..-†$%@@##                                          ##@@%$†-..
..,~*§$&#@                                          @#&$§*~,..
,..-»;%@#@                                          @#@%;»-..,
,.¨,-»==§&                                          &§==»-,¨.,
¨¨¨...~:†&                                          &†:~...¨¨¨
,¨.¨..^~:%                                          %:~^..¨.¨,
¨¨,¨¨¨¨~~*           #§$.¨¨¨.¨.,¨..,..*†#           *~~¨¨¨¨,¨¨
....¨,,.,-          #%$  "DIGITALITY"  ^†#          -,.,,¨....
¨,.,¨¨,¨,,           #**.¨,.,,.,,.¨.,,%*#           ,,¨,¨¨,.,¨
.¨,,¨..¨.¨                                          ¨.¨..¨,,¨.
¨,¨¨,..,¨~                     ^                    ~¨,..,¨¨,¨
¨¨,,...¨~«                                          «~¨...,,¨¨
.¨¨¨..,~«† DIGITAL, THE  DIGITAL, TO BECOME DIGITAL †«~,..¨¨¨.
..¨¨.¨,=†%                                          %†=,¨.¨¨..
,¨.,¨,~==@                    %                     @==~,¨,.¨,
...¨-~†*¤§                                          §¤*†~-¨...
.¨,^~;*%¤@    ANCIENT (MESOPOTHAMIA) KNOT MADE OF   @¤%*;~^,¨.
,¨~«;%@§#@    SYMBOLS. THE ENGLISH TRANSLATION IS   @#§@%;«~¨,
¨:»;%¤¤@##    "THROUGH NUMBERS". YOU CAN USE THIS   ##@¤¤%;»:¨
¨,,~/§*§¶#  MACHINE TO REMEMBER, PREDICT, OR HIDE.  #¶§*§/~,,¨
..¨:~†§@§#                                          #§@§†~:¨..
.¨..-~/=¤¤                     =                    ¤¤=/~-..¨.
¨..¨,--\%%                                          %%\--,¨..¨
.¨,.¨,^«*%   THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,  %*«^,¨.,¨.
,¨.,,.,:-^ THE GIFTED CAN TURN ANALOG SIGNALS INTO  ^-:,.,,.¨,
¨.,,.,,.~»    DIGITAL - THE ANALOG IS IN ITSELF A   »~.,,.,,.¨
,,,.¨..,,,  REPRESENTATION OF THE WORLD INSIDE THE  ,,,..¨.,,,
,.,¨.¨...¨   WORLD, WHICH IS FURTHER ENCODED INTO   ¨...¨.¨,.,
¨¨¨,¨.,¨..  DIGITAL (ENCODED IN THE LITERAL SENSE;  ..¨,.¨,¨¨¨
.,,,,,,¨.~   THE NUMBERS ARE SYMBOLS WHO CARRY THE  ~.¨,,,,,,.
¨¨,,.,.~~†   MEANING SEMANTICALLY AND NOT IN THEIR  †~~.,.,,¨¨
.¨¨¨¨,.~:% SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) %:~.,¨¨¨¨.
¨,¨.¨~=^^¤                                          ¤^^=~¨.¨,¨
¨¨,¨^~**%#                     ^                    #%**~^¨,¨¨
..,,=;**##                                          ##**;=,,..
..-»†%@§@#     VARIOUS SCHEMES EXIST FOR HOW TO     #@§@%†»-..
.-»†%@§@##   INTERPRET AND WORK FURTHER WITH THESE  ##@§@%†»-.
..-»†%@§@#   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   #@§@%†»-..
...-»†%@§@   VOR, HYP, MKV). GETTING FAMILIAR WITH  @§@%†»-...
....-»†%@§  THESE IS A GOOD START ON YOUR JOURNEY,  §@%†»-....
.....-»†%@     ALTHOUGH EVEN A WIZARD MIGHT ONLY    @%†»-.....
......-»†%    »REALLY» KNOW TWO OR THREE IN THEIR   %†»-......
.......-»†                LIFETIME.                 †»-.......
¨,¨.¨..,:=                                          =:,..¨.¨,¨
,..¨¨¨,¨,~                    §                     ~,¨,¨¨¨..,
.,,,.¨¨¨..                                          ..¨¨¨.,,,.
.,¨..,,,¨,  SOME PITFALLS INCLUDE THAT EVEN IF YOU  ,¨,,,..¨,.
¨¨¨,..,..«      CAN ENCODE THE DIGITAL SYMBOLS      «..,..,¨¨¨
¨.,¨¨¨.:-=  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  =-:.¨¨¨,.¨
¨,,¨.¨,~;%  TERMINATE IN THE ANALOG; IF KNOWLEDGE   %;~,¨.¨,,¨
¨.¨¨.~«†*&  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   &*†«~.¨¨.¨
¨....~/%&¤   ROUTE TO THEIR ORIGINAL MEANING, AND   ¤&%/~....¨
¨¨.:~\**@#  THAT WITH THE RIGHT SPELLS AND METHODS  #@**\~:.¨¨
¨.-=*%&&##  YOU CAN USE DIGITAL REPRESENTATION FOR  ##&&%*=-.¨
.^-=^££#@#   ANALYSIS (MUST BE COMBATTED AT EVERY   #@#££^=-^.
..:~:%£&##               OPPORTUNITY)               ##&£%:~:..
,,,-~=%$££                                          ££$%=~-,,,
¨¨¨,~~**%#                                          #%**~~,¨¨¨
,,,.¨^=*§&                                          &§*=^¨.,,,
.,.,¨¨~===                                          ===~¨¨,.,.
,.¨..,¨~«†                                          †«~¨,..¨.,