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....~§§§§#              .LIZARDRY                   #§§§§~....
.^~=§§§§## ~           £ @£ @@@  @@@@@@@@@@@@@@@@@@ ##§§§§=~^.
.^~=§§#£@# @@      THE ART OF C^NNECTING            #@£#§§=~^.
......~§#£        .    WITH THE OLD MIND            £#§~......
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.^~=§§£@##             MY MIND IS BEING SKEWED. MI  ##@£§§=~^.
.^~=§§#£##  SKELETON IS STRINGY AND OLD AND ALIEN   ##£#§§=~^.
.^~=§§#£££             THE SITUATION IS LITERALLY   £££#§§=~^.
.^~=§§#£@@ PRESSED OUT THROUGH MY EYES, IT'S        @@£#§§=~^.
......~§§£ ECHOING LIKE                             £§§~......
....^~§§££             THE SUNSET OF THE ETERNAL    ££§§~^....
.^~=§#£@## OCEAN                                    ##@£#§=~^.
....~~=§#£         PERSISTENTLY AGAINST MY EMULSION £#§=~~....
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.^~~~=§§##    IT'S UNGRASPABLE TO ME, WHAT OTHER    ##§§=~~~^.
.^~=§§#£@#   HUMANS ARE DOING AND ABSTRACTING,      #@£#§§=~^.
.^^~~~==§#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #§==~~~^^.
.....~§##@ HOW LONG A TIME HAS PASSED, FOR THEM?    @##§~.....
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.^~=§§###£  . ... .  ................   £££££££     £###§§=~^.
.^~=§§#£@#   CONTINUOUSLY I'M CROWDING THROUGH      #@£#§§=~^.
.^~=§§#£@# . THE FOURTH WALL  ^OUTWARDS IS WHAT   . #@£#§§=~^.
.^~=§§§### .. I'M THINKING BUT IT'S WRONG.. A NEW   ###§§§=~^.
...^^==§§# . . NARRATOR IS INTRODUCED, OCCASIONALLY #§§==^^...
.^~=§§#£@# ^  ^ AWARE OF THE PREVIOUS ONE, DEEPER . #@£#§§=~^.
.^~=§§#£@# ^   ^ DOWN IN THE DRAGONS THROAT.        #@£#§§=~^.
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