&*==,,,,,, ,,,,,,==*&
&&%%%*\=,, ,,=\*%%%&&
¶&%\==,,,, ,,,,==\%&¶
#¶&%%*\=,, ,,=\*%%&¶#
##¶&%*\=,, ,,=\*%&¶##
##¶&%*\=,, #### ##### ,,=\*%&¶##
¶¶&%\,,,,, tape dream ,,,,,\%&¶¶
¶¶¶&%*\=,, #### ##### ,,=\*%&¶¶¶
##¶&%*\=,, ,,=\*%&¶##
##¶&%*\=,, for storing music on. also data but ,,=\*%&¶##
¶%\=,,,,,, at this point in time that's not ,,,,,,=\%¶
¶%*\\\=,,, really important i think. ,,,=\\\*%¶
##¶&%*\=,, ,,=\*%&¶##
¶%*=,,,,,, ,,,,,,=*%¶
&*=,,,,,,, \\\\\\\\ types of tape \\\\\\\\ ,,,,,,,=*&
###¶&%*=,, ,,=*%&¶###
¶¶&&%*\=,, class i - "bad" iron ,,=\*%&&¶¶
##¶&%*\=,, class ii - good chromium ,,=\*%&¶##
¶&&*\=,,,, class iii - bad iron part two ,,,,=\*&&¶
###¶%*\=,, class iv - dangerous metals ,,=\*%¶###
&*\\\===,, ,,===\\\*&
##¶&%*\=,, rumors exist about a secret class v tape ,,=\*%&¶##
&&%\=,,,,, that is actually useful. ,,,,,=\%&&
&**\,,,,,, ,,,,,,\**&
##¶&%*\=,, \\ bias \\ ,,=\*%&¶##
##¶&%*\=,, ,,=\*%&¶##
###¶&%*\,, class i uses one hundred and twenty ,,\*%&¶###
&*=,,,,,,, micro-something while the others all ,,,,,,,=*&
##¶&%*\=,, use seventy of the same unit. ,,=\*%&¶##
¶¶%\==,,,, ,,,,==\%¶¶
&&&&%*\=,, ,,=\*%&&&&
&**\\=,,,, ********* aha and ********* ,,,,=\\**&
##¶&%*\=,, ,,=\*%&¶##
#¶%*\,,,,, class iv is apparently too strong to ,,,,,\*%¶#
&&%**\=,,, be used on class i players. it will ,,,=\**%&&
¶&&**=,,,, sound too lound and it cannot be ,,,,=**&&¶
¶¶¶&%*\=,, completely erased. this is very well. ,,=\*%&¶¶¶
¶&%%*=,,,, maybe some wonderful blending effects ,,,,=*%%&¶
###¶%*\=,, could be achieved? ,,=\*%¶###
&**=,,,,,, ,,,,,,=**&
#¶&&%*\=,, they also gnaw at the tape heads a bit ,,=\*%&&¶#
##¶&%*\=,, better than earlier tape types. ,,=\*%&¶##
¶%%*\,,,,, ,,,,,\*%%¶
&&%*=,,,,, ,,,,,=*%&&
##¶&%*\=,, \\\\\\\\ artifacts \\\\\\\\ ,,=\*%&¶##
&*\\==,,,, ,,,,==\\*&
##¶&%*\=,, good tapes are decent and have a good ,,=\*%&¶##
##¶&%*\=,, high frequency presence, bad tapes are ,,=\*%&¶##
#&**\\==,, lofi if not outright bad. idk, i kinda ,,==\\**
#&*\\\\=,, like it. ,,=\\\\*
##¶&%*\=,, ,,=\*%&¶##
#¶%%%*\=,, bias loss: if you forget the bias who ,,=\*%%%¶#
##¶&%*\=,, knows whats even on there anymore ,,=\*%&¶##
###&%*\=,, ,,=\*%##
&&**=,,,,, flutter: kinda quick pitch variations. ,,,,,=**&&
&&&&%*\=,, beautiful, wonderful, extraordinary. ,,=\*%&&&&
#&&&%*\=,, ,,=\*%&&
###¶&%*\,, wow: a slower flutter, usually several ,,\*%&¶###
##¶&%*\=,, seconds long. what up. both of these ,,=\*%&¶##
###¶&%\=,, increase when tape speed decreases. ,,=\%&¶###
¶%*==,,,,, ,,,,,==*%¶
#¶%\\=,,,, print through: tapes rub sound on each ,,,,=\\%¶#
##¶&%*\=,, other if theyre alone for too long ,,=\*%&¶##
##¶&%*\=,, ,,=\*%&¶##
###¶%*\=,, ,,=\*%¶###
&%%%%*\=,, ,,=\*%%%%&
##¶&%*\=,, ,,=\*%&¶##
###¶%*\=,, ,,=\*%¶###
##¶&%*\=,, ,,=\*%&¶##