##..##.#.#                                          ##.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                *********                 .#.#.##.#.
##.#.#.#.# **                                    ** .#.#..#.#.
.#.#.#.#.# **             PLUS                   ** .#.#.##.#.
##.#.#.#.# *                       MINUS          * .#.#..#.#.
.#.#.#.#.# *     ZERO                             * .#.#.##.#.
##.#.#.#.# .                                      . .#.#..#.#.
.#.#.#.#.#             .. MIRROR NOTE ..            .#.#.##.#.
##.#.#.#.#               .............              .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.# AT AN OPPORTUNITY, A MOMENT SUCH AS THIS .#.#..#.#.
.#.#.#.#.# UNDERAPPRECIATED, UNDERESTIMATED, UNDER  .#.#.##.#.
##.#.#.#.# THERE IS SIMPLY NO TIME TO CHOOSE WHAT   .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.# EVERYTHING IS IN THROUGH THE LEFT HALF   .#.#..#.#.
.#.#.#.#.#     OF MY FACE, AND OUT EXACTLY OPPOSITE .#.#.##.#.
##.#.#.#.#     ,,,THROUGH THE RIGHT HALF,,, OF THE  .#.#..#.#.
.#.#.#.#.#                                    FACE  .#.#.##.#.
##.#.#.#.#     PLUS MINUS ZERO BUT POLAR OPPOSITES! .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#  #..# #.# #                              .#.#..#.#.
.#.#.#.#.#  AND                                     .#.#.##.#.
##.#.#.#.#     THE ECHO IS TRAVELLING WITH EVERY    .#.#..#.#.
.#.#.#.#.#     BEAT, MAYBE ONE HUNDRED AND THIRTY   .#.#.##.#.
##.#.#.#.#     MILLISECONDS, TO TWO HUNDRED AND     .#.#..#.#.
.#.#.#.#.# #.# EIGHTY MILLISECONDS, AND DOWN,       .#.#.##.#.
##.#.#.#.#     ALONG MY DREADS, MAYBE LIKE          .#.#..#.#.
.#.#.#.#.#   A CAP TO THE LEFT AND UP FOUR HUNDRED  .#.#.##.#.
##.#.#.#.# TO THE RIGHT                             .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#    ABOUT ~MAGNETISM~ OR ~WHAT~ ~ELSE~    .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#   DISTORTION AND HEAVY GLASS AND PALM    .#.#..#.#.
.#.#.#.#.#                                 TREES    .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#   MY                                     .#.#.##.#.
##.#.#.#.#   I HAVE MUSIC THAT LIVES INTO WEIRDER   .#.#..#.#.
.#.#.#.#.#    CORRIDORS, MY FLESH IS PUSHING        .#.#.##.#.
##.#.#.#.#    MY                                    .#.#..#.#.
.#.#.#.#.#    BODY FURTHER INSIDE                   .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#   THERE        IS TOO MUCH MOVING INSIDE .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.# WEIRD REVOLVINGS, HOW MUCH MADNESS,      .#.#.##.#.
##.#.#.#.# WEIRD ABOUT HOW MUCH MADNESS THAT'S      .#.#..#.#.
.#.#.#.#.#       IA . ¶REVOLVED ABOUT TO BE REVOLVE .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#     AND I, THE SURGEON, CHOOSE THE       .#.#..#.#.
.#.#.#.#.#    FRYING PAN                            .#.#.##.#.
##.#.#.#.#   WHATEVER DOG I WANT .................  .#.#..#.#.
.#.#.#.#.#  AND MY SPEED IS EVERYTHING. THE LAST    .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#      RADAR STATION... FOR A WHILE...     .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
.#.#.#.#.#                                          .#.#.##.#.
##.#.#.#.#                                          .#.#..#.#.
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