..^~\§¤@@# #@@¤§\~^..
...^~\§¤@@ @@¤§\~^...
..^~\§¤@@# #@@¤§\~^..
.^~\§¤@@## ##@@¤§\~^.
..^~\§¤@@# #@@¤§\~^..
...^~\§¤@@ @ @@¤§\~^...
..^~\§¤@@# .LIZARDRY #@@¤§\~^..
.^~\§¤@@## ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@@¤§\~^.
..^~\§¤@@# @@ THE ART OF C^NNECTING #@@¤§\~^..
...^~\§¤@@ . WITH THE OLD MIND @@¤§\~^...
..^~\§¤@@# #@@¤§\~^..
.^~\§¤@@## MY MIND IS BEING SKEWED. MI ##@@¤§\~^.
..^~\§¤@@# SKELETON IS STRINGY AND OLD AND ALIEN #@@¤§\~^..
...^~\§¤@@ THE SITUATION IS LITERALLY @@¤§\~^...
..^~\§¤@@# PRESSED OUT THROUGH MY EYES, IT'S #@@¤§\~^..
.^~\§¤@@## ECHOING LIKE ##@@¤§\~^.
..^~\§¤@@# THE SUNSET OF THE ETERNAL #@@¤§\~^..
...^~\§¤@@ OCEAN @@¤§\~^...
..^~\§¤@@# PERSISTENTLY AGAINST MY EMULSION #@@¤§\~^..
.^~\§¤@@## ##@@¤§\~^.
..^~\§¤@@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@@¤§\~^..
...^~\§¤@@ HUMANS ARE DOING AND ABSTRACTING, @@¤§\~^...
..^~\§¤@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@¤§\~^..
.^~\§¤@@## HOW LONG A TIME HAS PASSED, FOR THEM? ##@@¤§\~^.
..^~\§¤@@# . #@@¤§\~^..
...^~\§¤@@ . ... . ................ @@@@@@@ @@¤§\~^...
..^~\§¤@@# CONTINUOUSLY I'M CROWDING THROUGH #@@¤§\~^..
.^~\§¤@@## . THE FOURTH WALL ^OUTWARDS IS WHAT . ##@@¤§\~^.
..^~\§¤@@# .. I'M THINKING BUT IT'S WRONG.. A NEW #@@¤§\~^..
...^~\§¤@@ . . NARRATOR IS INTRODUCED, OCCASIONALLY @@¤§\~^...
..^~\§¤@@# ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER . #@@¤§\~^..
.^~\§¤@@## ^ ^ DOWN IN THE DRAGONS THROAT. ##@@¤§\~^.
..^~\§¤@@# ^ #@@¤§\~^..
...^~\§¤@@ ^ @@¤§\~^...
..^~\§¤@@# #@@¤§\~^..
.^~\§¤@@## ##@@¤§\~^.
..^~\§¤@@# #@@¤§\~^..
...^~\§¤@@ @@¤§\~^...
..^~\§¤@@# #@@¤§\~^..
.^~\§¤@@## ##@@¤§\~^.