,,,,,~*# ##&*~,,,,,
,,~/*$## ###&$*/~,,
,,~/*$## ###&$*/~,,
,,~/*$## ###&$*/~,,
,,~/*$$# ##&$$*/~,,
,~/*$### # ####&$*/~,
,,~/*$## ,LIZARDRY ###&$*/~,,
,,~/*$## ~ # ## ### ################## ###&$*/~,,
,,,,//***& ## THE ART OF C,NNECTING &***//,,,,
,,,,,~~**& , WITH THE OLD MIND &**~~,,,,,
,,~/*$## ###&$*/~,,
,,,,,,/*&& MY MIND IS BEING SKEWED. MI &&*/,,,,,,
,,,~~~*# SKELETON IS STRINGY AND OLD AND ALIEN ##&*~~~,,,
,,~/**$$ THE SITUATION IS LITERALLY #&$$**/~,,
,,,,,/***& PRESSED OUT THROUGH MY EYES, IT'S &***/,,,,,
,,~/*### ECHOING LIKE ####&*/~,,
,,~/*### THE SUNSET OF THE ETERNAL ####&*/~,,
,,,,,~*$&& OCEAN &&$*~,,,,,
,,,,,,//$& PERSISTENTLY AGAINST MY EMULSION &$//,,,,,,
,,,,,~/* #&*/~,,,,,
,,,~~/$& IT'S UNGRASPABLE TO ME, WHAT OTHER #&&$/~~,,,
,,,,~~*# HUMANS ARE DOING AND ABSTRACTING, ##&*~~,,,,
,,,,,~** AND ABOVE ALL ELSE, WHAT TIME THEY USE? #&**~,,,,,
,,,,~~~**& HOW LONG A TIME HAS PASSED, FOR THEM? &**~~~,,,,
,,~/*$## , ###&$*/~,,
,,,,,,,~*& , ,,, , ,,,,,,,,,,,,,,,, ####### &*~,,,,,,,
,,,~~~/$## CONTINUOUSLY I'M CROWDING THROUGH ##$/~~~,,,
,,~/*$## , THE FOURTH WALL ,OUTWARDS IS WHAT , ###&$*/~,,
,,,,,,,~*& ,, I'M THINKING BUT IT'S WRONG.. A NEW &*~,,,,,,,
,,,,,,/$$& , , NARRATOR IS INTRODUCED, OCCASIONALLY &$$/,,,,,,
,,,,,,,~*& , , AWARE OF THE PREVIOUS ONE, DEEPER , &*~,,,,,,,
,,~/*$## , , DOWN IN THE DRAGONS THROAT. ###&$*/~,,
,,~/*$## , ###&$*/~,,
,,~/*$#### , ####$*/~,,
,,,,,~/**& &**/~,,,,,
,,,,/*$$ #&$$*/,,,,
,,~/*$## ###&$*/~,,
,,,,,~/*&& &&*/~,,,,,
,,~~~/*$ #&$*/~~~,,
,,~/*$## ###&$*/~,,