#§%\^^.... ....^^\%§#
#@#§§%\~^. .^~\%§§#@#
§§%%~~^^.. ..^^~~%%§§
#@#§§%\~^. .^~\%§§#@#
§%~^...... ......^~%§
§§§%\~.... delay delay d.la@ § %a. ^ .# ~ ^ ....~\%§§§
##@#§%\~^. .^~\%§#@##
#@#§§%\~^. .^~\%§§#@#
@#§§§%\~^. .^~\%§§§#@
#@#§§%\~^. .^~\%§§#@#
@§%%\^.... "delay" means repetiton or likewise, ....^\%%§@
#@#§§%\~^. but it's mainly useless without .^~\%§§#@#
@@#§§%\~^. feedback, .^~\%§§#@@
@@#§§%\~^. to allow the delay to eat of it's own .^~\%§§#@@
@@#§§%\~^. tail, like one of those eaty serpents. .^~\%§§#@@
##§%%~^... thus: it's the serpent effect! ...^~%%§##
#@#§§%\~^. .^~\%§§#@#
###§§%\~^. it's to be revered as a creator of .^~\%§§###
§§%\~^.... ambience and of space, if you treat it ....^~\%§§
@§§§\^^^.. right. a somewhat more solid and ..^^^\§§§@
##§§§%\~^. slippery sibling of reverb. .^~\%§§§##
#@#§§%\~^. .^~\%§§#@#
#§§\^^.... ....^^\§§#
#@#§§%\~^. .^~\%§§#@#
§§%%%%\~^. .^~\%%%%§§
#§§%%~~... ...~~%%§§#