@&$~.,,,,, ,,,,,.~$&@
##@&@$;~., ,.~;$@&@##
&&@$~.,,,, ,,,,.~$@&&
&@$;~.,,,, ,,,,.~;$@&
@@;;.,,,,, ,,,,,.;;@@
###@&$;~., delay delay d,la# & $a, . ,@ ~ . ,.~;$&@###
&$~.,,,,,, ,,,,,,.~$&
##@&@$;~., ,.~;$@&@##
@&&$~~~,,, ,,,~~~$&&@
###@&@;~., ,.~;@&@###
#&@$;;~~., "delay" means repetiton or likewise, ,.~~;;$@&#
##@&@$;~., but it's mainly useless without ,.~;$@&@##
##@&@$;~., feedback, ,.~;$@&@##
@@$;~..,,, to allow the delay to eat of it's own ,,,..~;$@@
###@&@$~., tail, like one of those eaty serpents. ,.~$@&@###
&&&&@$;~., thus: it's the serpent effect! ,.~;$@&&&&
##@&@$;~., ,.~;$@&@##
##@&@$;~., it's to be revered as a creator of ,.~;$@&@##
@@&&@$;~., ambience and of space, if you treat it ,.~;$@&&@@
@&@$~~~.., right. a somewhat more solid and ,..~~~$@&@
##@&@$;~., slippery sibling of reverb. ,.~;$@&@##
#@@&@$;~., ,.~;$@&@@#
&@$$~,,,,, ,,,,,~$$@&
##@&@$;~., ,.~;$@&@##
#&@;.,,,,, ,,,,,.;@&#
##@&@$;~., ,.~;$@&@##