¨,-\†$&###                                          ###&$†\-,¨
¨,-«\$*#@#                                          #@#*$\«-,¨
.,¨,~:=*¤#                                          #¤*=:~,¨,.
..,¨,=\*@§                                          §@*\=,¨,..
.,,,¨^==§@                                          @§==^¨,,,.
¨.,¨,.:«\*                                          *\«:.,¨,.¨
,¨.,,^=;%£           #=*,...,,..,...,¨%$#           £%;=^,,.¨,
,¨.,:-*†¤§          #^†  "DIGITALITY"  %*#          §¤†*-:,.¨,
,¨¨~-^=£&¶           #*§.¨¨,.,,.,,.,..*$#           ¶&£=^-~¨¨,
.¨^»;§$&@#                                          #@&$§;»^¨.
,-«:$%¤#@#                    $                     #@#¤%$:«-,
¨,,-\§£§@@                                          @@§£§\-,,¨
¨¨¨:~\*§## DIGITAL, THE DIGITAL,  TO BECOME DIGITAL ##§*\~:¨¨¨
.¨¨.:«^^@¤                                          ¤@^^«:.¨¨.
..,¨,:~:§%                     †                    %§:~:,¨,..
.¨.,,.,=††                                          ††=,.,,.¨.
,¨¨¨¨:-†*$    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   $*†-:¨¨¨¨,
.,.,^=;†$@    SYMBOLS. THE ENGLISH TRANSLATION IS   @$†;=^,.,.
¨¨,^~†§$&@   "THROUGH NUMBERS". YOU CAN USE THIS    @&$§†~^,¨¨
¨¨--/$%§@#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #@§%$/--¨¨
,~~:$%@@##                                          ##@@%$:~~,
,.:=:%*#@#                    †                     #@#*%:=:.,
,.,-~=%*&¶                                          ¶&*%=~-,.,
¨,..,»^^$&   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  &$^^»,..,¨
.¨.,.-=*%& THE GIFTED CAN TURN ANALOG SIGNALS INTO  &%*=-.,.¨.
..,.¨¨:-\*    DIGITAL - THE ANALOG IS IN ITSELF A   *\-:¨¨.,..
¨,...,-;$$  REPRESENTATION OF THE WORLD INSIDE THE  $$;-,...,¨
¨,¨.,»=^§@   WORLD, WHICH IS FURTHER ENCODED INTO   @§^=»,.¨,¨
,.¨,=\§%#@  DIGITAL (ENCODED IN THE LITERAL SENSE;  @#%§\=,¨.,
,,-~;$£¤¶#   THE NUMBERS ARE SYMBOLS WHO CARRY THE  #¶¤£$;~-,,
¨,~*=¤&###   MEANING SEMANTICALLY AND NOT IN THEIR  ###&¤=*~,¨
¨.:-^%*#@# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #@#*%^-:.¨
,..^»;$@£#                                          #£@$;»^..,
¨,¨,~~^$£§                    %                     §£$^~~,¨,¨
,¨.,.,=††§                                          §††=,.,.¨,
¨¨¨¨¨¨^=/=     VARIOUS SCHEMES EXIST FOR HOW TO     =/=^¨¨¨¨¨¨
¨¨¨¨¨^=/=*   INTERPRET AND WORK FURTHER WITH THESE  *=/=^¨¨¨¨¨
¨¨¨¨^=/=*§   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   §*=/=^¨¨¨¨
¨¨¨^=/=*§£  VOR, HYP, MKV). GETTING FAMILIAR WITH   £§*=/=^¨¨¨
¨¨^=/=*§£#  THESE IS A GOOD START ON YOUR JOURNEY,  #£§*=/=^¨¨
¨^=/=*§£##    ALTHOUGH EVEN A WIZARD MIGHT ONLY     ##£§*=/=^¨
¨¨^=/=*§£#    =REALLY= KNOW TWO OR THREE IN THEIR   #£§*=/=^¨¨
¨¨¨^=/=*§£                 LIFETIME.                £§*=/=^¨¨¨
¨,,,,»/%£#                                          #£%/»,,,,¨
...,,,~;=£                     §                    £=;~,,,...
,,...¨,-;=                                          =;-,¨...,,
,.¨,,~~^§¤  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ¤§^~~,,¨.,
.¨¨,,»**%&      CAN ENCODE THE DIGITAL SYMBOLS      &%**»,,¨¨.
,,¨,~\*%§£  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  £§%*\~,¨,,
,,^»/$§£##  TERMINATE IN THE ANALOG; IF KNOWLEDGE   ##£§$/»^,,
.,»\§$&#@#  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   #@#&$§\»,.
.¨-~=$§#@@   ROUTE TO THEIR ORIGINAL MEANING, AND   @@#§$=~-¨.
¨.,,=\†$&£  THAT WITH THE RIGHT SPELLS AND METHODS  £&$†\=,,.¨
.¨,,,-^%%#  YOU CAN USE DIGITAL REPRESENTATION FOR  #%%^-,,,¨.
¨,¨.,,«^†&   ANALYSIS (MUST BE COMBATTED AT EVERY   &†^«,,.¨,¨
,¨.,¨,,-=$               OPPORTUNITY)               $=-,,¨,.¨,
,..¨,~-;%¤                                          ¤%;-~,¨..,
,,.¨,~^^&@                                          @&^^~,¨.,,
,¨,.~^=£&#                                          #&£=^~.,¨,
¨¨-»:$¤@@#                                          #@@¤$:»-¨¨
..=^%$@¶##                                          ##¶@$%^=..