,-«*^£@###                                          ###@£^*«-,
,,,,,,-«^@                                          @^«-,,,,,,
,-«*^£@###                                          ###@£^*«-,
,-«*^££@@#                                          #@@££^*«-,
,-«*^£@###                                          ###@£^*«-,
,-«*^££££#          ,,,,^^## växjö ##^^,,,,         #££££^*«-,
,-«*^£@@@#                                          #@@@£^*«-,
,-«*^£@### the apartment smells of old  coffee  and ###@£^*«-,
,-«*^£@### sweeteners.  i don't  know how i  let it ###@£^*«-,
,-«*^£@### get  like  this.  it's not  intentional. ###@£^*«-,
,,--«*^^£#                                          #£^^*«--,,
,-«*^£@### i  wear yellow  tinted glasses. the room ###@£^*«-,
,-«*^£@### changes shape  a lot. right  now there's ###@£^*«-,
,,,,-*^^@# a  blue   sofa   with  yellow  seams.  i #@^^*-,,,,
,-«*^£@###    experiment with different colored     ###@£^*«-,
,-«*^£@###       lights. i'm learning things.       ###@£^*«-,
,-«*^£@###                                          ###@£^*«-,
,-«*^££@@# my thoughts are  revolving  around time, #@@££^*«-,
,-«*^£@### and  the perception of it. can i make it ###@£^*«-,
,,,,--«^@@ rigid? if  i really want to, can i  make @@^«--,,,,
,-«**^^£## it  feel like  there  is enough  of  it? ##£^^**«-,
,-«*^£@@@@     also, and maybe, ultimately, more    @@@@£^*«-,
,-«*^£@@@# important - can i make it  feel  like it #@@@£^*«-,
,-«*^£@###              doesn't matter?             ###@£^*«-,
,-«*^£@###                                          ###@£^*«-,
,,,,--«^^@                                          @^^«--,,,,
,-«*^£@###                                          ###@£^*«-,
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