.....~=%%# #%%=~.....
.,~\=%@@ @@#&%=\~,.
....~\%%%# #%%%\~....
.,~\=%@@ @@#&%=\~,.
.,~\=%@# #@#&%=\~,.
.,~\=%%%%& @ &%%%%=\~,.
...,,~=&&@ .LIZARDRY @&&=~,,...
.,~\=%%%&& ~ # @# @@@ @@@@@@@@@@@@@@@@@@ &&%%%=\~,.
....,~\%&& @@ THE ART OF C,NNECTING &&%\~,....
.,~\=%@# . WITH THE OLD MIND #@#&%=\~,.
....,~\=%& &%=\~,....
.,~\=%%%%# MY MIND IS BEING SKEWED. MI #%%%%=\~,.
.,~\=%## SKELETON IS STRINGY AND OLD AND ALIEN ###&%=\~,.
...,\\\%#@ THE SITUATION IS LITERALLY @#%\\\,...
.....~\=&& PRESSED OUT THROUGH MY EYES, IT'S &&=\~.....
....,\=&&& ECHOING LIKE &&&=\,....
.,~\=%@# THE SUNSET OF THE ETERNAL #@#&%=\~,.
....~\%%## OCEAN ##%%\~....
.,~\=%@# PERSISTENTLY AGAINST MY EMULSION #@#&%=\~,.
.,~\=%%& #&&%%=\~,.
....,\=% IT'S UNGRASPABLE TO ME, WHAT OTHER #&%=\,....
.,~\=%## HUMANS ARE DOING AND ABSTRACTING, ###&%=\~,.
.,~\===& AND ABOVE ALL ELSE, WHAT TIME THEY USE? #&&===\~,.
.,~\=%## HOW LONG A TIME HAS PASSED, FOR THEM? ###&%=\~,.
....,,\\%# . #%\\,,....
....~~\%&& . ... . ................ ####### &&%\~~....
.,~\=%@@ CONTINUOUSLY I'M CROWDING THROUGH @@#&%=\~,.
.,~\=%@# . THE FOURTH WALL ,OUTWARDS IS WHAT . #@#&%=\~,.
.....,\=&@ .. I'M THINKING BUT IT'S WRONG.. A NEW @&=\,.....
.,~\=%@# . . NARRATOR IS INTRODUCED, OCCASIONALLY #@#&%=\~,.
.,~\=%@# , , AWARE OF THE PREVIOUS ONE, DEEPER . #@#&%=\~,.
.,~\=%@# , , DOWN IN THE DRAGONS THROAT. #@#&%=\~,.
.....,~\%& , &%\~,.....
.,~\=%@# , #@#&%=\~,.
.,~\=%@# #@#&%=\~,.
.,~\=%@# #@#&%=\~,.
.,~=%@## ##@#&%=~,.
.,~\=%@# #@#&%=\~,.
....,\\=%# #%=\\,....
....~~~~=& &=~~~~....