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@*:,¨¨¨¨¨¨ ¨¨¨¨¨¨,:*@
#@@%%*:-,¨ ¨,-:*%%@@#
@**-----,¨ ¨,-----**@
##@@%*:-,¨ # ¨,-:*%@@##
@@@@%*:-,¨ ¨LIZARDRY ¨,-:*%@@@@
@@%:,¨¨¨¨¨ - @ #@ ### ################## ¨¨¨¨¨,:%@@
##@@%*:-,¨ ## THE ART OF C,NNECTING ¨,-:*%@@##
@@@@%*:-,¨ ¨ WITH THE OLD MIND ¨,-:*%@@@@
@%*--,¨¨¨¨ ¨¨¨¨,--*%@
#@@@%*:-,¨ MY MIND IS BEING SKEWED. MI ¨,-:*%@@@#
#@@@%*:-,¨ SKELETON IS STRINGY AND OLD AND ALIEN ¨,-:*%@@@#
###@@%:-,¨ THE SITUATION IS LITERALLY ¨,-:%@@###
##@@%*:-,¨ PRESSED OUT THROUGH MY EYES, IT'S ¨,-:*%@@##
@%%:,,,,¨¨ ECHOING LIKE ¨¨,,,,:%%@
@@****:-,¨ THE SUNSET OF THE ETERNAL ¨,-:****@@
@%:,¨¨¨¨¨¨ OCEAN ¨¨¨¨¨¨,:%@
@%:,¨¨¨¨¨¨ PERSISTENTLY AGAINST MY EMULSION ¨¨¨¨¨¨,:%@
##@@%*:-,¨ ¨,-:*%@@##
#@@*--¨¨¨¨ IT'S UNGRASPABLE TO ME, WHAT OTHER ¨¨¨¨--*@@#
###@@*:-,¨ HUMANS ARE DOING AND ABSTRACTING, ¨,-:*@@###
##@@%*:-,¨ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¨,-:*%@@##
@%:,,¨¨¨¨¨ HOW LONG A TIME HAS PASSED, FOR THEM? ¨¨¨¨¨,,:%@
@@%*:,¨¨¨¨ ¨ ¨¨¨¨,:*%@@
@%%**--,¨¨ ¨ ¨¨¨ ¨ ¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨¨ @@@@@@@ ¨¨,--**%%@
@*-¨¨¨¨¨¨¨ CONTINUOUSLY I'M CROWDING THROUGH ¨¨¨¨¨¨¨-*@
@@%:,¨¨¨¨¨ ¨ THE FOURTH WALL ,OUTWARDS IS WHAT ¨ ¨¨¨¨¨,:%@@
#@@*-¨¨¨¨¨ ¨¨ I'M THINKING BUT IT'S WRONG.. A NEW ¨¨¨¨¨-*@@#
@*:-,,¨¨¨¨ ¨ ¨ NARRATOR IS INTRODUCED, OCCASIONALLY ¨¨¨¨,,-:*@
#@%%%*:-,¨ , , AWARE OF THE PREVIOUS ONE, DEEPER ¨ ¨,-:*%%%@#
##@@%*:-,¨ , , DOWN IN THE DRAGONS THROAT. ¨,-:*%@@##
##@@%*:-,¨ , ¨,-:*%@@##
##@@%*:-,¨ , ¨,-:*%@@##
@%::,¨¨¨¨¨ ¨¨¨¨¨,::%@
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@%:---,¨¨¨ ¨¨¨,---:%@
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