,,.»^*%@@# #@@%*^».,,
,.»^*%@@## ##@@%*^».,
,,.»^*%@@# #@@%*^».,,
,,,.»^*%@@ @@%*^».,,,
,,,,.»^*%@ @%*^».,,,,
,,,,,.»^*% @ %*^».,,,,,
,,,,,,.»^* ,lizardry *^».,,,,,,
,,,,,,,.»^ » @ @@ @@@ @@@@@@@@@@@@@@@@@@ ^».,,,,,,,
,,,,,,,,.» @@ the art of c.nnecting ».,,,,,,,,
,,,,,,,,,. , with the old mind .,,,,,,,,,
,,,,,,,,.» ».,,,,,,,,
,,,,,,,.»^ my mind is being skewed. mi ^».,,,,,,,
,,,,,,.»^* skeleton is stringy and old and alien *^».,,,,,,
,,,,,.»^*% the situation is literally %*^».,,,,,
,,,,.»^*%@ pressed out through my eyes, it's @%*^».,,,,
,,,.»^*%@@ echoing like @@%*^».,,,
,,.»^*%@@# the sunset of the eternal #@@%*^».,,
,.»^*%@@## ocean ##@@%*^».,
,,.»^*%@@# persistently against my emulsion #@@%*^».,,
,,,.»^*%@@ @@%*^».,,,
,,,,.»^*%@ it's ungraspable to me, what other @%*^».,,,,
,,,,,.»^*% humans are doing and abstracting, %*^».,,,,,
,,,,,,.»^* and above all else, what time they use? *^».,,,,,,
,,,,,,,.»^ how long a time has passed, for them? ^».,,,,,,,
,,,,,,,,.» , ».,,,,,,,,
,,,,,,,,,. , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ .,,,,,,,,,
,,,,,,,,.» continuously i'm crowding through ».,,,,,,,,
,,,,,,,.»^ , the fourth wall .outwards is what , ^».,,,,,,,
,,,,,,.»^* ,, i'm thinking but it's wrong.. a new *^».,,,,,,
,,,,,.»^*% , , narrator is introduced, occasionally %*^».,,,,,
,,,,.»^*%@ . . aware of the previous one, deeper , @%*^».,,,,
,,,.»^*%@@ . . down in the dragons throat. @@%*^».,,,
,,.»^*%@@# . #@@%*^».,,
,.»^*%@@## . ##@@%*^».,
,,.»^*%@@# #@@%*^».,,
,,,.»^*%@@ @@%*^».,,,
,,,,.»^*%@ @%*^».,,,,
,,,,,.»^*% %*^».,,,,,
,,,,,,.»^* *^».,,,,,,
,,,,,,,.»^ ^».,,,,,,,