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£$**=.¨¨¨¨ THE SKYSCRAPER THAT MOVES ¨¨¨¨.=**$£
$**=.¨¨¨¨¨ ¨¨¨¨¨.=**$
£$**=.¨¨¨¨ TAINARON IS A BUILDING OWNED AND ¨¨¨¨.=**$£
@£$**=.¨¨¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨¨¨.=**$£@
#@£$**=.¨¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨¨.=**$£@#
##@£$**=.¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨.=**$£@##
#@£$**=.¨¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨¨.=**$£@#
@£$**=.¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨.=**$£@
£$**=.¨¨¨¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨¨¨¨.=**$£
$**=.¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨.=**$
£$**=.¨¨¨¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨¨¨¨.=**$£
@£$**=.¨¨¨ ¨¨¨.=**$£@
#@£$**=.¨¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨¨.=**$£@#
##@£$**=.¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨.=**$£@##
#@£$**=.¨¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨¨.=**$£@#
@£$**=.¨¨¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨¨¨.=**$£@
£$**=.¨¨¨¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨¨¨¨.=**$£
$**=.¨¨¨¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨¨¨¨.=**$
£$**=.¨¨¨¨ VISCIOUS PHASE OF THE TAINARON ¨¨¨¨.=**$£
@£$**=.¨¨¨ ECOSYSTEM. ¨¨¨.=**$£@
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##@£$**=.¨ THE GUESTS ARRIVING DURING THE EARLY ¨.=**$£@##
#@£$**=.¨¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨¨.=**$£@#
@£$**=.¨¨¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨¨¨.=**$£@
£$**=.¨¨¨¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨¨¨¨.=**$£
$**=.¨¨¨¨¨ STRUCTURE (THE BUILDING FEATURES A ¨¨¨¨¨.=**$
£$**=.¨¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨¨.=**$£
@£$**=.¨¨¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨¨¨.=**$£@
#@£$**=.¨¨ FURTHER THAN A FEW FLOORS). ¨¨.=**$£@#
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#@£$**=.¨¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨¨.=**$£@#
@£$**=.¨¨¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨¨¨.=**$£@
£$**=.¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨.=**$£
$**=.¨¨¨¨¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨¨¨¨¨.=**$
£$**=.¨¨¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨¨¨.=**$£
@£$**=.¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨.=**$£@
#@£$**=.¨¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨¨.=**$£@#
##@£$**=.¨ PERHAPS THE OUTLINE OF SOME OTHER ¨.=**$£@##
#@£$**=.¨¨ BUILDING, FAR BELOW. ¨¨.=**$£@#
@£$**=.¨¨¨ ¨¨¨.=**$£@
£$**=.¨¨¨¨ DURING THE NIGHT, AFTER TAINARON HAS ¨¨¨¨.=**$£
$**=.¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨.=**$
£$**=.¨¨¨¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨¨¨¨.=**$£
@£$**=.¨¨¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨¨¨.=**$£@
#@£$**=.¨¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨¨.=**$£@#
##@£$**=.¨ IT'S AT THIS POINT THAT THE SECOND SET ¨.=**$£@##
#@£$**=.¨¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨¨.=**$£@#
@£$**=.¨¨¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨¨¨.=**$£@
£$**=.¨¨¨¨ ¨¨¨¨.=**$£
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£$**=.¨¨¨¨ ¨¨¨¨.=**$£
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#@£$**=.¨¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨¨.=**$£@#
##@£$**=.¨ SIT IN ONE OF THE LARGE WINDOWS, ¨.=**$£@##
#@£$**=.¨¨ LOOKING THROUGH THE MIST FOR ANY ¨¨.=**$£@#
@£$**=.¨¨¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨¨¨.=**$£@
£$**=.¨¨¨¨ SHE TELLS ME THAT APART FROM COMING AND ¨¨¨¨.=**$£
$**=.¨¨¨¨¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨¨¨¨¨.=**$
£$**=.¨¨¨¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨¨¨¨.=**$£
@£$**=.¨¨¨ ¨¨¨.=**$£@
#@£$**=.¨¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨¨.=**$£@#
##@£$**=.¨ DEMONSTRATION OF THE EXOBUBBLE. ¨.=**$£@##
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