THE GLASS FACTORY.           
                                        
                                        
                                      
                                  
                                  
                                          
 SEVERAL  CENTURIES  AFTER  IT  HAD  LAST 
 BELONGED TO US,  WE WENT ON AN OUTING TO 
 THE GLASS  FACTORY  THAT BORE OUR FAMILY 
 NAME.  IT HAD CHANGED  OWNERS MANY TIMES 
 SINCE  OUR  ANCESTORS  DEATH,  AND  THEN 
 STOOD   ABANDONED  FOR  A   LONG  WHILE. 
 FINALLY, THE  NATURAL  END  STATION  FOR 
 THE BUILDINGS  THAT  SURVIVE: A  MUSEUM, 
 AND A GIFT SHOP.                         
                                          
 THERE'S  A  LONG TIME  SINCE  MY  FAMILY 
 MADE  ANYTHING. BY  MANY,  WE  WOULD  BE 
 CONSIDERED POOR.                         
                                          
 THERE  ARE  TWO MAIN FACTORY  BUILDINGS, 
 DOMED THINGS OF  SEVERAL FLOORS, MADE IN 
 YELLOW BRICK.  LARGE BUT NARROW WINDOWS, 
 REMINESCENT    OF    SOME     CATHEDRAL. 
 CUSTOM-MADE GLASS, OF  COURSE, LARGE AND 
 LEADED, AND ASHEN. A BIT TOO DARK TO  BE 
 PRACTICAL.  ON  THE  EASTERN   BUILDING, 
 SOME ARE SHATTERED.                      
                                          
 THE OTHER ONE IS PUBLICLY  OPEN. THERE'S 
 A MUSEUM, WITH WAX FIGURES OF  MY  GREAT 
 GREAT  GREAT GRANDFATHER,  OR SOMETHING. 
 VARIOUS TOOLS (OR REPLICAS)  LAID OUT ON 
 TABLES, WITH  EXPLAINING TEXTS. A LOT OF 
 GLASS     OF     VARYING      THICKNESS. 
                                          
                                        
                                      
                          
                                      
                                        
                                          
 I QUICKLY  SNEAK OUT, AND CLIMB INTO THE 
 OTHER   BUILDING.   THE    CONTRAST   IS 
 OVERWHELMING.   IT   MUST   HAVE   STOOD 
 DERELICT   FOR  A  LONG   TIME,  WINDOWS 
 BROKEN,  METALLIC  TRASH  AND  POOLS  OF 
 DARK  GLASS  ALL  OVER   THE  FLOOR.  NO 
 ELECTRIC LIGHTS, BUT  I CAN  SEE  BY THE 
 LIGHT  THAT SHINES IN  WHEREVER THE DARK 
 WINDOWS    ARE     MISSING    A    PANE. 
                                          
 HOWEVER, THE GREATEST  DIFFERENCE IS THE 
 HIGHER FLOORS: THIS  BUILDING  HAS NONE. 
 IT IS ONE MASSIVE HALL, STRETCHING  AWAY 
 INFINITELY ABOVE  ME. SOMEWHERE UP THERE 
 IS SOME  GREAT  IRON  LATTICEWORK,  FROM 
 WHERE CHAINS  ARE  SUSPENDED, AND  PARTS 
 OF  MACHINERY  HAS  BEEN  FALLING  DOWN. 
                                          
 THERE  IS,  IN THE MIDDLE  OF  THE GREAT 
 HALL,  A  THIN   SPIRAL  STAIRCASE  THAT 
 LEADS  UP THERE. I SNEAK OVER THERE, AND 
 TAKE A FEW RELUCTANT  STEPS. AFTER  JUST 
 A  REVOLUTION,  I  NOTICE THAT FOR  EACH 
 STEP  THE  BUILDING STARTS TO GLOW,  THE 
 BRICKS  TURNING  A DARK  RED,  AND  THEN 
 ORANGE,  ALL  THE  PILED UP DEBREE BEING 
 LIT FROM BEHIND.                         
                                          
 I STOP  READY TO RUN DOWN AND  OUT,  BUT 
 THERE'S  SOMEONE ELSE  ON THE  STAIRCASE 
 WITH  ME   NOW,  PRESSED   CLOSE.   HE'S 
 LOOKING  LIKE  ME,  SHORT HAIR  AND THIN 
 ARMS, BUT WITH  EARS  FROM SOME  ANIMAL, 
 AND  MORE DISTURBINGLY, COMPLETELY  MADE 
 OF DARK LIQUID GLASS.                    
                                          
                                        
                                      
                          
                                      
                                        
                                          
