.-«/*§&@## ##@&§*/«-.
.-«/*§&@## ##@&§*/«-.
.-«/*§&@## ##@&§*/«-.
.-«/*§&@## ##@&§*/«-.
....-/*&@@ @@&*/-....
.-«/*§&### # ###&§*/«-.
..--«««/*& .LizardRy &*/«««--..
.-«/*§&@## « @ #@ ### ################## ##@&§*/«-.
.-«/*§&@## ## The Art Of C-Nnecting ##@&§*/«-.
-«/*§&@### . With The Old Mind ###@&§*/«-
....-««/§@ @§/««-....
.-«/*§@### My Mind Is Being Skewed. Mi ###@§*/«-.
.....«/*&& Skeleton Is Stringy And Old And Alien &&*/«.....
.....-//§& The Situation Is Literally &§//-.....
.....-/§&@ Pressed Out Through My Eyes, It'S @&§/-.....
....-//§§@ EchoIng Like @§§//-....
...-«//*&& The Sunset Of The Eternal &&*//«-...
.-«/*§&@## Ocean ##@&§*/«-.
.....«*§&@ Persistently Against My Emulsion @&§*«.....
.....«**&& &&**«.....
.....-//§& It'S Ungraspable To Me, What Other &§//-.....
......««*& HumanS Are Doing And Abstracting, &*««......
.....-«*§& And Above All Else, What Time They Use? &§*«-.....
.-«/*§&@## How Long A Time Has Passed, For Them? ##@&§*/«-.
.-«/*§&@## . ##@&§*/«-.
.-««/**§&# . ... . ................ @@@@@@@ #&§**/««-.
....-«//*& Continuously I'M Crowding Through &*//«-....
.-«/*§&&&# . The Fourth wall -Outwards Is What . #&&&§*/«-.
.-«/*§&&&@ .. I'M Thinking But It'S Wrong.. A New @&&&§*/«-.
.....«/*§& . . Narrator Is Introduced, Occasionally &§*/«.....
.-«/*§&@## - - Aware Of The Previous One, Deeper . ##@&§*/«-.
.-«/*§&@## - - Down In The DragonS Throat. ##@&§*/«-.
...««««*&& - &&*««««...
.-«/*§&@## - ##@&§*/«-.
.-«/*§§&@# #@&§§*/«-.
.-«/*§&@## ##@&§*/«-.
....«***&# #&***«....
.....«/*&@ @&*/«.....
.-«/*§&@## ##@&§*/«-.
.-«/*§&@## ##@&§*/«-.