.......... ..........
.......... ..........
.......... ..........
.......... ..........
.......... ..........
,......... §§§§§§§§§§ .........,
~,........ ........,~
=~,....... lyra eight .......,~=
§=~,...... ......,~=§
*§=~,..... .. .....,~=§*
@*§=~,.... , , ....,~=§*@
@@*§=~,... ~ ~ ...,~=§*@@
#@@*§=~,.. = = ..,~=§*@@#
##@@*§=~,. § § .,~=§*@@##
#@@*§=~,.. ..,~=§*@@#
@@*§=~,... cave sculpter ...,~=§*@@
@*§=~,.... dream to chord translator ....,~=§*@
*§=~,..... .....,~=§*
§=~,...... eight voiced bleeding fortune teller ......,~=§
=~,....... .......,~=
~,........ dual self-modulating delay line ........,~
,......... switch for "total feedback" .........,
.......... ..........
.......... lick the contact pads ..........
.......... ..........
.......... § § ..........
.......... = = ..........
,......... ~ ~ .........,
~,........ , , ........,~
=~,....... .. .......,~=
§=~,...... ......,~=§
*§=~,..... gearlist . another synth .....,~=§*
@*§=~,.... ....,~=§*@
@@*§=~,... §§§§§§§§§§§§§§§§§§§§§§§§§ ...,~=§*@@
#@@*§=~,.. ..,~=§*@@#
##@@*§=~,. .,~=§*@@##
#@@*§=~,.. ..,~=§*@@#
@@*§=~,... ...,~=§*@@
@*§=~,.... ....,~=§*@