,,,,,~~**$ $**~~,,,,,
,,,,~~**$£ £$**~~,,,,
,,,~~**$£# #£$**~~,,,
,,~~**$£#@ @#£$**~~,,
,~~**$£#@# #@#£$**~~,
~~**$£#@## @ ##@#£$**~~
,~~**$£#@# ,LIZARDRY #@#£$**~~,
,,~~**$£#@ ~ # @# @@@ @@@@@@@@@@@@@@@@@@ @#£$**~~,,
,,,~~**$£# @@ THE ART OF C~NNECTING #£$**~~,,,
,,,,~~**$£ , WITH THE OLD MIND £$**~~,,,,
,,,,,~~**$ $**~~,,,,,
,,,,,,~~** MY MIND IS BEING SKEWED. MI **~~,,,,,,
,,,,,,,~~* SKELETON IS STRINGY AND OLD AND ALIEN *~~,,,,,,,
,,,,,,,,~~ THE SITUATION IS LITERALLY ~~,,,,,,,,
,,,,,,,~~* PRESSED OUT THROUGH MY EYES, IT'S *~~,,,,,,,
,,,,,,~~** ECHOING LIKE **~~,,,,,,
,,,,,~~**$ THE SUNSET OF THE ETERNAL $**~~,,,,,
,,,,~~**$£ OCEAN £$**~~,,,,
,,,~~**$£# PERSISTENTLY AGAINST MY EMULSION #£$**~~,,,
,,~~**$£#@ @#£$**~~,,
,~~**$£#@# IT'S UNGRASPABLE TO ME, WHAT OTHER #@#£$**~~,
~~**$£#@## HUMANS ARE DOING AND ABSTRACTING, ##@#£$**~~
,~~**$£#@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@#£$**~~,
,,~~**$£#@ HOW LONG A TIME HAS PASSED, FOR THEM? @#£$**~~,,
,,,~~**$£# , #£$**~~,,,
,,,,~~**$£ , ,,, , ,,,,,,,,,,,,,,,, ####### £$**~~,,,,
,,,,,~~**$ CONTINUOUSLY I'M CROWDING THROUGH $**~~,,,,,
,,,,,,~~** , THE FOURTH WALL ~OUTWARDS IS WHAT , **~~,,,,,,
,,,,,,,~~* ,, I'M THINKING BUT IT'S WRONG.. A NEW *~~,,,,,,,
,,,,,,,,~~ , , NARRATOR IS INTRODUCED, OCCASIONALLY ~~,,,,,,,,
,,,,,,,~~* ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , *~~,,,,,,,
,,,,,,~~** ~ ~ DOWN IN THE DRAGONS THROAT. **~~,,,,,,
,,,,,~~**$ ~ $**~~,,,,,
,,,,~~**$£ ~ £$**~~,,,,
,,,~~**$£# #£$**~~,,,
,,~~**$£#@ @#£$**~~,,
,~~**$£#@# #@#£$**~~,
~~**$£#@## ##@#£$**~~
,~~**$£#@# #@#£$**~~,
,,~~**$£#@ @#£$**~~,,