.¨¨.==*%@#                                          #@%*==.¨¨.
¨¨.~/†£§@#                                          #@§£†/~.¨¨
,,=^=$@£##                                          ##£@$=^=,,
¨.^»=§$#£@                                          @£#$§=»^.¨
,..,-\^$##                                          ##$^\-,..,
.¨¨.^«†$%§                                          §%$†«^.¨¨.
¨¨...:~=^%           #†^...¨¨.¨,¨,.,,,*$#           %^=~:...¨¨
,....¨^~;%          #*%  "DIGITALITY"  *%#          %;~^¨....,
,..,,,¨,«\           #§=..,¨¨,.¨¨...¨¨^%#           \«,¨,,,..,
,,,..¨¨,,~                                          ~,,¨¨..,,,
¨,¨,.,,¨.:                    %                     :.¨,,.,¨,¨
...,.,.¨¨¨                                          ¨¨¨.,.,...
.¨,,,,,.,- DIGITAL,  THE DIGITAL, TO BECOME DIGITAL -,.,,,,,¨.
,,,.¨,,,.«                                          «.,,,¨.,,,
,...¨¨,~~^                     *                    ^~~,¨¨...,
¨,..¨,:==%                                          %==:,¨..,¨
,.¨,¨~~;*§    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   §*;~~¨,¨.,
....,~^=$£   SYMBOLS. THE ENGLISH TRANSLATION IS    £$=^~,....
.,,-=\%$§@    "THROUGH NUMBERS". YOU CAN USE THIS   @§$%\=-,,.
¨.^=†§§¤¶#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #¶¤§§†=^.¨
,,~†%$£¶##                                          ##¶£$%†~,,
,.,~;*@¤##                     *                    ##¤@*;~,.,
,¨¨~-†*¤£#                                          #£¤*†-~¨¨,
,,.,,~;$£@   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  @£$;~,,.,,
.¨,¨,^==*&  THE GIFTED CAN TURN ANALOG SIGNALS INTO &*==^,¨,¨.
..,¨,¨^«:*   DIGITAL - THE ANALOG IS IN ITSELF A    *:«^¨,¨,..
¨..¨¨¨.:~\  REPRESENTATION OF THE WORLD INSIDE THE  \~:.¨¨¨..¨
¨..¨,.,.~=   WORLD, WHICH IS FURTHER ENCODED INTO   =~.,.,¨..¨
¨,¨.¨¨...~  DIGITAL (ENCODED IN THE LITERAL SENSE;  ~...¨¨.¨,¨
¨.,¨¨..,.,   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ,.,..¨¨,.¨
,¨¨,..,¨,^   MEANING SEMANTICALLY AND NOT IN THEIR  ^,¨,..,¨¨,
¨..¨.,.,-« SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) «-,.,.¨..¨
¨¨¨¨,,.,»†                                          †»,.,,¨¨¨¨
¨,.¨,¨,~\%                    *                     %\~,¨,¨.,¨
¨,¨¨,^»:%%                                          %%:»^,¨¨,¨
,,,,^»**@§     VARIOUS SCHEMES EXIST FOR HOW TO     §@**»^,,,,
,,,^»**@§#  INTERPRET AND WORK FURTHER WITH THESE   #§@**»^,,,
,,^»**@§#@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @#§@**»^,,
,^»**@§#@#   VOR, HYP, MKV). GETTING FAMILIAR WITH  #@#§@**»^,
,,^»**@§#@  THESE IS A GOOD START ON YOUR JOURNEY,  @#§@**»^,,
,,,^»**@§#    ALTHOUGH EVEN A WIZARD MIGHT ONLY     #§@**»^,,,
,,,,^»**@§   »REALLY» KNOW TWO OR THREE IN THEIR    §@**»^,,,,
,,,,,^»**@                LIFETIME.                 @**»^,,,,,
,.¨...,«:%                                          %:«,...¨.,
,..,.¨,-~=                    *                     =~-,¨.,..,
...¨¨,.,.~                                          ~.,.,¨¨...
¨,......,^  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ^,......,¨
¨¨,.,,,¨¨.      CAN ENCODE THE DIGITAL SYMBOLS      .¨¨,,,.,¨¨
,,¨.,¨,.,:  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  :,.,¨,.¨,,
¨¨..¨¨,.:~   TERMINATE IN THE ANALOG; IF KNOWLEDGE  ~:.,¨¨..¨¨
¨.,¨¨,,--†   IS LOST, YOU CAN HAVE SYMBOLS WITH NO  †--,,¨¨,.¨
.,.¨¨¨-»^§   ROUTE TO THEIR ORIGINAL MEANING, AND   §^»-¨¨¨.,.
.,¨..~=†§$  THAT WITH THE RIGHT SPELLS AND METHODS  $§†=~..¨,.
,..,:«/†£#  YOU CAN USE DIGITAL REPRESENTATION FOR  #£†/«:,..,
.¨.,~:$%¤@   ANALYSIS (MUST BE COMBATTED AT EVERY   @¤%$:~,.¨.
.¨~-†*$£##               OPPORTUNITY)               ##£$*†-~¨.
,-«†%%&###                                          ###&%%†«-,
.¨:«\*§§@@                                          @@§§*\«:¨.
¨,,^=/†§&@                                          @&§†/=^,,¨
.,¨,~-:^$§                                          §$^:-~,¨,.
.¨,¨.,~/$£                                          £$/~,.¨,¨.