##$=\\:,,, ,,,:\\=$##
##@##=\=:, ,:=\=##@##
#@##$=\=:, ,:=\=$##@#
#@##$=\=:, ,:=\=$##@#
#=====,,,, ,,,,=====#
@#=\::,,,, @ ,,,,::\=#@
###===\=:, ,LIZARDRY ,:=\===###
##=\\\\=:, = # @# @@@ @@@@@@@@@@@@@@@@@@ ,:=\\\\=##
##==:,,,,, @@ THE ART OF C:NNECTING ,,,,,:==##
@@##$=\=:, , WITH THE OLD MIND ,:=\=$##@@
@#$===:,,, ,,,:===$#@
####$=\=:, MY MIND IS BEING SKEWED. MI ,:=\=$####
#@##$=\=:, SKELETON IS STRINGY AND OLD AND ALIEN ,:=\=$##@#
#===\:,,,, THE SITUATION IS LITERALLY ,,,,:\===#
#@##$=\=:, PRESSED OUT THROUGH MY EYES, IT'S ,:=\=$##@#
@###$=\=:, ECHOING LIKE ,:=\=$###@
#$==\::,,, THE SUNSET OF THE ETERNAL ,,,::\==$#
##@#$=\=:, OCEAN ,:=\=$#@##
#$\=,,,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,,,=\$#
#$\=:,,,,, ,,,,,:=\$#
##@##$=\:, IT'S UNGRASPABLE TO ME, WHAT OTHER ,:\=$##@##
#@##$=\=:, HUMANS ARE DOING AND ABSTRACTING, ,:=\=$##@#
##@##$==:, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,:==$##@##
####$=\=:, HOW LONG A TIME HAS PASSED, FOR THEM? ,:=\=$####
#@##$=\=:, , ,:=\=$##@#
@#==,,,,,, , ,,, , ,,,,,,,,,,,,,,,, ####### ,,,,,,==#@
####$=\=:, CONTINUOUSLY I'M CROWDING THROUGH ,:=\=$####
###$\\:,,, , THE FOURTH WALL :OUTWARDS IS WHAT , ,,,:\\$###
#=\:,,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,,,:\=#
#@##$=\=:, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,:=\=$##@#
@###$=\=:, : : AWARE OF THE PREVIOUS ONE, DEEPER , ,:=\=$###@
@@##$=\=:, : : DOWN IN THE DRAGONS THROAT. ,:=\=$##@@
##==::,,,, : ,,,,::==##
####$=\=:, : ,:=\=$####
#@##$=\=:, ,:=\=$##@#
#=======:, ,:=======#
#@##$=\=:, ,:=\=$##@#
##$$\::,,, ,,,::\$$##
#@##$=\=:, ,:=\=$##@#
#@##$=\=:, ,:=\=$##@#