...,~^%@§@ @§@%^~,...
....,~^%@§ §@%^~,....
...,~^%@§@ @§@%^~,...
..,~^%@§@# #@§@%^~,..
.,~^%@§@## ##@§@%^~,.
..,~^%@§@# the skyscraper that moves #@§@%^~,..
...,~^%@§@ @§@%^~,...
....,~^%@§ tainaron is a building owned and §@%^~,....
...,~^%@§@ operated by amata texnologiyasi placed @§@%^~,...
..,~^%@§@# closed to the harbor in malmÖ. it's #@§@%^~,..
.,~^%@§@## roughly sixty floors high (real number ##@§@%^~,.
..,~^%@§@# unknown), dark blue and completely #@§@%^~,..
...,~^%@§@ rectangular. it features no signs, @§@%^~,...
....,~^%@§ lights, or ornaments, apart from a §@%^~,....
...,~^%@§@ helipad on top. most floors have @§@%^~,...
..,~^%@§@# exterior walls completely made of glass. #@§@%^~,..
.,~^%@§@## ##@§@%^~,.
..,~^%@§@# in late evenings, shrouded by malmö's #@§@%^~,..
...,~^%@§@ signature fog rolling in from the sea, @§@%^~,...
....,~^%@§ the building comes to life: it moves on §@%^~,....
...,~^%@§@ a thousand robotic legs to another @§@%^~,...
..,~^%@§@# (secret) part of town, or perhaps out #@§@%^~,..
.,~^%@§@## to sea. this signals a new and more ##@§@%^~,.
..,~^%@§@# viscious phase of the tainaron #@§@%^~,..
...,~^%@§@ ecosystem. @§@%^~,...
....,~^%@§ §@%^~,....
...,~^%@§@ the guests arriving during the early @§@%^~,...
..,~^%@§@# evening are treated to food and drink, #@§@%^~,..
.,~^%@§@## live music, beatutiful views, and a ##@§@%^~,.
..,~^%@§@# comfortable but maze-like interior #@§@%^~,..
...,~^%@§@ structure (the building features a @§@%^~,...
....,~^%@§ multitude of stairwells and elevators, §@%^~,....
...,~^%@§@ placed seemingly at random, none going @§@%^~,...
..,~^%@§@# further than a few floors). #@§@%^~,..
.,~^%@§@## ##@§@%^~,.
..,~^%@§@# as time goes on, the lights slowly dim, #@§@%^~,..
...,~^%@§@ until the air inside has taken on the @§@%^~,...
....,~^%@§ same quality as the surrounding mist: §@%^~,....
...,~^%@§@ blue-gray, sprinkled with the small red @§@%^~,...
..,~^%@§@# dot's by door locks and control panels. #@§@%^~,..
.,~^%@§@## if you would look through the windows ##@§@%^~,.
..,~^%@§@# you would see the mist rolling by, and #@§@%^~,..
...,~^%@§@ perhaps the outline of some other @§@%^~,...
....,~^%@§ building, far below. §@%^~,....
...,~^%@§@ @§@%^~,...
..,~^%@§@# during the night, after tainaron has #@§@%^~,..
.,~^%@§@## started moving, the lower floors are ##@§@%^~,.
..,~^%@§@# shut off, preventing entry or exit for #@§@%^~,..
...,~^%@§@ the guests. food is no longer served, @§@%^~,...
....,~^%@§ but the drinks become more extravagant. §@%^~,....
...,~^%@§@ it's at this point that the second set @§@%^~,...
..,~^%@§@# of guest arrives, via helicopter - #@§@%^~,..
.,~^%@§@## amata texnologiyasi and their friends. ##@§@%^~,.
..,~^%@§@# #@§@%^~,..
...,~^%@§@ ~~~~~ @§@%^~,...
....,~^%@§ §@%^~,....
...,~^%@§@ in my dream i am invited as a friend of @§@%^~,...
..,~^%@§@# one of the servers, and thus safe. we #@§@%^~,..
.,~^%@§@## sit in one of the large windows, ##@§@%^~,.
..,~^%@§@# looking through the mist for any #@§@%^~,..
...,~^%@§@ landmarks to pierce through the mist. @§@%^~,...
....,~^%@§ she tells me that apart from coming and §@%^~,....
...,~^%@§@ going from work, she's never seen the @§@%^~,...
..,~^%@§@# building from the outside. we both sigh. #@§@%^~,..
.,~^%@§@## ##@§@%^~,.
..,~^%@§@# the next day i am invited to the public #@§@%^~,..
...,~^%@§@ demonstration of the exobubble. @§@%^~,...
....,~^%@§ §@%^~,....
...,~^%@§@ @§@%^~,...
..,~^%@§@# #@§@%^~,..
.,~^%@§@## ##@§@%^~,.
..,~^%@§@# #@§@%^~,..