@.@@.@..@. ..@...@@@.
@@.@@@.@@@ .@@..@..@@
.@@..@@..@ @.@.@@.@..
@.@.@.@.@. @@@@.@@@..
@@@@@@@@@@ ...@@..@.@
.......... MY GOOD FATHERS GOOD FRIEND GAVE ME THE ..@.@.@@@.
.......... ........^^^^^^^^^^^^^^^^^^^^^^^^........ .@@@@@..@.
.......... . FOSTEX X FIFTEEN . @....@.@@.
.......... ........^^^^^^^^^^^^^^^^^^^^^^^^........ @...@@@.@.
.........@ AND ITS A TWO TRACK TAPE RECORDER @..@..@@@.
........@@ @.@@.@..@.
.......@.. I DON'T REALLY GET HOW IT WORKS. IT HAS @@.@@@.@@.
......@@.@ TWO X RCA IN, TWO X RCA OUT, AND FOUR X .@@..@@.@.
.....@.@@. RCA "TAPE OUT" WHICH I GUESS IS ALL FOUR @.@.@.@@@.
....@@@.@. CHANNELS ON THE CASSETTE - WHICH MEANS @@@@@@..@.
...@..@@@@ THE B SIDE IS PLAYED BACKWARDS IF IT'S .....@.@@.
..@@.@...@ LIKE THAT ....@@@.@.
.@.@@@..@@ ...@..@@@.
@@@..@.@.. SO NOW I HAVE TO DIFFERENTIATE BETWEEN ..@@.@..@.
..@.@@@@.@ FOUR TRACK CASSETTES AND TWO X TWO TRACK .@.@@@.@@@
.@@@...@@. ONES... OR NOT, JUST AS WELL @@@..@@..@
@..@..@.@@ ..@.@.@.@@
@.@@.@@@.. # ~~~~~ # .@@@@@@@..
@@.@@..@.@ @......@.@
.@@.@.@@@@ IT FEATYURES A LOW NOISE FLOOR WHICH IS @.....@@@.
@.@@@@.... GREAT, BUT THERE IS SOME DITHERING @....@..@.
@@...@...@ NOISE OR IF IT IS THE MOTOR, I DONT @...@@.@@@
.@..@@..@. KNOW, @..@.@@...
@@.@.@.@@. ALSO THERE IS A REALLY RAD RED CASSETTE @.@@@.@...
.@@@@@@.@@ SLOT COVER @@..@@@..@
@.....@@.. .@.@..@.@@
@....@.@.. # ~~~~ # @@@@.@@@..
@...@@@@.@ ...@@..@.@
@..@...@@@ IT DOES ^NOT^ HAVE A SPEED HOLE BUT ..@.@.@@@.
@.@@..@..@ RATHER A MUCH NEATER ACTUAL SPEED KNOB .@@@@@..@@
@@.@.@@.@. I DONT KNOW THE PERCENTAGE OF @....@.@..
.@@@@.@@@. DIFFERENCE BUT IT APPLIES ALSO TO FAST @...@@@@.@
@...@@..@. FORWARD AND REWIND @..@...@@@
@..@.@.@@@ @.@@..@...
@.@@@@@..@ ........................................ @@.@.@@..@
@@....@.@@ . FUTURE REFUSALS . .@@@@.@.@.
.@...@@@.@ ........................................ @...@@@@@@
@@..@..@@@ @..@.....@
.@.@@.@... UPDATE: THIS FUCKERS GONE WHACKO AND @.@@....@.
@@@.@@@... YOU NEED TO FLIP IT OVER CONSTANTLY AND @@.@...@@.
..@@..@..@ GET IN THERE WITH YOUR HAND .@@@..@.@@
.@.@.@@.@@ @..@.@@@.@
@@@@@.@@.@ @.@@@..@@@
....@@.@@. @@..@.@...
...@.@@.@. .@.@@@@...
..@@@.@@@@ @@@...@...
.@..@@.... ..@..@@...