@@,@,,@,,, @@,,,@@@@,
@,@@@,@@,, ,,@,,@,,,@
,@@,,@@,@, ,,@@,@@,,@
@@,@,@,@@@ @,@,@@,@,@
,,@@@@@@,, ,@@@@,@@@@
@,@,,,,,@, the last song on side b (and to some ,@,,,@@,,,
@@@@,,,,@@ extent the first song on side a) talks ,@@,,@,@,,
@,,,@,,,@, for the whole album, not just their @@,@,@@@@,
@@,,@@,,@@ side. the last song on side b is @,@@@@,,,@
,,@,@,@,@, probably the most important ,@@,,,@,,@
@,@@@@@@@@ opportunity, the most charged slot. @@,@,,@@,@
,@@,,,,,,, ,,@@@,@,@@
@@,@,,,,,, ,£#£, @,@,,@@@@,
@,@@@,,,,, @@@@,@,,,@
,@@,,@,,,, the album is a singularity, an anomaly ,,,,@@@,,@
@@,@,@@,,, in spacetime, a creature that knows ,,,,@,,@,@
,,@@@@,@,, exactly how beautiful it is. ,,,,@@,@@@
@,@,,,@@@, , @,,,@,@@,,
@@@@,,@,,@ and the thing is: it sees itself in @@,,@@@,@,
@,,,@,@@,@ three d. it knows that it's dying. @,@,@,,@@@
,@,,@@@,@@ @@@@@@,@,,
,@@,@,,@@, ==$$==$$==$$==$$==$@@$==$$==$$==$$==$$== ,,,,,,@@@,
,@,@@@,@,@ @,,,,,@,,@
@@@@,,@@@@ . dolphins and cats . @@,,,,@@,@
,,,,@,@,,, bring us @,@,,,@,@@
@,,,@@@@,, , flowers and honey , @@@@,,@@@,
@@,,@,,,@, ,,,,@,@,,@
,,@,@@,,@@ . dolphins and cats . ,,,,@@@@,@
@,@@@,@,@, bring us ,,,,@,,,@@
,@@,,@@@@@ , fairies and bees , ,,,,@@,,@,
,@,@,@,,,, @,,,@,@,@@
@@@@@@@,,, our boat is afloat @@,,@@@@@,
@,,,,,,@,, on a surface of lilies @,@,@,,,,@
,@,,,,,@@, . dolphins and cats . @@@@@@,,,@
@@@,,,,@,@ drag us down @,,,,,@,,@
,,,@,,,@@@ ,~= underneath =~, ,@,,,,@@,@
@,,@@,,@,, ,@@,,,@,@@
,@,@,@,@@, ==$$==$$==$$==$$==$@@$==$$==$$==$$==$$== ,@,@,,@@@,
,@@@@@@@,@ ,@@@@,@,,@
@@,,,,,,@@ side a is foresty, and side b might @@,,,@@@,@
,,@,,,,,@, be lizardy. but the last song is full @,@,,@,,@@
@,@@,,,,@@ of space. ,@@@,@@,@,
@@@,@,,,@, @@,,@@,@@@
,,,@@@,,@@ @,@,@,@@,,
,,,@,,@,@, @@@@@@@,@,
,,,@@,@@@@ ,,,,,,,@@@
@,,@,@@,,, ,,,,,,,@,,