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¨,~\^§§@## ¨LIZARDRY ##@§§^\~,¨
¨,~\^§§@@@ ~ @ #@ ### ################## @@@§§^\~,¨
¨,~\^§§@## ## THE ART OF C,NNECTING ##@§§^\~,¨
¨,~\^§§### ¨ WITH THE OLD MIND ###§§^\~,¨
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¨,~\^§§@@# MY MIND IS BEING SKEWED. MI #@@§§^\~,¨
¨,~\^§§@@# SKELETON IS STRINGY AND OLD AND ALIEN #@@§§^\~,¨
¨,~\^§§@## THE SITUATION IS LITERALLY ##@§§^\~,¨
¨¨¨¨¨,\^§# PRESSED OUT THROUGH MY EYES, IT'S #§^\,¨¨¨¨¨
¨¨¨~~~^§@@ ECHOING LIKE @@§^~~~¨¨¨
¨,~\^§@### THE SUNSET OF THE ETERNAL ###@§^\~,¨
¨¨¨¨¨,~\§@ OCEAN @§\~,¨¨¨¨¨
¨¨¨¨~\\^§@ PERSISTENTLY AGAINST MY EMULSION @§^\\~¨¨¨¨
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¨,~\^§§@## IT'S UNGRASPABLE TO ME, WHAT OTHER ##@§§^\~,¨
¨,~\^§§@## HUMANS ARE DOING AND ABSTRACTING, ##@§§^\~,¨
¨,~\^§§§§# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #§§§§^\~,¨
¨,~\^§§@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@§§^\~,¨
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¨,~\^§§@## CONTINUOUSLY I'M CROWDING THROUGH ##@§§^\~,¨
¨¨¨¨¨,~^§# ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ #§^~,¨¨¨¨¨
¨,~\^§§@## ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ##@§§^\~,¨
¨,~\^§§@## ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ##@§§^\~,¨
¨,~\^§§@## , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ##@§§^\~,¨
¨,~\^§§@## , , DOWN IN THE DRAGONS THROAT. ##@§§^\~,¨
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