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..¤.¤.¤¤.¤ @ ¤.¤.¤..¤.¤
.¤¤.¤..¤.. .LIZARDRY ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ » # @# @@@ @@@@@@@@@@@@@@@@@@ ¤.¤.¤..¤.¤
.¤¤.¤..¤.. @@ THE ART OF C.NNECTING ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ . WITH THE OLD MIND ¤.¤.¤..¤.¤
.¤¤.¤..¤.. ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ MY MIND IS BEING SKEWED. MI ¤.¤.¤..¤.¤
.¤¤.¤..¤.. SKELETON IS STRINGY AND OLD AND ALIEN ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ THE SITUATION IS LITERALLY ¤.¤.¤..¤.¤
.¤¤.¤..¤.. PRESSED OUT THROUGH MY EYES, IT'S ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ ECHOING LIKE ¤.¤.¤..¤.¤
.¤¤.¤..¤.. THE SUNSET OF THE ETERNAL ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ OCEAN ¤.¤.¤..¤.¤
.¤¤.¤..¤.. PERSISTENTLY AGAINST MY EMULSION ¤.¤.¤.¤¤.¤
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.¤¤.¤..¤.. IT'S UNGRASPABLE TO ME, WHAT OTHER ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ HUMANS ARE DOING AND ABSTRACTING, ¤.¤.¤..¤.¤
.¤¤.¤..¤.. AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤.¤.¤..¤.¤
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.¤¤.¤..¤.. CONTINUOUSLY I'M CROWDING THROUGH ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ . THE FOURTH WALL .OUTWARDS IS WHAT . ¤.¤.¤..¤.¤
.¤¤.¤..¤.. .. I'M THINKING BUT IT'S WRONG.. A NEW ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤.¤.¤..¤.¤
.¤¤.¤..¤.. . . AWARE OF THE PREVIOUS ONE, DEEPER . ¤.¤.¤.¤¤.¤
..¤.¤.¤¤.¤ . . DOWN IN THE DRAGONS THROAT. ¤.¤.¤..¤.¤
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