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##.#.##.#.                                          .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#.             ¤ DREAM PALACE ¤             .#.#.##.#.
.#.#..#.#.             : ----- ------ :             .#.#..#.#.
##.#.##.#.             ¤ ..... ...... ¤             .#.#.##.#.
.#.#..#.#.             / ..... ...... /             .#.#..#.#.
##.#.##.#.             : ..... ...... :             .#.#.##.#.
.#.#..#.#.             : ..... ...... :             .#.#..#.#.
##.#.##.#.             . ..... ...... .             .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#.                                          .#.#.##.#.
.#.#..#.#. NOT  ACTUALLY A PALACE. A COTTAGE IN THE .#.#..#.#.
##.#.##.#.  WOODS (TEMPERATE CLIMATE, RAINS EVERY   .#.#.##.#.
.#.#..#.#. OTHER  DAY,  SPRINGS  AND   STREAMS  AND .#.#..#.#.
##.#.##.#.   MYSTERIOUS IRON AND STONE ARTIFACTS,   .#.#.##.#.
.#.#..#.#.     BIRDLAND-ISH ETERNAL SPRING (LATE    .#.#..#.#.
##.#.##.#.                 SPRING))                 .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#.                     ~                    .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#. I WAKE UP EVERY MORNING AT SIX  AM. IT'S .#.#.##.#.
.#.#..#.#. DARK,  AND THE STARS  ARE  OUT, BUT  THE .#.#..#.#.
##.#.##.#. SUN  IS ABOUT TO  RISE. ITS  A LONG DAY, .#.#.##.#.
.#.#..#.#. BEFORE  IT FADES  TO  NIGHT  AGAIN,  AND .#.#..#.#.
##.#.##.#. THEN IT  STAYS  SO  UNTIL I FALL ASLEEP. .#.#.##.#.
.#.#..#.#. IT  DOESN'T  RISE  UNLESS  I'VE  HAD  MY .#.#..#.#.
##.#.##.#.                  DREAMS.                 .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#.                     §                    .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#. IN THIS COTTAGE THERE'S A  LOT  OF RADIO .#.#.##.#.
.#.#..#.#.   EQUIPMENT, SOUND STUFF, SYNTHS, TAPE   .#.#..#.#.
##.#.##.#. PLAYERS. PEN  AND PAPER, BOOKS, CAMERAS, .#.#.##.#.
.#.#..#.#. MIRRORS, PRISMS, AND VARIOUS  THINGS  TO .#.#..#.#.
##.#.##.#. DO ART WITH. THE FRIDGE  IS FILLED  WITH .#.#.##.#.
.#.#..#.#. DIFFERET FOODS, ALL OF  THEM INTRIGUING, .#.#..#.#.
##.#.##.#.              SLIGHTLY WEIRD.             .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#.                     #                    .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#. I HAVE  FRIENDS -  THERE'S A CAT,  AND A .#.#.##.#.
.#.#..#.#. DOG  (WHO  IS  RIDICOLOUSLY  LARGE   AND .#.#..#.#.
##.#.##.#. WANTS TO BE THE BIG SPOON).  I LISTEN TO .#.#.##.#.
.#.#..#.#. THE SHORTWAVE RADIO, AND TRANSMIT A  BIT .#.#..#.#.
##.#.##.#. MYSELF,  SONGS  AND  POETRY,  AND  FOUND .#.#.##.#.
.#.#..#.#. SOUNDS FROM THE FOREST.  THE OTHERS TELL .#.#..#.#.
##.#.##.#. OF  THEIR LIVES, PLAY THE GUITAR FOR ME, .#.#.##.#.
.#.#..#.#. AND  TELL  TALES  OF  THE  OLD WORLD.  I .#.#..#.#.
##.#.##.#.      CONSIDER THEM FRIENDS AS WELL.      .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#.                    ¶                     .#.#.##.#.
.#.#..#.#.                                          .#.#..#.#.
##.#.##.#. MOST  IMPORTANTLY, THERE'S A  TWO SQUARE .#.#.##.#.
.#.#..#.#. METER AREA  ON  THE  FLOOR  WHERE I  CAN .#.#..#.#.
##.#.##.#. "SAVE"  THINGS. WHATEVER  I PUT IN  HERE .#.#.##.#.
.#.#..#.#. WILL  NOT  BE  AFFECTED  BY THE  NIGHTLY .#.#..#.#.
##.#.##.#.   RESET. EVERYTHING ELSE, HOWEVER, IS    .#.#.##.#.
.#.#..#.#.    COMPLETELY RESET OVERNIGHT: SYNTH     .#.#..#.#.
##.#.##.#.   PATCHES REMOVED, FOOD UNEATEN, WOUNDS  .#.#.##.#.
.#.#..#.#. HEALED,  AND  WHEREVER AND WHENEVER  I'D .#.#..#.#.
##.#.##.#. FALL  ASLEEP  I'D  ALWAYS  WAKE UP FULLY .#.#.##.#.
.#.#..#.#. RESTED  IN  MY  BED.  SOMETIMES  THERE'S .#.#..#.#.
##.#.##.#. ACCIDENTS   WHERE  I   LOSE   STUFF   BY .#.#.##.#.
.#.#..#.#. FORGETTING  TO  PUT  THEM IN THE SQUARE. .#.#..#.#.
##.#.##.#.                                          .#.#.##.#.
.#.#..#.#.                     .                    .#.#..#.#.
##.#.##.#.                                          .#.#.##.#.
.#.#..#.#. AT  NIGHT,  I  HAVE  DEMI-LUCID   DREAMS .#.#..#.#.
##.#.##.#. WHERE THE  SPIRITS OF THE FOREST  AROUND .#.#.##.#.
.#.#..#.#. THE COTTAGE TRIES TO COMMUNICATE.  HERE, .#.#..#.#.
##.#.##.#. IT'S NOT  ENDLESS  BUT  CONNECTED  TO  A .#.#.##.#.
.#.#..#.#. LARGE  SPRAWLING  CITY,  WHERE  MY RADIO .#.#..#.#.
##.#.##.#. FRIENDS LIVE.  WE  GO EXPLORING TOGETHER .#.#.##.#.
.#.#..#.#. - THINGS ARE DEEP AND  DARK - BUT UNLIKE .#.#..#.#.
##.#.##.#. ME, THEY  NEVER REMEMBER DURING THE DAY. .#.#.##.#.
.#.#..#.#. THIS  IS  A MYSTERY  WE  OFTEN  DISCUSS. .#.#..#.#.
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