..~*^§&#@#                                          #@#&§^*~..
...~*^§&#@                                          @#&§^*~...
....~*^§&#                                          #&§^*~....
.....~*^§&                                          &§^*~.....
....~*^§&#                                          #&§^*~....
...~*^§&#@                    ..                    @#&§^*~...
..~*^§&#@#                   .§§.                   #@#&§^*~..
...~*^§&#@                  .§##§.                  @#&§^*~...
....~*^§&#                   .§§.                   #&§^*~....
.....~*^§&                    ..                    &§^*~.....
....~*^§&#                                          #&§^*~....
...~*^§&#@                                          @#&§^*~...
..~*^§&#@#   *** teenage engineering presents ***   #@#&§^*~..
...~*^§&#@ #§~~~~~~  the pocket operators  ~~~~~~§# @#&§^*~...
....~*^§&#           ... ...... .........           #&§^*~....
.....~*^§&                                          &§^*~.....
....~*^§&#             they break easily            #&§^*~....
...~*^§&#@ for example if you would be  to put them @#&§^*~...
..~*^§&#@#              in your pocket              #@#&§^*~..
...~*^§&#@                                          @#&§^*~...
....~*^§&#                  .^@#@^.                 #&§^*~....
.....~*^§& here presented in an  ascending  fashion &§^*~.....
....~*^§&#                  .^@#@^.                 #&§^*~....
...~*^§&#@                                          @#&§^*~...
..~*^§&#@#                                          #@#&§^*~..
...~*^§&#@             §§ po twelve §§              @#&§^*~...
....~*^§&#      (drum machine, see po twelve)       #&§^*~....
.....~*^§&                                          &§^*~.....
....~*^§&#                                          #&§^*~....
...~*^§&#@             §§ po fourteen §§            @#&§^*~...
..~*^§&#@# lame  base  synth   i   had   and   sold #@#&§^*~..
...~*^§&#@                                          @#&§^*~...
....~*^§&#                                          #&§^*~....
.....~*^§&             §§ po sixteen §§             &§^*~.....
....~*^§&#    (melody and stuff, see po sixteen)    #&§^*~....
...~*^§&#@                                          @#&§^*~...
..~*^§&#@#                                          #@#&§^*~..
...~*^§&#@              §§ po twenty §§             @#&§^*~...
....~*^§&#  a chiptune-sounding blip blop machine   #&§^*~....
.....~*^§& good for chords and stuff. never used it &§^*~.....
....~*^§&#                                          #&§^*~....
...~*^§&#@                                          @#&§^*~...
..~*^§&#@#           §§ po twentyfour §§            #@#&§^*~..
...~*^§&#@     office rompler? for what reason?     @#&§^*~...
....~*^§&#                                          #&§^*~....
.....~*^§&                                          &§^*~.....
....~*^§&#           §§ po twentyeight §§           #&§^*~....
...~*^§&#@        melody and stuff mark two         @#&§^*~...
..~*^§&#@#         (only melodies this time)        #@#&§^*~..
...~*^§&#@                                          @#&§^*~...
....~*^§&#                                          #&§^*~....
.....~*^§&            §§ po thirtytwo §§            &§^*~.....
....~*^§&#           drum machine mark two          #&§^*~....
...~*^§&#@ runs  on some  computer software to make @#&§^*~...
..~*^§&#@# your own  drums and  whatnot. but  it is #@#&§^*~..
...~*^§&#@            expensive this one            @#&§^*~...
....~*^§&#                                          #&§^*~....
.....~*^§&                                          &§^*~.....
....~*^§&#                                          #&§^*~....
...~*^§&#@                                          @#&§^*~...
..~*^§&#@#                                          #@#&§^*~..