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* the glass factory. *
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,,,,,,,,,: several centuries after it had last :,,,,,,,,,
,,,,,,,,,, belonged to us, we went on an outing to ,,,,,,,,,,
,,,,,,,,,, the glass factory that bore our family ,,,,,,,,,,
,,,,,,,,,, name. it had changed owners many times ,,,,,,,,,,
,,,,,,,,,: since our ancestors death, and then :,,,,,,,,,
,,,,,,,,:~ stood abandoned for a long while. ~:,,,,,,,,
,,,,,,,:~; finally, the natural end station for ;~:,,,,,,,
,,,,,,:~;* the buildings that survive: a museum, *;~:,,,,,,
,,,,,:~;*@ and a gift shop. @*;~:,,,,,
,,,,:~;*@§ §@*;~:,,,,
,,,:~;*@§£ there's a long time since my family £§@*;~:,,,
,,:~;*@§£@ made anything. by many, we would be @£§@*;~:,,
,:~;*@§£@# considered poor. #@£§@*;~:,
,,:~;*@§£@ @£§@*;~:,,
,,,:~;*@§£ there are two main factory buildings, £§@*;~:,,,
,,,,:~;*@§ domed things of several floors, made in §@*;~:,,,,
,,,,,:~;*@ yellow brick. large but narrow windows, @*;~:,,,,,
,,,,,,:~;* reminescent of some cathedral. *;~:,,,,,,
,,,,,,,:~; custom-made glass, of course, large and ;~:,,,,,,,
,,,,,,,,:~ leaded, and ashen. a bit too dark to be ~:,,,,,,,,
,,,,,,,,,: practical. on the eastern building, :,,,,,,,,,
,,,,,,,,,, some are shattered. ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, the other one is publicly open. there's ,,,,,,,,,,
,,,,,,,,,: a museum, with wax figures of my great :,,,,,,,,,
,,,,,,,,:~ great great grandfather, or something. ~:,,,,,,,,
,,,,,,,:~; various tools (or replicas) laid out on ;~:,,,,,,,
,,,,,,:~;* tables, with explaining texts. a lot of *;~:,,,,,,
,,,,,:~;*@ glass of varying thickness. @*;~:,,,,,
,,,,:~;*@§ §@*;~:,,,,
,,,:~;*@§£ ** £§@*;~:,,,
,,:~;*@§£@ ** ** @£§@*;~:,,
,:~;*@§£@# ~~~~~~~ * * ~~~~~~~ #@£§@*;~:,
,,:~;*@§£@ ** ** @£§@*;~:,,
,,,:~;*@§£ ** £§@*;~:,,,
,,,,:~;*@§ §@*;~:,,,,
,,,,,:~;*@ i quickly sneak out, and climb into the @*;~:,,,,,
,,,,,,:~;* other building. the contrast is *;~:,,,,,,
,,,,,,,:~; overwhelming. it must have stood ;~:,,,,,,,
,,,,,,,,:~ derelict for a long time, windows ~:,,,,,,,,
,,,,,,,,,: broken, metallic trash and pools of :,,,,,,,,,
,,,,,,,,,, dark glass all over the floor. no ,,,,,,,,,,
,,,,,,,,,, electric lights, but i can see by the ,,,,,,,,,,
,,,,,,,,,, light that shines in wherever the dark ,,,,,,,,,,
,,,,,,,,,: windows are missing a pane. :,,,,,,,,,
,,,,,,,,:~ ~:,,,,,,,,
,,,,,,,:~; however, the greatest difference is the ;~:,,,,,,,
,,,,,,:~;* higher floors: this building has none. *;~:,,,,,,
,,,,,:~;*@ it is one massive hall, stretching away @*;~:,,,,,
,,,,:~;*@§ infinitely above me. somewhere up there §@*;~:,,,,
,,,:~;*@§£ is some great iron latticework, from £§@*;~:,,,
,,:~;*@§£@ where chains are suspended, and parts @£§@*;~:,,
,:~;*@§£@# of machinery has been falling down. #@£§@*;~:,
,,:~;*@§£@ @£§@*;~:,,
,,,:~;*@§£ there is, in the middle of the great £§@*;~:,,,
,,,,:~;*@§ hall, a thin spiral staircase that §@*;~:,,,,
,,,,,:~;*@ leads up there. i sneak over there, and @*;~:,,,,,
,,,,,,:~;* take a few reluctant steps. after just *;~:,,,,,,
,,,,,,,:~; a revolution, i notice that for each ;~:,,,,,,,
,,,,,,,,:~ step the building starts to glow, the ~:,,,,,,,,
,,,,,,,,,: bricks turning a dark red, and then :,,,,,,,,,
,,,,,,,,,, orange, all the piled up debree being ,,,,,,,,,,
,,,,,,,,,, lit from behind. ,,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,: i stop ready to run down and out, but :,,,,,,,,,
,,,,,,,,:~ there's someone else on the staircase ~:,,,,,,,,
,,,,,,,:~; with me now, pressed close. he's ;~:,,,,,,,
,,,,,,:~;* looking like me, short hair and thin *;~:,,,,,,
,,,,,:~;*@ arms, but with ears from some animal, @*;~:,,,,,
,,,,:~;*@§ and more disturbingly, completely made §@*;~:,,,,
,,,:~;*@§£ of dark liquid glass. £§@*;~:,,,
,,:~;*@§£@ @£§@*;~:,,
,:~;*@§£@# ** #@£§@*;~:,
