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..:~:$£§@#              .LIZARDRY                   #@§£$:~:..
...:~:$£§@ ~           @ #@ ###  ################## @§£$:~:...
..:~:$£§@# ##      THE ART OF C:NNECTING            #@§£$:~:..
.:~:$£§@##        .    WITH THE OLD MIND            ##@§£$:~:.
..:~:$£§@#                                          #@§£$:~:..
...:~:$£§@             MY MIND IS BEING SKEWED. MI  @§£$:~:...
..:~:$£§@#  SKELETON IS STRINGY AND OLD AND ALIEN   #@§£$:~:..
.:~:$£§@##             THE SITUATION IS LITERALLY   ##@§£$:~:.
..:~:$£§@# PRESSED OUT THROUGH MY EYES, IT'S        #@§£$:~:..
...:~:$£§@ ECHOING LIKE                             @§£$:~:...
..:~:$£§@#             THE SUNSET OF THE ETERNAL    #@§£$:~:..
.:~:$£§@## OCEAN                                    ##@§£$:~:.
..:~:$£§@#         PERSISTENTLY AGAINST MY EMULSION #@§£$:~:..
...:~:$£§@                                          @§£$:~:...
..:~:$£§@#    IT'S UNGRASPABLE TO ME, WHAT OTHER    #@§£$:~:..
.:~:$£§@##   HUMANS ARE DOING AND ABSTRACTING,      ##@§£$:~:.
..:~:$£§@#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@§£$:~:..
...:~:$£§@ HOW LONG A TIME HAS PASSED, FOR THEM?    @§£$:~:...
..:~:$£§@#                                     .    #@§£$:~:..
.:~:$£§@##  . ... .  ................   @@@@@@@     ##@§£$:~:.
..:~:$£§@#   CONTINUOUSLY I'M CROWDING THROUGH      #@§£$:~:..
...:~:$£§@ . THE FOURTH WALL  :OUTWARDS IS WHAT   . @§£$:~:...
..:~:$£§@# .. I'M THINKING BUT IT'S WRONG.. A NEW   #@§£$:~:..
.:~:$£§@## . . NARRATOR IS INTRODUCED, OCCASIONALLY ##@§£$:~:.
..:~:$£§@# :  : AWARE OF THE PREVIOUS ONE, DEEPER . #@§£$:~:..
...:~:$£§@ :   : DOWN IN THE DRAGONS THROAT.        @§£$:~:...
..:~:$£§@#      :                                   #@§£$:~:..
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