,,~*=§§### ###§§=*~,,
,,~*=§§### ###§§=*~,,
,,~*=§§### ###§§=*~,,
,,,,~~**§# #§**~~,,,,
,,~*=§§### ###§§=*~,,
,,,,,,~=§§ THE SKYSCRAPER THAT MOVES §§=~,,,,,,
,,,,,,*=§# #§=*,,,,,,
,,~*=§§### TAINARON IS A BUILDING OWNED AND ###§§=*~,,
,,~*=§§### OPERATED BY AMATA TEXNOLOGIYASI PLACED ###§§=*~,,
,,~*=§§### CLOSED TO THE HARBOR IN MALMÖ. IT'S ###§§=*~,,
,,,,~=§§## ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ##§§=~,,,,
,,~*=§§### UNKNOWN), DARK BLUE AND COMPLETELY ###§§=*~,,
,,,,~*=§§# RECTANGULAR. IT FEATURES NO SIGNS, #§§=*~,,,,
,,~*=§§### LIGHTS, OR ORNAMENTS, APART FROM A ###§§=*~,,
,,,,,*§§§# HELIPAD ON TOP. MOST FLOORS HAVE #§§§*,,,,,
,,~*=§§### EXTERIOR WALLS COMPLETELY MADE OF GLASS. ###§§=*~,,
,,,,,*§§§# #§§§*,,,,,
,,~*=§§### IN LATE EVENINGS, SHROUDED BY MALMö'S ###§§=*~,,
,,,,,,,*=§ SIGNATURE FOG ROLLING IN FROM THE SEA, §=*,,,,,,,
,,~*=§§### THE BUILDING COMES TO LIFE: IT MOVES ON ###§§=*~,,
,,~*=§§### A THOUSAND ROBOTIC LEGS TO ANOTHER ###§§=*~,,
,,,,,~==§§ (SECRET) PART OF TOWN, OR PERHAPS OUT §§==~,,,,,
,,~*=§§§## TO SEA. THIS SIGNALS A NEW AND MORE ##§§§=*~,,
,,~*=§§### VISCIOUS PHASE OF THE TAINARON ###§§=*~,,
,,~*=§§### ECOSYSTEM. ###§§=*~,,
,,~*=§§### ###§§=*~,,
,,,,~=§§§# THE GUESTS ARRIVING DURING THE EARLY #§§§=~,,,,
,,~*=§§### EVENING ARE TREATED TO FOOD AND DRINK, ###§§=*~,,
,,,,,~=§## LIVE MUSIC, BEATUTIFUL VIEWS, AND A ##§=~,,,,,
,,,,,,~*=§ COMFORTABLE BUT MAZE-LIKE INTERIOR §=*~,,,,,,
,,~*=§§### STRUCTURE (THE BUILDING FEATURES A ###§§=*~,,
,,~*=§§### MULTITUDE OF STAIRWELLS AND ELEVATORS, ###§§=*~,,
,,~*=§§§§§ PLACED SEEMINGLY AT RANDOM, NONE GOING §§§§§=*~,,
,,~*=§§### FURTHER THAN A FEW FLOORS). ###§§=*~,,
,,~*=§#### ####§=*~,,
,,~*=§§### AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ###§§=*~,,
,,,~~*=§§§ UNTIL THE AIR INSIDE HAS TAKEN ON THE §§§=*~~,,,
,,~~~**§§# SAME QUALITY AS THE SURROUNDING MIST: #§§**~~~,,
,,,,~==§§# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #§§==~,,,,
,,~*=§§### DOT'S BY DOOR LOCKS AND CONTROL PANELS. ###§§=*~,,
,,,,,,*§§§ IF YOU WOULD LOOK THROUGH THE WINDOWS §§§*,,,,,,
,,,,,~=§§# YOU WOULD SEE THE MIST ROLLING BY, AND #§§=~,,,,,
,,~*=§§### PERHAPS THE OUTLINE OF SOME OTHER ###§§=*~,,
,,,,~~=§§# BUILDING, FAR BELOW. #§§=~~,,,,
,,,,,,,*§# #§*,,,,,,,
,,~*=§§### DURING THE NIGHT, AFTER TAINARON HAS ###§§=*~,,
,,,,,,*§§# STARTED MOVING, THE LOWER FLOORS ARE #§§*,,,,,,
,,~*=§§### SHUT OFF, PREVENTING ENTRY OR EXIT FOR ###§§=*~,,
,,,,~~~==§ THE GUESTS. FOOD IS NO LONGER SERVED, §==~~~,,,,
,,~*=§§### BUT THE DRINKS BECOME MORE EXTRAVAGANT. ###§§=*~,,
,,,,,,~=§# IT'S AT THIS POINT THAT THE SECOND SET #§=~,,,,,,
,,~*=§§### OF GUEST ARRIVES, VIA HELICOPTER - ###§§=*~,,
,,,,,,,~=§ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. §=~,,,,,,,
,,,~*=§§§§ §§§§=*~,,,
,,,,,~==§# ~~~~~ #§==~,,,,,
,,~*=§§### ###§§=*~,,
,,,,~**§§§ IN MY DREAM I AM INVITED AS A FRIEND OF §§§**~,,,,
,,,,*==§§# ONE OF THE SERVERS, AND THUS SAFE. WE #§§==*,,,,
,,~*=§§### SIT IN ONE OF THE LARGE WINDOWS, ###§§=*~,,
,,,,,~*§§§ LOOKING THROUGH THE MIST FOR ANY §§§*~,,,,,
,,,,,,,*§§ LANDMARKS TO PIERCE THROUGH THE MIST. §§*,,,,,,,
,,~*=§§### SHE TELLS ME THAT APART FROM COMING AND ###§§=*~,,
,,~*=§§### GOING FROM WORK, SHE'S NEVER SEEN THE ###§§=*~,,
,,~*=§§### BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ###§§=*~,,
,,~*=§#### ####§=*~,,
,,,~*==§§# THE NEXT DAY I AM INVITED TO THE PUBLIC #§§==*~,,,
,,,,,~==§# DEMONSTRATION OF THE EXOBUBBLE. #§==~,,,,,
,,*=§§#### ####§§=*,,
,,~*=§§### ###§§=*~,,
,,~*=§§### ###§§=*~,,
,,~*§§#### ####§§*~,,
,,,,*=§§§# #§§§=*,,,,