@¤@%\»:,,, ,,,:»\%@¤@
¤@%\»:,,,, ,,,,:»\%@¤
@%\»:,,,,, ,,,,,:»\%@
¤@%\»:,,,, ,,,,:»\%@¤
@¤@%\»:,,, ,,,:»\%@¤@
#@¤@%\»:,, THE SKYSCRAPER THAT MOVES ,,:»\%@¤@#
##@¤@%\»:, ,:»\%@¤@##
#@¤@%\»:,, TAINARON IS A BUILDING OWNED AND ,,:»\%@¤@#
@¤@%\»:,,, OPERATED BY AMATA TEXNOLOGIYASI PLACED ,,,:»\%@¤@
¤@%\»:,,,, CLOSED TO THE HARBOR IN MALMÖ. IT'S ,,,,:»\%@¤
@%\»:,,,,, ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ,,,,,:»\%@
¤@%\»:,,,, UNKNOWN), DARK BLUE AND COMPLETELY ,,,,:»\%@¤
@¤@%\»:,,, RECTANGULAR. IT FEATURES NO SIGNS, ,,,:»\%@¤@
#@¤@%\»:,, LIGHTS, OR ORNAMENTS, APART FROM A ,,:»\%@¤@#
##@¤@%\»:, HELIPAD ON TOP. MOST FLOORS HAVE ,:»\%@¤@##
#@¤@%\»:,, EXTERIOR WALLS COMPLETELY MADE OF GLASS. ,,:»\%@¤@#
@¤@%\»:,,, ,,,:»\%@¤@
¤@%\»:,,,, IN LATE EVENINGS, SHROUDED BY MALMö'S ,,,,:»\%@¤
@%\»:,,,,, SIGNATURE FOG ROLLING IN FROM THE SEA, ,,,,,:»\%@
¤@%\»:,,,, THE BUILDING COMES TO LIFE: IT MOVES ON ,,,,:»\%@¤
@¤@%\»:,,, A THOUSAND ROBOTIC LEGS TO ANOTHER ,,,:»\%@¤@
#@¤@%\»:,, (SECRET) PART OF TOWN, OR PERHAPS OUT ,,:»\%@¤@#
##@¤@%\»:, TO SEA. THIS SIGNALS A NEW AND MORE ,:»\%@¤@##
#@¤@%\»:,, VISCIOUS PHASE OF THE TAINARON ,,:»\%@¤@#
@¤@%\»:,,, ECOSYSTEM. ,,,:»\%@¤@
¤@%\»:,,,, ,,,,:»\%@¤
@%\»:,,,,, THE GUESTS ARRIVING DURING THE EARLY ,,,,,:»\%@
¤@%\»:,,,, EVENING ARE TREATED TO FOOD AND DRINK, ,,,,:»\%@¤
@¤@%\»:,,, LIVE MUSIC, BEATUTIFUL VIEWS, AND A ,,,:»\%@¤@
#@¤@%\»:,, COMFORTABLE BUT MAZE-LIKE INTERIOR ,,:»\%@¤@#
##@¤@%\»:, STRUCTURE (THE BUILDING FEATURES A ,:»\%@¤@##
#@¤@%\»:,, MULTITUDE OF STAIRWELLS AND ELEVATORS, ,,:»\%@¤@#
@¤@%\»:,,, PLACED SEEMINGLY AT RANDOM, NONE GOING ,,,:»\%@¤@
¤@%\»:,,,, FURTHER THAN A FEW FLOORS). ,,,,:»\%@¤
@%\»:,,,,, ,,,,,:»\%@
¤@%\»:,,,, AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ,,,,:»\%@¤
@¤@%\»:,,, UNTIL THE AIR INSIDE HAS TAKEN ON THE ,,,:»\%@¤@
#@¤@%\»:,, SAME QUALITY AS THE SURROUNDING MIST: ,,:»\%@¤@#
##@¤@%\»:, BLUE-GRAY, SPRINKLED WITH THE SMALL RED ,:»\%@¤@##
#@¤@%\»:,, DOT'S BY DOOR LOCKS AND CONTROL PANELS. ,,:»\%@¤@#
@¤@%\»:,,, IF YOU WOULD LOOK THROUGH THE WINDOWS ,,,:»\%@¤@
¤@%\»:,,,, YOU WOULD SEE THE MIST ROLLING BY, AND ,,,,:»\%@¤
@%\»:,,,,, PERHAPS THE OUTLINE OF SOME OTHER ,,,,,:»\%@
¤@%\»:,,,, BUILDING, FAR BELOW. ,,,,:»\%@¤
@¤@%\»:,,, ,,,:»\%@¤@
#@¤@%\»:,, DURING THE NIGHT, AFTER TAINARON HAS ,,:»\%@¤@#
##@¤@%\»:, STARTED MOVING, THE LOWER FLOORS ARE ,:»\%@¤@##
#@¤@%\»:,, SHUT OFF, PREVENTING ENTRY OR EXIT FOR ,,:»\%@¤@#
@¤@%\»:,,, THE GUESTS. FOOD IS NO LONGER SERVED, ,,,:»\%@¤@
¤@%\»:,,,, BUT THE DRINKS BECOME MORE EXTRAVAGANT. ,,,,:»\%@¤
@%\»:,,,,, IT'S AT THIS POINT THAT THE SECOND SET ,,,,,:»\%@
¤@%\»:,,,, OF GUEST ARRIVES, VIA HELICOPTER - ,,,,:»\%@¤
@¤@%\»:,,, AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ,,,:»\%@¤@
#@¤@%\»:,, ,,:»\%@¤@#
##@¤@%\»:, »»»»» ,:»\%@¤@##
#@¤@%\»:,, ,,:»\%@¤@#
@¤@%\»:,,, IN MY DREAM I AM INVITED AS A FRIEND OF ,,,:»\%@¤@
¤@%\»:,,,, ONE OF THE SERVERS, AND THUS SAFE. WE ,,,,:»\%@¤
@%\»:,,,,, SIT IN ONE OF THE LARGE WINDOWS, ,,,,,:»\%@
¤@%\»:,,,, LOOKING THROUGH THE MIST FOR ANY ,,,,:»\%@¤
@¤@%\»:,,, LANDMARKS TO PIERCE THROUGH THE MIST. ,,,:»\%@¤@
#@¤@%\»:,, SHE TELLS ME THAT APART FROM COMING AND ,,:»\%@¤@#
##@¤@%\»:, GOING FROM WORK, SHE'S NEVER SEEN THE ,:»\%@¤@##
#@¤@%\»:,, BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ,,:»\%@¤@#
@¤@%\»:,,, ,,,:»\%@¤@
¤@%\»:,,,, THE NEXT DAY I AM INVITED TO THE PUBLIC ,,,,:»\%@¤
@%\»:,,,,, DEMONSTRATION OF THE EXOBUBBLE. ,,,,,:»\%@
¤@%\»:,,,, ,,,,:»\%@¤
@¤@%\»:,,, ,,,:»\%@¤@
#@¤@%\»:,, ,,:»\%@¤@#
##@¤@%\»:, ,:»\%@¤@##
#@¤@%\»:,, ,,:»\%@¤@#