,,,=/=£@#@ @#@£=/=,,,
,,,,=/=£@# #@£=/=,,,,
,,,,,=/=£@ @£=/=,,,,,
,,,,,,=/=£ £=/=,,,,,,
,,,,,,,=/= =/=,,,,,,,
,,,,,,,,=/ @ /=,,,,,,,,
,,,,,,,,,= ,LIZARDRY =,,,,,,,,,
,,,,,,,,,, = # @# @@@ @@@@@@@@@@@@@@@@@@ ,,,,,,,,,,
,,,,,,,,,, @@ THE ART OF C,NNECTING ,,,,,,,,,,
,,,,,,,,,, , WITH THE OLD MIND ,,,,,,,,,,
,,,,,,,,,= =,,,,,,,,,
,,,,,,,,=/ MY MIND IS BEING SKEWED. MI /=,,,,,,,,
,,,,,,,=/= SKELETON IS STRINGY AND OLD AND ALIEN =/=,,,,,,,
,,,,,,=/=£ THE SITUATION IS LITERALLY £=/=,,,,,,
,,,,,=/=£@ PRESSED OUT THROUGH MY EYES, IT'S @£=/=,,,,,
,,,,=/=£@# ECHOING LIKE #@£=/=,,,,
,,,=/=£@#@ THE SUNSET OF THE ETERNAL @#@£=/=,,,
,,=/=£@#@# OCEAN #@#@£=/=,,
,,,=/=£@#@ PERSISTENTLY AGAINST MY EMULSION @#@£=/=,,,
,,,,=/=£@# #@£=/=,,,,
,,,,,=/=£@ IT'S UNGRASPABLE TO ME, WHAT OTHER @£=/=,,,,,
,,,,,,=/=£ HUMANS ARE DOING AND ABSTRACTING, £=/=,,,,,,
,,,,,,,=/= AND ABOVE ALL ELSE, WHAT TIME THEY USE? =/=,,,,,,,
,,,,,,,,=/ HOW LONG A TIME HAS PASSED, FOR THEM? /=,,,,,,,,
,,,,,,,,,= , =,,,,,,,,,
,,,,,,,,,, , ,,, , ,,,,,,,,,,,,,,,, ####### ,,,,,,,,,,
,,,,,,,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,,,,,,,
,,,,,,,,,, , THE FOURTH WALL ,OUTWARDS IS WHAT , ,,,,,,,,,,
,,,,,,,,,= ,, I'M THINKING BUT IT'S WRONG.. A NEW =,,,,,,,,,
,,,,,,,,=/ , , NARRATOR IS INTRODUCED, OCCASIONALLY /=,,,,,,,,
,,,,,,,=/= , , AWARE OF THE PREVIOUS ONE, DEEPER , =/=,,,,,,,
,,,,,,=/=£ , , DOWN IN THE DRAGONS THROAT. £=/=,,,,,,
,,,,,=/=£@ , @£=/=,,,,,
,,,,=/=£@# , #@£=/=,,,,
,,,=/=£@#@ @#@£=/=,,,
,,=/=£@#@# #@#@£=/=,,
,,,=/=£@#@ @#@£=/=,,,
,,,,=/=£@# #@£=/=,,,,
,,,,,=/=£@ @£=/=,,,,,
,,,,,,=/=£ £=/=,,,,,,