,,»*%*£@@# #@@£*%*»,,
,,»*%*£@@@ @@@£*%*»,,
,,»*%*@@## ##@@*%*»,,
,,»*%*£@@# #@@£*%*»,,
,,»*%*£@@# #@@£*%*»,,
,,»*%*£@@# @ #@@£*%*»,,
,,»*%*£@## ,LIZARDRY ##@£*%*»,,
,,»*%*@@## » @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@@*%*»,,
,,»*%*£@## @@ THE ART OF C,NNECTING ##@£*%*»,,
,,,,,»%%£@ , WITH THE OLD MIND @£%%»,,,,,
,,»*%*£@@@ @@@£*%*»,,
,,»*%*££££ MY MIND IS BEING SKEWED. MI ££££*%*»,,
,,,,,,»*%£ SKELETON IS STRINGY AND OLD AND ALIEN £%*»,,,,,,
,,,,,,**££ THE SITUATION IS LITERALLY ££**,,,,,,
,,,,,****£ PRESSED OUT THROUGH MY EYES, IT'S £****,,,,,
,,»*%*£@@# ECHOING LIKE #@@£*%*»,,
,,,,,»%%*@ THE SUNSET OF THE ETERNAL @*%%»,,,,,
,,»*%*£@@# OCEAN #@@£*%*»,,
,,»*%*£@## PERSISTENTLY AGAINST MY EMULSION ##@£*%*»,,
,,»*%*£@## ##@£*%*»,,
,,,,»*%%£@ IT'S UNGRASPABLE TO ME, WHAT OTHER @£%%*»,,,,
,,»**%*£@@ HUMANS ARE DOING AND ABSTRACTING, @@£*%**»,,
,,»*%*£@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@£*%*»,,
,,,,,,»%*£ HOW LONG A TIME HAS PASSED, FOR THEM? £*%»,,,,,,
,,»*%%%*£@ , @£*%%%*»,,
,,,,,,»%*£ , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ £*%»,,,,,,
,,»*%*£@@@ CONTINUOUSLY I'M CROWDING THROUGH @@@£*%*»,,
,,»*%*£@@# , THE FOURTH WALL ,OUTWARDS IS WHAT , #@@£*%*»,,
,»*%*£@@## ,, I'M THINKING BUT IT'S WRONG.. A NEW ##@@£*%*»,
,,»*%*£@## , , NARRATOR IS INTRODUCED, OCCASIONALLY ##@£*%*»,,
,,»*%*£@@@ , , AWARE OF THE PREVIOUS ONE, DEEPER , @@@£*%*»,,
,,»*%*£@@# , , DOWN IN THE DRAGONS THROAT. #@@£*%*»,,
,,»*%%%*£@ , @£*%%%*»,,
,,»*%*£@@# , #@@£*%*»,,
,,»*%*£@@@ @@@£*%*»,,
,,»»***£@@ @@£***»»,,
,,»*%***£@ @£***%*»,,
,,,,,,,»%£ £%»,,,,,,,
,,»*%*£@## ##@£*%*»,,
,,,,*%*££@ @££*%*,,,,