¨¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨¨~$$@@@
#@#@§$;~^¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨^~;$§@#@#
@@@@§$;~^¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨^~;$§@@@@
@@§§$$;~^¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨^~;$$§§@@
#@§§$$;~^¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨^~;$$§§@#
#@#@§$;~^¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨^~;$§@#@#
##@#@$;~^¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨^~;$@#@##
##@@§$;~^¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨^~;$§@@##
@$$$$;;~^¨ ¨^~;;$$$$@
@@#@§$;~^¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨^~;$§@#@@
@@#@§$;~^¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨^~;$§@#@@
###@§$;~^¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨^~;$§@###
@@$;^¨¨¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨¨¨^;$@@
@@#@§$;~^¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨^~;$§@#@@
@@$;^^¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨^^;$@@
@@§§§$;~^¨ VISCIOUS PHASE OF THE TAINARON ¨^~;$§§§@@
@@#@§$;~^¨ ECOSYSTEM. ¨^~;$§@#@@
@##@§$;~^¨ ¨^~;$§@##@
##@#§$;~^¨ THE GUESTS ARRIVING DURING THE EARLY ¨^~;$§#@##
#@#@§$;~^¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨^~;$§@#@#
@$;~^¨¨¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨¨¨^~;$@
#@#@§$;~^¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨^~;$§@#@#
#@#@§$;~^¨ STRUCTURE (THE BUILDING FEATURES A ¨^~;$§@#@#
##@#@$;~^¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨^~;$@#@##
@@§;;~^¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨^~;;§@@
###@§$;~^¨ FURTHER THAN A FEW FLOORS). ¨^~;$§@###
#@#@§$;~^¨ ¨^~;$§@#@#
##@@§$;~^¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨^~;$§@@##
@§$$;^¨¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨¨^;$$§@
##@#@§$;~¨ SAME QUALITY AS THE SURROUNDING MIST: ¨~;$§@#@##
##@@§$;~^¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨^~;$§@@##
@$~~^¨¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨¨^~~$@
##@@§$;~^¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨^~;$§@@##
@@@§;^¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨^;§@@@
@$;;;^^^^¨ PERHAPS THE OUTLINE OF SOME OTHER ¨^^^^;;;$@
##@#@$;~^¨ BUILDING, FAR BELOW. ¨^~;$@#@##
@@#@§$;~^¨ ¨^~;$§@#@@
@##@§$;~^¨ DURING THE NIGHT, AFTER TAINARON HAS ¨^~;$§@##@
@@@$~^¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨^~$@@@
###@§$;~^¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨^~;$§@###
@@#@§$;~^¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨^~;$§@#@@
#@#@§$;~^¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨^~;$§@#@#
#§$~¨¨¨¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨¨¨¨~$§#
#§$~^¨¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨¨^~$§#
@@@$$~^¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨^~$$@@@
@@#@§$;~^¨ ¨^~;$§@#@@
@#@@§$;~^¨ ~~~~~ ¨^~;$§@@#@
@##@§$;~^¨ ¨^~;$§@##@
#@#@§$;~^¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨^~;$§@#@#
##@#@$;~^¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨^~;$@#@##
#@#@§$;~^¨ SIT IN ONE OF THE LARGE WINDOWS, ¨^~;$§@#@#
#@#@§$;~^¨ LOOKING THROUGH THE MIST FOR ANY ¨^~;$§@#@#
@$$$~¨¨¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨¨¨~$$$@
##@#@§$;~¨ SHE TELLS ME THAT APART FROM COMING AND ¨~;$§@#@##
#@#@§$;~^¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨^~;$§@#@#
#@#@§$;~^¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨^~;$§@#@#
#@$$~~^¨¨¨ ¨¨¨^~~$$@#
###@§$;~^¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨^~;$§@###
#@#@§$;~^¨ DEMONSTRATION OF THE EXOBUBBLE. ¨^~;$§@#@#
#@§§$$;~^¨ ¨^~;$$§§@#
@@@§$~^^¨¨ ¨¨^^~$§@@@
@@$$;;;~^¨ ¨^~;;;$$@@
#@#@§$;~^¨ ¨^~;$§@#@#
@@#@§$;~^¨ ¨^~;$§@#@@