##@¤&=/-., ,.-/=&¤@##
#@#¤&=/-., ,.-/=&¤#@#
#@#¤&=/-., ,.-/=&¤#@#
@##¤&=/-., ,.-/=&¤##@
#@#¤&=/-., ,.-/=&¤#@#
###¤&=/-., @ ,.-/=&¤###
##¤¤&=/-., ,LIZARDRY ,.-/=&¤¤##
@@#¤&=/-., - # @# @@@ @@@@@@@@@@@@@@@@@@ ,.-/=&¤#@@
¤&///-.,,, @@ THE ART OF C.NNECTING ,,,.-///&¤
¤&=/.,,,,, , WITH THE OLD MIND ,,,,,./=&¤
¤&/.,,,,,, ,,,,,,./&¤
###¤&=/-., MY MIND IS BEING SKEWED. MI ,.-/=&¤###
#@#¤&=/-., SKELETON IS STRINGY AND OLD AND ALIEN ,.-/=&¤#@#
¤=-.,,,,,, THE SITUATION IS LITERALLY ,,,,,,.-=¤
@@#¤&=/-., PRESSED OUT THROUGH MY EYES, IT'S ,.-/=&¤#@@
#¤&&//--., ECHOING LIKE ,.--//&&¤#
##@#¤=/-., THE SUNSET OF THE ETERNAL ,.-/=¤#@##
@¤¤¤&=/-., OCEAN ,.-/=&¤¤¤@
#@#¤&=/-., PERSISTENTLY AGAINST MY EMULSION ,.-/=&¤#@#
#@#¤&=/-., ,.-/=&¤#@#
#@#¤&=/-., IT'S UNGRASPABLE TO ME, WHAT OTHER ,.-/=&¤#@#
#@#¤&=/-., HUMANS ARE DOING AND ABSTRACTING, ,.-/=&¤#@#
#¤&==/-.,, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,,.-/==&¤#
@¤¤¤&=/-., HOW LONG A TIME HAS PASSED, FOR THEM? ,.-/=&¤¤¤@
#@#¤&=/-., , ,.-/=&¤#@#
#@#¤&=/-., , ,,, , ,,,,,,,,,,,,,,,, ####### ,.-/=&¤#@#
¤=---,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,---=¤
###¤&=/-., , THE FOURTH WALL .OUTWARDS IS WHAT , ,.-/=&¤###
#@#¤&=/-., ,, I'M THINKING BUT IT'S WRONG.. A NEW ,.-/=&¤#@#
###¤&=/-., , , NARRATOR IS INTRODUCED, OCCASIONALLY ,.-/=&¤###
¤&/--.,,,, . . AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,.--/&¤
¤¤¤=/-..,, . . DOWN IN THE DRAGONS THROAT. ,,..-/=¤¤¤
#@#¤&=/-., . ,.-/=&¤#@#
##@¤&=/-., . ,.-/=&¤@##
#@#¤&=/-., ,.-/=&¤#@#
@#&/.,,,,, ,,,,,./@
@@#¤&=/-., ,.-/=&¤#@@
@@#¤&=/-., ,.-/=&¤#@@
#&/.,,,,,, ,,,,,,./
#@#¤&=/-., ,.-/=&¤#@#