.@..@....@ @@@..@..@.
.@@.@@...@ @..@.@@.@@
@@.@@.@..@ @@.@@@.@@.
@.@@.@@@.@ @.@@..@@.@
.@@.@@..@@ @@@.@.@.@@
@@.@@.@.@. ....%%## VäXJö ##%%.... @..@@@@@@.
@.@@.@@@@@ .@.@.....@
.@@.@@.... THE APARTMENT SMELLS OF OLD COFFEE AND @@@@@....@
@@.@@.@... SWEETENERS. I DON'T KNOW HOW I LET IT @....@...@
..@@.@@@.. GET LIKE THIS. IT'S NOT INTENTIONAL. .@...@@..@
@.@.@@..@. @@@..@.@.@
.@@@@.@.@@ I WEAR YELLOW TINTED GLASSES. THE ROOM @..@.@@@@@
@@...@@@@. CHANGES SHAPE A LOT. RIGHT NOW THERE'S .@.@@@....
@.@..@...@ A BLUE SOFA WITH YELLOW SEAMS. I .@@@..@...
@@@@.@@..@ EXPERIMENT WITH DIFFERENT COLORED .@..@.@@..
@...@@.@.@ LIGHTS. I'M LEARNING THINGS. @@@.@@@.@.
@@..@.@@@@ @..@@..@@@
..@.@@@... MY THOUGHTS ARE REVOLVING AROUND TIME, @@.@.@.@..
..@@@..@.. AND THE PERCEPTION OF IT. CAN I MAKE IT ..@@@@@@@.
..@..@.@@. RIGID? IF I REALLY WANT TO, CAN I MAKE @.@......@
@.@@.@@@.@ IT FEEL LIKE THERE IS ENOUGH OF IT? @@@@.....@
.@@.@@..@@ ALSO, AND MAYBE, ULTIMATELY, MORE ....@....@
@@.@@.@.@. IMPORTANT - CAN I MAKE IT FEEL LIKE IT @...@@...@
..@@.@@@@@ DOESN'T MATTER? .@..@.@..@
@.@.@@.... @@@.@@@@.@
.@@@@.@... @..@@...@@
@@...@@@.. @@.@.@..@.
@.@..@..@. @.@@@@@.@@
.@@@.@@.@@ @@@....@@.