@#$†=-.¨¨¨ ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ ¨¨¨¨.-=†$#
$†=-.¨¨¨¨¨ ¨¨¨¨¨.-=†$
†=-.¨¨¨¨¨¨ ¨¨¨¨¨¨.-=†
$†=-.¨¨¨¨¨ ¨¨¨¨¨.-=†$
#$†=-.¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨.-=†$#
@#$†=-.¨¨¨ ¨¨¨.-=†$#@
#@#$†=-.¨¨ TAINARON IS A BUILDING OWNED AND ¨¨.-=†$#@#
##@#$†=-.¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨.-=†$#@##
#@#$†=-.¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨.-=†$#@#
@#$†=-.¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨¨¨.-=†$#
$†=-.¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨.-=†$
†=-.¨¨¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨¨¨.-=†
$†=-.¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨.-=†$
#$†=-.¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨.-=†$#
@#$†=-.¨¨¨ ¨¨¨.-=†$#@
#@#$†=-.¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨.-=†$#@#
##@#$†=-.¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨.-=†$#@##
#@#$†=-.¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨.-=†$#@#
@#$†=-.¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨.-=†$#
$†=-.¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨.-=†$
†=-.¨¨¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨¨¨.-=†
$†=-.¨¨¨¨¨ ECOSYSTEM. ¨¨¨¨¨.-=†$
#$†=-.¨¨¨¨ ¨¨¨¨.-=†$#
@#$†=-.¨¨¨ THE GUESTS ARRIVING DURING THE EARLY ¨¨¨.-=†$#@
#@#$†=-.¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨.-=†$#@#
##@#$†=-.¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨.-=†$#@##
#@#$†=-.¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨.-=†$#@#
@#$†=-.¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨.-=†$#
$†=-.¨¨¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨¨¨.-=†$
†=-.¨¨¨¨¨¨ FURTHER THAN A FEW FLOORS). ¨¨¨¨¨¨.-=†
$†=-.¨¨¨¨¨ ¨¨¨¨¨.-=†$
#$†=-.¨¨¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨¨¨.-=†$#
@#$†=-.¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨.-=†$#@
#@#$†=-.¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨.-=†$#@#
##@#$†=-.¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨.-=†$#@##
#@#$†=-.¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨.-=†$#@#
@#$†=-.¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨¨¨.-=†$#
$†=-.¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨.-=†$
†=-.¨¨¨¨¨¨ BUILDING, FAR BELOW. ¨¨¨¨¨¨.-=†
$†=-.¨¨¨¨¨ ¨¨¨¨¨.-=†$
#$†=-.¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨.-=†$#
@#$†=-.¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨.-=†$#@
#@#$†=-.¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨.-=†$#@#
##@#$†=-.¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨.-=†$#@##
#@#$†=-.¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨.-=†$#@#
@#$†=-.¨¨¨ IT'S AT THIS POINT THAT THE SECOND SET ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨¨¨.-=†$#
$†=-.¨¨¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨¨¨.-=†$
†=-.¨¨¨¨¨¨ ¨¨¨¨¨¨.-=†
$†=-.¨¨¨¨¨ ----- ¨¨¨¨¨.-=†$
#$†=-.¨¨¨¨ ¨¨¨¨.-=†$#
@#$†=-.¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨.-=†$#@
#@#$†=-.¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨.-=†$#@#
##@#$†=-.¨ SIT IN ONE OF THE LARGE WINDOWS, ¨.-=†$#@##
#@#$†=-.¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨.-=†$#@#
@#$†=-.¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨.-=†$#
$†=-.¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨.-=†$
†=-.¨¨¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨¨¨.-=†
$†=-.¨¨¨¨¨ ¨¨¨¨¨.-=†$
#$†=-.¨¨¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨¨¨.-=†$#
@#$†=-.¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨.-=†$#@
#@#$†=-.¨¨ ¨¨.-=†$#@#
##@#$†=-.¨ ¨.-=†$#@##
#@#$†=-.¨¨ ¨¨.-=†$#@#
@#$†=-.¨¨¨ ¨¨¨.-=†$#@
#$†=-.¨¨¨¨ ¨¨¨¨.-=†$#