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,,«;$£#¶@# @ #@¶#£$;«,,
,,«;$£#¶@# ,lizardry #@¶#£$;«,,
,,«;$£#¶@@ « ¶ @¶ @@@ @@@@@@@@@@@@@@@@@@ @@¶#£$;«,,
,,,,,«;£¶¶ @@ the art of c,nnecting ¶¶£;«,,,,,
,,,,«««$£# , with the old mind #£$«««,,,,
,,«;$£#@## ##@#£$;«,,
,,,,;$£££# my mind is being skewed. mi #£££$;,,,,
,,«;$£#@## skeleton is stringy and old and alien ##@#£$;«,,
,,,,;$$£¶¶ the situation is literally ¶¶£$$;,,,,
,,«;$£#¶@# pressed out through my eyes, it's #@¶#£$;«,,
,,«;$£#¶@@ echoing like @@¶#£$;«,,
,,«;$£##¶¶ the sunset of the eternal ¶¶##£$;«,,
,,,,,,,«$# ocean #$«,,,,,,,
,,,,,;;£¶¶ persistently against my emulsion ¶¶£;;,,,,,
,,«;$£#¶¶@ @¶¶#£$;«,,
,,«;$£#¶@# it's ungraspable to me, what other #@¶#£$;«,,
,,«;$£#¶@# humans are doing and abstracting, #@¶#£$;«,,
,,«;$£#¶@# and above all else, what time they use? #@¶#£$;«,,
,,«;$£#¶@# how long a time has passed, for them? #@¶#£$;«,,
,,,,,«;$£¶ , ¶£$;«,,,,,
,,«;$£££## , ,,, , ,,,,,,,,,,,,,,,, ¶¶¶¶¶¶¶ ##£££$;«,,
,,«;$£#@## continuously i'm crowding through ##@#£$;«,,
,,«;$£##¶¶ , the fourth wall ,outwards is what , ¶¶##£$;«,,
,,«;$£#¶@# ,, i'm thinking but it's wrong.. a new #@¶#£$;«,,
,,,,«;£##@ , , narrator is introduced, occasionally @##£;«,,,,
,,«;$££££# , , aware of the previous one, deeper , #££££$;«,,
,,,,,««$£¶ , , down in the dragons throat. ¶£$««,,,,,
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