¨¨¨¨¨:~:%§ §%:~:¨¨¨¨¨
¨:~:%@§@@# #@@§@%:~:¨
¨:~%@§@@## ##@@§@%~:¨
¨¨¨¨¨¨~%@@ @@%~¨¨¨¨¨¨
¨¨¨¨:::@§§ §§@:::¨¨¨¨
¨:~:%@§@@# @ #@@§@%:~:¨
¨::~~%@§§§ ¨LIZARDRY §§§@%~~::¨
¨:~:%@§@## ~ @ @@ @@@ @@@@@@@@@@@@@@@@@@ ##@§@%:~:¨
¨¨¨¨¨::@@@ @@ THE ART OF C:NNECTING @@@::¨¨¨¨¨
¨¨¨:~~%@@@ ¨ WITH THE OLD MIND @@@%~~:¨¨¨
¨¨¨¨~%%§@@ @@§%%~¨¨¨¨
¨:::~~%§§§ MY MIND IS BEING SKEWED. MI §§§%~~:::¨
¨:~:%@@§§@ SKELETON IS STRINGY AND OLD AND ALIEN @§§@@%:~:¨
¨¨¨~~:%@§@ THE SITUATION IS LITERALLY @§@%:~~¨¨¨
¨¨::~:@§§@ PRESSED OUT THROUGH MY EYES, IT'S @§§@:~::¨¨
¨¨¨¨:~%%§@ ECHOING LIKE @§%%~:¨¨¨¨
¨:~:%@@§§@ THE SUNSET OF THE ETERNAL @§§@@%:~:¨
¨¨¨¨~:%§§§ OCEAN §§§%:~¨¨¨¨
¨:~:%@§@## PERSISTENTLY AGAINST MY EMULSION ##@§@%:~:¨
¨:~:%@§@@@ @@@§@%:~:¨
¨¨¨¨¨¨~%§@ IT'S UNGRASPABLE TO ME, WHAT OTHER @§%~¨¨¨¨¨¨
¨:~:@§@@## HUMANS ARE DOING AND ABSTRACTING, ##@@§@:~:¨
¨:~:%@§@@# AND ABOVE ALL ELSE, WHAT TIME THEY USE? #@@§@%:~:¨
¨¨¨¨::%%@§ HOW LONG A TIME HAS PASSED, FOR THEM? §@%%::¨¨¨¨
¨:~:%@@@@@ ¨ @@@@@%:~:¨
¨¨¨:::@§@@ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ @@§@:::¨¨¨
¨¨¨~~%%%%§ CONTINUOUSLY I'M CROWDING THROUGH §%%%%~~¨¨¨
¨:~:%@@@## ¨ THE FOURTH WALL :OUTWARDS IS WHAT ¨ ##@@@%:~:¨
¨¨::::@@§§ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW §§@@::::¨¨
¨:~:%@§@@@ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY @@@§@%:~:¨
¨:~:%@§@@# : : AWARE OF THE PREVIOUS ONE, DEEPER ¨ #@@§@%:~:¨
¨:~:%@§@@@ : : DOWN IN THE DRAGONS THROAT. @@@§@%:~:¨
¨:~:%@§@@# : #@@§@%:~:¨
¨:~:%@§@@# : #@@§@%:~:¨
¨:~:%@§@@# #@@§@%:~:¨
¨:~:%@@@§@ @§@@@%:~:¨
¨¨¨¨¨::@@@ @@@::¨¨¨¨¨
¨¨¨::~%%@§ §@%%~::¨¨¨
¨:~:%@§@@# #@@§@%:~:¨
¨:~:%@§@@@ @@@§@%:~:¨