####&@^;-, ,-;^@###
###&@^;-,¨ ¨,-;^@##
##&@^;-,¨¨ ¨¨,-;^@#
#&@^;-,¨¨¨ ¨¨¨,-;^@
##&@^;-,¨¨ ¨¨,-;^@#
###&@^;-,¨ delay delay d¨la# & ^a¨ , ¨# - , ¨,-;^@##
####&@^;-, ,-;^@###
###&@^;-,¨ ¨,-;^@##
##&@^;-,¨¨ ¨¨,-;^@#
#&@^;-,¨¨¨ ¨¨¨,-;^@
##&@^;-,¨¨ "delay" means repetiton or likewise, ¨¨,-;^@#
###&@^;-,¨ but it's mainly useless without ¨,-;^@##
####&@^;-, feedback, ,-;^@###
###&@^;-,¨ to allow the delay to eat of it's own ¨,-;^@##
##&@^;-,¨¨ tail, like one of those eaty serpents. ¨¨,-;^@#
#&@^;-,¨¨¨ thus: it's the serpent effect! ¨¨¨,-;^@
##&@^;-,¨¨ ¨¨,-;^@#
###&@^;-,¨ it's to be revered as a creator of ¨,-;^@##
####&@^;-, ambience and of space, if you treat it ,-;^@###
###&@^;-,¨ right. a somewhat more solid and ¨,-;^@##
##&@^;-,¨¨ slippery sibling of reverb. ¨¨,-;^@#
#&@^;-,¨¨¨ ¨¨¨,-;^@
##&@^;-,¨¨ ¨¨,-;^@#
###&@^;-,¨ ¨,-;^@##
####&@^;-, ,-;^@###
###&@^;-,¨ ¨,-;^@##