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.¤¤¤¤..¤.¤ ## THE ART OF C.NNECTING .¤¤¤.¤¤¤¤¤
¤¤...¤.¤¤¤ . WITH THE OLD MIND ¤¤..¤¤....
¤.¤..¤¤¤.. ..¤.¤.¤...
¤¤¤¤.¤..¤. MY MIND IS BEING SKEWED. MI ¤.¤¤¤¤¤¤..
¤...¤¤¤.¤¤ SKELETON IS STRINGY AND OLD AND ALIEN .¤¤.....¤.
¤¤..¤..¤¤. THE SITUATION IS LITERALLY .¤.¤....¤¤
..¤.¤¤.¤.¤ PRESSED OUT THROUGH MY EYES, IT'S .¤¤¤¤...¤.
..¤¤¤.¤¤¤¤ ECHOING LIKE .¤...¤..¤¤
¤.¤..¤¤... THE SUNSET OF THE ETERNAL .¤¤..¤¤.¤.
¤¤¤¤.¤.¤.. OCEAN .¤.¤.¤.¤¤¤
....¤¤¤¤¤. PERSISTENTLY AGAINST MY EMULSION ¤¤¤¤¤¤¤¤..
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....¤¤...¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤......¤¤
¤...¤.¤..¤ HUMANS ARE DOING AND ABSTRACTING, ¤.¤.....¤.
¤¤..¤¤¤¤.¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤¤¤¤....¤¤
..¤.¤...¤¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤...¤...¤.
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¤¤¤¤..¤¤¤. CONTINUOUSLY I'M CROWDING THROUGH ¤..¤¤¤¤¤¤¤
....¤.¤..¤ . THE FOURTH WALL .OUTWARDS IS WHAT . ¤¤.¤......
....¤¤¤¤.¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤.¤¤¤.....
....¤...¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY .¤¤..¤....
....¤¤..¤. . . AWARE OF THE PREVIOUS ONE, DEEPER . .¤.¤.¤¤...
....¤.¤.¤¤ . . DOWN IN THE DRAGONS THROAT. ¤¤¤¤¤¤.¤..
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