.&..&&&... ......&&&&
&&&.&..&.. &.....&...
&..&&&.&&. &&....&&..
&&.&..&&.& &.&...&.&.
&.&&&.&.&& &&&&..&&&&
.&&..&&&&. #&#&#&#&#&#&#&#&#&#& &...&.&...
.&.&.&...& & BUILDINGS, TOWERS IN THE "GOLDEN & &&..&&&&..
.&&&&&&..& & BAY" (EVERYTHING MADE OF SANDSTONE). & &.&.&...&.
.&.....&.& # FIVE PARTICULAR HOUSES FOURTY # .&&&&&..&&
&&&....&&& # STORIES TALL, HUNDRED METERS APART, # &&....&.&.
&..&...&.. & IN A SLIGHT ARC INWARDS. & ..&...&&&&
.&.&&..&&. & & &.&&..&...
.&&&.&.&.& # BETWEEN TWO MOUNTAINS; TO THE RIGHT # &&&.&.&&..
.&..&&&&&& # AND LEFT THE CITY CLIMBS QUICKLY. # ...&&&&.&.
.&&.&..... & THE RIGHT PLATEAU HOSTS A LUSH AND & ...&...&&&
&&.&&&.... & SHADED GARDEN WHICH MORPHS INTO A & &..&&..&..
&.&&..&... # TERRACE OVERLOOKING THE SEA AND # &&.&.&.&&.
&&&.&.&&.. # THE BUILDINGS. # &.&&&&&&.&
...&&&&.&. & & .&&.....&&
&..&...&&& & TO THE LEFT THE HOUSES CLIMB & &&.&....&.
&&.&&..&.. # SIMILARLY BUT A LOT OF TUNNELS AND # ..&&&...&&
..&&.&.&&. # HALLS HAVE BEEN DUG FROM THE # &.&..&..&.
..&.&&&&.& & MOUNTAIN. SOME HOUSES STAND & &&&&.&&.&&
&.&&&...&& & COMPLETELY "INSIDE". BECAUSE OF CAVE & ....&&.&&.
&&&..&..&. # CONDITIONS THE LOWER FLOORS HERE # &...&.&&.&
...&.&&.&& # ARE COVERED IN DARK ALGAE THAT THE # .&..&&&.&&
&..&&&.&&. & CITY LONG AGO STOPPED TRYING TO & .&&.&..&&.
&&.&..&&.& & REMOVE. ESTABLISHMENTS USE NEON & .&.&&&.&.&
..&&&.&.&& # SIGNS AS AN ACCENT TO THE DARK. # &&&&..&&&&
&.&..&&&&. # THERE'S A CASINO. # ....&.&...
&&&&.&...& & THERE'S AN INTERNET CAFE. & ....&&&&..
&...&&&..& & & ....&...&.
&&..&..&.& # MOST PEOPLE LIVING HERE HAVE LONG # &...&&..&&
..&.&&.&&& # SNOUTS AND BIG EARS. ALL SPACE IS # &&..&.&.&.
..&&&.&&.. & SHARED (FEW ROOMS HAVE LOCKS OR & &.&.&&&&&&
&.&..&&.&. & EVEN DOORS). INTERIOR DESIGN IS & &&&&&.....
&&&&.&.&&& # MOSTLY ART NOUVEAU AND MADE # &....&....
&...&&&&.. # OUT OF COPPER. # &&...&&...
&&..&...&. &#&#&#&#&###&#&#&#&#&& &.&..&.&..
&.&.&&..&& .&&&.&&&&.
&&&&&.&.&. .&..&&...&
.....&&&&& &&&.&.&..&
&....&.... ...&&&&&.&
.&...&&... ...&....&&