##@@&*~,¨¨ ¨¨,~*&@@##
###@@&*~,¨ ¨,~*&@@###
##@@&*~,¨¨ ¨¨,~*&@@##
#@@&*~,¨¨¨ ¨¨¨,~*&@@#
##@@&*~,¨¨ ¨¨,~*&@@##
###@@&*~,¨ # ¨,~*&@@###
##@@&*~,¨¨ ¨LIZARDRY ¨¨,~*&@@##
#@@&*~,¨¨¨ ~ @ #@ ### ################## ¨¨¨,~*&@@#
##@@&*~,¨¨ ## THE ART OF C,NNECTING ¨¨,~*&@@##
###@@&*~,¨ ¨ WITH THE OLD MIND ¨,~*&@@###
##@@&*~,¨¨ ¨¨,~*&@@##
#@@&*~,¨¨¨ MY MIND IS BEING SKEWED. MI ¨¨¨,~*&@@#
##@@&*~,¨¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨¨,~*&@@##
###@@&*~,¨ THE SITUATION IS LITERALLY ¨,~*&@@###
##@@&*~,¨¨ PRESSED OUT THROUGH MY EYES, IT'S ¨¨,~*&@@##
#@@&*~,¨¨¨ ECHOING LIKE ¨¨¨,~*&@@#
##@@&*~,¨¨ THE SUNSET OF THE ETERNAL ¨¨,~*&@@##
###@@&*~,¨ OCEAN ¨,~*&@@###
##@@&*~,¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨,~*&@@##
#@@&*~,¨¨¨ ¨¨¨,~*&@@#
##@@&*~,¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨,~*&@@##
###@@&*~,¨ HUMANS ARE DOING AND ABSTRACTING, ¨,~*&@@###
##@@&*~,¨¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨¨,~*&@@##
#@@&*~,¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨,~*&@@#
##@@&*~,¨¨ ¨ ¨¨,~*&@@##
###@@&*~,¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨,~*&@@###
##@@&*~,¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨,~*&@@##
#@@&*~,¨¨¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨¨¨,~*&@@#
##@@&*~,¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨,~*&@@##
###@@&*~,¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨,~*&@@###
##@@&*~,¨¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨¨,~*&@@##
#@@&*~,¨¨¨ , , DOWN IN THE DRAGONS THROAT. ¨¨¨,~*&@@#
##@@&*~,¨¨ , ¨¨,~*&@@##
###@@&*~,¨ , ¨,~*&@@###
##@@&*~,¨¨ ¨¨,~*&@@##
#@@&*~,¨¨¨ ¨¨¨,~*&@@#
##@@&*~,¨¨ ¨¨,~*&@@##
###@@&*~,¨ ¨,~*&@@###
##@@&*~,¨¨ ¨¨,~*&@@##
#@@&*~,¨¨¨ ¨¨¨,~*&@@#