..#......# ..#.##..#.
...#...... #...###..#
#...#..... .#..#.##..
.#...#.... ..#...###.
..#...#... ...#..#.##
#..#...#.. THE SKYSCRAPER THAT MOVES #...#...##
##..#...#. .#...#..#.
###..#...# TAINARON IS A BUILDING OWNED AND ..#...#...
#.##..#... OPERATED BY AMATA TEXNOLOGIYASI PLACED #..#...#..
..###..#.. CLOSED TO THE HARBOR IN MALMÖ. IT'S .#..#...#.
..#.##..#. ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ..#..#...#
#...###..# UNKNOWN), DARK BLUE AND COMPLETELY ...#..#...
.#..#.##.. RECTANGULAR. IT FEATURES NO SIGNS, ....#..#..
..#...###. LIGHTS, OR ORNAMENTS, APART FROM A .....#..#.
...#..#.## HELIPAD ON TOP. MOST FLOORS HAVE ......#..#
#...#...## EXTERIOR WALLS COMPLETELY MADE OF GLASS. #......#..
.#...#..#. .#......#.
..#...#... IN LATE EVENINGS, SHROUDED BY MALMö'S ..#......#
#..#...#.. SIGNATURE FOG ROLLING IN FROM THE SEA, #..#......
.#..#...#. THE BUILDING COMES TO LIFE: IT MOVES ON ##..#.....
..#..#...# A THOUSAND ROBOTIC LEGS TO ANOTHER .##..#....
...#..#... (SECRET) PART OF TOWN, OR PERHAPS OUT .###..#...
....#..#.. TO SEA. THIS SIGNALS A NEW AND MORE .#.##..#..
.....#..#. VISCIOUS PHASE OF THE TAINARON ...###..#.
......#..# ECOSYSTEM. ...#.##..#
#......#.. #....###..
.#......#. THE GUESTS ARRIVING DURING THE EARLY ##...#.##.
..#......# EVENING ARE TREATED TO FOOD AND DRINK, ###....###
#..#...... LIVE MUSIC, BEATUTIFUL VIEWS, AND A #.##...#.#
##..#..... COMFORTABLE BUT MAZE-LIKE INTERIOR ..###....#
.##..#.... STRUCTURE (THE BUILDING FEATURES A ..#.##...#
.###..#... MULTITUDE OF STAIRWELLS AND ELEVATORS, #...###...
.#.##..#.. PLACED SEEMINGLY AT RANDOM, NONE GOING ##..#.##..
...###..#. FURTHER THAN A FEW FLOORS). .##...###.
...#.##..# .###..#.##
#....###.. AS TIME GOES ON, THE LIGHTS SLOWLY DIM, .#.##...##
##...#.##. UNTIL THE AIR INSIDE HAS TAKEN ON THE ...###..#.
###....### SAME QUALITY AS THE SURROUNDING MIST: #..#.##...
#.##...#.# BLUE-GRAY, SPRINKLED WITH THE SMALL RED ##...###..
..###....# DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###..#.##.
..#.##...# IF YOU WOULD LOOK THROUGH THE WINDOWS #.##...###
#...###... YOU WOULD SEE THE MIST ROLLING BY, AND ..###..#.#
##..#.##.. PERHAPS THE OUTLINE OF SOME OTHER ..#.##...#
.##...###. BUILDING, FAR BELOW. ....###..#
.###..#.## ....#.##..
.#.##...## DURING THE NIGHT, AFTER TAINARON HAS ......###.
...###..#. STARTED MOVING, THE LOWER FLOORS ARE ......#.##
#..#.##... SHUT OFF, PREVENTING ENTRY OR EXIT FOR ........##
##...###.. THE GUESTS. FOOD IS NO LONGER SERVED, ........#.
###..#.##. BUT THE DRINKS BECOME MORE EXTRAVAGANT. ..........
#.##...### IT'S AT THIS POINT THAT THE SECOND SET #.........
..###..#.# OF GUEST ARRIVES, VIA HELICOPTER - .#........
..#.##...# AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ..#.......
....###..# ...#......
....#.##.. ~~~~~ #...#.....
......###. .#...#....
......#.## IN MY DREAM I AM INVITED AS A FRIEND OF ..#...#...
........## ONE OF THE SERVERS, AND THUS SAFE. WE #..#...#..
........#. SIT IN ONE OF THE LARGE WINDOWS, ##..#...#.
.......... LOOKING THROUGH THE MIST FOR ANY ###..#...#
#......... LANDMARKS TO PIERCE THROUGH THE MIST. #.##..#...
.#........ SHE TELLS ME THAT APART FROM COMING AND ..###..#..
..#....... GOING FROM WORK, SHE'S NEVER SEEN THE ..#.##..#.
...#...... BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #...###..#
#...#..... .#..#.##..
.#...#.... THE NEXT DAY I AM INVITED TO THE PUBLIC ..#...###.
..#...#... DEMONSTRATION OF THE EXOBUBBLE. ...#..#.##
#..#...#.. #...#...##
##..#...#. .#...#..#.
###..#...# ..#...#...
#.##..#... #..#...#..
..###..#.. .#..#...#.