£§/,¨¨¨¨¨¨ ¨¨¨¨¨¨,/§£
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###@£§/~,¨ ¨,~/§£@###
@@£@§§/~,¨ ¨,~/§§@£@@
@@@£@§/~,¨ ¨,~/§@£@@@
##@£@§/~,¨ THE SKYSCRAPER THAT MOVES ¨,~/§@£@##
###@£@§~,¨ ¨,~§@£@###
@@@§§//~,¨ TAINARON IS A BUILDING OWNED AND ¨,~//§§@@@
#£@@@§/~,¨ OPERATED BY AMATA TEXNOLOGIYASI PLACED ¨,~/§@@@£#
##@£@§/~,¨ CLOSED TO THE HARBOR IN MALMÖ. IT'S ¨,~/§@£@##
@£§§§/~¨¨¨ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER ¨¨¨~/§§§£@
###@£§/~,¨ UNKNOWN), DARK BLUE AND COMPLETELY ¨,~/§£@###
@@/,¨¨¨¨¨¨ RECTANGULAR. IT FEATURES NO SIGNS, ¨¨¨¨¨¨,/@@
###@£@/~,¨ LIGHTS, OR ORNAMENTS, APART FROM A ¨,~/@£@###
@@/,¨¨¨¨¨¨ HELIPAD ON TOP. MOST FLOORS HAVE ¨¨¨¨¨¨,/@@
###@@§/~,¨ EXTERIOR WALLS COMPLETELY MADE OF GLASS. ¨,~/§@@###
#@@£@§/~,¨ ¨,~/§@£@@#
##@£@§/~,¨ IN LATE EVENINGS, SHROUDED BY MALMö'S ¨,~/§@£@##
#@@£@§/~,¨ SIGNATURE FOG ROLLING IN FROM THE SEA, ¨,~/§@£@@#
##@£@§/~,¨ THE BUILDING COMES TO LIFE: IT MOVES ON ¨,~/§@£@##
##@£@§/~,¨ A THOUSAND ROBOTIC LEGS TO ANOTHER ¨,~/§@£@##
##@£@§/~,¨ (SECRET) PART OF TOWN, OR PERHAPS OUT ¨,~/§@£@##
£@§§/,,,¨¨ TO SEA. THIS SIGNALS A NEW AND MORE ¨¨,,,/§§@£
##@£@§/~,¨ VISCIOUS PHASE OF THE TAINARON ¨,~/§@£@##
##@£@§/~,¨ ECOSYSTEM. ¨,~/§@£@##
##@£@§/~,¨ ¨,~/§@£@##
##@£@§/~,¨ THE GUESTS ARRIVING DURING THE EARLY ¨,~/§@£@##
##@£@§/~,¨ EVENING ARE TREATED TO FOOD AND DRINK, ¨,~/§@£@##
##@£@§/~,¨ LIVE MUSIC, BEATUTIFUL VIEWS, AND A ¨,~/§@£@##
##@£@§/~,¨ COMFORTABLE BUT MAZE-LIKE INTERIOR ¨,~/§@£@##
##@£@§/~,¨ STRUCTURE (THE BUILDING FEATURES A ¨,~/§@£@##
£@§§/~,¨¨¨ MULTITUDE OF STAIRWELLS AND ELEVATORS, ¨¨¨,~/§§@£
££££@§/~,¨ PLACED SEEMINGLY AT RANDOM, NONE GOING ¨,~/§@££££
###@£@/~,¨ FURTHER THAN A FEW FLOORS). ¨,~/@£@###
@@@/,¨¨¨¨¨ ¨¨¨¨¨,/@@@
##@£@§/~,¨ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, ¨,~/§@£@##
##@£@§/~,¨ UNTIL THE AIR INSIDE HAS TAKEN ON THE ¨,~/§@£@##
£§~,,,¨¨¨¨ SAME QUALITY AS THE SURROUNDING MIST: ¨¨¨¨,,,~§£
#£§////~,¨ BLUE-GRAY, SPRINKLED WITH THE SMALL RED ¨,~////§£#
@£@///~,¨¨ DOT'S BY DOOR LOCKS AND CONTROL PANELS. ¨¨,~///@£@
£§//~,¨¨¨¨ IF YOU WOULD LOOK THROUGH THE WINDOWS ¨¨¨¨,~//§£
££§§///~,¨ YOU WOULD SEE THE MIST ROLLING BY, AND ¨,~///§§££
@£@/,¨¨¨¨¨ PERHAPS THE OUTLINE OF SOME OTHER ¨¨¨¨¨,/@£@
##@£@§/~,¨ BUILDING, FAR BELOW. ¨,~/§@£@##
##@£@§/~,¨ ¨,~/§@£@##
##@£@§/~,¨ DURING THE NIGHT, AFTER TAINARON HAS ¨,~/§@£@##
££@/,¨¨¨¨¨ STARTED MOVING, THE LOWER FLOORS ARE ¨¨¨¨¨,/@££
##@£@§/~,¨ SHUT OFF, PREVENTING ENTRY OR EXIT FOR ¨,~/§@£@##
##@£@§/~,¨ THE GUESTS. FOOD IS NO LONGER SERVED, ¨,~/§@£@##
@@£§§§/~,¨ BUT THE DRINKS BECOME MORE EXTRAVAGANT. ¨,~/§§§£@@
##@£@§/~,¨ IT'S AT THIS POINT THAT THE SECOND SET ¨,~/§@£@##
#££@§//~,¨ OF GUEST ARRIVES, VIA HELICOPTER - ¨,~//§@££#
##@£@§/~,¨ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. ¨,~/§@£@##
##@£@§/~,¨ ¨,~/§@£@##
##@£@§/~,¨ ~~~~~ ¨,~/§@£@##
##@£@§/~,¨ ¨,~/§@£@##
@£§/,¨¨¨¨¨ IN MY DREAM I AM INVITED AS A FRIEND OF ¨¨¨¨¨,/§£@
@@@£@§/~,¨ ONE OF THE SERVERS, AND THUS SAFE. WE ¨,~/§@£@@@
£@@@//,¨¨¨ SIT IN ONE OF THE LARGE WINDOWS, ¨¨¨,//@@@£
##@£@§/~,¨ LOOKING THROUGH THE MIST FOR ANY ¨,~/§@£@##
##@£@§/~,¨ LANDMARKS TO PIERCE THROUGH THE MIST. ¨,~/§@£@##
##@£@§/~,¨ SHE TELLS ME THAT APART FROM COMING AND ¨,~/§@£@##
##@£@§/~,¨ GOING FROM WORK, SHE'S NEVER SEEN THE ¨,~/§@£@##
##@£@§/~,¨ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. ¨,~/§@£@##
@@/,,¨¨¨¨¨ ¨¨¨¨¨,,/@@
##@£@§/~,¨ THE NEXT DAY I AM INVITED TO THE PUBLIC ¨,~/§@£@##
£@@@/,¨¨¨¨ DEMONSTRATION OF THE EXOBUBBLE. ¨¨¨¨,/@@@£
##@£@§/~,¨ ¨,~/§@£@##
@@@@§~~~,¨ ¨,~~~§@@@@
##@£@§/~,¨ ¨,~/§@£@##
##@£@§/~,¨ ¨,~/§@£@##
##@£@§/~,¨ ¨,~/§@£@##