.-=;*§£@## ##@£§*;=-.
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..-=;*§£@# ....**## VäXJö ##**.... #@£§*;=-..
.-=;*§£@## ##@£§*;=-.
..-=;*§£@# THE APARTMENT SMELLS OF OLD COFFEE AND #@£§*;=-..
.-=;*§£@## SWEETENERS. I DON'T KNOW HOW I LET IT ##@£§*;=-.
..-=;*§£@# GET LIKE THIS. IT'S NOT INTENTIONAL. #@£§*;=-..
.-=;*§£@## ##@£§*;=-.
..-=;*§£@# I WEAR YELLOW TINTED GLASSES. THE ROOM #@£§*;=-..
.-=;*§£@## CHANGES SHAPE A LOT. RIGHT NOW THERE'S ##@£§*;=-.
..-=;*§£@# A BLUE SOFA WITH YELLOW SEAMS. I #@£§*;=-..
.-=;*§£@## EXPERIMENT WITH DIFFERENT COLORED ##@£§*;=-.
..-=;*§£@# LIGHTS. I'M LEARNING THINGS. #@£§*;=-..
.-=;*§£@## ##@£§*;=-.
..-=;*§£@# MY THOUGHTS ARE REVOLVING AROUND TIME, #@£§*;=-..
.-=;*§£@## AND THE PERCEPTION OF IT. CAN I MAKE IT ##@£§*;=-.
..-=;*§£@# RIGID? IF I REALLY WANT TO, CAN I MAKE #@£§*;=-..
.-=;*§£@## IT FEEL LIKE THERE IS ENOUGH OF IT? ##@£§*;=-.
..-=;*§£@# ALSO, AND MAYBE, ULTIMATELY, MORE #@£§*;=-..
.-=;*§£@## IMPORTANT - CAN I MAKE IT FEEL LIKE IT ##@£§*;=-.
..-=;*§£@# DOESN'T MATTER? #@£§*;=-..
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