.~=^*$§¶@# #@¶§$*^=~.
.~=^*$§¶¶@ @¶¶§$*^=~.
.~=^**$§§¶ ¶§§$**^=~.
.~=^*$§¶## ##¶§$*^=~.
.~=^*$§¶@# #@¶§$*^=~.
.~=^*$§§¶@ THE SKYSCRAPER THAT MOVES @¶§§$*^=~.
.~~=^*$$¶@ @¶$$*^=~~.
....==^^$§ TAINARON IS A BUILDING OWNED AND §$^^==....
...~=*$§§@ OPERATED BY AMATA TEXNOLOGIYASI PLACED @§§$*=~...
.~=^*$§¶@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@¶§$*^=~.
.~=^*§¶@## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##@¶§*^=~.
.~====**§@ UNKNOWN), DARK BLUE AND COMPLETELY @§**====~.
.~=^*$$$¶@ RECTANGULAR. IT FEATURES NO SIGNS, @¶$$$*^=~.
......=*§@ LIGHTS, OR ORNAMENTS, APART FROM A @§*=......
.~=^*$§¶@# HELIPAD ON TOP. MOST FLOORS HAVE #@¶§$*^=~.
.....~~=*§ EXTERIOR WALLS COMPLETELY MADE OF GLASS. §*=~~.....
.~=^*$§¶@# #@¶§$*^=~.
....~=^^$¶ IN LATE EVENINGS, SHROUDED BY MALMö'S ¶$^^=~....
.~=^*$§¶@@ SIGNATURE FOG ROLLING IN FROM THE SEA, @@¶§$*^=~.
......~^*§ THE BUILDING COMES TO LIFE: IT MOVES ON §*^~......
....=^^*§¶ A THOUSAND ROBOTIC LEGS TO ANOTHER ¶§*^^=....
...~^^$$¶@ (SECRET) PART OF TOWN, OR PERHAPS OUT @¶$$^^~...
.~=^$§¶@## TO SEA. THIS SIGNALS A NEW AND MORE ##@¶§$^=~.
.~=^*$§¶@# VISCIOUS PHASE OF THE TAINARON #@¶§$*^=~.
.~=^*$§¶@# ECOSYSTEM. #@¶§$*^=~.
.~=^*$§¶@# #@¶§$*^=~.
....~^$§§¶ THE GUESTS ARRIVING DURING THE EARLY ¶§§$^~....
.~=^*$$$¶¶ EVENING ARE TREATED TO FOOD AND DRINK, ¶¶$$$*^=~.
.....~^**§ LIVE MUSIC, BEATUTIFUL VIEWS, AND A §**^~.....
.~=^*$§¶@# COMFORTABLE BUT MAZE-LIKE INTERIOR #@¶§$*^=~.
.~=^*$§¶@# STRUCTURE (THE BUILDING FEATURES A #@¶§$*^=~.
.~=^*$§¶@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@¶§$*^=~.
.~=^*$§¶@# PLACED SEEMINGLY AT RANDOM, NONE GOING #@¶§$*^=~.
.~=^*$§@## FURTHER THAN A FEW FLOORS). ##@§$*^=~.
....~==^*§ §*^==~....
......~^*§ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, §*^~......
..~=^***$¶ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¶$***^=~..
..~~=*$$§¶ SAME QUALITY AS THE SURROUNDING MIST: ¶§$$*=~~..
.....~^$§@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @§$^~.....
...~^^$§§@ DOT'S BY DOOR LOCKS AND CONTROL PANELS. @§§$^^~...
.~=^*$§¶@# IF YOU WOULD LOOK THROUGH THE WINDOWS #@¶§$*^=~.
.~=^*$$$§§ YOU WOULD SEE THE MIST ROLLING BY, AND §§$$$*^=~.
.~=^*$§¶@# PERHAPS THE OUTLINE OF SOME OTHER #@¶§$*^=~.
.~=^*$§¶@# BUILDING, FAR BELOW. #@¶§$*^=~.
.~=^*$§¶@@ @@¶§$*^=~.
.~=^*$§¶@# DURING THE NIGHT, AFTER TAINARON HAS #@¶§$*^=~.
.~=^*$§¶## STARTED MOVING, THE LOWER FLOORS ARE ##¶§$*^=~.
.~=^*$§§§§ SHUT OFF, PREVENTING ENTRY OR EXIT FOR §§§§$*^=~.
.~=^*$§¶¶¶ THE GUESTS. FOOD IS NO LONGER SERVED, ¶¶¶§$*^=~.
.~=^*$§¶@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@¶§$*^=~.
...=^***$§ IT'S AT THIS POINT THAT THE SECOND SET §$***^=...
.~=^***§§¶ OF GUEST ARRIVES, VIA HELICOPTER - ¶§§***^=~.
.~=^*$§¶¶@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @¶¶§$*^=~.
.~=^*$§¶¶@ @¶¶§$*^=~.
.......=*§ ===== §*=.......
.~=^*$§¶@# #@¶§$*^=~.
.~=^*$§¶¶@ IN MY DREAM I AM INVITED AS A FRIEND OF @¶¶§$*^=~.
.~=^*$¶@## ONE OF THE SERVERS, AND THUS SAFE. WE ##@¶$*^=~.
...~=^**$¶ SIT IN ONE OF THE LARGE WINDOWS, ¶$**^=~...
......~^*§ LOOKING THROUGH THE MIST FOR ANY §*^~......
......=**§ LANDMARKS TO PIERCE THROUGH THE MIST. §**=......
.~=^^^*$§¶ SHE TELLS ME THAT APART FROM COMING AND ¶§$*^^^=~.
...~=^*$§¶ GOING FROM WORK, SHE'S NEVER SEEN THE ¶§$*^=~...
......==*§ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. §*==......
.....==*§¶ ¶§*==.....
.~=^*$§@## THE NEXT DAY I AM INVITED TO THE PUBLIC ##@§$*^=~.
.~=^*$§¶@# DEMONSTRATION OF THE EXOBUBBLE. #@¶§$*^=~.
..~=^**$§§ §§$**^=~..
....~^*§¶¶ ¶¶§*^~....
.~=^*$§¶@@ @@¶§$*^=~.
.~=^*$§¶@@ @@¶§$*^=~.
....===^$¶ ¶$^===....