¨.=/=&¤### ###¤&=/=.¨
¨.=/=&¤### ###¤&=/=.¨
¨¨¨¨¨==¤¤¤ ¤¤¤==¨¨¨¨¨
¨.=/=&¤### ###¤&=/=.¨
¨¨¨¨¨.===¤ ¤===.¨¨¨¨¨
¨¨¨¨¨./=¤# # #¤=/.¨¨¨¨¨
¨¨¨¨¨¨=/&¤ ¨LIZARDRY ¤&/=¨¨¨¨¨¨
¨.=/=&¤### = # ## ### ################## ###¤&=/=.¨
¨.=/=¤#### ## THE ART OF C.NNECTING ####¤=/=.¨
¨.=/=&¤### ¨ WITH THE OLD MIND ###¤&=/=.¨
¨.=/=&¤### ###¤&=/=.¨
¨¨¨.==&¤## MY MIND IS BEING SKEWED. MI ##¤&==.¨¨¨
¨.=/=&¤### SKELETON IS STRINGY AND OLD AND ALIEN ###¤&=/=.¨
¨¨¨¨¨==¤¤¤ THE SITUATION IS LITERALLY ¤¤¤==¨¨¨¨¨
¨¨¨¨..===¤ PRESSED OUT THROUGH MY EYES, IT'S ¤===..¨¨¨¨
¨.=/=&¤### ECHOING LIKE ###¤&=/=.¨
¨¨.=////&# THE SUNSET OF THE ETERNAL #&////=.¨¨
¨.=/===&¤# OCEAN #¤&===/=.¨
¨¨¨.///=¤# PERSISTENTLY AGAINST MY EMULSION #¤=///.¨¨¨
¨¨¨¨¨./&## ##&/.¨¨¨¨¨
¨.=/=&¤### IT'S UNGRASPABLE TO ME, WHAT OTHER ###¤&=/=.¨
¨.=/=&¤### HUMANS ARE DOING AND ABSTRACTING, ###¤&=/=.¨
¨¨¨./==&¤# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #¤&==/.¨¨¨
¨.=/=&¤¤¤¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤¤¤¤&=/=.¨
¨.=/=&¤### ¨ ###¤&=/=.¨
¨.=/=&¤### ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ ####### ###¤&=/=.¨
¨.=/=&¤### CONTINUOUSLY I'M CROWDING THROUGH ###¤&=/=.¨
¨¨¨¨=//&¤¤ ¨ THE FOURTH WALL .OUTWARDS IS WHAT ¨ ¤¤&//=¨¨¨¨
¨.=/=&¤### ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ###¤&=/=.¨
¨.=/=&¤### ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ###¤&=/=.¨
¨.=///==¤¤ . . AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¤¤==///=.¨
¨¨..====¤# . . DOWN IN THE DRAGONS THROAT. #¤====..¨¨
¨.=/=&¤### . ###¤&=/=.¨
¨¨¨.=/==¤# . #¤==/=.¨¨¨
¨.=/=&¤### ###¤&=/=.¨
¨.=/=&¤### ###¤&=/=.¨
¨.=/=&¤¤¤# #¤¤¤&=/=.¨
¨.=/=&#### ####&=/=.¨
¨¨¨¨¨./&&¤ ¤&&/.¨¨¨¨¨
¨¨.../&&## ##&&/...¨¨