@@££\^,,,, ,,,,^\££@@
###@@%\=^, ,^=\%@@###
##@@£%\=^, ,^=\%£@@##
@@@%=^^,,, ,,,^^=%@@@
##@@£%\=^, ,^=\%£@@##
##@@£%\=^, # ,^=\%£@@##
###@£%\=^, ,LIZARDRY ,^=\%£@###
@£\^,,,,,, = @ #@ ### ################## ,,,,,,^\£@
###@@%\=^, ## THE ART OF C^NNECTING ,^=\%@@###
##@@£%\=^, , WITH THE OLD MIND ,^=\%£@@##
@%%=,,,,,, ,,,,,,=%%@
@£££\^^^,, MY MIND IS BEING SKEWED. MI ,,^^^\£££@
#@@@£%\=^, SKELETON IS STRINGY AND OLD AND ALIEN ,^=\%£@@@#
@@%=,,,,,, THE SITUATION IS LITERALLY ,,,,,,=%@@
##@@£%\=^, PRESSED OUT THROUGH MY EYES, IT'S ,^=\%£@@##
@£%==^,,,, ECHOING LIKE ,,,,^==%£@
###@£%\=^, THE SUNSET OF THE ETERNAL ,^=\%£@###
#@@@£%\=^, OCEAN ,^=\%£@@@#
@£\\^,,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,,^\\£@
##@@£%\=^, ,^=\%£@@##
@%%=^,,,,, IT'S UNGRASPABLE TO ME, WHAT OTHER ,,,,,^=%%@
###@@%\=^, HUMANS ARE DOING AND ABSTRACTING, ,^=\%@@###
##@@£%\=^, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,^=\%£@@##
@£%\^,,,,, HOW LONG A TIME HAS PASSED, FOR THEM? ,,,,,^\%£@
##@@£%\=^, , ,^=\%£@@##
#@@£\^,,,, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,,,,^\£@@#
###@@%\=^, CONTINUOUSLY I'M CROWDING THROUGH ,^=\%@@###
##@@£%\=^, , THE FOURTH WALL ^OUTWARDS IS WHAT , ,^=\%£@@##
##@@£%\=^, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,^=\%£@@##
#@@£\=,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,=\£@@#
##@@£%\=^, ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ,^=\%£@@##
@£\\=^,,,, ^ ^ DOWN IN THE DRAGONS THROAT. ,,,,^=\\£@
##@@£%\=^, ^ ,^=\%£@@##
##@@£%\=^, ^ ,^=\%£@@##
@@£%\\=^,, ,,^=\\%£@@
@@@£\\\=^, ,^=\\\£@@@
##@@£%\=^, ,^=\%£@@##
##@@£%\=^, ,^=\%£@@##
##@@£%\=^, ,^=\%£@@##
##@@£%\=^, ,^=\%£@@##