.¤¤.¤.¤..¤ .¤¤..¤...¤
..¤.¤.¤.¤¤ ¤.¤.¤¤..¤¤
.¤¤.¤.¤..¤ ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ # ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ .LIZARDRY ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ » £ #£ ### ################## ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ ## THE ART OF C.NNECTING ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ . WITH THE OLD MIND ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ MY MIND IS BEING SKEWED. MI ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ SKELETON IS STRINGY AND OLD AND ALIEN ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ THE SITUATION IS LITERALLY ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ PRESSED OUT THROUGH MY EYES, IT'S ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ ECHOING LIKE ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ THE SUNSET OF THE ETERNAL ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ OCEAN ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ PERSISTENTLY AGAINST MY EMULSION ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ IT'S UNGRASPABLE TO ME, WHAT OTHER ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ HUMANS ARE DOING AND ABSTRACTING, ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ AND ABOVE ALL ELSE, WHAT TIME THEY USE? ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ HOW LONG A TIME HAS PASSED, FOR THEM? ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ . ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ . ... . ................ £££££££ ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ CONTINUOUSLY I'M CROWDING THROUGH ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ . THE FOURTH WALL .OUTWARDS IS WHAT . ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ .. I'M THINKING BUT IT'S WRONG.. A NEW ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ . . NARRATOR IS INTRODUCED, OCCASIONALLY ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ . . AWARE OF THE PREVIOUS ONE, DEEPER . ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ . . DOWN IN THE DRAGONS THROAT. ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ . ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ . ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ ¤.¤.¤¤.¤.¤
.¤¤.¤.¤..¤ ¤.¤..¤.¤.¤
..¤.¤.¤.¤¤ ¤.¤.¤¤.¤.¤