@£@@@=:«^, ,^«:=@@@£@
£@@:^^,,,, ,,,,^^:@@£
@@=«««,,,, ,,,,«««=@@
£££@@=:«^, ,^«:=@@£££
@@@@==:«^, ,^«:==@@@@
@@@@@=:«^, @ ,^«:=@@@@@
££@::«^^,, ,LIZARDRY ,,^^«::@££
#@£@@=:«^, « £ @£ @@@ @@@@@@@@@@@@@@@@@@ ,^«:=@@£@#
@@=«,,,,,, @@ THE ART OF C^NNECTING ,,,,,,«=@@
@@==:^,,,, , WITH THE OLD MIND ,,,,^:==@@
#@£@@=:«^, ,^«:=@@£@#
@=:^,,,,,, MY MIND IS BEING SKEWED. MI ,,,,,,^:=@
@=«^^,,,,, SKELETON IS STRINGY AND OLD AND ALIEN ,,,,,^^«=@
@@=«,,,,,, THE SITUATION IS LITERALLY ,,,,,,«=@@
£@@@=:^,,, PRESSED OUT THROUGH MY EYES, IT'S ,,,^:=@@@£
@@=«««,,,, ECHOING LIKE ,,,,«««=@@
#@£@@=:«^, THE SUNSET OF THE ETERNAL ,^«:=@@£@#
##£@@=:«^, OCEAN ,^«:=@@£##
@@@@::^,,, PERSISTENTLY AGAINST MY EMULSION ,,,^::@@@@
£@@@==:«^, ,^«:==@@@£
@£@=::««^, IT'S UNGRASPABLE TO ME, WHAT OTHER ,^««::=@£@
##@£@@=:«, HUMANS ARE DOING AND ABSTRACTING, ,«:=@@£@##
##@£@@=:«, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,«:=@@£@##
#@£@@=:«^, HOW LONG A TIME HAS PASSED, FOR THEM? ,^«:=@@£@#
@££@@=:«^, , ,^«:=@@££@
@@::^^,,,, , ,,, , ,,,,,,,,,,,,,,,, £££££££ ,,,,^^::@@
££@:««,,,, CONTINUOUSLY I'M CROWDING THROUGH ,,,,««:@££
#@£@@=:«^, , THE FOURTH WALL ^OUTWARDS IS WHAT , ,^«:=@@£@#
@£@@:«,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,«:@@£@
@@£@@=:«^, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,^«:=@@£@@
@@:^^,,,,, ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,^^:@@
#@£@@=:«^, ^ ^ DOWN IN THE DRAGONS THROAT. ,^«:=@@£@#
#@£@@=:«^, ^ ,^«:=@@£@#
#@£@@=:«^, ^ ,^«:=@@£@#
@@@::::«^, ,^«::::@@@
##£@@=:«^, ,^«:=@@£##
#@£@@=:«^, ,^«:=@@£@#
@@:^,,,,,, ,,,,,,^:@@
£££@@=:«^, ,^«:=@@£££
#@£@@=:«^, ,^«:=@@£@#