,,,~=%£@£# #£@£%=~,,,
,,~=%£@£## ##£@£%=~,,
,,,~=%£@£# #£@£%=~,,,
,,,,~=%£@£ £@£%=~,,,,
,,,,,~=%£@ @£%=~,,,,,
,,,,,,~=%£ THE SKYSCRAPER THAT MOVES £%=~,,,,,,
,,,,,,,~=% %=~,,,,,,,
,,,,,,,,~= TAINARON IS A BUILDING OWNED AND =~,,,,,,,,
,,,,,,,~=% OPERATED BY AMATA TEXNOLOGIYASI PLACED %=~,,,,,,,
,,,,,,~=%£ CLOSED TO THE HARBOR IN MALMÖ. IT'S £%=~,,,,,,
,,,,,~=%£@ ROUGHLY SIXTY FLOORS HIGH (REAL NUMBER @£%=~,,,,,
,,,,~=%£@£ UNKNOWN), DARK BLUE AND COMPLETELY £@£%=~,,,,
,,,~=%£@£# RECTANGULAR. IT FEATURES NO SIGNS, #£@£%=~,,,
,,~=%£@£## LIGHTS, OR ORNAMENTS, APART FROM A ##£@£%=~,,
,,,~=%£@£# HELIPAD ON TOP. MOST FLOORS HAVE #£@£%=~,,,
,,,,~=%£@£ EXTERIOR WALLS COMPLETELY MADE OF GLASS. £@£%=~,,,,
,,,,,~=%£@ @£%=~,,,,,
,,,,,,~=%£ IN LATE EVENINGS, SHROUDED BY MALMö'S £%=~,,,,,,
,,,,,,,~=% SIGNATURE FOG ROLLING IN FROM THE SEA, %=~,,,,,,,
,,,,,,,,~= THE BUILDING COMES TO LIFE: IT MOVES ON =~,,,,,,,,
,,,,,,,~=% A THOUSAND ROBOTIC LEGS TO ANOTHER %=~,,,,,,,
,,,,,,~=%£ (SECRET) PART OF TOWN, OR PERHAPS OUT £%=~,,,,,,
,,,,,~=%£@ TO SEA. THIS SIGNALS A NEW AND MORE @£%=~,,,,,
,,,,~=%£@£ VISCIOUS PHASE OF THE TAINARON £@£%=~,,,,
,,,~=%£@£# ECOSYSTEM. #£@£%=~,,,
,,~=%£@£## ##£@£%=~,,
,,,~=%£@£# THE GUESTS ARRIVING DURING THE EARLY #£@£%=~,,,
,,,,~=%£@£ EVENING ARE TREATED TO FOOD AND DRINK, £@£%=~,,,,
,,,,,~=%£@ LIVE MUSIC, BEATUTIFUL VIEWS, AND A @£%=~,,,,,
,,,,,,~=%£ COMFORTABLE BUT MAZE-LIKE INTERIOR £%=~,,,,,,
,,,,,,,~=% STRUCTURE (THE BUILDING FEATURES A %=~,,,,,,,
,,,,,,,,~= MULTITUDE OF STAIRWELLS AND ELEVATORS, =~,,,,,,,,
,,,,,,,~=% PLACED SEEMINGLY AT RANDOM, NONE GOING %=~,,,,,,,
,,,,,,~=%£ FURTHER THAN A FEW FLOORS). £%=~,,,,,,
,,,,,~=%£@ @£%=~,,,,,
,,,,~=%£@£ AS TIME GOES ON, THE LIGHTS SLOWLY DIM, £@£%=~,,,,
,,,~=%£@£# UNTIL THE AIR INSIDE HAS TAKEN ON THE #£@£%=~,,,
,,~=%£@£## SAME QUALITY AS THE SURROUNDING MIST: ##£@£%=~,,
,,,~=%£@£# BLUE-GRAY, SPRINKLED WITH THE SMALL RED #£@£%=~,,,
,,,,~=%£@£ DOT'S BY DOOR LOCKS AND CONTROL PANELS. £@£%=~,,,,
,,,,,~=%£@ IF YOU WOULD LOOK THROUGH THE WINDOWS @£%=~,,,,,
,,,,,,~=%£ YOU WOULD SEE THE MIST ROLLING BY, AND £%=~,,,,,,
,,,,,,,~=% PERHAPS THE OUTLINE OF SOME OTHER %=~,,,,,,,
,,,,,,,,~= BUILDING, FAR BELOW. =~,,,,,,,,
,,,,,,,~=% %=~,,,,,,,
,,,,,,~=%£ DURING THE NIGHT, AFTER TAINARON HAS £%=~,,,,,,
,,,,,~=%£@ STARTED MOVING, THE LOWER FLOORS ARE @£%=~,,,,,
,,,,~=%£@£ SHUT OFF, PREVENTING ENTRY OR EXIT FOR £@£%=~,,,,
,,,~=%£@£# THE GUESTS. FOOD IS NO LONGER SERVED, #£@£%=~,,,
,,~=%£@£## BUT THE DRINKS BECOME MORE EXTRAVAGANT. ##£@£%=~,,
,,,~=%£@£# IT'S AT THIS POINT THAT THE SECOND SET #£@£%=~,,,
,,,,~=%£@£ OF GUEST ARRIVES, VIA HELICOPTER - £@£%=~,,,,
,,,,,~=%£@ AMATA TEXNOLOGIYASI AND THEIR FRIENDS. @£%=~,,,,,
,,,,,,~=%£ £%=~,,,,,,
,,,,,,,~=% ~~~~~ %=~,,,,,,,
,,,,,,,,~= =~,,,,,,,,
,,,,,,,~=% IN MY DREAM I AM INVITED AS A FRIEND OF %=~,,,,,,,
,,,,,,~=%£ ONE OF THE SERVERS, AND THUS SAFE. WE £%=~,,,,,,
,,,,,~=%£@ SIT IN ONE OF THE LARGE WINDOWS, @£%=~,,,,,
,,,,~=%£@£ LOOKING THROUGH THE MIST FOR ANY £@£%=~,,,,
,,,~=%£@£# LANDMARKS TO PIERCE THROUGH THE MIST. #£@£%=~,,,
,,~=%£@£## SHE TELLS ME THAT APART FROM COMING AND ##£@£%=~,,
,,,~=%£@£# GOING FROM WORK, SHE'S NEVER SEEN THE #£@£%=~,,,
,,,,~=%£@£ BUILDING FROM THE OUTSIDE. WE BOTH SIGH. £@£%=~,,,,
,,,,,~=%£@ @£%=~,,,,,
,,,,,,~=%£ THE NEXT DAY I AM INVITED TO THE PUBLIC £%=~,,,,,,
,,,,,,,~=% DEMONSTRATION OF THE EXOBUBBLE. %=~,,,,,,,
,,,,,,,,~= =~,,,,,,,,
,,,,,,,~=% %=~,,,,,,,
,,,,,,~=%£ £%=~,,,,,,
,,,,,~=%£@ @£%=~,,,,,
,,,,~=%£@£ £@£%=~,,,,