#@@¤&==«,¨ ¨,«==&¤@@#
#@@¤&==«,¨ ¨,«==&¤@@#
#@@¤&==«,¨ ¨,«==&¤@@#
¤¤=««,,¨¨¨ ¨¨¨,,««=¤¤
¤&=«¨¨¨¨¨¨ ¨¨¨¨¨¨«=&¤
##@@¤&=«,¨ the last song on side b (and to some ¨,«=&¤@@##
@¤¤&==,,¨¨ extent the first song on side a) talks ¨¨,,==&¤¤@
¤&&==,,¨¨¨ for the whole album, not just their ¨¨¨,,==&&¤
##@@¤&=«,¨ side. the last song on side b is ¨,«=&¤@@##
##@¤&==«,¨ probably the most important ¨,«==&¤@##
@@@¤&==«,¨ opportunity, the most charged slot. ¨,«==&¤@@@
@¤===,,,¨¨ ¨¨,,,===¤@
@¤==«,¨¨¨¨ ¨@#@¨ ¨¨¨¨,«==¤@
@&=«««««,¨ ¨,«««««=&@
#@@¤&==«,¨ the album is a singularity, an anomaly ¨,«==&¤@@#
#@@¤&==«,¨ in spacetime, a creature that knows ¨,«==&¤@@#
@¤¤¤&==«,¨ exactly how beautiful it is. ¨,«==&¤¤¤@
@¤&=«,,,¨¨ ¨ ¨¨,,,«=&¤@
##@@&==«,¨ and the thing is: it sees itself in ¨,«==&@@##
@@&&&==«,¨ three d. it knows that it's dying. ¨,«==&&&@@
#@@¤&==«,¨ ¨,«==&¤@@#
@@&==«¨¨¨¨ ==&&==&&==&&==&&==&¤¤&==&&==&&==&&==&&== ¨¨¨¨«==&@@
@@@¤&==«,¨ ¨,«==&¤@@@
@@@¤&==«,¨ , dolphins and cats , ¨,«==&¤@@@
#@@¤&==«,¨ bring us ¨,«==&¤@@#
#@@¤&==«,¨ ¨ flowers and honey ¨ ¨,«==&¤@@#
##@@¤&==«¨ ¨«==&¤@@##
¤&===,,¨¨¨ , dolphins and cats , ¨¨¨,,===&¤
#@@¤&==«,¨ bring us ¨,«==&¤@@#
¤=««,¨¨¨¨¨ ¨ fairies and bees ¨ ¨¨¨¨¨,««=¤
#@@¤&==«,¨ ¨,«==&¤@@#
##@¤&==«,¨ our boat is afloat ¨,«==&¤@##
##@¤&==«,¨ on a surface of lilies ¨,«==&¤@##
#@@¤&==«,¨ , dolphins and cats , ¨,«==&¤@@#
@@@¤&==«,¨ drag us down ¨,«==&¤@@@
##@¤&==«,¨ ¨«= underneath =«¨ ¨,«==&¤@##
¤===«,,¨¨¨ ¨¨¨,,«===¤
@@@¤&==«,¨ ==&&==&&==&&==&&==&¤¤&==&&==&&==&&==&&== ¨,«==&¤@@@
¤&==«¨¨¨¨¨ ¨¨¨¨¨«==&¤
@@&====«,¨ side a is foresty, and side b might ¨,«====&@@
@¤¤===«,,¨ be lizardy. but the last song is full ¨,,«===¤¤@
¤¤&&==,,,¨ of space. ¨,,,==&&¤¤
@@@¤&==«,¨ ¨,«==&¤@@@
#@@¤&==«,¨ ¨,«==&¤@@#
@@&&=««,,¨ ¨,,««=&&@@
##@@¤==«,¨ ¨,«==¤@@##
##@¤&==«,¨ ¨,«==&¤@##