##@#%**«~, ,~«**%#@##
#%*«,,,,,, ,,,,,,«*%#
##@#%**«~, ,~«**%#@##
@%*«««~,,, ,,,~«««*%@
##@#%**«~, ,~«**%#@##
#%**««~~,, # ,,~~««**%#
#%%%*~,,,, ,LIZARDRY ,,,,~*%%%#
@@@#%**«~, « @ #@ ### ################## ,~«**%#@@@
#**«,,,,,, ## THE ART OF C~NNECTING ,,,,,,«**#
##@#%**«~, , WITH THE OLD MIND ,~«**%#@##
##@#%**«~, ,~«**%#@##
##@#%**«~, MY MIND IS BEING SKEWED. MI ,~«**%#@##
##@#%**«~, SKELETON IS STRINGY AND OLD AND ALIEN ,~«**%#@##
@%***«««~, THE SITUATION IS LITERALLY ,~«««***%@
###@#**«~, PRESSED OUT THROUGH MY EYES, IT'S ,~«**#@###
####%**«~, ECHOING LIKE ,~«**%####
#%*«~~,,,, THE SUNSET OF THE ETERNAL ,,,,~~«*%#
##@#%**«~, OCEAN ,~«**%#@##
##@#%**«~, PERSISTENTLY AGAINST MY EMULSION ,~«**%#@##
####%**«~, ,~«**%####
##%%***«~, IT'S UNGRASPABLE TO ME, WHAT OTHER ,~«***%%##
#*«,,,,,,, HUMANS ARE DOING AND ABSTRACTING, ,,,,,,,«*#
##@#%**«~, AND ABOVE ALL ELSE, WHAT TIME THEY USE? ,~«**%#@##
#@##%**«~, HOW LONG A TIME HAS PASSED, FOR THEM? ,~«**%##@#
##@#%**«~, , ,~«**%#@##
##@#%**«~, , ,,, , ,,,,,,,,,,,,,,,, @@@@@@@ ,~«**%#@##
@@@#%**«~, CONTINUOUSLY I'M CROWDING THROUGH ,~«**%#@@@
##%**~~,,, , THE FOURTH WALL ~OUTWARDS IS WHAT , ,,,~~**%##
#***~,,,,, ,, I'M THINKING BUT IT'S WRONG.. A NEW ,,,,,~***#
#@#%*«,,,, , , NARRATOR IS INTRODUCED, OCCASIONALLY ,,,,«*%#@#
####%**«~, ~ ~ AWARE OF THE PREVIOUS ONE, DEEPER , ,~«**%####
##%**«~~,, ~ ~ DOWN IN THE DRAGONS THROAT. ,,~~«**%##
@%*«««,,,, ~ ,,,,«««*%@
@%**«,,,,, ~ ,,,,,«**%@
##@#%**«~, ,~«**%#@##
##@#%**«~, ,~«**%#@##
@%*~,,,,,, ,,,,,,~*%@
#@@#%**«~, ,~«**%#@@#
##@#%**«~, ,~«**%#@##
##*«««~,,, ,,,~«««*##