..,~=%¤@@# #@@¤%=~,..
...,~=%¤@@ @@¤%=~,...
....,~=%¤@ @¤%=~,....
.....,~=%¤ ¤%=~,.....
......,~=% %=~,......
.....,~=%¤ delay delay d.la@ ¤ %a. , .@ ~ , ¤%=~,.....
....,~=%¤@ @¤%=~,....
...,~=%¤@@ @@¤%=~,...
..,~=%¤@@# #@@¤%=~,..
.,~=%¤@@## ##@@¤%=~,.
..,~=%¤@@# "delay" means repetiton or likewise, #@@¤%=~,..
...,~=%¤@@ but it's mainly useless without @@¤%=~,...
....,~=%¤@ feedback, @¤%=~,....
.....,~=%¤ to allow the delay to eat of it's own ¤%=~,.....
......,~=% tail, like one of those eaty serpents. %=~,......
.....,~=%¤ thus: it's the serpent effect! ¤%=~,.....
....,~=%¤@ @¤%=~,....
...,~=%¤@@ it's to be revered as a creator of @@¤%=~,...
..,~=%¤@@# ambience and of space, if you treat it #@@¤%=~,..
.,~=%¤@@## right. a somewhat more solid and ##@@¤%=~,.
..,~=%¤@@# slippery sibling of reverb. #@@¤%=~,..
...,~=%¤@@ @@¤%=~,...
....,~=%¤@ @¤%=~,....
.....,~=%¤ ¤%=~,.....
......,~=% %=~,......
.....,~=%¤ ¤%=~,.....