.,=/†***§§ §§***†/=,.
...,,=//*§ §*//=,,...
....,/†*££ ££*†/,....
....,/†§§@ @§§†/,....
......,/†§ §†/,......
......=††§ the skyscraper that moves §††=......
.....,,/†§ §†/,,.....
..,==†**££ tainaron is a building owned and ££**†==,..
......==†§ operated by amata texnologiyasi placed §†==......
.,=/†*§££@ closed to the harbor in malmÖ. it's @££§*†/=,.
.,,,,//†*£ roughly sixty floors high (real number £*†//,,,,.
.,=/†§£@## unknown), dark blue and completely ##@£§†/=,.
.,=/†*§£@# rectangular. it features no signs, #@£§*†/=,.
.....,/*§£ lights, or ornaments, apart from a £§*/,.....
.....=/†§§ helipad on top. most floors have §§†/=.....
.,=/†*§£@# exterior walls completely made of glass. #@£§*†/=,.
....,==†*£ £*†==,....
.,=/†*§@## in late evenings, shrouded by malmö's ##@§*†/=,.
.,=/†*§£@@ signature fog rolling in from the sea, @@£§*†/=,.
.,,,,=/†*£ the building comes to life: it moves on £*†/=,,,,.
..,===†§§@ a thousand robotic legs to another @§§†===,..
.,=/†*§£@# (secret) part of town, or perhaps out #@£§*†/=,.
.,=/†*§£@# to sea. this signals a new and more #@£§*†/=,.
.,=/†*§@## viscious phase of the tainaron ##@§*†/=,.
.,=///†§£@ ecosystem. @£§†///=,.
.,=/†*§£@# #@£§*†/=,.
.,=/†*§£@# the guests arriving during the early #@£§*†/=,.
.,=/†***§§ evening are treated to food and drink, §§***†/=,.
...,,/†**£ live music, beatutiful views, and a £**†/,,...
.,=/†*§£@@ comfortable but maze-like interior @@£§*†/=,.
....==//†§ structure (the building features a §†//==....
......=†§@ multitude of stairwells and elevators, @§†=......
..,,/†††§§ placed seemingly at random, none going §§†††/,,..
....,=//*£ further than a few floors). £*//=,....
.......=†§ §†=.......
.,=/†*§£@@ as time goes on, the lights slowly dim, @@£§*†/=,.
.,=/†*§£££ until the air inside has taken on the £££§*†/=,.
....==/*§@ same quality as the surrounding mist: @§*/==....
.,=/†*§£@@ blue-gray, sprinkled with the small red @@£§*†/=,.
.,=/†*§£@@ dot's by door locks and control panels. @@£§*†/=,.
.,=/†*§£@# if you would look through the windows #@£§*†/=,.
....,==†§@ you would see the mist rolling by, and @§†==,....
.,=/†*§£@@ perhaps the outline of some other @@£§*†/=,.
......,/*§ building, far below. §*/,......
.....=†§§§ §§§†=.....
.,/†*§£@## during the night, after tainaron has ##@£§*†/,.
.....,=†*§ started moving, the lower floors are §*†=,.....
.,=/†*§£## shut off, preventing entry or exit for ##£§*†/=,.
.,=/†*§£@# the guests. food is no longer served, #@£§*†/=,.
.,=†*§£@## but the drinks become more extravagant. ##@£§*†=,.
...,==†§§§ it's at this point that the second set §§§†==,...
.,=/†**§§@ of guest arrives, via helicopter - @§§**†/=,.
.,=/†*§£## amata texnologiyasi and their friends. ##£§*†/=,.
....,///*§ §*///,....
...==††**§ ===== §**††==...
.,=/†*§£££ £££§*†/=,.
.,,,/†††§£ in my dream i am invited as a friend of £§†††/,,,.
.,=/†*§£@@ one of the servers, and thus safe. we @@£§*†/=,.
.,=/†*§£@# sit in one of the large windows, #@£§*†/=,.
.,=///††§£ looking through the mist for any £§††///=,.
.,,==//**§ landmarks to pierce through the mist. §**//==,,.
.,=/†§£@## she tells me that apart from coming and ##@£§†/=,.
.......=†§ going from work, she's never seen the §†=.......
.,=/†*§§§@ building from the outside. we both sigh. @§§§*†/=,.
....=/††§£ £§††/=....
....,,/**£ the next day i am invited to the public £**/,,....
.,=/†*§£@# demonstration of the exobubble. #@£§*†/=,.
.....=††*£ £*††=.....
.,,,=††*§@ @§*††=,,,.
.,=/†*§£@@ @@£§*†/=,.
......=/*§ §*/=......
.,=/†*§£## ##£§*†/=,.