¨¨¨,~*§* #&*§*~,¨¨¨
¨¨¨¨,~*§*& &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& &*§*~,¨¨¨¨
¨¨¨,~*§* #&*§*~,¨¨¨
¨¨,~*§*# the skyscraper that moves ##&*§*~,¨¨
¨,~*§*## ###&*§*~,¨
¨¨,~*§*# tainaron is a building owned and ##&*§*~,¨¨
¨¨¨,~*§* operated by amata texnologiyasi placed #&*§*~,¨¨¨
¨¨¨¨,~*§*& closed to the harbor in malmÖ. it's &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* roughly sixty floors high (real number *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& unknown), dark blue and completely &*§*~,¨¨¨¨
¨¨¨,~*§* rectangular. it features no signs, #&*§*~,¨¨¨
¨¨,~*§*# lights, or ornaments, apart from a ##&*§*~,¨¨
¨,~*§*## helipad on top. most floors have ###&*§*~,¨
¨¨,~*§*# exterior walls completely made of glass. ##&*§*~,¨¨
¨¨¨,~*§* #&*§*~,¨¨¨
¨¨¨¨,~*§*& in late evenings, shrouded by malmö's &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* signature fog rolling in from the sea, *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& the building comes to life: it moves on &*§*~,¨¨¨¨
¨¨¨,~*§* a thousand robotic legs to another #&*§*~,¨¨¨
¨¨,~*§*# (secret) part of town, or perhaps out ##&*§*~,¨¨
¨,~*§*## to sea. this signals a new and more ###&*§*~,¨
¨¨,~*§*# viscious phase of the tainaron ##&*§*~,¨¨
¨¨¨,~*§* ecosystem. #&*§*~,¨¨¨
¨¨¨¨,~*§*& &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* the guests arriving during the early *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& evening are treated to food and drink, &*§*~,¨¨¨¨
¨¨¨,~*§* live music, beatutiful views, and a #&*§*~,¨¨¨
¨¨,~*§*# comfortable but maze-like interior ##&*§*~,¨¨
¨,~*§*## structure (the building features a ###&*§*~,¨
¨¨,~*§*# multitude of stairwells and elevators, ##&*§*~,¨¨
¨¨¨,~*§* placed seemingly at random, none going #&*§*~,¨¨¨
¨¨¨¨,~*§*& further than a few floors). &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& as time goes on, the lights slowly dim, &*§*~,¨¨¨¨
¨¨¨,~*§* until the air inside has taken on the #&*§*~,¨¨¨
¨¨,~*§*# same quality as the surrounding mist: ##&*§*~,¨¨
¨,~*§*## blue-gray, sprinkled with the small red ###&*§*~,¨
¨¨,~*§*# dot's by door locks and control panels. ##&*§*~,¨¨
¨¨¨,~*§* if you would look through the windows #&*§*~,¨¨¨
¨¨¨¨,~*§*& you would see the mist rolling by, and &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* perhaps the outline of some other *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& building, far below. &*§*~,¨¨¨¨
¨¨¨,~*§* #&*§*~,¨¨¨
¨¨,~*§*# during the night, after tainaron has ##&*§*~,¨¨
¨,~*§*## started moving, the lower floors are ###&*§*~,¨
¨¨,~*§*# shut off, preventing entry or exit for ##&*§*~,¨¨
¨¨¨,~*§* the guests. food is no longer served, #&*§*~,¨¨¨
¨¨¨¨,~*§*& but the drinks become more extravagant. &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* it's at this point that the second set *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& of guest arrives, via helicopter - &*§*~,¨¨¨¨
¨¨¨,~*§* amata texnologiyasi and their friends. #&*§*~,¨¨¨
¨¨,~*§*# ##&*§*~,¨¨
¨,~*§*## ~~~~~ ###&*§*~,¨
¨¨,~*§*# ##&*§*~,¨¨
¨¨¨,~*§* in my dream i am invited as a friend of #&*§*~,¨¨¨
¨¨¨¨,~*§*& one of the servers, and thus safe. we &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* sit in one of the large windows, *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& looking through the mist for any &*§*~,¨¨¨¨
¨¨¨,~*§* landmarks to pierce through the mist. #&*§*~,¨¨¨
¨¨,~*§*# she tells me that apart from coming and ##&*§*~,¨¨
¨,~*§*## going from work, she's never seen the ###&*§*~,¨
¨¨,~*§*# building from the outside. we both sigh. ##&*§*~,¨¨
¨¨¨,~*§* #&*§*~,¨¨¨
¨¨¨¨,~*§*& the next day i am invited to the public &*§*~,¨¨¨¨
¨¨¨¨¨,~*§* demonstration of the exobubble. *§*~,¨¨¨¨¨
¨¨¨¨,~*§*& &*§*~,¨¨¨¨
¨¨¨,~*§* #&*§*~,¨¨¨
¨¨,~*§*# ##&*§*~,¨¨
¨,~*§*## ###&*§*~,¨
¨¨,~*§*# ##&*§*~,¨¨