.#.######.                                          #..#.#.##.
##..#####.                                          #.##.#..#.
.#.#.####.                                          #..#.#.##.
##.#..###.                                          #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.                %%%%%%%%%                 #.##.#..#.
.#.#.#.##. %%                                    %% #..#.#.##.
##.#.#..#. %%               PLUS                 %% #.##.#..#.
.#.#.#.##. %                       MINUS          % #..#.#.##.
##.#.#..#. %      ZERO                            % #.##.#..#.
.#.#.#.##. .                                      . #..#.#.##.
##.#.#..#.             .. MIRROR NOTE ..            #.##.#..#.
.#.#.#.##.               .............              #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##. AT AN OPPORTUNITY, A MOMENT SUCH AS THIS #..#.#.##.
##.#.#..#. UNDERAPPRECIATED, UNDERESTIMATED, UNDER  #.##.#..#.
.#.#.#.##. THERE IS SIMPLY NO TIME TO CHOOSE WHAT   #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##. EVERYTHING IS IN THROUGH THE LEFT HALF   #..#.#.##.
##.#.#..#.     OF MY FACE, AND OUT EXACTLY OPPOSITE #.##.#..#.
.#.#.#.##.     ^^^THROUGH THE RIGHT HALF^^^ OF THE  #..#.#.##.
##.#.#..#.                                    FACE  #.##.#..#.
.#.#.#.##.     PLUS MINUS ZERO BUT POLAR OPPOSITES! #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.  #..# #.# #                              #..#.#.##.
##.#.#..#.  AND                                     #.##.#..#.
.#.#.#.##.     THE ECHO IS TRAVELLING WITH EVERY    #..#.#.##.
##.#.#..#.     BEAT, MAYBE ONE HUNDRED AND THIRTY   #.##.#..#.
.#.#.#.##.     MILLISECONDS, TO TWO HUNDRED AND     #..#.#.##.
##.#.#..#. #.# EIGHTY MILLISECONDS, AND DOWN,       #.##.#..#.
.#.#.#.##.     ALONG MY DREADS, MAYBE LIKE          #..#.#.##.
##.#.#..#.   A CAP TO THE LEFT AND UP FOUR HUNDRED  #.##.#..#.
.#.#.#.##. TO THE RIGHT                             #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.    ABOUT =MAGNETISM= OR =WHAT= =ELSE=    #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.   DISTORTION AND HEAVY GLASS AND PALM    #..#.#.##.
##.#.#..#.                                 TREES    #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.   MY                                     #.##.#..#.
.#.#.#.##.   I HAVE MUSIC THAT LIVES INTO WEIRDER   #..#.#.##.
##.#.#..#.    CORRIDORS, MY FLESH IS PUSHING        #.##.#..#.
.#.#.#.##.    MY                                    #..#.#.##.
##.#.#..#.    BODY FURTHER INSIDE                   #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.   THERE        IS TOO MUCH MOVING INSIDE #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#. WEIRD REVOLVINGS, HOW MUCH MADNESS,      #.##.#..#.
.#.#.#.##. WEIRD ABOUT HOW MUCH MADNESS THAT'S      #..#.#.##.
##.#.#..#.       IA . ¶REVOLVED ABOUT TO BE REVOLVE #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.                                          #.##.#..#.
.#.#.#.##.     AND I, THE SURGEON, CHOOSE THE       #..#.#.##.
##.#.#..#.    FRYING PAN                            #.##.#..#.
.#.#.#.##.   WHATEVER DOG I WANT .................  #..#.#.##.
##.#.#..#.  AND MY SPEED IS EVERYTHING. THE LAST    #.##.#..#.
.#.#.#.##.                                          #..#.#.##.
##.#.#..#.      RADAR STATION... FOR A WHILE...     #.##.#..#.
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