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#£$%/~-,,,                                          ,,,-~/%$£#
##£$%/~-,,                                          ,,-~/%$£##
###£$%/~-,                                          ,-~/%$£###
##£$%/~-,,                 %%%%%%%%%                ,,-~/%$£##
#£$%/~-,,, %%                                    %% ,,,-~/%$£#
##£$%/~-,, %%              PLUS                  %% ,,-~/%$£##
###£$%/~-, %                        MINUS         % ,-~/%$£###
##£$%/~-,, %     ZERO                             % ,,-~/%$£##
#£$%/~-,,, ,                                      , ,,,-~/%$£#
##£$%/~-,,            ,, MIRROR NOTE ,,             ,,-~/%$£##
###£$%/~-,              ,,,,,,,,,,,,,               ,-~/%$£###
##£$%/~-,,                                          ,,-~/%$£##
#£$%/~-,,, AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ,,,-~/%$£#
##£$%/~-,, UNDERAPPRECIATED, UNDERESTIMATED, UNDER  ,,-~/%$£##
###£$%/~-, THERE IS SIMPLY NO TIME TO CHOOSE WHAT   ,-~/%$£###
##£$%/~-,,                                          ,,-~/%$£##
#£$%/~-,,, EVERYTHING IS IN THROUGH THE LEFT HALF   ,,,-~/%$£#
##£$%/~-,,     OF MY FACE, AND OUT EXACTLY OPPOSITE ,,-~/%$£##
###£$%/~-,     ---THROUGH THE RIGHT HALF--- OF THE  ,-~/%$£###
##£$%/~-,,                                    FACE  ,,-~/%$£##
#£$%/~-,,,     PLUS MINUS ZERO BUT POLAR OPPOSITES! ,,,-~/%$£#
##£$%/~-,,                                          ,,-~/%$£##
###£$%/~-,  #,,# #,# #                              ,-~/%$£###
##£$%/~-,,  AND                                     ,,-~/%$£##
#£$%/~-,,,     THE ECHO IS TRAVELLING WITH EVERY    ,,,-~/%$£#
##£$%/~-,,     BEAT, MAYBE ONE HUNDRED AND THIRTY   ,,-~/%$£##
###£$%/~-,     MILLISECONDS, TO TWO HUNDRED AND     ,-~/%$£###
##£$%/~-,, #,# EIGHTY MILLISECONDS, AND DOWN,       ,,-~/%$£##
#£$%/~-,,,     ALONG MY DREADS, MAYBE LIKE          ,,,-~/%$£#
##£$%/~-,,   A CAP TO THE LEFT AND UP FOUR HUNDRED  ,,-~/%$£##
###£$%/~-, TO THE RIGHT                             ,-~/%$£###
##£$%/~-,,                                          ,,-~/%$£##
#£$%/~-,,,    ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~    ,,,-~/%$£#
##£$%/~-,,                                          ,,-~/%$£##
###£$%/~-,   DISTORTION AND HEAVY GLASS AND PALM    ,-~/%$£###
##£$%/~-,,                                 TREES    ,,-~/%$£##
#£$%/~-,,,                                          ,,,-~/%$£#
##£$%/~-,,                                          ,,-~/%$£##
###£$%/~-,                                          ,-~/%$£###
##£$%/~-,,   MY                                     ,,-~/%$£##
#£$%/~-,,,   I HAVE MUSIC THAT LIVES INTO WEIRDER   ,,,-~/%$£#
##£$%/~-,,    CORRIDORS, MY FLESH IS PUSHING        ,,-~/%$£##
###£$%/~-,    MY                                    ,-~/%$£###
##£$%/~-,,    BODY FURTHER INSIDE                   ,,-~/%$£##
#£$%/~-,,,                                          ,,,-~/%$£#
##£$%/~-,,                                          ,,-~/%$£##
###£$%/~-,                                          ,-~/%$£###
##£$%/~-,,                                          ,,-~/%$£##
#£$%/~-,,,   THERE        IS TOO MUCH MOVING INSIDE ,,,-~/%$£#
##£$%/~-,,                                          ,,-~/%$£##
###£$%/~-,                                          ,-~/%$£###
##£$%/~-,, WEIRD REVOLVINGS, HOW MUCH MADNESS,      ,,-~/%$£##
#£$%/~-,,, WEIRD ABOUT HOW MUCH MADNESS THAT'S      ,,,-~/%$£#
##£$%/~-,,       IA , £REVOLVED ABOUT TO BE REVOLVE ,,-~/%$£##
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##£$%/~-,,                                          ,,-~/%$£##
#£$%/~-,,,                                          ,,,-~/%$£#
##£$%/~-,,                                          ,,-~/%$£##
###£$%/~-,     AND I, THE SURGEON, CHOOSE THE       ,-~/%$£###
##£$%/~-,,    FRYING PAN                            ,,-~/%$£##
#£$%/~-,,,   WHATEVER DOG I WANT ,,,,,,,,,,,,,,,,,  ,,,-~/%$£#
##£$%/~-,,  AND MY SPEED IS EVERYTHING. THE LAST    ,,-~/%$£##
###£$%/~-,                                          ,-~/%$£###
##£$%/~-,,      RADAR STATION... FOR A WHILE...     ,,-~/%$£##
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