#@&%%=»~.. ..~»=%%&@#
##@&%%=»~. .~»=%%&@##
#@&%%=»~.. ..~»=%%&@#
@&%%=»~... ...~»=%%&@
#@&%%=»~.. ..~»=%%&@#
##@&%%=»~. THE SKYSCRAPER THAT MOVES .~»=%%&@##
#@&%%=»~.. ..~»=%%&@#
@&%%=»~... TAINARON IS A BUILDING OWNED AND ...~»=%%&@
#@&%%=»~.. OPERATED BY AMATA TEXNOLOGIYASI PLACED ..~»=%%&@#
##@&%%=»~. CLOSED TO THE HARBOR IN MALMÖ. IT'S .~»=%%&@##
#@&%%=»~.. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..~»=%%&@#
@&%%=»~... UNKNOWN), DARK BLUE AND COMPLETELY ...~»=%%&@
#@&%%=»~.. RECTANGULAR. IT FEATURES NO SIGNS, ..~»=%%&@#
##@&%%=»~. LIGHTS, OR ORNAMENTS, APART FROM A .~»=%%&@##
#@&%%=»~.. HELIPAD ON TOP. MOST FLOORS HAVE ..~»=%%&@#
@&%%=»~... EXTERIOR WALLS COMPLETELY MADE OF GLASS. ...~»=%%&@
#@&%%=»~.. ..~»=%%&@#
##@&%%=»~. IN LATE EVENINGS, SHROUDED BY MALMö'S .~»=%%&@##
#@&%%=»~.. SIGNATURE FOG ROLLING IN FROM THE SEA, ..~»=%%&@#
@&%%=»~... THE BUILDING COMES TO LIFE: IT MOVES ON ...~»=%%&@
#@&%%=»~.. A THOUSAND ROBOTIC LEGS TO ANOTHER ..~»=%%&@#
##@&%%=»~. (SECRET) PART OF TOWN, OR PERHAPS OUT .~»=%%&@##
#@&%%=»~.. TO SEA. THIS SIGNALS A NEW AND MORE ..~»=%%&@#
@&%%=»~... VISCIOUS PHASE OF THE TAINARON ...~»=%%&@
#@&%%=»~.. ECOSYSTEM. ..~»=%%&@#
##@&%%=»~. .~»=%%&@##
#@&%%=»~.. THE GUESTS ARRIVING DURING THE EARLY ..~»=%%&@#
@&%%=»~... EVENING ARE TREATED TO FOOD AND DRINK, ...~»=%%&@
#@&%%=»~.. LIVE MUSIC, BEATUTIFUL VIEWS, AND A ..~»=%%&@#
##@&%%=»~. COMFORTABLE BUT MAZE-LIKE INTERIOR .~»=%%&@##
#@&%%=»~.. STRUCTURE (THE BUILDING FEATURES A ..~»=%%&@#
@&%%=»~... MULTITUDE OF STAIRWELLS AND ELEVATORS, ...~»=%%&@
#@&%%=»~.. PLACED SEEMINGLY AT RANDOM, NONE GOING ..~»=%%&@#
##@&%%=»~. FURTHER THAN A FEW FLOORS). .~»=%%&@##
#@&%%=»~.. ..~»=%%&@#
@&%%=»~... AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ...~»=%%&@
#@&%%=»~.. UNTIL THE AIR INSIDE HAS TAKEN ON THE ..~»=%%&@#
##@&%%=»~. SAME QUALITY AS THE SURROUNDING MIST: .~»=%%&@##
#@&%%=»~.. BLUE-GRAY, SPRINKLED WITH THE SMALL RED ..~»=%%&@#
@&%%=»~... DOT'S BY DOOR LOCKS AND CONTROL PANELS. ...~»=%%&@
#@&%%=»~.. IF YOU WOULD LOOK THROUGH THE WINDOWS ..~»=%%&@#
##@&%%=»~. YOU WOULD SEE THE MIST ROLLING BY, AND .~»=%%&@##
#@&%%=»~.. PERHAPS THE OUTLINE OF SOME OTHER ..~»=%%&@#
@&%%=»~... BUILDING, FAR BELOW. ...~»=%%&@
#@&%%=»~.. ..~»=%%&@#
##@&%%=»~. DURING THE NIGHT, AFTER TAINARON HAS .~»=%%&@##
#@&%%=»~.. STARTED MOVING, THE LOWER FLOORS ARE ..~»=%%&@#
@&%%=»~... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ...~»=%%&@
#@&%%=»~.. THE GUESTS. FOOD IS NO LONGER SERVED, ..~»=%%&@#
##@&%%=»~. BUT THE DRINKS BECOME MORE EXTRAVAGANT. .~»=%%&@##
#@&%%=»~.. IT'S AT THIS POINT THAT THE SECOND SET ..~»=%%&@#
@&%%=»~... OF GUEST ARRIVES, VIA HELICOPTER - ...~»=%%&@
#@&%%=»~.. AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ..~»=%%&@#
##@&%%=»~. .~»=%%&@##
#@&%%=»~.. »»»»» ..~»=%%&@#
@&%%=»~... ...~»=%%&@
#@&%%=»~.. IN MY DREAM I AM INVITED AS A FRIEND OF ..~»=%%&@#
##@&%%=»~. ONE OF THE SERVERS, AND THUS SAFE. WE .~»=%%&@##
#@&%%=»~.. SIT IN ONE OF THE LARGE WINDOWS, ..~»=%%&@#
@&%%=»~... LOOKING THROUGH THE MIST FOR ANY ...~»=%%&@
#@&%%=»~.. LANDMARKS TO PIERCE THROUGH THE MIST. ..~»=%%&@#
##@&%%=»~. SHE TELLS ME THAT APART FROM COMING AND .~»=%%&@##
#@&%%=»~.. GOING FROM WORK, SHE'S NEVER SEEN THE ..~»=%%&@#
@&%%=»~... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ...~»=%%&@
#@&%%=»~.. ..~»=%%&@#
##@&%%=»~. THE NEXT DAY I AM INVITED TO THE PUBLIC .~»=%%&@##
#@&%%=»~.. DEMONSTRATION OF THE EXOBUBBLE. ..~»=%%&@#
@&%%=»~... ...~»=%%&@
#@&%%=»~.. ..~»=%%&@#
##@&%%=»~. .~»=%%&@##
#@&%%=»~.. ..~»=%%&@#
@&%%=»~... ...~»=%%&@