,,,,,,:«=†                                          †=«:,,,,,,
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,,,,,,,,,,    #                                     ,,,,,,,,,,
,,,,,,,,,,              ,LIZARDRY                   ,,,,,,,,,,
,,,,,,,,,, «           @ #@ ###  ################## ,,,,,,,,,,
,,,,,,,,,, ##      THE ART OF C:NNECTING            ,,,,,,,,,,
,,,,,,,,,,        ,    WITH THE OLD MIND            ,,,,,,,,,,
,,,,,,,,,,                                          ,,,,,,,,,,
,,,,,,,,,:             MY MIND IS BEING SKEWED. MI  :,,,,,,,,,
,,,,,,,,:«  SKELETON IS STRINGY AND OLD AND ALIEN   «:,,,,,,,,
,,,,,,,:«=             THE SITUATION IS LITERALLY   =«:,,,,,,,
,,,,,,:«=† PRESSED OUT THROUGH MY EYES, IT'S        †=«:,,,,,,
,,,,,:«=†% ECHOING LIKE                             %†=«:,,,,,
,,,,:«=†%#             THE SUNSET OF THE ETERNAL    #%†=«:,,,,
,,,:«=†%## OCEAN                                    ##%†=«:,,,
,,:«=†%###         PERSISTENTLY AGAINST MY EMULSION ###%†=«:,,
,:«=†%####                                          ####%†=«:,
,,:«=†%###    IT'S UNGRASPABLE TO ME, WHAT OTHER    ###%†=«:,,
,,,:«=†%##   HUMANS ARE DOING AND ABSTRACTING,      ##%†=«:,,,
,,,,:«=†%#  AND ABOVE ALL ELSE, WHAT TIME THEY USE? #%†=«:,,,,
,,,,,:«=†% HOW LONG A TIME HAS PASSED, FOR THEM?    %†=«:,,,,,
,,,,,,:«=†                                     ,    †=«:,,,,,,
,,,,,,,:«=  , ,,, ,  ,,,,,,,,,,,,,,,,   @@@@@@@     =«:,,,,,,,
,,,,,,,,:«   CONTINUOUSLY I'M CROWDING THROUGH      «:,,,,,,,,
,,,,,,,,,: , THE FOURTH WALL  :OUTWARDS IS WHAT   , :,,,,,,,,,
,,,,,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW   ,,,,,,,,,,
,,,,,,,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,,,,,,,
,,,,,,,,,, :  : AWARE OF THE PREVIOUS ONE, DEEPER , ,,,,,,,,,,
,,,,,,,,,, :   : DOWN IN THE DRAGONS THROAT.        ,,,,,,,,,,
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,,,,,,,:«=                                          =«:,,,,,,,
,,,,,,:«=†                                          †=«:,,,,,,
,,,,,:«=†%                                          %†=«:,,,,,