...,=/=%#¶ ¶#%=/=,...
..,=/=%#¶# #¶#%=/=,..
.,=/=%#¶## ##¶#%=/=,.
..,=/=%#¶# #¶#%=/=,..
...,=/=%#¶ ¶#%=/=,...
....,=/=%# # #%=/=,....
...,=/=%#¶ .LIZARDRY ¶#%=/=,...
..,=/=%#¶# = ¶ #¶ ### ################## #¶#%=/=,..
.,=/=%#¶## ## THE ART OF C,NNECTING ##¶#%=/=,.
..,=/=%#¶# . WITH THE OLD MIND #¶#%=/=,..
...,=/=%#¶ ¶#%=/=,...
....,=/=%# MY MIND IS BEING SKEWED. MI #%=/=,....
...,=/=%#¶ SKELETON IS STRINGY AND OLD AND ALIEN ¶#%=/=,...
..,=/=%#¶# THE SITUATION IS LITERALLY #¶#%=/=,..
.,=/=%#¶## PRESSED OUT THROUGH MY EYES, IT'S ##¶#%=/=,.
..,=/=%#¶# ECHOING LIKE #¶#%=/=,..
...,=/=%#¶ THE SUNSET OF THE ETERNAL ¶#%=/=,...
....,=/=%# OCEAN #%=/=,....
...,=/=%#¶ PERSISTENTLY AGAINST MY EMULSION ¶#%=/=,...
..,=/=%#¶# #¶#%=/=,..
.,=/=%#¶## IT'S UNGRASPABLE TO ME, WHAT OTHER ##¶#%=/=,.
..,=/=%#¶# HUMANS ARE DOING AND ABSTRACTING, #¶#%=/=,..
...,=/=%#¶ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¶#%=/=,...
....,=/=%# HOW LONG A TIME HAS PASSED, FOR THEM? #%=/=,....
...,=/=%#¶ . ¶#%=/=,...
..,=/=%#¶# . ... . ................ ¶¶¶¶¶¶¶ #¶#%=/=,..
.,=/=%#¶## CONTINUOUSLY I'M CROWDING THROUGH ##¶#%=/=,.
..,=/=%#¶# . THE FOURTH WALL ,OUTWARDS IS WHAT . #¶#%=/=,..
...,=/=%#¶ .. I'M THINKING BUT IT'S WRONG.. A NEW ¶#%=/=,...
....,=/=%# . . NARRATOR IS INTRODUCED, OCCASIONALLY #%=/=,....
...,=/=%#¶ , , AWARE OF THE PREVIOUS ONE, DEEPER . ¶#%=/=,...
..,=/=%#¶# , , DOWN IN THE DRAGONS THROAT. #¶#%=/=,..
.,=/=%#¶## , ##¶#%=/=,.
..,=/=%#¶# , #¶#%=/=,..
...,=/=%#¶ ¶#%=/=,...
....,=/=%# #%=/=,....
...,=/=%#¶ ¶#%=/=,...
..,=/=%#¶# #¶#%=/=,..
.,=/=%#¶## ##¶#%=/=,.
..,=/=%#¶# #¶#%=/=,..