,,:~;*@§£@ ** ** @£§@*;~:,,
,,,:~;*@§£ ~~~~~~~ * * ~~~~~~~ £§@*;~:,,,
,,,,:~;*@§ ** ** §@*;~:,,,,
,,,,,:~;*@ ** @*;~:,,,,,
,,,,,,:~;* *;~:,,,,,,
,,,,,,,:~; my fear holds me in place while he ;~:,,,,,,,
,,,,,,,,:~ starts operating levers and dials set ~:,,,,,,,,
,,,,,,,,,: in the center of the staircase. slowly, :,,,,,,,,,
,,,,,,,,,, it starts spinning, circling upwards. ,,,,,,,,,,
,,,,,,,,,, it's an elevator! i start to run ,,,,,,,,,,
,,,,,,,,,, downwards, but now the liquid boy ,,,,,,,,,,
,,,,,,,,,: creature grabs hold of me. i try to :,,,,,,,,,
,,,,,,,,:~ shake him off, but he's too strong, and ~:,,,,,,,,
,,,,,,,:~; pulls me back up beside him. ;~:,,,,,,,
,,,,,,:~;* *;~:,,,,,,
,,,,,:~;*@ this time, i turn angry instead. what @*;~:,,,,,
,,,,:~;*@§ the hell? who is this guy, acting like §@*;~:,,,,
,,,:~;*@§£ this? i reach out my free arm and slam £§@*;~:,,,
,,:~;*@§£@ a random lever. some metal bar is @£§@*;~:,,
,:~;*@§£@# suddenly released between us, hitting #@£§@*;~:,
,,:~;*@§£@ him on the arm, forcing my release. i @£§@*;~:,,
,,,:~;*@§£ shove him off of me, and he falls into £§@*;~:,,,
,,,,:~;*@§ the levers, messing them up. §@*;~:,,,,
,,,,,:~;*@ immediately, a thin rusty chainmail @*;~:,,,,,
,,,,,,:~;* curtain is dropped around me. but the *;~:,,,,,,
,,,,,,,:~; elevator also speeds up significantly. ;~:,,,,,,,
,,,,,,,,:~ ~:,,,,,,,,
,,,,,,,,,: the walls are flaring now, yellow, :,,,,,,,,,
,,,,,,,,,, white, almost blue. i close my eyes and ,,,,,,,,,,
,,,,,,,,,, curl into a ball. but then, the glass ,,,,,,,,,,
,,,,,,,,,, boy screams, a piercing sound that ,,,,,,,,,,
,,,,,,,,,: forces my eyes back open. i watch as he :,,,,,,,,,
,,,,,,,,:~ becomes too liquid, his body pooling ~:,,,,,,,,
,,,,,,,:~; down in his now massive tail, and the ;~:,,,,,,,
,,,,,,:~;* tip of it suddenly breaks of in a glass *;~:,,,,,,
,,,,,:~;*@ drop that falls toward the factory @*;~:,,,,,
,,,,:~;*@§ floor. §@*;~:,,,,
,,,:~;*@§£ £§@*;~:,,,
,,:~;*@§£@ he's crawling on the stairs, unable to @£§@*;~:,,
,:~;*@§£@# keep his body upright. can't reach the #@£§@*;~:,
,,:~;*@§£@ levers, claws at my chainmail cage, @£§@*;~:,,
,,,:~;*@§£ while his body is turning into dark £§@*;~:,,,
,,,,:~;*@§ pearls. finally, he's lost too much of §@*;~:,,,,
,,,,,:~;*@ himself and the scream is cut short. @*;~:,,,,,
,,,,,,:~;* the last of him rains down. *;~:,,,,,,
,,,,,,,:~; ;~:,,,,,,,
,,,,,,,,:~ i still can't reach the levers from ~:,,,,,,,,
,,,,,,,,,: within my cage. looking up, i try to :,,,,,,,,,
,,,,,,,,,, make out the ceiling, but it's all a ,,,,,,,,,,
,,,,,,,,,, whirling sea of colours. below me glows ,,,,,,,,,,
,,,,,,,,,, the hellfire of the factory walls, but ,,,,,,,,,,
,,,,,,,,,: very faint. i sit down, curl back up, :,,,,,,,,,
,,,,,,,,:~ become still. ~:,,,,,,,,
,,,,,,,:~; ;~:,,,,,,,
,,,,,,:~;* ** *;~:,,,,,,
,,,,,:~;*@ ** ** @*;~:,,,,,
,,,,:~;*@§ ~~~~~~~ * * ~~~~~~~ §@*;~:,,,,
,,,:~;*@§£ ** ** £§@*;~:,,,
,,:~;*@§£@ ** @£§@*;~:,,
,:~;*@§£@# #@£§@*;~:,
,,:~;*@§£@ a large clunk shakes my entire body, @£§@*;~:,,
,,,:~;*@§£ and snaps me back into reality. i'm £§@*;~:,,,
,,,,:~;*@§ back at the factory floor, but the §@*;~:,,,,
,,,,,:~;*@ stairs are still moving slightly, @*;~:,,,,,
,,,,,,:~;* clicking in place, carrying me the last *;~:,,,,,,
,,,,,,,:~; few centimeters. i came from below, ;~:,,,,,,,
,,,,,,,,:~ somehow. the chainmail is retracted, ~:,,,,,,,,
,,,,,,,,,: and i slowly dismount the stairs. :,,,,,,,,,
,,,,,,,,,, ,,,,,,,,,,
,,,,,,,,,, shaking and crying, i make my way over ,,,,,,,,,,
,,,,,,,,,, the factory floor, wading through dark ,,,,,,,,,,
,,,,,,,,,: glass marbles. a quick glance down, and :,,,,,,,,,
,,,,,,,,:~ i see there's something faint inside ~:,,,,,,,,
,,,,,,,:~; them. embryos? are these eggs? ;~:,,,,,,,
,,,,,,:~;* *;~:,,,,,,
,,,,,:~;*@ i shudder, and climb back out. @*;~:,,,,,
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