.:»=§¤£@## ##@£¤§=»:.
..:»=§¤£@# #@£¤§=»:..
...:»=§¤£@ @£¤§=»:...
....:»=§¤£ £¤§=»:....
.....:»=§¤ ¤§=»:.....
....:»=§¤£ THE SKYSCRAPER THAT MOVES £¤§=»:....
...:»=§¤£@ @£¤§=»:...
..:»=§¤£@# TAINARON IS A BUILDING OWNED AND #@£¤§=»:..
.:»=§¤£@## OPERATED BY AMATA TEXNOLOGIYASI PLACED ##@£¤§=»:.
..:»=§¤£@# CLOSED TO THE HARBOR IN MALMÖ. IT'S #@£¤§=»:..
...:»=§¤£@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @£¤§=»:...
....:»=§¤£ UNKNOWN), DARK BLUE AND COMPLETELY £¤§=»:....
.....:»=§¤ RECTANGULAR. IT FEATURES NO SIGNS, ¤§=»:.....
....:»=§¤£ LIGHTS, OR ORNAMENTS, APART FROM A £¤§=»:....
...:»=§¤£@ HELIPAD ON TOP. MOST FLOORS HAVE @£¤§=»:...
..:»=§¤£@# EXTERIOR WALLS COMPLETELY MADE OF GLASS. #@£¤§=»:..
.:»=§¤£@## ##@£¤§=»:.
..:»=§¤£@# IN LATE EVENINGS, SHROUDED BY MALMö'S #@£¤§=»:..
...:»=§¤£@ SIGNATURE FOG ROLLING IN FROM THE SEA, @£¤§=»:...
....:»=§¤£ THE BUILDING COMES TO LIFE: IT MOVES ON £¤§=»:....
.....:»=§¤ A THOUSAND ROBOTIC LEGS TO ANOTHER ¤§=»:.....
....:»=§¤£ (SECRET) PART OF TOWN, OR PERHAPS OUT £¤§=»:....
...:»=§¤£@ TO SEA. THIS SIGNALS A NEW AND MORE @£¤§=»:...
..:»=§¤£@# VISCIOUS PHASE OF THE TAINARON #@£¤§=»:..
.:»=§¤£@## ECOSYSTEM. ##@£¤§=»:.
..:»=§¤£@# #@£¤§=»:..
...:»=§¤£@ THE GUESTS ARRIVING DURING THE EARLY @£¤§=»:...
....:»=§¤£ EVENING ARE TREATED TO FOOD AND DRINK, £¤§=»:....
.....:»=§¤ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¤§=»:.....
....:»=§¤£ COMFORTABLE BUT MAZE-LIKE INTERIOR £¤§=»:....
...:»=§¤£@ STRUCTURE (THE BUILDING FEATURES A @£¤§=»:...
..:»=§¤£@# MULTITUDE OF STAIRWELLS AND ELEVATORS, #@£¤§=»:..
.:»=§¤£@## PLACED SEEMINGLY AT RANDOM, NONE GOING ##@£¤§=»:.
..:»=§¤£@# FURTHER THAN A FEW FLOORS). #@£¤§=»:..
...:»=§¤£@ @£¤§=»:...
....:»=§¤£ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £¤§=»:....
.....:»=§¤ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¤§=»:.....
....:»=§¤£ SAME QUALITY AS THE SURROUNDING MIST: £¤§=»:....
...:»=§¤£@ BLUE-GRAY, SPRINKLED WITH THE SMALL RED @£¤§=»:...
..:»=§¤£@# DOT'S BY DOOR LOCKS AND CONTROL PANELS. #@£¤§=»:..
.:»=§¤£@## IF YOU WOULD LOOK THROUGH THE WINDOWS ##@£¤§=»:.
..:»=§¤£@# YOU WOULD SEE THE MIST ROLLING BY, AND #@£¤§=»:..
...:»=§¤£@ PERHAPS THE OUTLINE OF SOME OTHER @£¤§=»:...
....:»=§¤£ BUILDING, FAR BELOW. £¤§=»:....
.....:»=§¤ ¤§=»:.....
....:»=§¤£ DURING THE NIGHT, AFTER TAINARON HAS £¤§=»:....
...:»=§¤£@ STARTED MOVING, THE LOWER FLOORS ARE @£¤§=»:...
..:»=§¤£@# SHUT OFF, PREVENTING ENTRY OR EXIT FOR #@£¤§=»:..
.:»=§¤£@## THE GUESTS. FOOD IS NO LONGER SERVED, ##@£¤§=»:.
..:»=§¤£@# BUT THE DRINKS BECOME MORE EXTRAVAGANT. #@£¤§=»:..
...:»=§¤£@ IT'S AT THIS POINT THAT THE SECOND SET @£¤§=»:...
....:»=§¤£ OF GUEST ARRIVES, VIA HELICOPTER - £¤§=»:....
.....:»=§¤ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¤§=»:.....
....:»=§¤£ £¤§=»:....
...:»=§¤£@ »»»»» @£¤§=»:...
..:»=§¤£@# #@£¤§=»:..
.:»=§¤£@## IN MY DREAM I AM INVITED AS A FRIEND OF ##@£¤§=»:.
..:»=§¤£@# ONE OF THE SERVERS, AND THUS SAFE. WE #@£¤§=»:..
...:»=§¤£@ SIT IN ONE OF THE LARGE WINDOWS, @£¤§=»:...
....:»=§¤£ LOOKING THROUGH THE MIST FOR ANY £¤§=»:....
.....:»=§¤ LANDMARKS TO PIERCE THROUGH THE MIST. ¤§=»:.....
....:»=§¤£ SHE TELLS ME THAT APART FROM COMING AND £¤§=»:....
...:»=§¤£@ GOING FROM WORK, SHE'S NEVER SEEN THE @£¤§=»:...
..:»=§¤£@# BUILDING FROM THE OUTSIDE. WE BOTH SIGH. #@£¤§=»:..
.:»=§¤£@## ##@£¤§=»:.
..:»=§¤£@# THE NEXT DAY I AM INVITED TO THE PUBLIC #@£¤§=»:..
...:»=§¤£@ DEMONSTRATION OF THE EXOBUBBLE. @£¤§=»:...
....:»=§¤£ £¤§=»:....
.....:»=§¤ ¤§=»:.....
....:»=§¤£ £¤§=»:....
...:»=§¤£@ @£¤§=»:...
..:»=§¤£@# #@£¤§=»:..