 MY  FEAR  HOLDS  ME  IN PLACE  WHILE  HE 
 STARTS  OPERATING LEVERS  AND  DIALS SET 
 IN  THE CENTER OF THE STAIRCASE. SLOWLY, 
 IT  STARTS  SPINNING,  CIRCLING UPWARDS. 
 IT'S  AN   ELEVATOR!  I  START  TO   RUN 
 DOWNWARDS,  BUT  NOW  THE   LIQUID   BOY 
 CREATURE  GRABS  HOLD  OF  ME.  I TRY TO 
 SHAKE HIM  OFF, BUT HE'S TOO STRONG, AND 
 PULLS   ME    BACK    UP   BESIDE   HIM. 
                                          
 THIS TIME,  I TURN  ANGRY INSTEAD.  WHAT 
 THE HELL? WHO IS THIS GUY,  ACTING  LIKE 
 THIS? I REACH  OUT  MY FREE ARM AND SLAM 
 A  RANDOM  LEVER.  SOME  METAL   BAR  IS 
 SUDDENLY  RELEASED BETWEEN  US,  HITTING 
 HIM  ON  THE ARM, FORCING  MY RELEASE. I 
 SHOVE HIM  OFF OF ME, AND HE  FALLS INTO 
 THE    LEVERS,    MESSING    THEM    UP. 
 IMMEDIATELY,   A  THIN  RUSTY  CHAINMAIL 
 CURTAIN  IS  DROPPED AROUND  ME. BUT THE 
 ELEVATOR ALSO  SPEEDS UP  SIGNIFICANTLY. 
                                          
 THE  WALLS  ARE   FLARING  NOW,  YELLOW, 
 WHITE,  ALMOST BLUE. I CLOSE MY EYES AND 
 CURL INTO  A  BALL. BUT THEN, THE  GLASS 
 BOY  SCREAMS,  A   PIERCING  SOUND  THAT 
 FORCES MY EYES BACK OPEN. I  WATCH AS HE 
 BECOMES  TOO LIQUID,  HIS  BODY  POOLING 
 DOWN IN HIS NOW MASSIVE  TAIL,  AND  THE 
 TIP OF IT SUDDENLY BREAKS OF IN  A GLASS 
 DROP   THAT  FALLS  TOWARD  THE  FACTORY 
 FLOOR.                                   
                                          
 HE'S CRAWLING  ON THE STAIRS, UNABLE  TO 
 KEEP HIS  BODY UPRIGHT. CAN'T  REACH THE 
 LEVERS,  CLAWS  AT  MY  CHAINMAIL  CAGE, 
 WHILE HIS  BODY  IS  TURNING  INTO  DARK 
 PEARLS. FINALLY, HE'S  LOST TOO  MUCH OF 
 HIMSELF  AND THE  SCREAM  IS CUT  SHORT. 
 THE    LAST   OF    HIM    RAINS   DOWN. 
                                          
 I STILL  CAN'T  REACH  THE  LEVERS  FROM 
 WITHIN MY CAGE.  LOOKING  UP,  I  TRY TO 
 MAKE OUT  THE CEILING,  BUT IT'S  ALL  A 
 WHIRLING SEA OF COLOURS. BELOW ME  GLOWS 
 THE HELLFIRE  OF THE  FACTORY WALLS, BUT 
 VERY  FAINT. I  SIT DOWN, CURL  BACK UP, 
 BECOME STILL.                            
                                          
                                        
                                      
                          
                                      
                                        
                                          
 A  LARGE CLUNK  SHAKES  MY  ENTIRE BODY, 
 AND  SNAPS  ME  BACK  INTO  REALITY. I'M 
 BACK  AT  THE  FACTORY  FLOOR,  BUT  THE 
 STAIRS   ARE   STILL   MOVING  SLIGHTLY, 
 CLICKING IN PLACE, CARRYING  ME THE LAST 
 FEW  CENTIMETERS.  I  CAME  FROM  BELOW, 
 SOMEHOW.  THE  CHAINMAIL  IS  RETRACTED, 
 AND  I   SLOWLY  DISMOUNT  THE   STAIRS. 
                                          
 SHAKING AND CRYING,  I  MAKE MY WAY OVER 
 THE FACTORY FLOOR,  WADING  THROUGH DARK 
 GLASS MARBLES. A QUICK  GLANCE DOWN, AND 
 I  SEE  THERE'S SOMETHING  FAINT  INSIDE 
 THEM.   EMBRYOS?    ARE    THESE   EGGS? 
                                          
 I   SHUDDER,   AND   CLIMB   BACK   OUT.