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¤....¤¤.¤. ¤¤¤¤¤.¤¤¤¤
.¤...¤.¤¤¤ @ .....¤¤...
.¤¤..¤¤¤.. .LIZARDRY ¤....¤.¤..
.¤.¤.¤..¤. - # @# @@@ @@@@@@@@@@@@@@@@@@ ¤¤...¤¤¤¤.
.¤¤¤¤¤¤.¤¤ @@ THE ART OF C:NNECTING ¤.¤..¤...¤
¤¤.....¤¤. . WITH THE OLD MIND .¤¤¤.¤¤..¤
..¤....¤.¤ ¤¤..¤¤.¤.¤
¤.¤¤...¤¤¤ MY MIND IS BEING SKEWED. MI ..¤.¤.¤¤¤¤
.¤¤.¤..¤.. SKELETON IS STRINGY AND OLD AND ALIEN ..¤¤¤¤¤...
.¤.¤¤¤.¤¤. THE SITUATION IS LITERALLY ¤.¤....¤..
.¤¤¤..¤¤.¤ PRESSED OUT THROUGH MY EYES, IT'S ¤¤¤¤...¤¤.
.¤..¤.¤.¤¤ ECHOING LIKE ....¤..¤.¤
¤¤¤.¤¤¤¤¤. THE SUNSET OF THE ETERNAL ....¤¤.¤¤¤
...¤¤....¤ OCEAN ¤...¤.¤¤..
...¤.¤...¤ PERSISTENTLY AGAINST MY EMULSION .¤..¤¤¤.¤.
...¤¤¤¤..¤ .¤¤.¤..¤¤¤
¤..¤...¤.¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤¤.¤¤¤.¤..
¤¤.¤¤..¤¤¤ HUMANS ARE DOING AND ABSTRACTING, ¤.¤¤..¤¤¤.
¤.¤¤.¤.¤.. AND ABOVE ALL ELSE, WHAT TIME THEY USE? .¤¤.¤.¤..¤
.¤¤.¤¤¤¤¤. HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤.¤¤¤¤¤.¤
¤¤.¤¤....¤ . ..¤¤....¤¤
..¤¤.¤...¤ . ... . ................ ####### ¤.¤.¤...¤.
..¤.¤¤¤..¤ CONTINUOUSLY I'M CROWDING THROUGH ¤¤¤¤¤¤..¤¤
¤.¤¤¤..¤.¤ . THE FOURTH WALL :OUTWARDS IS WHAT . ¤.....¤.¤.
¤¤¤..¤.¤¤¤ .. I'M THINKING BUT IT'S WRONG.. A NEW .¤....¤¤¤¤
...¤.¤¤¤.. . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤¤¤...¤...
...¤¤¤..¤. : : AWARE OF THE PREVIOUS ONE, DEEPER . ...¤..¤¤..
...¤..¤.¤¤ : : DOWN IN THE DRAGONS THROAT. ¤..¤¤.¤.¤.
...¤¤.¤¤¤. : .¤.¤.¤¤¤¤¤
¤..¤.¤¤..¤ : ¤¤¤¤¤¤....
¤¤.¤¤¤.¤.¤ ......¤...
¤.¤¤..¤¤¤¤ ¤.....¤¤..
¤¤¤.¤.¤... .¤....¤.¤.
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