##@£$%==~,                                          ,~==%$£@##
###@£$==~,                                          ,~==$£@###
##@£$%==~,                                          ,~==%$£@##
##@£$%==~,                                          ,~==%$£@##
###@£$%=~,                                          ,~=%$£@###
##@£$%==~, delay  delay  d,la#  £ %a,  ~ ,@   =   ~ ,~==%$£@##
#£%%%===~,                                          ,~===%%%£#
££££$%==~,                                          ,~==%$££££
##@£$%==~,                                          ,~==%$£@##
@$===,,,,,                                          ,,,,,===$@
##@£$%==~, "delay" means repetiton or likewise,     ,~==%$£@##
£$====~~~, but it's mainly useless without          ,~~~====$£
@£%=,,,,,, feedback,                                ,,,,,,=%£@
£%==~,,,,, to allow the delay to eat of it's own    ,,,,,~==%£
#£%=~~,,,, tail, like one of those eaty serpents.   ,,,,~~=%£#
##@£$%==~, thus: it's the serpent effect!           ,~==%$£@##
##@£$%==~,                                          ,~==%$£@##
#@£$===,,, it's to be revered as a creator of       ,,,===$£@#
@£$==,,,,, ambience and of space, if you treat it   ,,,,,==$£@
@£$$%==~~, right. a somewhat more solid and         ,~~==%$$£@
##@£$%==~, slippery sibling of reverb.              ,~==%$£@##
££££$%==~,                                          ,~==%$££££
@£%==~,,,,                                          ,,,,~==%£@
@@£%%=,,,,                                          ,,,,=%%£@@
#£££$%==~,                                          ,~==%$£££#
£%=~,,,,,,                                          ,,,,,,~=%£