,-~;*@@### ###@@*;~-,
,-~~;**@@@ @@@**;~~-,
,-~;*£@@@# #@@@£*;~-,
,,,,,-;£@@ @@£;-,,,,,
,-~;*£@@## ##@@£*;~-,
,-~;*@@### £ dream palace £ ###@@*;~-,
,,,,,,,~*@ - ----- ------ - @*~,,,,,,,
,-~;*£@### £ ..... ...... £ ###@£*;~-,
,-~;*£@@## ; ..... ...... ; ##@@£*;~-,
,-~;*£@@## - ..... ...... - ##@@£*;~-,
,-~;*£@@@@ - ..... ...... - @@@@£*;~-,
,-~;*£@@## , ..... ...... , ##@@£*;~-,
,-~~~**£@@ @@£**~~~-,
,,-~;;*@@@ @@@*;;~-,,
,-~;*£@@## not actually a palace. a cottage in the ##@@£*;~-,
,-~;*£@### woods (temperate climate, rains every ###@£*;~-,
,,,,,-~*£@ other day, springs and streams and @£*~-,,,,,
,-~;*@@### mysterious iron and stone artifacts, ###@@*;~-,
,-~;**£@@@ birdland-ish eternal spring (late @@@£**;~-,
,-~;*£@@## spring)) ##@@£*;~-,
,-~;*£@### ###@£*;~-,
,-~;*£@@## ~ ##@@£*;~-,
,-~;;**£@@ @@£**;;~-,
,-~;*£££@# i wake up every morning at six am. it's #@£££*;~-,
,,,,-;££@# dark, and the stars are out, but the #@££;-,,,,
,,,,,~~~*@ sun is about to rise. its a long day, @*~~~,,,,,
,,,,,,~;*@ before it fades to night again, and @*;~,,,,,,
,-~;*£@@## then it stays so until i fall asleep. ##@@£*;~-,
,-~~~*££@@ it doesn't rise unless i've had my @@££*~~~-,
,-~;*£££@# dreams. #@£££*;~-,
,-~*£@@### ###@@£*~-,
,-~;*£@@## * ##@@£*;~-,
,-~;*£@@## ##@@£*;~-,
,-~;*£@@## in this cottage there's a lot of radio ##@@£*;~-,
,-~;*£@@## equipment, sound stuff, synths, tape ##@@£*;~-,
,-~;£@@### players. pen and paper, books, cameras, ###@@£;~-,
,-~;*£@@@# mirrors, prisms, and various things to #@@@£*;~-,
,-~;*£@@## do art with. the fridge is filled with ##@@£*;~-,
,-~;*£@@## differet foods, all of them intriguing, ##@@£*;~-,
,-~;*£@@@@ slightly weird. @@@@£*;~-,
,-~;*£@### ###@£*;~-,
,-~;*£@@## @ ##@@£*;~-,
,-~;*££££@ @££££*;~-,
,,,,-;**£@ i have friends - there's a cat, and a @£**;-,,,,
,-~;*£@@## dog (who is ridicolously large and ##@@£*;~-,
,-;*£@@### wants to be the big spoon). i listen to ###@@£*;-,
,,,-;;;££@ the shortwave radio, and transmit a bit @££;;;-,,,
,,,,,~~*@@ myself, songs and poetry, and found @@*~~,,,,,
,-~;£@@### sounds from the forest. the others tell ###@@£;~-,
,-~;*£@@## of their lives, play the guitar for me, ##@@£*;~-,
,--~~;**£@ and tell tales of the old world. i @£**;~~--,
,,,,,~*@@@ consider them friends as well. @@@*~,,,,,
,,---;;;£@ @£;;;---,,
,-~;*£@@## @ ##@@£*;~-,
,,,-~~*@@@ @@@*~~-,,,
,,,~;**££@ most importantly, there's a two square @££**;~,,,
,-~;*£@@## meter area on the floor where i can ##@@£*;~-,
,,,,-;££@@ "save" things. whatever i put in here @@££;-,,,,
,-~;*£@@## will not be affected by the nightly ##@@£*;~-,
,-~;*£@@## reset. everything else, however, is ##@@£*;~-,
,,,,,~;*@# completely reset overnight: synth #@*;~,,,,,
-~;*£@@### patches removed, food uneaten, wounds ###@@£*;~-
,-~;*£@@## healed, and wherever and whenever i'd ##@@£*;~-,
,-~;**£@@@ fall asleep i'd always wake up fully @@@£**;~-,
,-~;*£@@## rested in my bed. sometimes there's ##@@£*;~-,
,,,--;;£@# accidents where i lose stuff by #@£;;--,,,
,-~;*£@@## forgetting to put them in the square. ##@@£*;~-,
,,,,~***£@ @£***~,,,,
,,,,,~*£@@ , @@£*~,,,,,
,,,,--~**@ @**~--,,,,
,-~;*£@@@@ at night, i have demi-lucid dreams @@@@£*;~-,
,-~;*£@@## where the spirits of the forest around ##@@£*;~-,
,,,,-~;*@@ the cottage tries to communicate. here, @@*;~-,,,,
,,,,,--;*@ it's not endless but connected to a @*;--,,,,,
,-~;*£@@## large sprawling city, where my radio ##@@£*;~-,
,-~;*£@@## friends live. we go exploring together ##@@£*;~-,
,-~;*£@@## - things are deep and dark - but unlike ##@@£*;~-,
,,,,-;£££@ me, they never remember during the day. @£££;-,,,,
,,,-;**£@@ this is a mystery we often discuss. @@£**;-,,,
,-~;;;££@# #@££;;;~-,
,-~;;*££@@ @@££*;;~-,
,-~;*£@@@@ @@@@£*;~-,
,-~;*£@@## ##@@£*;~-,
,-~;***@@# #@@***;~-,
,-~;*£@@## ##@@£*;~-,