&&†=^^,,,, ,,,,^^=†&&
&&†^=^,,,, ,,,,^=^†&&
&&†^^^,,,, ,,,,^^^†&&
##@&@†^=^, ,^=^†@&@##
#@&†=,,,,, ,,,,,=†&@#
#@@&@†^=^, # ,^=^†@&@@#
@@@††^^,,, ,LIZARDRY ,,,^^††@@@
##@&@†^=^, = @ #@ ### ################## ,^=^†@&@##
##@&@†^=^, ## THE ART OF C^NNECTING ,^=^†@&@##
&††^^^,,,, , WITH THE OLD MIND ,,,,^^^††&
&@^^^^^,,, ,,,^^^^^@&
#&@@†^^,,, MY MIND IS BEING SKEWED. MI ,,,^^†@@&#
##@&@†^=^, SKELETON IS STRINGY AND OLD AND ALIEN ,^=^†@&@##
###@@†^=^, THE SITUATION IS LITERALLY ,^=^†@@###
##@&@†^=^, PRESSED OUT THROUGH MY EYES, IT'S ,^=^†@&@##
##@&@†^=^, ECHOING LIKE ,^=^†@&@##
##@&@†^=^, THE SUNSET OF THE ETERNAL ,^=^†@&@##
@@&@@†^=^, OCEAN ,^=^†@@&@@
#&††^^,,,, PERSISTENTLY AGAINST MY EMULSION ,,,,^^††&#
###&@†^=^, ,^=^†@&###
@&@@††^=^, IT'S UNGRASPABLE TO ME, WHAT OTHER ,^=^††@@&@
##@&@†^=^, HUMANS ARE DOING AND ABSTRACTING, ,^=^†@&@##
##@&@†^=^, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,^=^†@&@##
##@&@†^=^, HOW LONG A TIME HAS PASSED, FOR THEM? ,^=^†@&@##
#&&@@†^=^, , ,^=^†@@&&#
##@&@†^=^, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,^=^†@&@##
&&@†††^=^, CONTINUOUSLY I'M CROWDING THROUGH ,^=^†††@&&
##@&@†^=^, , THE FOURTH WALL ^OUTWARDS IS WHAT , ,^=^†@&@##
##@&@†^=^, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,^=^†@&@##
#&&@^^=^^, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,^^=^^@&&#
##@&@†^=^, ^ ^ AWARE OF THE PREVIOUS ONE, DEEPER , ,^=^†@&@##
##@&@†^=^, ^ ^ DOWN IN THE DRAGONS THROAT. ,^=^†@&@##
&@^=,,,,,, ^ ,,,,,,=^@&
@@^=,,,,,, ^ ,,,,,,=^@@
###&@†^=^, ,^=^†@&###
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###@&@†=^, ,^=†@&@###
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