#££¤£%:~,,                                          ,,~:%£¤££#
###§£==--,                                          ,--==£§###
##@¤%$\»,¨                                          ¨,»\$%¤@##
#@£%\~~,.¨                                          ¨.,~~\%£@#
#@£@¤$\~:,                                          ,:~\$¤@£@#
#&£†-,...¨                                          ¨...,-†£&#
#¤@£$§:»,¨           #=§,.¨.¨,...¨¨.,,%§#           ¨,»:§$£@¤#
¤@§*†~«,-¨          #§^  "DIGITALITY"  %%#          ¨-,«~†*§@¤
###@&%:»~.           #$=..¨,.,.,,¨¨.¨.%^#           .~»:%&@###
##¶#*§†~:¨                                          ¨:~†§*#¶##
###¤%=*«~.                     %                    .~«*=%¤###
@¤%~«~«¨,,                                          ,,¨«~«~%¤@
£¤&@&§^~., DIGITAL, THE DIGITAL, TO  BECOME DIGITAL ,.~^§&@&¤£
#@£¤£%;~.,                                          ,.~;%£¤£@#
#%§$=^\~:,                     §                    ,:~\^=$§%#
@#@§£*:-..                                          ..-:*£§@#@
###&%*^»:,    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ,:»^*%&###
###£&*=~,¨   SYMBOLS. THE ENGLISH TRANSLATION IS    ¨,~=*&£###
#@¶§¤*;-^,    "THROUGH NUMBERS". YOU CAN USE THIS   ,^-;*¤§¶@#
##@¤§*/»,¨  MACHINE TO REMEMBER, PREDICT, OR HIDE.  ¨,»/*§¤@##
@¤†^~¨,..,                                          ,..,¨~^†¤@
###£*§==~,                     =                    ,~==§*£###
£££†^,-.,,                                          ,,.-,^†£££
###¶&%^«-,  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ,-«^%&¶###
&¤†:~,.¨¨, THE GIFTED CAN TURN ANALOG SIGNALS INTO  ,¨¨.,~:†¤&
##@§&$/».,    DIGITAL - THE ANALOG IS IN ITSELF A   ,.»/$&§@##
#§&†**-,¨,  REPRESENTATION OF THE WORLD INSIDE THE  ,¨,-**†&§#
¤&@%»^-..¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨..-^»%@&¤
#@@#¤§^-^.  DIGITAL (ENCODED IN THE LITERAL SENSE;  .^-^§¤#@@#
¶£^»«:,¨¨,   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ,¨¨,:«»^£¶
@&§-¨..¨¨¨  MEANING SEMANTICALLY AND NOT IN THEIR   ¨¨¨..¨-§&@
##£#§^\-,. SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) .,-\^§#£##
###¤$^†-:,                                          ,:-†^$¤###
##@#£*;=~.                    *                     .~=;*£#@##
@@/~¨,...¨                                          ¨...,¨~/@@
§§**~.....     VARIOUS SCHEMES EXIST FOR HOW TO     .....~**§§
@@§§§**~^.   INTERPRET AND WORK FURTHER WITH THESE  .^~**§§§@@
##@§§**~^.   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   .^~**§§@##
@@§****~^.  VOR, HYP, MKV). GETTING FAMILIAR WITH   .^~****§@@
##@§§**~^.  THESE IS A GOOD START ON YOUR JOURNEY,  .^~**§§@##
@@§§*^^...    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ...^^*§§@@
@§*~^.....    ~REALLY~ KNOW TWO OR THREE IN THEIR   .....^~*§@
##@§§**~^.                LIFETIME.                 .^~**§§@##
##¶¤$**-^,                                          ,^-**$¤¶##
£%«¨,,,,,,                     ^                    ,,,,,,¨«%£
¤£%†$~~~.,                                          ,.~~~$†%£¤
¤§^-~»~~^.  SOME PITFALLS INCLUDE THAT EVEN IF YOU  .^~~»~-^§¤
&£%£@†*-:¨      CAN ENCODE THE DIGITAL SYMBOLS      ¨:-*†@£%£&
#@#&%§/~-,  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ,-~/§%&#@#
¶£;»~»~-~¨   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ¨~-~»~»;£¶
#*=-.¨¨¨,.  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   .,¨¨¨.-=*#
##££$%\«,.   ROUTE TO THEIR ORIGINAL MEANING, AND   .,«\%$££##
##@@&*=»:,  THAT WITH THE RIGHT SPELLS AND METHODS  ,:»=*&@@##
§&@§&§*-,.  YOU CAN USE DIGITAL REPRESENTATION FOR  .,-*§&§@&§
¶@$*::~-~,   ANALYSIS (MUST BE COMBATTED AT EVERY   ,~-~::*$@¶
£%=^~.,.¨.               OPPORTUNITY)               .¨.,.~^=%£
@&/.¨¨¨,.¨                                          ¨.,¨¨¨./&@
###&*%†=~¨                                          ¨~=†%*&###
#¤*=:,.¨¨,                                          ,¨¨.,:=*¤#
#@£@£%^~,¨                                          ¨,~^%£@£@#
@$&%=»,,,.                                          .,,,»=%&$@