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@@#&£%^~,,                                          ,,~^%£&#@@
#@#&£%^~,,                 %%%%%%%%%                ,,~^%£&#@#
#@#&£%^~,, %%                                    %% ,,~^%£&#@#
@@#&£%^~,, %%               PLUS                 %% ,,~^%£&#@@
@@#&£%^~,, %                       MINUS          % ,,~^%£&#@@
@@#&£%^~,, %      ZERO                            % ,,~^%£&#@@
&££^,,,,,, ,                                      , ,,,,,,^££&
###&£%^~,,             ,, MIRROR NOTE ,,            ,,~^%£&###
#£^,,,,,,,               ,,,,,,,,,,,,,              ,,,,,,,^£#
&££%%~,,,,                                          ,,,,~%%££&
#@#&£%^~,, AT AN OPPORTUNITY, A MOMENT SUCH AS THIS ,,~^%£&#@#
#££^^,,,,, UNDERAPPRECIATED, UNDERESTIMATED, UNDER  ,,,,,^^££#
#£££^~,,,, THERE IS SIMPLY NO TIME TO CHOOSE WHAT   ,,,,~^£££#
#£%%%~~,,,                                          ,,,~~%%%£#
&£%~~,,,,, EVERYTHING IS IN THROUGH THE LEFT HALF   ,,,,,~~%£&
@##&£%^~,,     OF MY FACE, AND OUT EXACTLY OPPOSITE ,,~^%£&##@
#££££%^~,,     ,,,THROUGH THE RIGHT HALF,,, OF THE  ,,~^%££££#
&%~,,,,,,,                                    FACE  ,,,,,,,~%&
#@#&£%^~,,     PLUS MINUS ZERO BUT POLAR OPPOSITES! ,,~^%£&#@#
@#£%^~,,,,                                          ,,,,~^%£#@
#@#&£%^~,,  #,,# #,# #                              ,,~^%£&#@#
@&£^~,,,,,  AND                                     ,,,,,~^£&@
#£^,,,,,,,     THE ECHO IS TRAVELLING WITH EVERY    ,,,,,,,^£#
@@#&£%^~,,     BEAT, MAYBE ONE HUNDRED AND THIRTY   ,,~^%£&#@@
###&£%^~,,     MILLISECONDS, TO TWO HUNDRED AND     ,,~^%£&###
#@#&£%^~,, #,# EIGHTY MILLISECONDS, AND DOWN,       ,,~^%£&#@#
#@#&£%^~,,     ALONG MY DREADS, MAYBE LIKE          ,,~^%£&#@#
#@#&£%^~,,   A CAP TO THE LEFT AND UP FOUR HUNDRED  ,,~^%£&#@#
#&£^^^^~,, TO THE RIGHT                             ,,~^^^^£&#
@@#&£%^~,,                                          ,,~^%£&#@@
&££%~,,,,,    ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~    ,,,,,~%££&
@@#&£%^~,,                                          ,,~^%£&#@@
@#&££%^~,,   DISTORTION AND HEAVY GLASS AND PALM    ,,~^%££&#@
#@#&£%^~,,                                 TREES    ,,~^%£&#@#
#@#&£%^~,,                                          ,,~^%£&#@#
#&££%^^~,,                                          ,,~^^%££&#
&££%~,,,,,                                          ,,,,,~%££&
##&££%^~,,   MY                                     ,,~^%££&##
@#&%%^^~,,   I HAVE MUSIC THAT LIVES INTO WEIRDER   ,,~^^%%&#@
@#£££%^~,,    CORRIDORS, MY FLESH IS PUSHING        ,,~^%£££#@
#@#&£%^~,,    MY                                    ,,~^%£&#@#
#@#&£%^~,,    BODY FURTHER INSIDE                   ,,~^%£&#@#
###&£%^~,,                                          ,,~^%£&###
##£^~,,,,,                                          ,,,,,~^£##
##&£%%^~,,                                          ,,~^%%£&##
###&£%^~,,                                          ,,~^%£&###
&££^~,,,,,   THERE        IS TOO MUCH MOVING INSIDE ,,,,,~^££&
###&£%^~,,                                          ,,~^%£&###
#&&&£%^~,,                                          ,,~^%£&&&#
###&£%^~,, WEIRD REVOLVINGS, HOW MUCH MADNESS,      ,,~^%£&###
@&&%%^,,,, WEIRD ABOUT HOW MUCH MADNESS THAT'S      ,,,,^%%&&@
#@#&£%^~,,       IA , #REVOLVED ABOUT TO BE REVOLVE ,,~^%£&#@#
#@#&£%^~,,                                          ,,~^%£&#@#
##@#£%^~,,                                          ,,~^%£#@##
@#&%^~,,,,                                          ,,,,~^%&#@
#&&%^^^~,,                                          ,,~^^^%&&#
&£^^^,,,,,     AND I, THE SURGEON, CHOOSE THE       ,,,,,^^^£&
#@#&£%^~,,    FRYING PAN                            ,,~^%£&#@#
#££££%^~,,   WHATEVER DOG I WANT ,,,,,,,,,,,,,,,,,  ,,~^%££££#
#@#&£%^~,,  AND MY SPEED IS EVERYTHING. THE LAST    ,,~^%£&#@#
&%~,,,,,,,                                          ,,,,,,,~%&
@##&£%^~,,      RADAR STATION... FOR A WHILE...     ,,~^%£&##@
#@#&£%^~,,                                          ,,~^%£&#@#
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@@#&£%^~,,                                          ,,~^%£&#@@
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