.,,.,,^-:*                                          *:-^,,.,,.
....,^=^%#                                          #%^=^,....
.,¨¨,«=^&£                                          £&^=«,¨¨,.
¨,,:»††§##                                          ##§††»:,,¨
,.~»;§§£@#                                          #@£§§;»~.,
.-~/%§#@##                                          ##@#§%/~-.
¨.--\§@£@#           #$%..¨¨,,.¨¨...,,%$#           #@£@§\--.¨
.,.,»=§&##          #$*  "DIGITALITY"  §$#          ##&§=»,.,.
¨.¨.:»/†&@           #=^¨,¨,,,,..¨..,,§^#           @&†/»:.¨.¨
¨¨.,,.=\=£                                          £=\=.,,.¨¨
.,¨¨,¨,-†§                    *                     §†-,¨,¨¨,.
¨¨.,,¨.,»:                                          :»,.¨,,.¨¨
.¨..¨.~=:* DIGITAL, THE DIGITAL, TO BECOME  DIGITAL *:=~.¨..¨.
,¨,..~-/%£                                          £%/-~..,¨,
.¨,¨.~**§#                     $                    #§**~.¨,¨.
.,¨,=^^&¶@                                          @¶&^^=,¨,.
¨,^-†%#@##   ANCIENT (MESOPOTHAMIA) KNOT MADE OF    ##@#%†-^,¨
.:=/†¤¶###   SYMBOLS. THE ENGLISH TRANSLATION IS    ###¶¤†/=:.
,.^«*^¤£##   "THROUGH NUMBERS". YOU CAN USE THIS    ##£¤^*«^.,
,¨..=^*@#@  MACHINE TO REMEMBER, PREDICT, OR HIDE.  @#@*^=..¨,
¨¨,,.~:%§#                                          #§%:~.,,¨¨
,.¨,,:==†&                     =                    &†==:,,¨.,
¨.¨¨¨.~~\§                                          §\~~.¨¨¨.¨
,.,,.¨.:~^  THOUGH IT MIGHT LOOK LIKE WITCHCRAFT,   ^~:.¨.,,.,
.¨¨¨¨,-=*§ THE GIFTED CAN TURN ANALOG SIGNALS INTO  §*=-,¨¨¨¨.
,.¨¨¨^=^†@   DIGITAL - THE ANALOG IS IN ITSELF A    @†^=^¨¨¨.,
¨..¨~~*^@@  REPRESENTATION OF THE WORLD INSIDE THE  @@^*~~¨..¨
¨,,,«^*§@#   WORLD, WHICH IS FURTHER ENCODED INTO   #@§*^«,,,¨
¨,^~†=§@##  DIGITAL (ENCODED IN THE LITERAL SENSE;  ##@§=†~^,¨
,~«\$@£@##  THE NUMBERS ARE SYMBOLS WHO CARRY THE   ##@£@$\«~,
,,^-:^§¶##   MEANING SEMANTICALLY AND NOT IN THEIR  ##¶§^:-^,,
.,.:«^%#£# SHAPE (ANALOG BEINGS ARE THE OPPOSITE.)) #£#%^«:.,.
¨.¨¨.~\%@#                                          #@%\~.¨¨.¨
,,¨,¨,-†^&                     %                    &^†-,¨,¨,,
¨¨.,,¨,=†^                                          ^†=,¨,,.¨¨
.......^~;     VARIOUS SCHEMES EXIST FOR HOW TO     ;~^.......
......^~;^  INTERPRET AND WORK FURTHER WITH THESE   ^;~^......
.....^~;^@   SYMBOLS (SUCH AS WAV, JPG, NFO, DIZ,   @^;~^.....
....^~;^@¶  VOR, HYP, MKV). GETTING FAMILIAR WITH   ¶@^;~^....
...^~;^@¶@  THESE IS A GOOD START ON YOUR JOURNEY,  @¶@^;~^...
..^~;^@¶@#     ALTHOUGH EVEN A WIZARD MIGHT ONLY    #@¶@^;~^..
.^~;^@¶@##    ~REALLY~ KNOW TWO OR THREE IN THEIR   ##@¶@^;~^.
..^~;^@¶@#                LIFETIME.                 #@¶@^;~^..
,,¨.~^%#¶#                                          #¶#%^~.¨,,
¨,,.,~†*&@                    *                     @&*†~,.,,¨
¨.¨¨,.~=%¤                                          ¤%=~.,¨¨.¨
,,.¨¨¨~»*%  SOME PITFALLS INCLUDE THAT EVEN IF YOU  %*»~¨¨¨.,,
,,,,,¨.^~;      CAN ENCODE THE DIGITAL SYMBOLS      ;~^.¨,,,,,
,.....~~=§  THEMSELVES AS DIGITAL, SOMEHOW IT MUST  §=~~.....,
,¨,,¨.«†*@  TERMINATE IN THE ANALOG; IF KNOWLEDGE   @*†«.¨,,¨,
.,,.^»*$§@  IS LOST, YOU CAN HAVE SYMBOLS WITH NO   @§$*»^.,,.
.¨¨,»*†£@#   ROUTE TO THEIR ORIGINAL MEANING, AND   #@£†*»,¨¨.
..,«:^£@##  THAT WITH THE RIGHT SPELLS AND METHODS  ##@£^:«,..
¨,~\^§####  YOU CAN USE DIGITAL REPRESENTATION FOR  ####§^\~,¨
,.,~*†#£##   ANALYSIS (MUST BE COMBATTED AT EVERY   ##£#†*~,.,
,.¨,-/=###               OPPORTUNITY)               ###=/-,¨.,
¨.¨¨,~=†@¶                                          ¶@†=~,¨¨.¨
,¨.¨¨^=;*£                                          £*;=^¨¨.¨,
....,¨^=†*                                          *†=^¨,....
¨.,..¨¨--:                                          :--¨¨..,.¨
.,,,,¨--^*                                          *^--¨,,,,.