.@..@....@                                          @@@..@..@.
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@.@@.@@@.@                                          @.@@..@@.@
.@@.@@..@@                                          @@@.@.@.@@
@@.@@.@.@.          ....%%## VäXJö ##%%....         @..@@@@@@.
@.@@.@@@@@                                          .@.@.....@
.@@.@@.... THE APARTMENT SMELLS  OF OLD  COFFEE AND @@@@@....@
@@.@@.@... SWEETENERS. I DON'T  KNOW HOW I  LET  IT @....@...@
..@@.@@@.. GET  LIKE  THIS.  IT'S  NOT INTENTIONAL. .@...@@..@
@.@.@@..@.                                          @@@..@.@.@
.@@@@.@.@@ I WEAR YELLOW TINTED GLASSES.  THE  ROOM @..@.@@@@@
@@...@@@@. CHANGES SHAPE A  LOT.  RIGHT NOW THERE'S .@.@@@....
@.@..@...@ A  BLUE  SOFA   WITH  YELLOW   SEAMS.  I .@@@..@...
@@@@.@@..@     EXPERIMENT WITH DIFFERENT COLORED    .@..@.@@..
@...@@.@.@       LIGHTS. I'M LEARNING THINGS.       @@@.@@@.@.
@@..@.@@@@                                          @..@@..@@@
..@.@@@... MY THOUGHTS ARE REVOLVING  AROUND  TIME, @@.@.@.@..
..@@@..@.. AND THE PERCEPTION OF IT.  CAN I MAKE IT ..@@@@@@@.
..@..@.@@. RIGID? IF  I REALLY  WANT TO, CAN I MAKE @.@......@
@.@@.@@@.@ IT  FEEL  LIKE THERE  IS ENOUGH  OF  IT? @@@@.....@
.@@.@@..@@    ALSO, AND MAYBE, ULTIMATELY, MORE     ....@....@
@@.@@.@.@. IMPORTANT - CAN I MAKE IT  FEEL  LIKE IT @...@@...@
..@@.@@@@@              DOESN'T MATTER?             .@..@.@..@
@.@.@@....                                          @@@.@@@@.@
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@@...@@@..                                          @@.@.@..@.
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