¨.==^¤¤###                                          ###¤¤^==.¨
¨¨~»††&@@#                                          #@@&††»~¨¨
¨¨,~-\§£§@                                          @§£§\-~,¨¨
..,..~:%@§                                          §@%:~..,..
,¨,~»^†§§@                                          @§§†^»~,¨,
.¨-=**£££#                                          #£££**=-¨.
¨:~†%£&¶##           #%*¨¨¨,...¨,....,%§#           ##¶&£%†~:¨
,..==†*#@#          #†*  "DIGITALITY"  §$#          #@#*†==..,
..¨~«*$£#@           #=§¨¨,¨.,.¨,..,¨.=$#           @#£$*«~¨..
.¨¨¨~~:^@¤                                          ¤@^:~~¨¨¨.
.,,.=*%@££                    %                     ££@%*=.,,.
.¨-«\=%&##                                          ##&%=\«-¨.
.-~/*§#### DIGITAL, THE DIGITAL, TO BECOME  DIGITAL ####§*/~-.
..,~=*£&£#                                          #£&£*=~,..
¨,,.»;^$&#                    %                     #&$^;».,,¨
,¨.¨^=†$$&                                          &$$†=^¨.¨,
.,..~;^%£@   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    @£%^;~..,.
.,,~/§%§##    SYMBOLS. THE ENGLISH TRANSLATION IS   ##§%§/~,,.
,.=:^£££##    "THROUGH NUMBERS". YOU CAN USE THIS   ##£££^:=.,
,,:»/§$&¶#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #¶&$§/»:,,
,,.~»^%££@                                          @££%^»~.,,
¨.¨¨-=^*@¤                    $                     ¤@*^=-¨¨.¨
,..,»;=§¤#                                          #¤§=;»,..,
¨,--=$¤¤##   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  ##¤¤$=--,¨
¨:~=%£&###  THE GIFTED CAN TURN ANALOG SIGNALS INTO ###&£%=~:¨
,¨,~:%%#£#    DIGITAL - THE ANALOG IS IN ITSELF A   #£#%%:~,¨,
¨¨,,-^$£¤¶  REPRESENTATION OF THE WORLD INSIDE THE  ¶¤£$^-,,¨¨
¨..¨,~/*¤§   WORLD, WHICH IS FURTHER ENCODED INTO   §¤*/~,¨..¨
..¨:«†%%££  DIGITAL (ENCODED IN THE LITERAL SENSE;  ££%%†«:¨..
¨¨.~\§@¤@#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #@¤@§\~.¨¨
¨^»^§$@###  MEANING SEMANTICALLY AND NOT IN THEIR   ###@$§^»^¨
,..»:**@## SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ##@**:»..,
¨,¨-«:=&#¶                                          ¶#&=:«-¨,¨
.¨,,-~;*¤¤                     %                    ¤¤*;~-,,¨.
.,¨~»\*£§@                                          @§£*\»~¨,.
..,~†$$£##     VARIOUS SCHEMES EXIST FOR HOW TO     ##£$$†~,..
.,~†$$£###   INTERPRET AND WORK FURTHER WITH THESE  ###£$$†~,.
..,~†$$£##   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ##£$$†~,..
...,~†$$£#  VOR, HYP, MKV). GETTING FAMILIAR WITH   #£$$†~,...
....,~†$$£  THESE IS A GOOD START ON YOUR JOURNEY,  £$$†~,....
...,~†$$£#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #£$$†~,...
..,~†$$£##   ~REALLY~ KNOW TWO OR THREE IN THEIR    ##£$$†~,..
.,~†$$£###                LIFETIME.                 ###£$$†~,.
¨¨~=/=$#¶#                                          #¶#$=/=~¨¨
¨,,-~†$£&@                     *                    @&£$†~-,,¨
,,¨,:~=%$#                                          #$%=~:,¨,,
.¨,.-;$¤§@  SOME PITFALLS INCLUDE THAT EVEN IF YOU  @§¤$;-.,¨.
¨.,~*^@¤¶#      CAN ENCODE THE DIGITAL SYMBOLS      #¶¤@^*~,.¨
,.~^%§@###  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ###@§%^~.,
¨.-~**£§£#   TERMINATE IN THE ANALOG; IF KNOWLEDGE  #£§£**~-.¨
¨,¨.~/*&§¶  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   ¶§&*/~.¨,¨
,¨,.^»:=£@   ROUTE TO THEIR ORIGINAL MEANING, AND   @£=:»^.,¨,
.,,~»/^£££  THAT WITH THE RIGHT SPELLS AND METHODS  £££^/»~,,.
,¨.~/†&@@#  YOU CAN USE DIGITAL REPRESENTATION FOR  #@@&†/~.¨,
¨,=:*§#£##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##£#§*:=,¨
¨,:~**££@#               OPPORTUNITY)               #@££**~:,¨
.¨.:»†%£#¶                                          ¶#£%†»:.¨.
...¨.»**%#                                          #%**».¨...
.¨.:=\$*&#                                          #&*$\=:.¨.
,,:-^*$¤##                                          ##¤$*^-:,,
¨~-/§*@¶##                                          ##¶@*§/-~¨