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###&§$\-,,           #§§¨,..,,.¨.¨,¨.¨^†#           ,,-\$§&###
#@£@¤%/»~.          #^§  "DIGITALITY"  =%#          .~»/%¤@£@#
##£#£%:=,.           #==..,,.,¨¨,¨.,¨¨§§#           .,=:%£#£##
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¤=«..,,¨,¨                     %                    ¨,¨,,..«=¤
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#&†=~~.,.¨ DIGITAL, THE  DIGITAL, TO BECOME DIGITAL ¨.,.~~=†&#
#@£&¤^:=,,                                          ,,=:^¤&£@#
£%%=/~¨¨.¨                    †                     ¨.¨¨~/=%%£
@#¶¤@§^~~.                                          .~~^§@¤¶#@
¶¶£^*~~~,¨    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   ¨,~~~*^£¶¶
@¤§†;«¨.,¨    SYMBOLS. THE ENGLISH TRANSLATION IS   ¨,.¨«;†§¤@
#@@&§*/=:.    "THROUGH NUMBERS". YOU CAN USE THIS   .:=/*§&@@#
@†~,¨¨,.¨.  MACHINE TO REMEMBER, PREDICT, OR HIDE.  .¨.,¨¨,~†@
¤*$=«~,,¨,                                          ,¨,,~«=$*¤
##@@£$\»,,                     %                    ,,»\$£@@##
###§§*:»-.                                          .-»:*§§###
##@§&§†».¨  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ¨.»†§&§@##
##¤^,~..¨. THE GIFTED CAN TURN ANALOG SIGNALS INTO  .¨..~,^¤##
@%%§:-~..,   DIGITAL - THE ANALOG IS IN ITSELF A    ,..~-:§%%@
###£§%/»~,  REPRESENTATION OF THE WORLD INSIDE THE  ,~»/%§£###
#@=«,,,¨,,   WORLD, WHICH IS FURTHER ENCODED INTO   ,,¨,,,«=@#
¤$†-,,.¨¨,  DIGITAL (ENCODED IN THE LITERAL SENSE;  ,¨¨.,,-†$¤
#£/,~¨¨¨.¨   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ¨.¨¨¨~,/£#
###&¤$^~,¨  MEANING SEMANTICALLY AND NOT IN THEIR   ¨,~^$¤&###
#§$**††»~, SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) ,~»††**$§#
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@***=:,,,,     VARIOUS SCHEMES EXIST FOR HOW TO     ,,,,:=***@
£££@*§=~:,   INTERPRET AND WORK FURTHER WITH THESE  ,:~=§*@£££
@§§~,,,,,,   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   ,,,,,,~§§@
##£@*§=~:,  VOR, HYP, MKV). GETTING FAMILIAR WITH   ,:~=§*@£##
#@@*§~:,,,  THESE IS A GOOD START ON YOUR JOURNEY,  ,,,:~§*@@#
#@§=~,,,,,     ALTHOUGH EVEN A WIZARD MIGHT ONLY    ,,,,,~=§@#
##£@*§=~:,   ~REALLY~ KNOW TWO OR THREE IN THEIR    ,:~=§*@£##
£***=:,,,,                LIFETIME.                 ,,,,:=***£
##$=*/^::.                                          .::^/*=$##
#¤¤§%=«¨¨.                    %                     .¨¨«=%§¤¤#
####££=~-.                                          .-~=££####
#@%§^†«»^¨  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¨^»«†^§%@#
@#¶§%*=~-.      CAN ENCODE THE DIGITAL SYMBOLS      .-~=*%§¶#@
#&^=$§\~:¨  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  ¨:~\§$=^&#
#@@&&†^~-,   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ,-~^†&&@@#
@#§£=\»,¨,   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  ,¨,»\=£§#@
#&#@::=~.,   ROUTE TO THEIR ORIGINAL MEANING, AND   ,.~=::@#&#
##@&£^*-.,  THAT WITH THE RIGHT SPELLS AND METHODS  ,.-*^£&@##
#£†=~~¨.¨.  YOU CAN USE DIGITAL REPRESENTATION FOR  .¨.¨~~=†£#
#@#&$*/~,¨   ANALYSIS (MUST BE COMBATTED AT EVERY   ¨,~/*$&#@#
§&@/~,¨,..               OPPORTUNITY)               ..,¨,~/@&§
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