#£&%;^=¨¨,                                          ,¨¨=^;%&£#
#@†~¨,.¨¨.                                          .¨¨.,¨~†@#
@@£%†*†-,.                                          .,-†*†%£@@
#@%$†»~.¨,                                          ,¨.~»†$%@#
###¶&&†~:¨                                          ¨:~†&&¶###
##%§§=;~.,                                          ,.~;=§§%##
@¶#%\^~,.¨           #†=¨,...,,¨¨..,,¨^$#           ¨.,~^\%#¶@
@@$^=,.,,.          #†$  "digitality"  **#          .,,.,=^$@@
##¶&@=:=-.           #%%,,,.¨,¨¨,¨¨¨¨¨%%#           .-=:=@&¶##
####%%*~~,                                          ,~~*%%####
@@¶&%%;~-.                     %                    .-~;%%&¶@@
###@¤=;«:.                                          .:«;=¤@###
#@£#¤%^~,, digital, the digital,  to become digital ,,~^%¤#£@#
#§^/~.,¨,.                                          .,¨,.~/^§#
#$*~..¨¨¨,                    †                     ,¨¨¨..~*$#
£§£§†\,,¨¨                                          ¨¨,,\†§£§£
@$&^«~,,.,    ancient (mesopothamia) knot made of   ,.,,~«^&$@
¤^*§^.^~.,    symbols. the english translation is   ,.~^.^§*^¤
#@#¤$$^~,.    "through numbers". you can use this   .,~^$$¤#@#
¶£§%»--,~.  machine to remember, predict, or hide.  .~,--»%§£¶
##@§&%*~,.                                          .,~*%&§@##
#@@¤@§;-,,                     %                    ,,-;§@¤@@#
##@#&†*~~,                                          ,~~*†&#@##
&*;^,.¨¨,¨  though it might look like witchcraft,   ¨,¨¨.,^;*&
#@¶£§§:~..  the gifted can turn analog signals into ..~:§§£¶@#
###¤%%:=:.    digital - the analog is in itself a   .:=:%%¤###
§%;-~,¨,,,  representation of the world inside the  ,,,¨,~-;%§
#££%†~.¨.¨   world, which is further encoded into   ¨.¨.~†%££#
§%*†:.,,¨.  digital (encoded in the literal sense;  .¨,,.:†*%§
#@¶#$%†»^¨  the numbers are symbols who carry the   ¨^»†%$#¶@#
§$^..¨,,¨.   meaning semantically and not in their  .¨,,¨..^$§
###§@†:-,, shape (analog beings are the opposite.)) ,,-:†@§###
####$%*~~.                                          .~~*%$####
#@@#&*:-:¨                     *                    ¨:-:*&#@@#
££@&$*†=:.                                          .:=†*$&@££
###@$†*-^¨     various schemes exist for how to     ¨^-*†$@###
###@$†*-^¨   interpret and work further with these  ¨^-*†$@###
@$$$$†*-^¨   symbols (such as wav, jpg, nfo, diz,   ¨^-*†$$$$@
#@$†††*-^¨   vor, hyp, mkv). getting familiar with  ¨^-*†††$@#
#@@@$†*-^¨  these is a good start on your journey,  ¨^-*†$@@@#
###@$†*-^¨     although even a wizard might only    ¨^-*†$@###
###@$†*-^¨   -really- know two or three in their    ¨^-*†$@###
###@$†*-^¨                lifetime.                 ¨^-*†$@###
#@@§***»^.                                          .^»***§@@#
&£%%~~~.,,                     *                    ,,.~~~%%£&
#@#&@=\«,.                                          .,«\=@&#@#
#@\:\;~-,¨  some pitfalls include that even if you  ¨,-~;\:\@#
#@§=«-,,,.      can encode the digital symbols      .,,,-«=§@#
§@**^¨¨,.,  themselves as digital, somehow it must  ,.,¨¨^**@§
@#@¤%§*»^.  terminate in the analog; if knowledge   .^»*§%¤@#@
#£#¤§=*«-¨   is lost, you can have symbols with no  ¨-«*=§¤#£#
##@£§%†-,¨   route to their original meaning, and   ¨,-†%§£@##
&#%;;;»¨..  that with the right spells and methods  ..¨»;;;%#&
@§¤@*%^=^,  you can use digital representation for  ,^=^%*@¤§@
##¶¤$†\-,¨   analysis (must be combatted at every   ¨,-\†$¤¶##
@#@£&=:»,.               opportunity)               .,»:=&£@#@
###&¤^;--.                                          .--;^¤&###
@$=~~-,,.,                                          ,.,,-~~=$@
@@%§=:-.,,                                          ,,.-:=§%@@
@§^~^-¨,,,                                          ,,,¨-^~^§@
@£&#@^:~-.                                          .-~:^@#&£@